THE ART MONTHLY INDEX

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Use the alphabetical links above to navigate through the Index.

All of the Artlaw articles published in Art Monthly can be accessed online at Artquest.org.uk/artlaw

A

15/1² review by Sally O'Reilly 32/269
50 Projects in 50 Weeks reviews by Maria Walsh, Emma Smith, John Tozer, Michael Archer, Michael Wilson, David Lillington, Gilda Williams, Margaret Garlake 43/243
100 Artists See God review by Sally O'Reilly 16/ 283
2000 and What? by Patricia Bickers 2/232
210 x 297 review by David Barrett 47/232
54 x 54 x 54 review by David Barrett 47/232
90s Art, Notes on see John Roberts
.all Hawaii eNtrées/LuNar ReGGae review by John Slyce 26/303
A Kind of Bliss review by Ian White 32/ 275
A pasta de Walter Benjamin review by Andrew Wilson 33/172
A Secret Service review by Sally O'Reilly 29/304
A Timely Place, or, Getting Back to Somewhere review by Stephen Bury 39/249
A to Z review by David Musgrave 29/216
Aagaard, Hilde Homecoming , review by Stephen Bury 39/ 274
Abbs, Peter The Four Fallacies of Modernism 7/106; letters 23/107; A is for Aesthetic: Essays on Creative and Aesthetic Education,book review by Francis Frascina 27/133
Abdu'Allah, Faisal review by Nancy Hynes 32/218
About Vision: New British Painting in the 1990s review by Andrew Wilson 7/202
Abracadabra: International Contemporary Art review by Ian Hunt 7/229
Abrahams, Ivor review by Margaret Garlake 13/65
Abrahamson, Carl Introduction to Painful but Fabulous: The Lives and Art of Genesis P-Orridge, book review by Simon Anderson 41/ 273
Abramovic, Marina review by Sotiris Kyriacou 35/186, Robert Ayers 31/223
Abrioux, Yves Ian Hamilton Finlay, A visual primer,book review by John Willett 27/95
Absalon review by Dalia Manor 33/186
Absolut Open review by Elisabeth Mahoney 34/233
Abstract Art review by David Burrows 30/234
Abstract Still Life Portrait review by Chris Meigh-Andrews 21/156
Abstraction books on, review by Mel Gooding 22/140
Abstraction and Appropriation see Vincent Pécoil
Abstraction Now review by Axel Lapp 32/270
Accelerator review by Mark Harris 33/222
Accommodating Art: installation art by Michael Archer 7/199
Acconci, Vito review by Juan Cruz 49/210; letters 19/211; Michael Corris on 9/244; review by Michael Corris 33/ 287
ACE v RABs: Hoking Together by Robert Hutchison 49/250
Achill Redo see Anthony Hill
Ackermann, Rita review by Godfrey Worsdale 38/188
Ackling, Roger review by Monica Bohm-Duchen 19/106, Mel Gooding 16/134, Juan Cruz 46/218
Ackroyd, Norman review by Melanie Hart 19/34; obituary of Anthony Gross 31/82; interview by Cathy Courtney 26/153
ACME studios see Artlaw
A Short History of Performance, Part One see Anna Dezeuze 1/257
ACE Research Report see Artlaw
Acoustic Shadows review by David Briers 34/226
Across Europe 2/155
Adami, Valerio review by Willis Domingo 16/7
Adams, Eileen Public Art: People, Projects, Process, book review by Margaret Garlake 39/215
Adams, Hugo Sad Patronage 8/26; Northern Young Contemporaries 19/32; The work of Margaret Harrison 7/44
Adams, Mac review by Ian Walker 12/30
Adams, Robert review by Alastair Grieve 17/121
Adekola, Ade letters 15/204
Adekola, Ade/Shonibare, Yinka/Wallinger, Mark review by David Burrows 31/203, letters 15/204
Ader, Bas Jan review by Anna Dezeuze 29/297
Ader, Bas Jan/Coley, Nathan review by John Tozer 23/251
Ades, Dawn, Cox, Neil & Hopkins, David Marcel Duchamp, book review by Laura Moffatt 56/228
Adorno, T W Aesthetic Theory,book review by John Roberts 27/81
Advanced Graphics 23/101
Afrassiabi, Shahin review by JJ Charlesworth 30/ 274
Africa '95 review by Margaret Garlake 10/191; Africa 05 polemic by Eddie Chambers 44/ 284
Africa Remix review by Sally O'Reilly 27/ 286
African art review by Lynn MacRitchie 34/178
