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    <title>Art Monthly Events</title>
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    <dc:rights>Copyright 2013</dc:rights>
    <dc:date>2013-05-16T15:34:59+00:00</dc:date>
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    <item>
      <title>Felicity Allen, David Barrett, Dave Beech &amp; Patricia Bickers</title>
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      <description>Felicity Allen, David Barrett, Dave Beech and Patricia Bickers discuss art education: the agenda behind funding cuts, the tension between creativity and bureaucracy, and the disruption of the higher education market.</description>
      <dc:date>2013-05-16T15:34:59+00:00</dc:date>
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      <title>Reuben Fowkes, Mark Harris &amp; Paul O’Kane</title>
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      <description>Reuben Fowkes discusses the return of the East European; Paul O’Kane ponders art and being in an age of technocapitalism; and Mark Harris reflects on Duchamp et al at the Barbican.</description>
      <dc:date>2013-04-24T15:47:49+00:00</dc:date>
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      <title>Sophie J Williamson</title>
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      <description>Sophie J Williamson discusses the use of viral images within grassroots popular protests, with particular reference to the case of Khaled Mohamed Saeed, whose death in 2010 sparked the Egyptian revolution.</description>
      <dc:date>2013-03-20T15:59:25+00:00</dc:date>
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      <title>Omar Kholeif &amp; Morgan Quaintance</title>
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      <description>Omar Kholeif and Morgan Quaintance discuss the culture of online curating and the phenomenon of virtual lives.</description>
      <dc:date>2013-02-25T14:56:03+00:00</dc:date>
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      <title>Christopher Townsend, Kate Villevoye &amp; John Lowe</title>
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      <description>Christopher Townsend, Kate Villevoye and John Lowe reflect upon the work of filmmaker Jonas Mekas, who celebrated his 90th birthday in December 2012 while exhibiting four retrospective exhibitions around the world. Mekas is interviewed in the February 2013 issue Art Monthly.</description>
      <dc:date>2013-01-29T14:31:55+00:00</dc:date>
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      <title>Michael Hampton &amp; Ajay Hothi</title>
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      <description>Michael Hampton and Ajay Hothi discuss recent exhibitions that have presented art in pastoral settings and the influential 1960s magazine&#45;in&#45;a&#45;box, Aspen.</description>
      <dc:date>2013-01-07T15:45:32+00:00</dc:date>
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      <title>John Douglas Millar &amp; Colin Perry</title>
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      <description>John Douglas Millar examines the literary form Conceptual Writing and its connection with visual art, while Colin Perry considers recent exhibitions that raise questions about art and its benefactors.</description>
      <dc:date>2012-11-12T16:11:18+00:00</dc:date>
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      <title>Paul O’Kane &amp; Sophie J Williamson</title>
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      <description>Paul O’Kane discusses the act of making in the process of producing art and Sophie J Williamson argues that contemporary artists such as Christoph Schlingensief and Ai Weiwei tap into the spirit of the ancient Greek Cynics for political protest.</description>
      <dc:date>2012-10-17T10:32:46+00:00</dc:date>
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    <item>
      <title>Jennifer Thatcher &amp; Morgan Quaintance</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/jennifer-thatcher-morgan-quaintance-talk-show-september-2012</guid>
      <description>Jennifer Thatcher and Morgan Quaintance discuss Tino Sehgal&apos;s work for Tate Modern&apos;s Turbine Hall and Claire Bishop&apos;s book on relational aesthetics.</description>
      <dc:date>2012-09-26T14:23:12+00:00</dc:date>
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    <item>
      <title>Nick Warner &amp; Chris Fite&#45;Wassilak</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/nick-warner-chris-fite-wassilak-talk-show-august-2012</guid>
      <description>Nick Warner and Chris Fite&#45;Wassilak discuss recent exhibitions in London and Norwich including a collaborative gallery exhibition between two net artists who have not met each other in person.</description>
      <dc:date>2012-08-29T16:52:57+00:00</dc:date>
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      <title>Cherry Smyth &amp; Maria Walsh</title>
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      <description>Maria Walsh discusses Jo Spence’s photography and Emily Roysdon’s online performance for Tate Modern, Cherry Smyth discusses Nancy Holt&apos;s earthworks and Mikhail Karikis’s film installation at Wapping Project.</description>
      <dc:date>2012-08-29T10:19:51+00:00</dc:date>
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      <title>Sophie J Williamson, Peter Suchin &amp; Morgan Quaintance</title>
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      <description>Sophie J Williamson discusses curating beauty after Gustave Flaubert, Peter Suchin on the collected writings of artist&#45;educator Jon Thompson and Morgan Quaintance defends the term ‘practice’.</description>
      <dc:date>2012-06-18T16:33:05+00:00</dc:date>
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    <item>
      <title>Paul O’Kane &amp; Omar Kholeif</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/paul-okane-omar-kholeif-talk-show-may-2012</guid>
      <description>Paul O’Kane discusses the artwork as object in a world of immaterial labour and Omar Kholeif tracks the influences of Kraftwerk.</description>
      <dc:date>2012-05-18T16:41:32+00:00</dc:date>
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    <item>
      <title>Christopher Townsend</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/christopher-townsend-talk-show-april-2012</guid>
      <description>Christopher Townsend discusses the physicality of drawing; even the most apparently hands&#45;off of artists are drawn to reveal their corporeality through the medium – albeit at one remove.</description>
      <dc:date>2012-04-25T15:57:01+00:00</dc:date>
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    <item>
      <title>Morgan Quaintance</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/morgan-quaintance-talk-show-march-2012</guid>
      <description>Morgan Quaintance makes the case for imaginative engagement as a form of participation, arguing that discussion around particpatory art has missed this important category of engagement: artwork that purposefully cues up and then directs the individual viewer’s imagination.</description>
      <dc:date>2012-03-28T16:25:49+00:00</dc:date>
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    <item>
      <title>Omar Kholeif &amp; Paul O’Kane</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/paul-okane-omar-kholeif-paul-okane-talk-show-february-2012</guid>
      <description>Omar Kholeif discusses western appropriation of art from the Arab world and Paul O’Kane redefines outsider art in an attempt decontextualise art as existing inside an ‘art world’.</description>
      <dc:date>2012-02-27T12:10:39+00:00</dc:date>
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    <item>
      <title>John Douglas Millar</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/john-douglas-millar-talk-show-january-2012</guid>
      <description>John Douglas Millar discusses the Gerhard Richter exhibition at Tate Modern: ‘As this exhibition well demonstrates, Richter’s work contains a dual critique that acts as a painterly plague on both houses of the Cold War divide. There is the desire, on the one hand, to suspend and/or indict ideological thinking, coupled with the will to mourn its effects on his country and his people.’</description>
      <dc:date>2012-01-25T11:07:30+00:00</dc:date>
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      <title>Colin Perry</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/colin-perry-talk-show-december-2011</guid>
      <description>Colin Perry discusses the vexed relationship between art and TV – where are the activist video artists?


