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April 2014

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April Issue

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Hito Steyerl How Not To Be Seen 2013

Interview

No Solution

Hito Steyerl interviewed by Jennifer Thatcher

Filmmaker Hito Steyerl is one of the most prominent exponents of the so-called 'object turn', embracing a coevalence between self and object. Here, she discusses why the mind is like an iPad, searches for her martyred friend's remains and for images of herself as an S&M model, and explains why the art-education industry is a huge Ponzi scheme.

'I never promised to solve any problem. It is interesting that people keep expecting me to anyway, as if I had signed a contract. But I didn't. It's fine for people to have expectations to this end, but why should I fulfil them? People also expect me to represent Japanese culture, foreigners as such, the internet or to wear size zero. Let me repeat: I am not a social engineer and I don't want to be. And I don't think there should be any prescribed role for artists just as there shouldn't be any for mothers or secretaries.'

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Regina José Galindo Lesson of dissection 2011

Feature

Object/Self

Francis Frascina on the objects of exclusion

The recent 'object turn' in art is perhaps best understood as an extension of the regressive 'pictorial turn' of the 1990s. Seen in this light, are current trends a backwards step for all the representational gains made by artists since the 1970s?

'I want to examine whether the new discipline of the image/object turn is a reactionary re-entrenchment of exclusivity and marginalisation.'

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Ian Hamilton Finlay A, E, I, O, Blue 1992

Feature

Art/Write

John Douglas Millar makes a case for contemporary art literature

If the nascent 'art writing' field has lost its way, it is not from a lack of interest in the connection between the two disciplines. To continue being productive, however, should not art go beyond mere 'writing' and embrace the deep critical history of 'literature'?

'The question was always open as to what the "art" in "art writing" actually denoted. Was it used, as it would be for art music, to denote a sphere of formal difficulty and conceptual seriousness? Or was it writing about art?'

Comment

Editorial

North & South

Arguments aimed at creating divisions within the country are unhelpful when evidence shows that pooled resources can create expanding, sustainable networks.

'Co-operation is the way forward for smaller organisations, not as an alternative to much-needed extra government funding, but in addition to it. The argument that has broken out between Bradford City Council and its counterpart in Leeds over perceived disproportionate funding is thus somewhat misdirected, which is ironic given that one of the organisations it funds is a theatre group called Mind the Gap.'

Artnotes

Under pressure of artist boycotts, Sydney Biennale drops its controversial corporate sponsor, an action that draws chilling rebuke from the Australian arts minister; Elmgreen & Dragset's public artwork Prada Marfa suffers artistic vandalism and is threatened with demolition; research shows the depressing state of the gender imbalance among directorships at US museums; reports suggest that London's poor pay and high living costs are leading to a curatorial brain drain; Boris Johnson courts the Guggenheim for a Stratford outpost; the latest news on galleries, events, appointments, prizes and more.

Obituaries

Rose Finn-Kelcey 1945-2014
Alexis Hunter 1948-2014

Submissions: Send news items to artnotes@artmonthly.co.uk

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Public Movement Dancing in the Streets / How long is now? 2011 performance at the Occupy social protests, Tel Aviv

Profile

Public Movement

Bob Dickinson on the Tel Aviv-based 'performative research group'

Public Movement utilises narrative fiction and commercial branding exercises to choreograph events that challenge institutional positions on migration, representation and public protest.

'I was introduced to a dark-haired, neatly attired woman who, during the next 20 minutes, imparted a complex story containing a great deal of information, about which I was not allowed to take notes but was requested to memorise, to the best of my ability.'

Reviews

Exhibitions

Keywords: Art, Culture and Society in 1980s Britain

Jonathan Harris

Recalling the Future: Post-Revolutionary Iranian Art

Jamal Penjweny: Saddam is Here

Virginia Whiles

5th Marrakech Biennale: Where are we now?

Daniella Rose King

AV Festival

Paul Usherwood

Edward Chell: Soft Estate

Stephen Lee

Camille Henrot: The Pale Fox

Adam Pugh

Cevdet Erek: Alt Üst

Morgan Quaintance

Martin Creed: What's the point of it?

Anna Dezeuze

Mark Garry: A Winter Light

Joanna Laws

Ship to Shore: Art and the Lure of the Sea

Jennifer Thatcher

London Round-up

Chris Fite-Wassilak

Reviews

Books

David Joselit: After Art

Morgan Quaintance queries this take on art after the internet

'While the attempt to dismantle the Benjaminian roadblock is laudable, the use of computational metaphor (the human artist as search engine) is reductive, restrictive and as inaccurate as the popular brain-as-hard-drive analogy.'

Report

Letter from South-East Asia

The Pretenders

Andrew J Stooke visits the wannabe Asian art centres

'In all the cities aspiring to be an art hub for South-East Asia, mammoth new museum projects are taking shape. In Shanghai the state-run Power Station of Art, as the name suggests, like London's Tate Modern, has emerged in a cavernous riverside industrial site.'

Artlaw

Copyright

Post-Internet Art

Henry Lydiate on copyright licences for digitally distributed art

'It is valuable to consider the use made by many artists of copyright licences developed and made freely available online by Creative Commons, a US-based not-for-profit organisation founded in 2001 whose licences are based on copyright but do not require would-be users to negotiate bespoke terms and conditions of use with copyright owners.'