Afterimages: David Smith's spray images review by Patricia Bickers 17/89
Aftermath review by Peter Fuller 13/55
Against Explanation see Mark Wilsher
Against Internationalism letters 25/101
Agar, Eileen and Lambirth, Andrew A Look at My Life,book review by Liz Brooks 27/121
Agut, Pep review by Godfrey Worsdale 33/181
Ahtila, Eija-Liisa review by Cherry Smyth 32/257
Aiken, John review by Ian Hunt 26/190
Ainsley, Sam profile of Ian Balch 22/253
Air Guitar: Art Reconsidering Music review by Sara Harrison 35/259
Air & Space review by Lynn MacRitchie 6/156
Aitken, Doug Diamond Sea, review by Suzanne Cotter 46/243, Mark Wilsher 28/251
Aitken, Doug and Kuipers, Dean I am a Bullet: Scenes from an Accelerated Culture, review by Suzanne Cotter 46/243
Aitchison, Craigie review by Jonathan Leslie 7/54, Mel Gooding 17/106
Akakçe, Haluk review by Eliza Williams 40/ 278
Al-ani, Jananne review by Maria Walsh 24/ 285
Alberola, Jean-Michel review by Monica Petzal 18/88
Alberro, Alexander Conceptual Art and the Politics of Publicity, book review by Liam Gillick 40/264, Museum Highlights: The Writings of Andrea Fraser, book review by Sarah Thornton 42/ 292
Alberro, Alexander and Buchmann, Sabeth (eds) Art After Conceptual Art, book review by Mike Sperlinger 41/311
Alberro, Alexander and Norvell, Patricia (eds) Recording Conceptual Art, early interviews with Barry, Huebler, Kaltenbach, LeWitt, Morris, Oppenheim, Siegelaub, Smithson and Weiner by Patricia Norvell, book review by Jeremy Millar 51/255
Alberro, Alexander and Stimson, Blake (eds) Conceptual Art: A Critical Anthology, book review by Liam Gillick 55/238
Albers, Josef review by Paul Overy 8/87, 15/118, Astrid Schmetterling 38/178
Ali, Tariq letters 20/91; review of Tassaduq Sohail 21/106
Alighiero e Boetti review by Nina Mehta 22/231
Alone Together see Michael Archer
All Over The Place see Andrew Wilson
All You Need is Love see John Beagles and Dave Beech
All you need to know review by Paul Usherwood 24/262
Allan, Bruce review by Conor Joyce 25/164
Allen, Felicity Polemic: It's groovy to be global 44/224
Allen, William review of Arshile Gorky 20/134, Noel Forster 23/146; with Stephen Bann, Interpreting Contemporary Art, book review by Conor Joyce 23/149
Allington, Edward review by Michael Newman 12/89, Mel Gooding 13/108; Resting Form 4/108; review by John Furse 25/162; talk on work 13/171
Allington, Edward and Beevor-Mull Architects review by Brian Hatton 40/188
Allison, Peter review of Darrel Viner 22/136, David Ward 15/137, Harald Klingehöller 20/139, Max Ernst 13/140, Gerrit Rietveld and the Schroder house 18/142
Alloway, Lawrence The Support System and Art Galleries 5/53; obituary by Rudolf Baranik 35/134
Allsop, Douglas review by Clifford Myerson 18/139; On Fluxus, book review by Simon Anderson 41/ 273
Allsopp, Ric, Friedman, Ken and Smith, Owen (eds) Alsop, Joseph The Rare Art Traditions: The History of Art Collecting and Its Linked Phenomena, book review by René Gimpel 25/68
Althamer, Pawel & Zmijewski, Artur review by Catherine Wood 34/ 286
Althoff, Kai review by Ian Hunt 38/206
Allthorpe-Guyton, Marjorie 1st Picture, Show 8/42; review of Helen Chadwick 18/100, Rebecca Horn 17/158; obituary of Helen Chadwick 18/195; A Message 44/200
Almond, Darren review by Michael Wilson 40/251, Morgan Falconer 27/267
Altman, Robert Vincent and Theo,film review by Kevin Gough-Yates 28/137
Alÿs, Francis review by Pablo Lafuente 27/ 291; feature by Anna Dezeuze 1/307
America, Letter from Andrew Cross 7/203
America Rising see Michael Corris
American Angst see Jeffrey Kastner
American Art in the 20th Century review by Francis Frascina 19/171
American Art Inc, Whitney Museum of American Art in Europe by Carles Guerra 7/204
American Art of the 80s review by Robin Marriner 23/141
