Art Monthly NewsletterJul-Aug 2011
Newsletter Contents
In the new Art Monthly Art Monthly July-August Issue
Christine Borland Cast From Nature 2010-11 InterviewGhostsChristine Borland interviewed by Rosie Lesso Christine Borland rose to prominence during the early 1990s, becoming one of Scotland's most influential young artists. Her research-led practice adopts forensic and medical techniques to test humanist notions of identity. Here she talks about the processes that led to the work in her current exhibition at Camden Arts Centre. 'Behind a creaky wooden door was a dingy basement full of cobwebs and corridor after corridor filled with body fragments preserved in all kinds of ways – an amazing sight.' 
Des Hughes Norfolk Flint (with prominence and with boring) 2007 FeatureFuture PastChristopher Townsend on a very British modernism Wakefield's new Barbara Hepworth museum gives visitors a slice of mid-century British modernism, but how can we comprehend this historical period when it is refracted – via contemporary culture – through late capitalism's self mythologising? 'The era of mid-century modernism and modernity is lost to us now, its Utopias are as unattainable as the archaic ages of Knossos and Troy, and presented to us in fragments gathered from the archaeological excavation of what was to come rather than the digging up of what really happened.' 
Adolf Loos Knieschwimmer lounge chair c1905 FeatureThe Anti-ArchitectJust how artless was Adolf Loos asks Joseph Masheck Adolf Loos is popularly characterised as a strict ascetic, easily understood through the title of his famous essay 'Ornament and Crime'. But doesn't his lesser-known interiors work reveal a more complex sensibility – one that indulges in, for example, vernacular brick laying and far-fetched furniture? 'Whatever the pretext, it is always worthwhile to confront particular works of this figure who proves much more than an anti-architect in the event than we are often led to think.'
CommentEditorialHomage to the SquareEven as commentators contest the idea of public space and the effectiveness of protest, aren't populations across the world actually contesting the spaces themselves and demonstrating the effectiveness of courageous and determined, mass protest? 'Theoretical discussions – not least in these pages – about the efficacy of protest, or about what constitutes public space, have been overtaken by events. If protest were ineffective, governments would not be so keen to enact legislation to prevent it. Public spaces are, by definition, contested spaces.' LettersVictor Burgin clarifies his stance on fine art PhDs in response to Peter Suchin's 'Rebel Without a Course' feature, and Peter Suchin replies. Virginia Whiles responds to Kathy Noble and Laura McLean-Ferris's reviews of the Sharjah Biennale. ArtnotesAi Weiwei is released on bail, coincidentally three days before Chinese Premier Wen Jiabao visited the UK to announce £1.4bn in trade deals; the Arts and Humanities Research Council releases a report which finds that government methods of measuring the economic effectiveness of university research is skewed against the arts; the Dutch coalition government embarks upon a round of arts cuts more savage even than the UK's; the Azerbaijan pavilion censors its own work in Venice; the UK Public Catalogue Foundation launches an online database of publicly owned paintings; Frieze Art Fair announces two new fairs; all the latest news on galleries, art world prizes and more. Submissions: Send Artnotes info to artnotes@artmonthly.co.uk 
Song Dong Touching My Father 1997 ProfileSong DongAndrew Hunt Profiles the Chinese artist Song Dong's contemplative work examines the artist's personal family history, and through this intimate lens he reveals the human cost of China's complex recent history. 'The circle is key to Song's practice; with no beginning or end, its lack of hierarchical arrangement is a clear alternative to the tradtional architectural power of the square, which has obvious connotations through the relationships to the politically loaded Tiananmen Square.' Reviews Exhibitions54th Venice Biennalevarious venues, Venice Anna Dezeuze 54th Venice Biennalevarious venues, Venice Klara Kemp-Welch AntiphotojournalismFOAM, Amsterdam Chris Clarke Amen BrotherGrand Union, Birmingham David Briers Time AgainSculptureCenter, New York Katie Kitamura In the Belly of the WhaleCartel Gallery, London Morgan Quaintance Andy Holden: Chewy Cosmos Thingly TimeKettle's Yard, Cambridge David Ryam Still LifeLismore Castle Arts, Co Waterford Martin Herbert David LamelasBloomberg SPACE, London Martin Herbert Imogen Stidworthy: (.)Matt's Gallery, London Laura McLean-Ferris Josephine PrydeChisenhale Gallery, London Kathy Noble ReviewsArtists' BooksBrocadeStephen Bury rounds up some recent releases 'I have maintained in the past that the artist should choose the artist's book format when it is the medium most suited to the particular idea. Aleksandra Mir manifests her projects both as books and as installations concurrently.' ReviewsBooksJunk: Art and the Politics of TrashPaul O'Kane on Gillian Whiteley's examination of assemblage 'The theme of the book is clearly current; towards the end Whiteley jolts us into consideration of "spam", the latest form of virtual rubbish.' Maria LindAlex Coles on the curator's selected writings 'While the rise of the curator has generally come at the cost of the critic, Lind has continually worked to demonstrate that a more complex relationship between criticism and curating is possible by developing both symbiotically.' Summer ReadingDavid Barrett rounds up some recent releases 'There are some books that everybody knows about but few have actually read. Ulysses, for example. In the art world, me might consider Andy Warhol's endurance-test diaries or, if we're honest, the oeuvres of several French philosophers.' ReportBosnia and HerzegovinaTime Machine Biennial: No NetworkBob Dickinson on the new, nuclear bunker-based biennale 'When the British industrial noise duo SZ Berlin performed at the end of the opening night a set that included 25kt, their sonic simulation of an atomic detonation, in the vicinity of the bunker, there were squabbles between the organisers and soldiers.' SaleroomsNew YorkUp and DownColin Gleadell on artists' prices that have bounced back – or not 'An up and down week of sales held in New York in May saw the ups outweight the downs as 85% of lots offered sold for $718m, the fifth highest total on record for a series in New York.' ArtlawPublic PoliciesDeaccessioning Public CollectionsHenry Lydiate on constraints proscribing the sale of publicly owned art 'Does the British Museum have the legal power to deaccession the Parthenon Marbles, or Tate Modern its Rothkos and Warhols? Both are public collections constituted and governed by UK statute law, as are most other national museums and galleries, and their deaccessioning powers are specified by the law.' ListingsExhibitionsExhibition listingsArt Monthly's exhibition listings can also be viewed online. Submissions: Send Listings info to listings@artmonthly.co.uk
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