Correction: Artworks by David Hall are misattributed to Tony Hill in this broadcast.</description>
      <dc:date>2011-12-20T12:17:26+00:00</dc:date>
    </item>

    <item>
      <title>Mark Prince</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/mark-prince-talk-show-november-2011</guid>
      <description>Mark Prince discusses the resistance of objects in relation to his article on sculpture ‘The Made v The Readymade’.</description>
      <dc:date>2011-11-30T12:00:17+00:00</dc:date>
    </item>

    <item>
      <title>Laura McLean&#45;Ferris &amp; Morgan Quaintance</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/laura-mclean-ferris-morgan-quaintance-talk-show-october-2011</guid>
      <description>Laura McLean&#45;Ferris discusses her essay on dissolution of the body in the internet age, and Morgan Quaintance follows up on his review of the book Digital and Other Virtualities.</description>
      <dc:date>2011-11-02T18:46:25+00:00</dc:date>
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    <item>
      <title>Christopher Townsend</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/christopher-townsend-talk-show-august-2011</guid>
      <description>Christopher Townsend discusses how mid&#45;century British modernism has become inaccessible to contemporary viewers since it can now only be viewed through contemporary culture&apos;s mythologising of late capitalism.</description>
      <dc:date>2011-09-29T16:01:53+00:00</dc:date>
    </item>

    <item>
      <title>John Douglas Millar &amp; Peter Suchin</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/john-douglas-millar-peter-suchin-talk-show-september-2011</guid>
      <description>John Douglas Millar on why experimental writing thrives in the art world, and Peter Suchin on Focal Point Gallery&apos;s &apos;Tarot&apos; exhibition.</description>
      <dc:date>2011-09-29T15:41:35+00:00</dc:date>
    </item>

    <item>
      <title>Bob Dickinson &amp; Paul O’Kane</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/bob-dickinson-paul-okane-talk-show-july-2011</guid>
      <description>Bob Dickinson reports on the nuclear&#45;bunker&#45;based Time Machine Biennial in Bosnia and Herzegovina, and Paul O’Kane discusses Gillian Whiteley’s book on assemblage, Junk: Art and the Politics of Trash.</description>
      <dc:date>2011-08-23T15:08:15+00:00</dc:date>
    </item>

    <item>
      <title>Stephanie Schwartz</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/stephanie-schwartz-talk-show-june-2011</guid>
      <description>Stephanie Schwartz discusses her feature article ‘Photography as Work’, which questions the utopian potential of digital photography, with reference to the Jorge Ribalta&#45;curated exhibition ‘A Hard, Merciless Light: The Worker&#45;Photography Movement 1926&#45;1939’ at the Museo Nacional Centro de Arte Reina Sofia, Madrid.</description>
      <dc:date>2011-06-28T15:41:36+00:00</dc:date>
    </item>

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      <title>Maria Walsh &amp; JJ Charlesworth</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/maria-walsh-jj-charlesworth-talk-show-may-2011</guid>
      <description>Maria Walsh discusses her interview with Mary Kelly, and JJ Charlesworth argues that theory’s current obsession with objective critique misses the mark in comparison with subjective criticism.</description>
      <dc:date>2011-05-25T14:23:08+00:00</dc:date>
    </item>

    <item>
      <title>Morgan Quaintance &amp; Peter Suchin</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/morgan-quaintance-peter-suchin-talk-show-april-2011</guid>
      <description>Critic, musician and curator Morgan Quaintance joins critic and artist Peter Suchin. They discuss General Idea’s ‘Haute Culture’ exhibition in Paris and Suchin’s ‘Rebel Without a Course’ article on practice&#45;led PhDs, which questions the institutionalisation and professionalisation of artists.</description>
      <dc:date>2011-04-30T11:36:23+00:00</dc:date>
    </item>