American Century, The Jeffrey Kastner on, Part I 19/228, Part II 1/231
American Effect review by Karen Rosenberg 40/270, letters 14/272
Amishai-Maisels, Ziva Depiction and Interpretation: The Influence of the Holocaust, book review by Monica Bohm-Duchen 32/174
an eternity with boundaries review by Michael Archer 50/200
Anand, Paul Performance Art and Festival: Nottingham 16/61
An Aside review by Eliza Williams 25/ 285
And the One doesn't stir without the Other review by Maria Walsh 35/269
And While London Burns review by Kit Hammonds 38/306
Andersson, Mamma review by Sally O'Reilly 38/262
Anderson, Laurie see Martin Patrick
Anderson, Simon book review of Carl Abrahamson (intro), Painful but Fabulous: The Lives and Art of Genesis P-Orridge , Jon Hendricks (ed) What's Fluxus? What's Not! Why. , Ric Allsopp, Ken Friedman and Owen Smith (eds) On Fluxus , Fluxus Performance Workbook , Hannah Higgins, Fluxus Experience 41/ 273
Anderson, Troels see Guy Atkins
Andersson, Roger (with text by Albert Mobilio) Letters from Mayhem , review by Stephen Bury 38/ 286
Andre, Carl The Bricks Abstract: A Compilation 25/1; interview by Peter Fuller part I 5/16, part II 5/17; review by Michael Archer 14/125; letters 26/127; review by Ronald Mayor 24/144, Stella Santacatterina 18/152; The Bricks Abstract 16/164; review by David Musgrave 36/239, Ian Hunt 36/253
Andre, Carl/Kretschmer, Melissa review by Juan Cruz 32/220
Andrea & Philippe review by David Barrett 30/206
Andrews, Lea review by Julian Stallabrass 24/163
Andrews, Malcolm Landscape and Western Art, book review by John Haldane 42/233
Andrews, Max (ed) Land, Art. A Cultural Ecology Handbook, book review by Dean Kenning 36/306
Andrews, Michael review by Toni del Renzio 17/42
Andy Warhol Retrospective see David Hopkins 1/254
Andy Warhol & Sound and Vision review by Michael O'Pray 27/249
Anfam, David book review of Frank H Goodyear Jr, Contemporary American Realism 25/55
Anger, Kenneth see Ian Hunt
Angry White Man see Patricia Bickers
Animation review by David Lillington 39/218
Anomie review by Michael Archer 11/157
Another Place review by Elisabeth Mahoney 27/238
Another Way To Say It see Hester R Westley
Anselmo, Giovanni review by Ian Hunt 22/ 285
Anson, Libby review of Static 34/182, Mona Hatoum 31/184, Division of Labor:'Women's work' 32/185, Tim Head/Tacita Dean 35/188; profile of Tania Kovats 22/190; review of Tracer 31/194, Marlene Dumas 38/196, Orlan 35/197; profile of Dorothy Cross 20/203
Ant Noises Michael Wilson on 7/237
Antechamber review by Juan Cruz 31/206
Anthology review by Cathy Courtney 31/213
anticipating future uses of work see Artlaw
Antin, Eleanor: Real Time Streaming review by Valerie Reardon 39/246
Antoni, Janine review by Simon Grant 28/176
Antwerp '93 back page/164; review by Andrew Wilson 22/171
Apocalypse Michael Wilson on 1/241
Apopalyptical review by David Barrett 27/ 276
Apparition: the Action of Appearing review by Simon Morrissey 25/263
Appel, Karel obituary by Andrew Wilson 18/297
Appelbaum, Anne review of Edward Dwurnik 14/107
Applebroog, Ida review by Michael Archer 3/173
Appleyard, David Richard Rogers, A Biography, book review by Stephen C Mooring 26/93
Appliance of Science review by Laura Moffatt 31/225
appropriation art see Mark Prince
appropriation of media see Artlaw
Araeen, Rasheed Polemic: Come on, cheer up! 29/59; letters 25/69, 28/83; review by Guy Brett 19/94, Margaret Garlake 18/113, Paul Overy 19/145; letters 33/165, 12/265, 14/268, 18/270, 8/271; Continuity and Change 45/200; review by Sean Cubitt 30/201 ; Rewriting History: Another Story 52/247 Decibel 43/ 275 ; letters 19/ 276; Polemic: Inverted Racism? 39/306; letters 14/307
Araeen, Rasheed, Cubitt, Sean, Sardar, Ziauddin (eds) The Third Text Reader on Art, Culture and Theory, book review by Eddie Chambers 41/263