Listings

Events

London Art Calendar

This month's highlights include:

  • Christo talk Royal Academy of Arts 6.30pm Wed 9 Apr
  • Judith Barry, Jean Fisher & Omar Kholeif in conversation Whitechapel Gallery 6.30pm Thu 10 Apr
  • Sculpture-Performance: Acme Artists Now Acme High House Studios 3.00pm Sat 19 Apr

The updated London events calendar can also be viewed online.

Submissions: Send event info to calendar@artmonthly.co.uk

Exhibitions

Exhibition Listings

Art Monthly's exhibition listings can also be viewed online.

Submissions: Send listings to listings@artmonthly.co.uk

Audio

Art Monthly Audio

On the Radio

Art Monthly hosts a talk show to discuss the current issue at 8pm on the second Monday of each month on Resonance 104.4 FM.
Next broadcast: 8pm Monday 14 April

On iTunes

The Art Monthly Talk Show is available as a podcast on iTunes – subscribe for free automatic downloads.

Online

Audio recordings are available in the Events section of the Art Monthly website: www.artmonthly.co.uk/events

Recent additions:


Opportunities

Opportunities

Jobs

Project Curator – Modern Collections

The British Museum, London | 4 Apr
www.britishmuseum.org

Lecturers in Fine Art and Critical & Contextual Studies

Robert Gordon University, Aberdeen | 6 Apr
www4.rgu.ac.uk

Curator

The Hepworth Wakefield | 7 Apr
www.hepworthwakefield.org

Programme Co-ordinator

Studio Voltaire, London | 8 Apr
www.studiovoltaire.org

Collections Assistant

Arts Council Collection, Longside | 10 Apr
https://southbank.irecruittotal.com

Director

Liverpool School of Art & Design | 15 Apr
https://jobs.ljmu.ac.uk

Director

Hamburger Kunsthalle, Germany | 30 Apr
www.theartnewspaper.com


Competitions/Commissions

The Derwent Art Prize

For works created in pencil, the Derwent Art Prize offers a total of £12,650 to international artists over 18 working in this versatile medium.
The Derwent Art Prize | 9 Jun
www.derwent-artprize.com

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Open Call: Site-Specific commissions

InTRANSIT, London | 7 Apr
www.rbkc.gov.uk

The John Ruskin Prize

Millenium Gallery, Sheffield | 7 Apr
www.campaignfordrawing.org

The East London Painting Prize

Bow Arts, London | 10 Apr
www.bowarts.org

The Playable City Awards

Watershed, Bristol | 11 Apr
www.watershed.co.uk

Billboard Commission

Bloc Projects, Sheffield | 20 Apr
www.blocprojects.co.uk


Residencies/Fellowships

Call for applications – Rome Fellowship in Contemporary Art 2014-15

3-month studio residency in Rome for an early-career artist with track record in exhibiting. Accommodation, board, grant of £1,500 per month.
British School at Rome, Italy | 24 Apr
www.bsr.ac.uk

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Kala Fellowship Awards

Kala Institute, Berkeley, USA | 4 Apr
www.kala.org

Research Fellow

University of Southampton | 4 Apr
https://jobs.soton.ac.uk

KFATHOM Artists Residency programme

Four Corners, London | 7 Apr
www.fourcornersfilm.co.uk

Space Residencies

The White Building, London | 25 Apr
www.thewhitebuilding.org.uk

Post-Doctoral Research Fellow

Central Saint Martins College of Art and Design, London | 1 May
http://jobs.arts.ac.uk


Exhibiting

CALL FOR ENTRIES – Exeter Contemporary Open 2014

Submissions are invited from across the UK for this significant annual exhibition. Awards include £1,000 Main Award, £500 Additional Award & £200 Audience Award.
Exeter Phoenix | 13 Jun
www.exeterphoenix.org.uk

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Open North Call for Entries

The Brewery Arts Centre, Kendal | 13 Apr
www.breweryarts.co.uk

MAC International – Open Call

The MAC, Belfast | 30 Apr
www.themacinternational.com

Indie Vision Call – for Artists

Metal, Peterborough | 30 Apr
www.metalculture.com

Juried Solo Exhibition Programme

NARS Foundation, New York, USA | 1 May
www.narsfoundation.org

Panorama Festival – Moving Image Works

Impakt, Utrecht, The Netherlands | 1 May
www.impakt.nl

Call for Exhibition Proposals

Kunst Kraft Werk, Leipzig, Germany | 1 May
www.kunstkraftwerk-leipzig.com


Scholarships/Grants

DIY projects Call for Proposals

Live Art Development Agency | 29 Apr
www.thisisliveart.co.uk

Postgraduate Scholarships

University of the Arts London | various deadlines
www.arts.ac.uk

Part-time PhD Studentships

Institute for Creative Industries, Edinburgh | 7 Apr
www.napier.ac.uk

ECA PhD and PG Scholarships

The University of Edinburgh | 11 Apr
www.eca.ed.ac.uk


Artist Studios

Large Purpose-built Studios

Acme High House, Purfleet | ongoing
www.acme.org.uk

Residential Artist Studios

Firestation, Dublin, Ireland | 15 May
www.firestation.ie


Submissions: Send opportunities to opportunities@artmonthly.co.uk

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