    <item>
      <title>Dave Beech &amp; Larne Abse Gogarty</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/dave-beech-larne-abse-gogarty-talk-show-march-2011</guid>
      <description>Dave Beech and Larne Abse Gogarty discuss ugliness, in relation to Beech&apos;s feature article &apos;On Ugliness&apos;, and Gregory Sholette’s book about guerilla activist art, Dark Matter: Art and Politics in the Age of Enterprise Culture.</description>
      <dc:date>2011-03-21T14:30:51+00:00</dc:date>
    </item>

    <item>
      <title>Patricia Bickers &amp; Dean Kenning</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/patricia-bickers-dean-kenning-talk-show-february-2011</guid>
      <description>Art Monthly Editor Patricia Bickers discusses with Dean Kenning his report on art students’ recent direct&#45;action campaigns, including occupation, teach&#45;ins and protests. The pair also discuss Mike Watson’s polemic (AM342), which advocates that art schools become independent of the university system.</description>
      <dc:date>2011-02-21T10:57:11+00:00</dc:date>
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    <item>
      <title>Zoë Shearman &amp; Maria Walsh</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/zoe-shearman-maria-walsh-talk-show-january-2011</guid>
      <description>Zoë Shearman discusses the British Art Show 7: ‘In the Days of the Comet’, while Maria Walsh focuses on Berthold Brecht’s influence on artist filmmakers, who, she argues, should explore fiction and narrative rather than pure reflexivity.</description>
      <dc:date>2011-01-24T15:35:05+00:00</dc:date>
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    <item>
      <title>Richard Hylton &amp; Sophia Phoca</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/richard-hylton-sophia-phoca-talk-show-december-2010</guid>
      <description>Richard Hylton discusses two films by Ruth McClennan and is joined by Sophia Phoca who asks how might artist filmmakers might go about producing their films today when funding bodies are being forced to close and many support structures have disappeared.</description>
      <dc:date>2011-01-24T14:55:55+00:00</dc:date>
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    <item>
      <title>Colin Perry &amp; Klara Kemp&#45;Welch</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/colin-perry-klara-kemp-welch-talk-show-november-2010</guid>
      <description>Colin Perry and Klara Kemp&#45;Welch discuss Manifesta 8 in Murcia and ‘Touched’, the Liverpool Biennial.</description>
      <dc:date>2010-11-22T15:02:32+00:00</dc:date>
    </item>

    <item>
      <title>Andrew Hunt on Cuts to the Arts</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/andrew-hunt-on-cuts-to-the-arts-talk-show-october-2010</guid>
      <description>In this 15&#45;minute Talk Show extra, Matt Hale and Andrew Hunt discuss the likely impact of forthcoming government spending cuts on the arts. Andrew Hunt, who runs Focal Point Gallery in Southend, reports back from a meeting at Tate Modern attended by the heads of over 70 public galleries from across the country to discuss the cuts and the fightback.</description>
      <dc:date>2010-10-27T10:30:11+00:00</dc:date>
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    <item>
      <title>John Douglas Millar &amp; Andrew Hunt</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/john-douglas-millar-andrew-hunt-talk-show-october-2010</guid>
      <description>John Douglas Millar discusses the ethics and aesthetics of docu&#45;art as practised by artists such as Renzo Martens, Harun Farocki and Aernout Mik, and asks: does art’s subjectivity give it a unique angle on the exploitation of tragedy? Andrew Hunt, meanwhile, suggests that optimism and humour are intelligent alternatives to the cynicism of postmodern irony.</description>
      <dc:date>2010-10-27T09:47:15+00:00</dc:date>
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      <title>Marina Abramovic</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/marina-abramovic-talking-art-october-2010</guid>
      <description>Arguably contemporary art?s most significant performance artist, the Belgrade&#45;born, New York&#45;based Marina Abramovic has produced provocative and compelling live work for almost 40 years. Her unrelenting focus on the body and the limits of the performer has resulted in some of the canon?s seminal works, from Rhythm 10, 1973, in which the artist duplicated a recording of herself stabbing knives between her fingers, through to her three&#45;month endurance work The Artist is Present, 2010, which was part of her solo exhibition at New York MoMA ? the museum&apos;s largest ever exhibition of performance art. Abramovic won the Golden Lion at the Venice Biennale in 1997, has been included in Documenta three times, and has exhibited in numerous museums internationally. In 2012 she will open the Marina Abramovic Institute, dedicated to the preservation of performance art.</description>
      <dc:date>2010-09-27T10:10:00+00:00</dc:date>
    </item>

    <item>
      <title>Andrew Hunt &amp; Jennifer Thatcher</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/andrew-hunt-jennifer-thatcher-talk-show-september-2010</guid>
      <description>Andrew Hunt and Jennifer Thatcher discuss new trends and approaches to gallery design, and a new book, Curating and the Educational Turn, which suggests that a shift towards education pervades current curatorial practice.</description>
      <dc:date>2010-09-20T16:55:43+00:00</dc:date>
    </item>