Araki, Nobuyoshi review by Valerie Reardon 48/248
ARC review by Elisabeth Mahoney 34/233
Arcangelo review by Patricia Bickers 22/106
Archer, Michael review of Jake Berthot 21/27, Brighton Performance Festival 12/29, 26/29, Seven Artists at Earlham Street 11/30, Jock McFadyen 11/51, Viewing at the Chapter Arts Centre 11/53, Hamish Fulton 15/57, Zoos 19/58, Rose Garrard 10/65; Talking with Bruce McLean 3/66; review of Tongue and Groove 11/66, Amikam Toren 15/68, New Art at the Tate 17/70, Kerry Trengove 15/71, Imants Tillers 11/72, Dynamics of Appraisal 14/73; letters 24/74; review of Wolfgang Koethe 13/76, Hannah Collins 20/79, Geometry of Rage 15/82, Landscape Memory and Desire; Ian McKeever 20/83, Les Levine 8/90, Hand Signals 15/93, Alan Charlton 18/94, Antidotes to Madness 10/96, Sol LeWitt 18/102, Richard Wilson 15/104, Jon Thompson, Art & Language, Balraj Khanna 15/107, Documenta 8 21/108, Gilbert & George 15/109, NY Art Now 23/111; letters 25/112; review of Art History 24/112; letters 31/112; review of Hans Haacke, Kate Smith, Thomas Locher 16/113, Dislocations 20/114, Mario Merz 20/114, Julian Opie, Annette Lemieux, Bob Law, Gerhard Richter 14/115, Staffa Project, Imants Tillers, John Baldessari 24/117, Bicentennial Exhibitions in London 16/118, Ross Bleckner 16/118, Passports in Pimlico: Nicholas Serota 2/119, Venice Biennale 3/119, Howard Hodgkin 16/120, Rosemarie Trockel, Katharina Fritsch 20/121, Richard Long 27/122, Glenys Johnson 27/122; book review of Peter Fuller, Theoria: Art, and the absence of Grace 32/122, Peter Fuller, Art and Psychoanalysis 32/122; review of Lawrence Weiner 25/123, Jenny Holzer 25/123, Amikam Toren; At Face Value 12/124, Carl Andre 14/125, Minimalism 19/126, Lisa Milroy 21/127, Tony Carter, Searchlight 16/128, Tessa Robins 31/132, Robert Morris 14/134, Julian Opie 3/144; letters 27/145; review of Art & Language 3/146, Fulton, Long and Constable 7/149, Carnegie International 1991 13/153, Rose 7/155, Anomie 11/153, Documenta IX 7/158, Gunther Forg 19/160, Abigail Lane 25/161; book review of VAG Documents I 37/162; review of Gravity and Grace 13/164, Christine Borland and Craig Richardson 23/165, Melanie Counsell 14/166; letters 29/166; review of Bethan Huws and Bistritsa Babi 20/169; letters 28/167; book review of Christine Poggi, In Defiance of Painting39/168; profile of Sam Taylor-Wood 18/172; review of Ida Applebroog/Bad Girls/Anya Gallaccio 3/173, Richard Wilson 24/176; book review of Robert Morris, Continuous Project Altered Daily39/177; on collaborative art 3/178; review of Signals 10/180; letters 25/181; review of Cologne Art Fair 29/182; book review of Beatriz Colomina (ed), Privacy and Publicity: Modern Architecture as Mass Media44/183; review of Donald Judd 10/184, Martin Boyce 34/185, From Here 8/186, Leon Kossoff/General Release 8/188, Avis Newman 20/191; Reconsidering Conceptual Art 12/193; No Politics Please, We're British? On political engagement 11/194; Accommodating Art: installation art 7/199; review of an eternity with boundaries 50/200, Barnett Newman 32/201, Ceal Floyer 32/207; The Object of Art 13/208; letters 24/210; review of Venice Biennale 1997 (47th) 26/209; book reviews of Frederic Tuten, Van Gogh's Bad Cafe,David Lipsky, The Art Fair, Christopher Green, One Man Show, Jane Urquhart, The Underpainter47/212; obituary of Kim Lim 17/213; review of Steve McQueen 20/213; Art since 1960, book review by Mel Gooding 34/213; review of Kiasma, Helsinki 7/218; obituary of Lucia Nogueira 19/219; review of Loose Threads 27/220; and Ben Barkow, Essays on William Furlong, An Imagery of Absence, review by Cathy Courtney 50/222; review of Jacqueline Donachie/Alison Gill 29/224; book review of Tony Godfrey, Conceptual Art 41/224; review of Lothar Hempel 29/225; 'Video