Art Monthly Newsletter
Art Monthly #336 May 2010
Rest of World: £7.20
In the new Art Monthly
Art Monthly audio: On the radio and online
Opportunities: Jobs, competitions, commissions etc
Free sample copy and subscriptions
Art Monthly May Issue
Edgar Arceneaux et al Philosophy of Time Travel 2007
It Was What It Was: Modern Ruins
Gilda Williams on the politics and aesthetics of ruins
If there is a difference between derelict buildings and ruins, could the distinction relate to the oppressive systematisation inherent in modernist architecture? And how have artists explored the difference between the two terms?
'Ever since Italian Renaissance writers fantasised about reviving the glories of Ancient Rome evidenced in their grand and broken antiquities, ruins have been put to work for politico-cultural causes.'
David Maljkovic Retired Form 2008
The New Transcendentalism
Mark Prince on the rejection of relativism
One of the defining factors of postmodern pluralism is its rejection of earnest credulity in favour of ironic detachment. But increasingly artists such as Richard Wright, Isa Genzken and Richard Hawkins are tackling mystical subject matter without being obviously dismissive. Does this mark the return of art that means what it says about the transcendental?
'Rather than a wholehearted affirmation of superstition or transcendental value, it is more a matter of defying the convention that relativism has become.'
Jacques Rancière's The Emancipated Spectator book cover
Dave Beech critiques Jacques Rancière's concept of the 'emancipated spectator'
Jacques Rancière's new book argues against a social experience of art and defends the role of the spectator. But is he not defending the privileged? And in this view of art's encounter, who is left out?
'Although Rancière's politics takes sides with the systemically impoverished, excluded and denigrated, when it comes to the question of cultural politics he takes sides with art's empowered subject - the spectator - rather than culture's impoverished, excluded and denigrated subject: the philistine.'
All Washed Up
In a move trumpeted as protecting and stimulating the creative industries in the internet age, a new law effectively allows corporations to shut off online access unless individuals prove themselves innocent.
'In politics as in comedy timing is everything, especially when it comes to passing unpopular legislation. Thus it was that, in what is known as the 'wash-up' period of a parliament, fewer than 40 MPs turned up to debate the controversial Digital Economy Bill, which has now become law.'
Artist Gillian Cook responds to Colin Perry's review of the 'From Floor to Sky' exhibition at P3 in London, and Colin Perry replies.
Boris Johnson unveils his 'something' by Anish Kapoor; a final round of ACE Sustain grants is announced; artists and photographers sue Google; Pipilotti Rist is the world's most popular contemporary artist; galleries are launched, refurbished and closed; new studios open; and all the latest news on art world appointments, events, commissions and more.
Submissions: Send Artnotes info to email@example.com
Mirza & Butler The Exception and the Rule 2009
Mirza & Butler
Maxa Zoller profiles the London-based duo Karen Mirza & Brad Butler
Mirza & Butler's recent project, the Museum of Non-Participation, is an open-ended series of actions inspired by a residency in Islamabad. The project's first instance took place behind a barbershop in East London and included meetings, workshops, screenings, Urdu language courses and a special edition of a Pakistani newspaper edited by the artists.
'More event and idea than exhibition or object, the Museum of Non-Participation proposed an open relationship between artwork and audience, one that stretched beyond the control of the artists.'
Richard Hamilton: Modern Moral Matters
Serpentine Gallery, London
Museum Abteiberg, Mönchengladbach
IRWIN: The Eye of the State
The Israel Center for Digital Art, Holon
A History of Irritated Material
Raven Row, London
Bloomberg Space, London
Jennet Thomas: All Suffering SOON TO END!
Matt's Gallery, London
Angela de la Cruz: After
Anna Maria Maiolino: Continuous
Camden Arts Centre, London
Art Sheffield - Life: A User's Manual
various venues, Sheffield
MuHKA & Extra City, Antwerp
Abbot Hall Kendal
The Exchange, Penzance
The Fall of the Studio: Artists at Work
Alex Coles on Wouter Davidts and Kim Paice's examination of the changing role of the artist's studio
'The contributors have been selected on the basis that their research heeds the editors' premise that "instead of upholding the accepted wisdom or narrative that the studio has fallen", the present task of scholarship on the studio is to "ambitiously question ... assumptions that underlie the popular and international discussion of the 'post-studio'". An obvious danger would have been to fall back on a more conservative plea for a return to the studio - something the editors avoid.'
Maria Walsh on the artist's contribution to Serpentine Cinema
'The baroque-style interior and intimate setting of The Gate cinema provided a fitting frame for Hannah Sawtell's Entroludes 1-6, 2010, six short films whose imagery, mainly culled from the internet, enfolds to create semi-abstract assemblages that perform in virtual space with uncanny alacrity.'
PhotoFilm: Stillness and Movement
Sophia Phoca on Tate Modern's film conference
'In the opening address Sigune Hamann explained that the event would concentrate on how we conceive and experience time and movement. This was a refreshing focus on the way the image is experienced phenomenologically, rather than the heavily trodden path of structuralist analysis of the image.'
What looms for the Henry Moore Institute?