    <item>
      <title>For and Against the Interview</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/for-and-against-the-interview-roadshow-september-2010</guid>
      <description>The interview: an invaluable historical tool or a perpetuation of the cult of celebrity? The first in the Whitechapel Gallery’s Banjos at Dawn series of duelling debates sees Art Monthly contributors Gilda Williams and Julian Stallabrass take up opposing positions, while Sally O’Reilly ensures etiquette is observed.</description>
      <dc:date>2010-08-23T10:47:41+00:00</dc:date>
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      <title>Coline Milliard &amp; Mark Prince</title>
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      <guid>http://www.artmonthly.co.uk/magazine/site/events/coline-milliard-mark-prince-talk-show-august-2010</guid>
      <description>Coline Milliard and Mark Prince discuss the the literary tendency in contemporary art, and the recent Falmouth Convention where the keynote speech was by Lucy Lippard.</description>
      <dc:date>2010-08-12T09:20:29+00:00</dc:date>
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    <item>
      <title>Dan Smith, John Jordan &amp; JJ Charlesworth</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/dan-smith-john-jordan-jj-charlesworth-talk-show-july-2010</guid>
      <description>Theorist Dan Smith talks to host Matt Hale about current use of the spiritual in art, and artist and activist John Jordan discusses Liberate Tate’s recent protest against BP sponsorship at Tate’s summer party while critic JJ Charlesworth argues that the activists oversimplified the issue.</description>
      <dc:date>2010-07-12T13:49:15+00:00</dc:date>
    </item>

    <item>
      <title>Dean Kenning &amp; Cherry Smyth</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/dean-kenning-cherry-smyth-talk-show-june-2010</guid>
      <description>Artist Dean Kenning and poet Cherry Smyth join Matt Hale to discuss Kenning’s feature on relational, collaborative artwork in the public realm – in particular projects by David Collins and Emma Hart in Morpeth School, Bethnal Green, London – and Smyth’s review of Rachel Harrison’s exhibition at the Whitechapel Art Gallery.</description>
      <dc:date>2010-06-25T10:33:53+00:00</dc:date>
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    <item>
      <title>Gilda Williams &amp; Maria Walsh</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/gilda-williams-maria-walsh-talk-show-may-2010</guid>
      <description>Gilda Williams and Maria Walsh join Matt Hale to discuss ways in which artists utilise the difference between ruined buildings and the merely derelict, and how Hannah Sawtell’s films analyse entropy in the age of the digital.</description>
      <dc:date>2010-06-07T09:52:06+00:00</dc:date>
    </item>

    <item>
      <title>Sally O’Reilly &amp; Mark Prince</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/sally-oreilly-mark-prince-talk-show-april-2010</guid>
      <description>Sally O’Reilly and Mark Prince join Matt Hale to discuss the work of John Smith and the idea of artists as curators of the self.</description>
      <dc:date>2010-06-07T09:49:57+00:00</dc:date>
    </item>

    <item>
      <title>Patricia Bickers &amp; Alex Coles</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/patricia-bickers-alex-coles-talk-show-march-2010</guid>
      <description>Patricia Bickers and Alex Coles discuss the work of artist Sturtevant, appropritation in both visual art and advertising, and the failure of ‘designart’.</description>
      <dc:date>2010-06-07T09:46:58+00:00</dc:date>
    </item>

    <item>
      <title>Colin Perry &amp; Gavin Grindon</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/colin-perry-gavin-grindon-talk-show-february-2010</guid>
      <description>Matt Hale talks to Colin Perry and Gavin Grindon. Perry has written about artists who use the law as an artistic medium; something that can be manipulated and tested. He is joined by Grindon who writes about art and activism. Grindon has recently returned from the Climate Conference in Copenhagen and he tells us about the new forms of art and activism he saw out there.</description>
      <dc:date>2010-06-07T09:40:44+00:00</dc:date>
    </item>

    <item>
      <title>Tatsuo Miyajima</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/tatsuo-miyajima-talking-art-march-2010</guid>
      <description>Japanese artist Tatsuo Miyajima rose to prominence in the late 1980s with his distinctive use of glowing LED numerical counters, with later works seeing these counters attached to moving devices or embedded in natural materials, such as piles of coal or submerged underwater. Miyajima describes his practice as addressing humanist ideas within a Buddhist philosophy: ‘keep changing, connect with everything, continue forever’. He has work in the Tate Collection, has twice exhibited in the Venice Biennale and presented a solo show at London’s Lisson Gallery earlier this year.</description>
      <dc:date>2010-02-21T14:00:49+00:00</dc:date>
    </item>

    <item>
      <title>Kimsooja</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/kimsooja-talking-art-february-2010</guid>
      <description>Born in South Korea, New York&#45;based artist Kimsooja is renowned for her performative video works and sculptural installations. Meditating on the crossover between cultural, social and personal identity, her work has previously been selected for the Venice Biennale ? 2001, 2005 and 2007 ? as well as the Whitney Biennial and the Yokohama Triennial. She currently has a solo exhibition at the Baltic in Gateshead.</description>
      <dc:date>2010-02-20T14:00:34+00:00</dc:date>
    </item>