Lives' on 48th Venice Biennale 13/228; review of Keith Tyson 43/230; 'Beuys will be Beuys' on The Twentieth Century: A Hundred Years of Art in Germany 7/231; review of Over the Edges 33/236, A Shot in the Head 46/239; profile of Rebecca Warren 20/240; review of 50 Projects in 50 Weeks 44/243; Value Judgement, on Benjamin Buchloh 1/250; book review of James Meyer, Minimalism: art and polemics in the sixties, Anne Rorimer, New Art in the 60s and 70s: Redefining Reality 49/255 Crisis What Crisis? It All Depends Where You Stand 1/264, letters 12/265, 9/267, 14/268; Art & Fear: feature on Paul Virilio 1/268; review of Dieter Roth 22/269, Jorge Pardo 25/273; Minimalism: LA: feature on Minimalism, Art as Object 1/ 277; Alone Together: feature on Buren, Flavin, Judd, Smithson 13/ 286
Archer-Straw, Petrine review of The Other Story 16/133; Negrophilia, book review by Eddie Chambers 46/241
Archigram/Piranesi review by Martin Herbert 20/272
Archipeinture review by Sotiris Kyriacou 34/299
Architectural art review by Clifford Myerson 22/156
Architectural Association Conference: France and the German Occupation, 1940-44, report by Sarah Wilson 5/112
Ardenne, Paul, Beausse, Pascal, Goumarre, Laurent Contemporary Practices: Art as Experience,book review by Laura Moffatt 55/232
Arefin, Tony obituary 22/237
Argent, Paul review by Margaret Garlake 13/75
Arif, Saleem review by Margaret Garlake 15/105
Arkhipov, Vladimir review by Mark Wilsher 33/269
Arkley, Howard obituary 16/229; letters 20/230
Armagani, Siah review by Caryn Faure Walker 38/182
Arman obituary 19/ 292
Armleder, John review by David Barrett 36/304
Armstrong, Carol and de Zegher, Catherine (eds) Artists at the Millennium, book review by Joan Key 38/307
Arnatt, Keith review by Margaret Garlake 20/100, John Stathatos 13/128, John Furse 25/164
Arnatt, Matthew (ed) 100 Reviews (3), see Alex Coles 7/263; The Middle Distance, polemic on criticism 43/265
Arnatt, Matthew and Collings, Matthew Criticism, book review by Kathy Battista 36/ 291, letters 15/292
Arnatt, Matthew and Smith, Maggie (eds)The New Art, book review by Lisa Le Feuvre 39/307
Arnold, Liz obituary 20/247
Around the World in Eighty Days review by Rikke Hansen 26/298
Arrowsmith, Sue A Conversation with Lilian Holt 3/44; review of Ian McKeever 9/50; review by Tony Godfrey 12/102; letters 28/149
Ars 01: Unfolding Perspectives review by Rebecca K Engmann 37/251
Arseneault, Robin Monsterdom: A Tragicomedy in Four Scenes, review by Stephen Bury 37/ 290
Art & Censorship by Ian McKay 30/151; letters 29/152, 28/153
Art & Economy review by Axel Lapp 30/256
Art & Fear see Michael Archer
Art & Language Polemics: On the Recent Fashion for Caring 21/20; Artists and Philosophers 33/26; review of Michael Murphy 13/35; A Souvenir of Documenta 7 3/60; review by Michael Archer 15/107, 3/146; letters 12/203, 15/204, 14/205, 14/206, David Burrows 30/222, John Slyce 23/231; letters 19/232, 18/239
Art & Science Peter Fuller 8/103; letters 29/105
Art & Technology by Catherine Elwes 25/157
Art against the People letters 22/107
Art and Advertising review by Deke Dusinberre 11/142
Art and Architecture ed Deanna Petherbridge, supplement/56
Art & Beauty see JJ Charlesworth
Art and Chess: the French Defence by Don T Buckle 2/143
Art and Education in the New Europe by Clive Ashwin 33/141
Art and Government: Creative Britain Inc by Kate Tregaskis 52/246
Art and Immigration by Sue Malvern 28/146
Art and Money Online review by Michael Gibbs 51/246
Art and Power review by Julian Stallabrass 3/192, John Willett 24/192, Stephen C Mooring 26/192
art and the luxury market see JJ Charlesworth
Art at the Edge of the Law review by Michael Wilson 28/249
Art au Lait Milch by Stuart Morgan 3/156
Art Décor feature by Alex Coles 7/253