Axel Lapp has his concerns about the changing focus of the Henry Moore Institute
'Even though the HMI has since done its utmost to defuse all concerns, asserting that "there are no plans to close the Institute or reduce its activities", the reality seems to tell a slightly different story.'
Henry Lydiate on the copyright status of street art
'Does copyright law permit publicly sited artworks to be filmed or photographed, and the resulting images merchandised commercially, without the prior consent of the copyright owner of that public art?'
Art Monthly's exhibition listings can also be viewed online.
Submissions: Send Listings info to firstname.lastname@example.org
Art Monthly audio
Art Monthly on the radio
Art Monthly has its own show on Resonance 104.4 FM. Tune in at 5pm on the second Friday of each month to hear news and views from Art Monthly contributors.
Next broadcast: 5pm Friday 14 May
More info: resonancefm.com
Art Monthly audio online
Audio recordings of many of Art Monthly's events, from the regular Resonance FM radio show and Talking Art artist interviews at Tate Modern to the special panel debates, are available free in the Events section of the Art Monthly website.
Listen now: www.artmonthly.co.uk/events.htm
Seeking candidates with a proven record of success at a managerial level, with the skills to develop its public programmes, artists' studios and commercial potential.
Spike Island, Bristol | 7 May
Developing and managing projects with three years curating for a photography organisation, a good understanding of race, representation and human rights.
Autograph ABP | 26 May
Royal Academy of Arts, London | 10 May
Professor/Reader in Painting
University of Ulster | 28 May
Professor of Fine Art
University of Kent, Medway Campus | 14 May
Assistant Director - Arts, Heritage & Libraries
London Borough of Ealing | 11 May
Annely Juda Fine Art, London | 18 May
Head of Education & Learning
Bow Arts Trust, London | 10 May
The Chinati Foundation, USA | no deadline
Visual Arts Grant
Marcelino Botín Foundation, Spain | 7 May
PhD Studentships in Creative & Cultural Studies
University of the West of Scotland | 31 May
Edinburgh College of Art | 14 May
$100,000 grant for individual projects
Sharjah Art Foundation | 1 Jun
Call for research projects on artistic theory
CA2M, Madrid | 21 May
Conservation Research Fellowship
The Clothworkers's Foundation, London | 21 May`
Win an Art Break to Holland!
Enter the quiz for the chance to win an art break for two to Amsterdam with KLM and Holland Art Cities.
Holland Art Cities | 31 May
Six individual art work commissions
Métamatic Research Initiative, Amsterdam | 1 Jun
The Mark Tanner Sculpture Award
Standpoint Gallery, London | 31 May
The Threadneedle Prize
Mall Galleries, London | 1 Jun
Visual Arts Creative Development Programme
Cove Park, Cove | 14 May
Artist in Residence
St John's College, Oxford | 14 May
Artist in Residence
The Rea Garden, Birmingham | 13 May
Going Dutch Residency Opportunity
Artquest, Amsterdam | 4 May
Virtue & Industry professional development
Picture This, Bristol | 15 May
1 month summer residency
Meltdowns, Ramsgate | 28 May
Résidences secindaires - three month residency
Centre d'Art Contemporain Parc St-léger, France | 31 May
Residency available in America
McColl Centre for Visual Art, Charlotte | 3 May
Fundada Artists Film Festival
Square Chapel, Halifax | 31 May
Visions in the Nunnery 2010
Nunnery Gallery, London | 24 May
Guest Projects Open Submissions
Guest Projects, London | 28 May
Islington Mill, London | 29 May
All That Glitters is Not Institution
The Whitechapel gallery, London | 30 May
Open Here 2010
Hereford Photography Festival | 31 May
Call for drawing submissions
Pilsen International Biennial of Drawing, Czech Republic | 30 May
Submissions: Send Opportunities info to email@example.com
Get Art – Get Art Monthly
Free Sample Issue
For a free sample issue, email: firstname.lastname@example.org
Special Offer: Gift Subscriptions
SAVE £19 by giving a gift subscription - prices start at only £25.
2009 Subscription rates for individuals:
UK: £44 / Europe: £55 / North America: $74 / Rest of World: £72
Institutional rates: £53 / £68 / $79 / £86
Student rates: £30 / £41 / $48 / £53
Subscribe online: www.artmonthly.co.uk/subs
By email: email@example.com
Call: +44 (0)20 7240 0389
Art Monthly is also available as a digital edition. The annual subscription price is £30. Digital subscribers also get access to some back issues online. See Exact Editions for more information.
Reach Art Monthly's Audience
You can now advertise in this newsletter as well as in the magazine. Rates start at only £150.
More info: www.artmonthly.co.uk/ads.htm
Contact Matt Hale: firstname.lastname@example.org
T: +44 (0)20 7240 0418 / F: +44 (0)20 7497 0726
This is a free monthly newsletter detailing the contents of the new issue of Art Monthly magazine and other related information. You have been sent this email because you have subscribed to our newsletter – thanks for reading! We do not pass your details to third parties.
To unsubscribe use the following link and click on the 'unsubscribe or edit options' button at the bottom of that page: http://list.artmonthly.co.uk/mailman/listinfo/e-bulletin
Feel free to pass this email on to friends you think may be interested. They can subscribe to this newsletter by visiting: http://www.artmonthly.co.uk/ebulletin.htm