    <item>
      <title>Dave Beech, Colin Perry &amp; Peter Suchin</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/dave-beech-colin-perry-peter-suchin-talk-show-january-2010</guid>
      <description>Host Matt Hale talks to Peter Suchin about Terry Smith’s show at The Foundling Museum and Colin Perry about Chen Chieh&#45;jen’s exhibition at Iniva, while Dave Beech scrutinises the face of Conservative cultural policy in the form of Roger Scruton’s new book on beauty.</description>
      <dc:date>2010-01-08T17:00:12+00:00</dc:date>
    </item>

    <item>
      <title>Patricia Bickers &amp; Jennifer Thatcher</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/patricia-bickers-jennifer-thatcher-talk-show-december-2009</guid>
      <description>Patricia Bickers and Jennifer Thatcher discuss the convergence of artistic and entrepreneurial values, and the ‘Pop Life’ exhibition at Tate Modern.</description>
      <dc:date>2009-12-11T17:00:57+00:00</dc:date>
    </item>

    <item>
      <title>Harun Farocki</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/harun-farocki-talking-art-november-2009</guid>
      <description>The highlight of Documenta 12 was Harun Farocki?s 12&#45;screen video installation Deep Play, 2007, which analysed the football World Cup final from different perspectives. Born in the German&#45;annexed Czechoslovakia and now living in Berlin, Farocki has produced over a hundred film and video works for art galleries, cinema and TV. He is also a lecturer and theorist, and for a decade from 1974 he was the editor of Filmkritik magazine.</description>
      <dc:date>2009-11-14T14:00:36+00:00</dc:date>
    </item>

    <item>
      <title>Rachel Garfield &amp; Mark Prince</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/rachel-garfield-mark-prince-talk-show-november-2009</guid>
      <description>Matt Hale discusses Modern and Conceptual Art with Rachel Garfield and Mark Prince.</description>
      <dc:date>2009-11-13T17:00:04+00:00</dc:date>
    </item>

    <item>
      <title>Alex Coles &amp; Rikke Hansen</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/alex-coles-rikke-hansen-talk-show-october-2009</guid>
      <description>Matt Hale in conversation with Alex Coles and Rikke Hansen discussing art criticism.</description>
      <dc:date>2009-10-09T17:00:09+00:00</dc:date>
    </item>

    <item>
      <title>John Baldessari</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/john-baldessari-talking-art-october-2009</guid>
      <description>John Baldessari was one of the founders of Conceptual Art in the 1960s and has gone on to become a giant of the West Coast art scene in the US, both as an artist and highly influential lecturer at CalArts. At this year?s Venice Biennale he was awarded the Golden Lion Lifetime Achievement Award. He has exhibited in major museums globally and this talk coincides with the launch of his major retrospective at Tate Modern.</description>
      <dc:date>2009-10-08T18:30:35+00:00</dc:date>
    </item>

    <item>
      <title>Dave Beech &amp; Paul Usherwood</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/dave-beech-paul-usherwood-talk-show-september-2009</guid>
      <description>Matt Hale in conversation with Dave Beech and Paul Usherwood discussing the fall of public art.</description>
      <dc:date>2009-09-11T16:58:59+00:00</dc:date>
    </item>

    <item>
      <title>Maxa Zoller &amp; Colin Perry</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/maxa-zoller-colin-perry-talk-show-august-2009</guid>
      <description>Matt Hale in conversation with Maxa Zoller and Colin Perry discussing the history of artists’ films.</description>
      <dc:date>2009-08-14T17:00:28+00:00</dc:date>
    </item>

    <item>
      <title>Patricia Bickers &amp; Lisa Le Feuvre</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/patricia-bickers-lisa-le-feuvre-talk-show-july-2009</guid>
      <description>Matt Hale in conversation with Patricia Bickers and Lisa Le Feuvre discussing the 53rd Venice Biennale.</description>
      <dc:date>2009-07-10T17:00:33+00:00</dc:date>
    </item>

    <item>
      <title>Michael Corris &amp; Richard Grayson</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/michael-corris-richard-grayson-talk-show-june-2009</guid>
      <description>Matt Hale in conversation with Dave Beech and Jennifer Thatcher discussing the economy of art..</description>
      <dc:date>2009-06-12T17:00:38+00:00</dc:date>
    </item>

    <item>
      <title>Pipilotti Rist</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/pipilotti-rist-talking-art-june-2009</guid>
      <description>Swiss artist Pipilotti Rist won the Premio 2000 prize at the 1997 Venice Biennale for her subversive video Ever is Over All in which a young woman strolls down a Zurich street casually smashing the windows of parked cars with a fake tropical flower. She has been included in four Venice Biennales and had solo exhibitions at MoMA New York and FACT, Liverpool.</description>
      <dc:date>2009-06-06T14:00:26+00:00</dc:date>
    </item>

    <item>
      <title>Anri Sala</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/anri-sala-talking-art-may-2009</guid>
      <description>The video artist interviewed by Sally O?Reilly.</description>
      <dc:date>2009-05-09T14:00:29+00:00</dc:date>
    </item>

    <item>
      <title>Sally O&apos;Reilly &amp; Rikke Hansen</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/sally-oreilly-rikke-hansen-talk-show-may-2009</guid>
      <description>Matt Hale in discussion with Sally O’Reilly and Rikke Hansen talking about themed group exhibitions.</description>
      <dc:date>2009-05-08T16:59:49+00:00</dc:date>
    </item>