Art Education Michael Daley/Rory Coonan 29/27, R Masterman 30/28, Catherine Morley 31/29, Michael Browett 32/33, Stephen Williams 31/35, Toni del Renzio 29/36, 27/72, 30/78, Catherine Morley/Michael Daley 33/39, Roy Johnson 27/41, Geri Morgan 27/42, John A Walker 27/46, Peter Fuller 27/47, David Page/Oliver Bevan 33/59, Women and Art Education 2/62, Stroud Cornock 33/77, Cathy Courtney 34/80, Harry T Buckle 33/83, John A Walker 28/93, Malcolm Miles 35/94, 33/111, 26/115, 29/119, David Harding 30/97, Peter Suchin 31/98, Paul Greenhalgh 31/117, Chris Jennings 30/119, Colin Painter 31/120, 35/152, Interesting things you can do 25/121; Demise of Art Education letters 29/129; Philip Hughes 29/128, Clive Ashwin 26/155
art fairs see book review by Lisa Le Feuvre 39/307; letters by Lisa Le Feuvre 19/308, Peter Suchin 19/308, 13/309, Sean Ashton 14/309; feature by Pryle Behrman 11/311; see also sales reports by Colin Gleadell
Art for a Smoked Society letters 27/114, 28/114
Art for All see John Molyneux
Art Futures see Anthony Davies & Simon Ford
Art in a State by Sandy Nairne 3/157
Art in Ruins letters 28/149
Art in the City see Margaret Garlake
Art into Life: Russian Constructivism 1914-32 review by Peter Nisbet 11/143
Art, Lies and Performance see Anna Dezeuze
Art markets: the CAS goes to market Simon Grant on 46/182
Art Now Live review by Rikke Hansen 40/310
art of displacement see Mark Prince
Art of the Third Way, The see J J Charlesworth
Art on Parade see Pablo Lafuente
art online see Artlaw
Art Sheffield 05: Spectator T review by Michelle Atherton 34/ 292
Art sponsorship by Mark Thomson 34/147
Art Tours: Babylon by Bus review by Ian Hunt 18/191
Art writing letters 15/272
Art's Agency feature by JJ Charlesworth 7/261
Art's Debunkers see Dave Beech
Artangel Roadshow review by Patricia Bickers 18/89
Artaud, Antonin Dessins et portraits,book review by David Maclagan 31/108
Artbarns: After Kurt Schwitters review by David Lillington 20/231
Arte Povera 1962-1972 review by Alex Coles 1/248
Arte Ricca see Alex Coles
Artful Ad, The review by Julian Stallabrass 14/142
Artist as Critic letters 24/183
Artists' Favourites review by Alex Farquharson 22/ 280
artists' resale right see Artlaw
artist's royalties see Artlaw
Artists' Flags on the Tyne review by Paul Usherwood 23/148
Artists' Lives Cathy Courtney on 41/190
Artists' Book Fair 1996, review by Cathy Courtney 41/201; 1998, review by Stephen Bury 51/222
Artists' Books see Stephen Bury, see Cathy Courtney
Artlaw
All of the Artlaw articles published in Art Monthly can be accessed online at Artquest.org.uk/artlaw
ACME studios 53/219;
anticipating future uses of work 41/307;
appropriation 49/282 40/ 283, 40/285, letters 18/286;
artist's royalties see artists' resale rights;
artists' resale rights 26/5, 26/9, 36/26, 39/67, 33/110, 34/145, 34/167, 34/173, 46/195, 61/232, 48/256 reports 61/232, 57/253, 45/284, 41/290, regulations 2006 44/293, first semester report 9/299, first year report 40/303;
Artquest: law online 45/264;
authentication (Pollock) 41/297;
attribution, questions of 41/267, attribution, questions of, with a focus on Andy Warhol 40/294;
censorship 53/201, 52/237, 52/259, 45/263, (displaying student work) 45/309;
collaborative works 45/277;
confidentiality and contract 61/242;
conservation, renovation and restoration 45/224;
contracts and commissions 26/7, 25/8, 26/9, 24/10, 38/43, 33/44, 36/81, 37/86, 37/92, 39/95, 36/98, 36/99, 36/106, 35/120, 41/122, 43/168, 46/186, 39/213, 43/214, 56/216;
(artists' contract with Tate) 41/297;
copyright (to 1989) 21/3, 26/5, 36/26, 39/39, 35/60, 35/63, 39/67, 38/68, 42/73, 39/74, 39/80, 38/96, 34/153, 34/176, 43/190;