    <item>
      <title>Jamie Wagg, Jon Rees &amp; Jessica Scott</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/jamie-wagg-jon-rees-jessica-scott-talk-show-april-2009</guid>
      <description>Matt Hale discusses the student occupation of Byam Shaw School of Art with Jamie Wagg, Jon Rees and Jessica Scott.</description>
      <dc:date>2009-04-10T17:00:55+00:00</dc:date>
    </item>

    <item>
      <title>Peter Suchin &amp; Colin Perry</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/peter-suchin-colin-perry-talk-show-march-2009</guid>
      <description>Matt Hale in conversation with Peter Suchin and Colin Perry discussing Nicolas Bourriaud‘s exhibition ‘Tate Triennial: Altermodern’ and A Brief History of Curating by Hans Ulrich Obrist.</description>
      <dc:date>2009-03-13T16:59:59+00:00</dc:date>
    </item>

    <item>
      <title>Lorna Simpson</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/lorna-simpson-talking-art-march-2009</guid>
      <description>New York&#45;based African&#45;American artist Lorna Simpson came to prominence in the 1980s with challenging work that dealt with issues surrounding race, gender and sex. Though deceptively simple and extremely elegant, her juxtapositions of text and image pack a powerful punch, as in Untitled (2 necklines) of 1989, in which the text between two circular photographs of necklines reads: ?ring, surround, lasso, noose, eye, areola, halo, cuffs, collar, loop?, ending with the phrase, ?feel the ground sliding from under you?.</description>
      <dc:date>2009-03-07T14:00:19+00:00</dc:date>
    </item>

    <item>
      <title>Dave Beech &amp; Jennifer Thatcher</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/dave-beech-jennifer-thatcher-talk-show-february-2009</guid>
      <description>Matt Hale in conversation with Dave Beech and Jennifer Thatcher discussing critical art after Postmodernism.</description>
      <dc:date>2009-02-13T17:00:07+00:00</dc:date>
    </item>

    <item>
      <title>Christian Boltanski</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/christian-boltanski-talking-art-december-2008</guid>
      <description>French artist Christian Boltanski thinks of himself as a painter but is best known for his photographic installations. A photographer who often re&#45;photographs found images, including family snapshots, he associates photography with death and describes himself as a ?cadaver merchant?. For the inaugural Folkestone Biennial of 2008, Boltanski created a moving sound piece, Whispers, comprising readings from the private love letters of soldiers and their lovers from the First World War.</description>
      <dc:date>2008-12-06T14:00:07+00:00</dc:date>
    </item>

    <item>
      <title>Dennis Oppenheim</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/dennis-oppenheim-talking-art-october-2008</guid>
      <description>Dennis Oppenheim’s practice has taken in actions, performances, installations, sculptures, film, architecture and everything in between. Seminal early works include Cancelled Crop, 1969, a field was harvested in the form of an X, and Reading Position for Second Degree Burn, 1970, a photographic diptych of Oppenheim lying on Jones Beach in New York, one with an open book (titled Tactics) face down on his chest, and one without showing the void created after five hours exposed to the sun. In recent years he has returned to the object and created installations including the Garden for the Accused in New York.</description>
      <dc:date>2008-10-25T14:00:50+00:00</dc:date>
    </item>

    <item>
      <title>What is the Future of Art Education? Part 2</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/what-is-the-future-of-art-education-part-2-roadshow-october-2008</guid>
      <description>What is the Future of Art Education?	

In response to demand, Art Monthly organised two public debates: one in London in September and one in Birmingham in October. At these events readers were given the opportunity to question educational professionals and policy makers.


The panels debated the motion: ‘Is further privatisation, corporatisation and instrumentalism inevitable or are there alternatives?’ and responded directly to the question ‘What is the Future of Art Education?’


Panel:


Pavel B&amp;uuml;chler, artist and research professor at Manchester Metropolitan University.


Phyllida Barlow, artist, professor of fine art and director of undergraduate studies at Slade.


Michael Corris, writer and professor of fine art at the Art &amp;amp; Design Research Centre, Sheffield Hallam University.


Vaughan Grylls, artist and former director of Kent Institute of Art and Design.</description>
      <dc:date>2008-10-06T12:00:05+00:00</dc:date>
    </item>

    <item>
      <title>What is the Future of Art Education? Part 1</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/what-is-the-future-of-art-education-part-1-roadshow-september-2008</guid>
      <description>What is the Future of Art Education?	

In response to demand, Art Monthly organised two public debates: one in London in September and one in Birmingham in October. At these events readers were given the opportunity to question educational professionals and policy makers.


The panels debated the motion: ‘Is further privatisation, corporatisation and instrumentalism inevitable or are there alternatives?Æ and responded directly to the question ‘What is the Future of Art Education?’


Panel:


Michael Corris is a writer and professor of fine art at the Art &amp;amp; Design Research Centre, Sheffield Hallam University.


Lisa Le Feuvre is a writer, curator and lecturer on the curatorial programme at the Department of Art, Goldsmiths.


Paul Gough is chair of the art and design group of the Research Assessment Exercise and pro&#45;vice chancellor at University of West of England in Bristol.