copyright (from 1989) 42/112, 34/124, 34/125, 34/126, 36/128, 38/141, 34/144, 34/155, 42/194, 53/202, 50/204, 44/206, 42/217, 44/226, 52/243, (Dali) 61/249,(book review of Simon Stokes, Art & Copyright ) 57/258, 48/262,(book review of Dear Images: art, copyright and culture) 48/265, 45/272, 45/273, 45/274, 41/295, (Da Vinci Code) 41/297, (public sculpture) 41/301, (photographing art collections) 49/308;
Creative Business Forum conference 53/268;
DACS, 53/246, 61/228;
Dalí (argument over copyright / moral rights) 61/249;
damage and insurance 25/12, 40/49, 39/59;
droit de suite (see artists' resale rights);
e-commerce: art online 57/252, 45/312;
editions or series 41/281
education: recording visiting speakers 45/304;
estates (Francis Bacon) 44/226, 57/248, 57/253, 45/254, 45/266;
EU Directives (Copyright & Resale Right) 49/251 (Droit de suite) 48/256;
European art policies 44/205;
fraudulent editions 32/25, 34/91, 38/105, 33/151, 51/208, 45/312;
freedom of information 49/296;
galleries and exhibitions 25/11, 37/15, 36/98, 36/99, 34/119;
gifts 51/197;
indecent child photographs 48/245, 57/248, 45/263;
joint enterprise 41/271;
legal services 24/1, 21/2, 32/21, 34/32, 38/38, 36/47, 39/69, 39/71, 38/78, 40/85, 35/87, 37/88, 38/96, 36/99, 38/105, 35/115, 35/160, 76/200, 57/218, 10/267, 14/268, 19/270;
mail art 53/247;
management of creativity 30 years on 49/300;
Momart fire, insurance 49/ 278;
moral rights 26/4, 36/26, 39/64, 38/65, 39/67, 35/83, 33/110, 36/128, 33/147, 32/152, 34/173, 47/179, (Pablo Picasso) 44/226, (destruction of work) 53/244, (Dali) 61/249, (Christoph Büchel v Mass MoCA) 45/311;
ownership of public art commissions 61/238;
National Studios Forum 49/ 292 ;
new ways of working 37/305;
parliamentary report 44/ 289 ;
Payback 2001: DACS 53/246;
planning law: Antony Gormley 49/302; posthumous artworks 41/280;
public art commissions Part 1 52/234, Part 2 52/235;
privacy (celebrities right to): Alison Jackson's Sven 41/298;
public art: Elisabeth Frink 41/306; public exhibition payment 29/14, 33/23, 36/26, 39/59, 33/110, 47/182;
re-sale royalty see artists' resale rights;
restorations and replicas 41/310;
saleroom contracts 45/275;
Sotheby's and Christie's 57/253;
Space Race: Creating Places conference 45/269, Part 2 45/270;
sponsorship and taxation 31/142, 18/175;
strategies for the arts 41/ 286 ;
students 32/25, 35/56, 46/221;
taking care of business 41/ 291;
tax and benefits 30/16, 36/18, 32/25, 36/26, 34/28, 36/41, 40/42, 39/67, 36/75, 37/79, 38/84, 38/89, 34/90, 33/110, 34/143, 38/148, 46/188, 43/191;
VAT 32/24, 34/29, 31/31, 39/67, 35/163, 34/173;
ways of working 40/287;
wills and estates 26/6, 36/47, 38/84,61/232, 36/174
Artlobby see Peter Dormer and Hugh Jenkins
Artranspennine98 review by Caryn Faure Walker 42/218
Artquest see Artlaw
Arts Council ACGB Council appointments 1978-79 8/22;
George Melly's purchase 18/32;
Selection Procedures 18/41;
Whose side are they on? 3/42;
Arts Council cuts 30/47;
A changing profile by Robert Hutchison 2/48;
The work of the AC Panel 3/54;
The ACGB's reply 26/56;
Philip Wright 13/59;
A whisper in the Arts Council's ear by Robert Heller 2/68;
Further financial considerations 3/78;
Adrian Barr-Smith and Laurence Harbottle interview 42/100;
Robert Atkins and Hugh Jenkins interview 3/102;
The arts: politics, power and the purse, report by Philip Wright 11/107;
The Arts Council collection, by Margaret Garlake 14/135;
Price Waterhouse report back page/168
Arts Council Northern Ireland Cyril Barrett on 11/148
Arts Council of England (ACE) 14/223, 20/224;
letters 18/225
Arts Foundation launch 2/147
arts funding 11/107
Arts: politics, power and the purse by Philip Wright 13/59, 11/107
Artschwager, Richard review by Alex Coles 7/253
Artworkers review by Valerie Reardon 22/235
As Dark as Light review by Valerie Reardon 47/228
Ascent of Man, The review by Alex Farquharson 51/239
Ascott, Roy Telematic Embrace, Visionary Theories of Art, Technology and Consciousness, book review by Michael Gibbs 40/272