Irit Rogoff is an art historian and professor of visual cultures at Goldsmiths.


Paul Wood is the author of ‘Between God and the Saucepan’, a study of English art education from the 18th century to the present day, which will be published in the History of British Art in November 2008.</description>
      <dc:date>2008-09-27T14:00:10+00:00</dc:date>
    </item>

    <item>
      <title>Susan Hiller</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/susan-hiller-talking-art-june-2008</guid>
      <description>Susan Hiller is renowned for making works that investigate everyday phenomena that are often overlooked. Previous subjects have included UFO sightings (Witness, 2000), horror movies (Wild Talents, 1997), near&#45;death experiences (Clinic, 2004), Punch and Judy shows (An Entertainment, 1990) and dreams (Dream Mapping, 1974). She uses sound, video, text and photography, often creating large&#45;scale installations. She has been described as a feminist, a conceptualist and a para&#45;conceptualist.</description>
      <dc:date>2008-06-14T14:00:58+00:00</dc:date>
    </item>

    <item>
      <title>Cornelia Parker</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/cornelia-parker-talking-art-may-2008</guid>
      <description>?My work is all about the potential of materials ? even when it looks like they?ve lost all possibilities.? In the course of making her work, Cornelia Parker has shot at objects, thrown them from cliffs, blown them up and rolled over them with a steam roller. Her sculptural processes have been described as ?mimicking cartoon deaths?. Parker?s work is both dramatic and delicate, powerful and intricate ? out of destruction she creates tragedy and beauty.</description>
      <dc:date>2008-05-31T14:00:49+00:00</dc:date>
    </item>

    <item>
      <title>Glenn Ligon</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/glenn-ligon-talking-art-april-2008</guid>
      <description>I went to see, I went to see Logan?s Run,? right?

They had a movie of the future called Logan?s Run

There ain?t no niggers in it!

I said ?Well white folks ain?t planning for us to be here!?


[Text work by Glenn Ligon]


New York&#45;based artist Glenn Ligon is renowned for works across a variety of media including sculpture, neons, drawing and painting that explore issues surrounding race, sexuality, identity, representation and language.</description>
      <dc:date>2008-04-24T18:30:39+00:00</dc:date>
    </item>

    <item>
      <title>Gustav Metzger</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/gustav-metzger-talking-art-march-2008</guid>
      <description>Gustav Metzger, born 1926, is the renowned artist and political activist who developed the concept of Auto&#45;Destructive Art and co&#45;organised the Destruction in Art Symposium in London in 1966. Metzger was also involved in the Fluxus movement and famously declared an Art Strike from 1977 to 1980. Concerned with environmental issues in art already in the 1970s, many of his projects are now seen as astonishingly prescient. After a career spanning decades, he is now in greater demand than ever, generating new projects as for M&amp;uuml;nster Sculpture Projects 2007 or realising earlier ideas, as with Project Stockholm, originally conceived in 1972 for the UN Environmental Conference in Stockholm. Now produced for the Sharjah Biennale (2007), the huge installation consists of 120 cars that discharge their exhaust fumes into a plastic structure.</description>
      <dc:date>2008-03-29T14:00:42+00:00</dc:date>
    </item>

    <item>
      <title>Lawrence Weiner</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/lawrence-weiner-talking-art-february-2008</guid>
      <description>In 1968 Lawrence Weiner formulated his famous ?Declaration of Intent? which became a manifesto of Conceptual Art: 


The artist may construct the piece.
The piece may be fabricated.
The piece need not be built. Each being equal and consistent with the intent of the artist the decision as to condition rests with the receiver upon the occasion of receivership.


After a prolific career of more than forty years, his art remains singularly relevant today. Following his highly acclaimed retrospective As far as the eye can see (Whitney Museum of American Art, New York), Lawrence Weiner discusses his work with art historian and critic John Slyce.</description>
      <dc:date>2008-02-02T13:59:59+00:00</dc:date>
    </item>

    <item>
      <title>Christian Marclay</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/christian-marclay-talking-art-november-2007</guid>
      <description>Artist Christian Marclay is renowned for his collages of music, sculpture, film and image. Marclay?s best&#45;known works include Recycled Records, 1980&#45;86, collages of broken and reassembled vinyl record still playable on the turntable; the video Guitar Drag, 2000, which features an amplified Fender guitar attached to a rope being pulled behind a pick&#45;up truck; Video Quartet, 2002, a five&#45;screen montage of great and/or obscure musical moments and The Sounds of Christmas shown at Tate Modern in 2004. Marclay, who is now based in Britain, recently had a solo show at White Cube.</description>
      <dc:date>2007-11-24T14:00:12+00:00</dc:date>
    </item>

    <item>
      <title>Fair’s Fair: Why do we love to hate art fairs?</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/fairs-fair-roadshow-november-2007</guid>
      <description>Love them or loathe them Art Fairs are here to stay. Part of the art market, art fairs don’t just benefit dealers and collectors but artists too, so why do so many art critics despise them? Isn’t it time to move the debate along from the default position of ‘museum shows good: art fairs bad?’