Ashton, Dore A Fable of Modern Art,book review by Norbert Lynton 27/40;
Rosa Bonheur: A Life and a Legend, book review by Jeremy Maas 25/54
Ashton, Sean letters 14/309
Ashwin, Clive Art and Education in the New Europe 33/141;
Beyond Studio Practice 26/155
Aspects/Positions: 50 Years of Art in Central Europe review by Ian Hunt 24/243
Assuming Positions review by David Musgrave 40/209
At Home with Art, Tate Gallery review by Deborah Schultz 40/233
At the same time somewhere else review by Martin Herbert 27/293
At the Still Point of the Turning World review by Martin Herbert 30/ 276
At One Remove review by Paul Usherwood 31/211
Ataman, Kutlug review by Pryle Behrman 29/264
Atelier van Lieshout review by Nicky Bird 41/230, David Burrows 44/242
Atget The Work of Atget, Vol II: 'The Art of Old Paris', by Gordon Fraser, book review by Rory Coonan 25/65
Athens, contemporary art in review by John Bicknell 35/147
Atherton, Michelle review of Art Sheffield 05: Spectator T 34/ 292
Atkins, Guy with Troels Anderson, Asger Jorn: The Final Years, review by Toni del Renzio 26/46;
review of Johannes Dö
rflinger 20/51;
Asger Jorn 8/64
Atkins, Robert Structuring the Arts Bureaucracy 3/102
Atkinson, Conrad review of Chris Jennings 12/8;
Art for whom? Art for society 23/19;
book review of John Barrell, The Dark Side of the Landscape 22/37;
John Lennon 19/43;
Docklands Poster Project 13/62;
The GLC's achievement 2/95;
review by Brandon Taylor 16/115, Mark Harris 24/233
Atkinson, Conrad review by James Swinson 22/261
Atkinson, Sue review by John Roberts 19/109
Atkinson, Terry review by John Tagg 20/4, discussion with Jon Bird 8/67;
review by Brandon Taylor 16/95, William Furlong 17/104;
Rothko: Convention and Deconstruction 10/131;
letters 35/133;
review by Robert Garnett 26/196;
letters 15/198, 20/199, 18/201;
The Siren Song of Dualism: against the visual in art 7/201;
letters 18/202, 12/203, 14/205;
review by Peter Suchin 30/ 277
Attitudes/Sculptures (Bordeaux) review by Marta Dalla Bernardina 42/187
Attribution, questions of see Artlaw
Audible Light review by David Briers 42/234;
letters 19/234, 16/235
Audio Arts review by Mel Gooding 14/105, Cathy Courtney 16/160, Jennifer Thatcher 23/303
audio work review by Jon Thomson 44/231
Auerbach, Anthony letters 21/236
Auerbach, Frank review by Peter Fuller 11/63, 3/98;
letters 25/100;
review by Mel Gooding 18/103;
Robert Hughes, Frank Auerbach, review by Andrew Brighton 10/141
Aulich, James book review of Marco Livingstone, R B Kitaj 20/90
Austen, David review by Margaret Garlake 27/102
Australia, Contemporary Art in review by Greg Hilty 44/209
Australia, Letter from see Eliza Williams
Austria outsider art in: the Artist's House;
letters 22/110;
Summer exhibitions, review by Mark Harris 1/219
Autonomy v Barbarism see Dave Beech
Auty, Giles The Art of Self-Deception, book review by David Brown 18/12;
book review of Vladislav Zimenko, The Humanism of Art 24/16;
letters 25/72, 26/74;
Polemics: The Taste Makers 32/82
Avalanche feature by Lisa Le Feuvre 7/ 278
Avant-garde and Kitsch feature on new painting emerging from the GDR by Mark Prince 9/257
Avant-Garde conference David Briers on 47/222
Avatar review by Michael Gibbs 53/218
Avermaete, Roger Frans Masereel, book review by Norbert Lynton 37/13
Ayers, Robert review of Dennis Oppenheim 17/56, Sculpture by Women 15/71, John Newling 19/74, Red Grooms 14/85;
on three decades of Performance Art 1/214;
review of National Review of Live Art 35/220, Marina Abramovic 31/223, Jim Dine 41/225;
book review of RoseLee Goldberg, Performance —
Live Art since the Sixties 39/226;
review of Oleg Mavromaty 59/242
Ayers, Robert letters 14/245
Ayres, Gillian review by Monica Petzal 12/57, Margaret Garlake 17/92