Panel: Pryle Berhman, Lisa Le Feuvre, Peter Suchin</description>
      <dc:date>2007-11-07T18:30:24+00:00</dc:date>
    </item>

    <item>
      <title>Seth Siegelaub &amp;amp; Pavel Büchler</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/seth-siegelaub-pavel-buchler-in-discussion-october-2007</guid>
      <description>The two artists in conversation.</description>
      <dc:date>2007-10-27T18:00:54+00:00</dc:date>
    </item>

    <item>
      <title>Joep van Lieshout</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/joep-van-lieshout-talking-art-october-2007</guid>
      <description>In 2001 Atelier Van Lieshout realised AVL&#45;Ville, a ?free state? in the port of Rotterdam, the biggest work of art by Atelier van Lieshout to date. This free state is a mix of art environment and sanctuary, full of well&#45;known and new works by AVL, with the special attraction that everything is fully operational. Not art to simply look at, but to live with, to live in and to live by. In 2002 AVL has recently located its first AVL&#45;Ville export product in Park Middelheim in Antwerp: the AVL Franchise Unit. One of the most recent projects of AVL is SlaveCity, an up&#45;to&#45;date concentration camp, a sinister disutopian project which is very rational, efficient and profitable. The inhabitants of the city work in vast patterns of seven hours; they work in the CallCenters and also labour to maintain the city. SlaveCity is the first ?zero energy? town of this size in the world and functions without imported mineral fuel or electricity.</description>
      <dc:date>2007-10-20T14:00:40+00:00</dc:date>
    </item>

    <item>
      <title>Martha Rosler</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/martha-rosler-talking-art-september-2007</guid>
      <description>The influential American artist interviewed by Iwona Blazwick.</description>
      <dc:date>2007-09-29T14:00:55+00:00</dc:date>
    </item>

    <item>
      <title>Art, Music, Performance</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/art-music-performance-roadshow-august-2007</guid>
      <description>David Ryan and Kirsten Norrie are both artists and both musicians, Sally O’Reilly is a critic and curator of performance events and all three write for Art Monthly. They discussed the crossovers between music, performance and other art forms and tried to address some of problems of definition that arise as a result. They tackled the common questions about interdisciplinarity such as how do you critique or react to a work which combines more than one art form? How context affects the work – when music is played within an art context and vice versa? What difference can the audience make if the work is ‘participatory’, ‘interactive’, or ‘transactive’?</description>
      <dc:date>2007-08-10T13:00:16+00:00</dc:date>
    </item>

    <item>
      <title>Institutionalisation for All</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/institutionalisation-for-all-roadshow-july-2007</guid>
      <description>Worlds within Worlds: The Institutions of Art
				
‘If institutionalisation once lurked ominously in the distance for the
avant&#45;garde radical, today it is instantaneous, ubiquitous and
unexceptional.’ – Dave Beech


Are today’s artists powerless to resist institutionalisation?


The Art Monthly panel will attempt to define the concepts of ‘institutionalisation’ in art and ‘the institutions of art’ and debate the changing practice of institutional critique, including the phenomenon of self&#45;institutionalisation which, arguably, has superseded it.</description>
      <dc:date>2007-07-15T12:00:14+00:00</dc:date>
    </item>

    <item>
      <title>Hans Haacke</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/hans-haacke-talking-art-june-2007</guid>
      <description>Hans Haacke, known for his incisive, unflinchingly political works exposing systems of power and influence both within and without the art world, gives his first interview in this country since his two major retrospectives in Germany earlier this year.</description>
      <dc:date>2007-06-23T14:00:53+00:00</dc:date>
    </item>

    <item>
      <title>The Camera Never Lies?</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/the-camera-never-lies-roadshow-november-2007</guid>
      <description>The Camera Never Lies?

Despite the crimes committed in the name of photographic truth are photographs themselves innocent? With Art Monthly critics Craig Burnett, Alison Green, Axel Lapp and Julian Stallabrass.</description>
      <dc:date>2005-11-30T12:00:13+00:00</dc:date>
    </item>

    <item>
      <title>Art’s Debunkers: The Judgement</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/arts-debunkers-the-judgement-of-art-roadshow-october-2008</guid>
      <description>The Good, the Bad and the Ugly: Judging the Value of Art

How is art judged in the present anti&#45;aesthetic, yet post&#45;theoretical times? Who judges the value of art – the collector, the dealer, the curator or the critic? Art Monthly critics Dave Beech, JJ Charlesworth, Jonathan Harris and Sarah James met to debate the relationship between criticism and the art market and what this means for the formation of critical judgements about art.</description>
      <dc:date>2005-10-08T14:00:52+00:00</dc:date>
    </item>

    <item>
      <title>Crisis What Crisis? Are we facing a crisis in art Criticism?</title>
      <link>http://www.artmonthly.co.uk/magazine/site/events</link>
      <guid>http://www.artmonthly.co.uk/magazine/site/events/crisis-what-crisis-are-we-facing-a-crisis-in-art-criticism-roadshow-2003</guid>
      <description>The State of Art Criticism 

Following a seminar convened by Alex Coles and held at Tate Britian on the theme of the state of Art Criticism a series of features were published in Art Monthly. Michael Archer’s riposte to Coles’s ‘The Bathroom Critic’ provoked other writers and critics to reply, their responses in the form of features, letters and polemics continued to be printed in Art Monthly across five issues.</description>
      <dc:date>2003-02-01T17:39:28+00:00</dc:date>
    </item>


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