the dispersal of protesters by Swiss riot police from Tadashi Kawamata's Favela Café outside Art Basel
￼Art & Politics
Which side is art on ask Dean Kenning and Margareta Kern
In the face of government austerity measures which have squeezed artists and public arts provision more than any other sector, an elite art world has continued to prosper. Isn't it time that, in order to develop political agency in their work, artists begin to acknowledge this glaring dichotomy?
'Can art act in opposition to neoliberal power and manifest values based in equality, commonality and solidarity? Or does art simply manifest and further the interests of a transnational capitalist class?'
Nasrin Tabatabai & Babak Afrassiabi Seep 2012
Art & Oil
Colin Perry on the greasing of the art industry
Today's debates around the sponsorship of art by oil companies would benefit from a historical understanding of the long tradition of arts commissions by industries with pressing PR problems; an analysis of the results of this almost century-long practice reveals the pernicious, compromising effects of such greasing.
'In confronting the corporate "art-wash" enacted by BP and Shell today, we should not be particularly surprised that mass spectacle and art are still conjoined.'
Ed Fornieles Character Date 2012-
Nick Warner on the phenomenon of the producer/consumer in online art
As the rapidly developing social aspects of the internet make producers of us all, how have artists such as Ed Fornieles and Iain Ball developed online projects that mask their status as artworks and undermine the traditional notion of the artist-maker?
'Where the consumer of yesteryear would passively digest the spectacle provided, whether capitalist, political or cultural, the prosumer likes and shares, rates and reviews, remixes and uploads.'
Putting the PR in Press
The increasing professionalisation or outright outsourcing of PR departments in art galleries has led to a shift in power between the public-image controllers and the critical press, with access carefully gated for friendly media. But won't this short-termist thinking simply undermine faith in the cultural discussion that is art's lifeblood?
'The rot probably set in when, in the wake of savage cuts to the arts under Margaret Thatcher, publicly funded galleries were urged, as now, to forge new "relationships" with the private sector: enter the PR pandars.'
Michael Hampton wonders whether the curating behind Venice's 'The Encyclopedic Palace' exhibition signals a new world order.
Tate chairman and the UK's fracker-in-chief Lord Browne uses an Art Fund speech on philanthropy to outline an end to taxation as a wealth redistributor and the death of museums' arm's-length independence; local-government arts budgets are cut even as wider spending increases; The Public in West Bromwich finally meets an inglorious end; BMW abandons a high-profile Guggenheim sponsorship; the ICA launches an art rival to Twitter; galleries open, move and expand; the latest news on events, appointments, prizes and more.
Walter De Maria 1935-2013
Allan Sekula 1951-2013
Submissions: Send news items to email@example.com
Pratchaya Phinthong Broken Hill 2013
Eliza Williams on the Bangkok-based artist
Pratchaya Phinthong's seemingly straightforward interventions – displacing museum artefacts from one country to another, eschewing an art residency to work alongside migrant labourers – reveal a complex set of border-driven power relations and interdependencies.
'Politics runs through all of these pieces, yet Phinthong avoids dogma or didacticism in his work, instead choosing to raise questions and invite comment. Also uniting the works is their emphasis on collaboration, with Phinthong at times taking the role of encourager and persuader rather than of autonomous artist, and inviting others to become active participants in the shaping of his art.'
IAIN BAXTER& and Adam Chodzko
Raven Row, London
The Hepworth, Wakefield
Omer Fast: 5,000 Feet is the Best
Imperial War Museum, London
Sophie J Williamson
Haris Epaminonda: Chapters
Modern Art Oxford
John Newling: Ecologies of Value
The Exchange, Penzance
Roxy Walsh and Sally Underwood: Dependent Rational Animals
Manchester International Festival: do it 20 13
Yorgos Sapountzis and Ian Hamilton Finlay
If Not Always Permanently, Memorably
Spike Island, Bristol
Temple Bar Gallery • Dublin City Gallery The Hugh Lane • Douglas Hyde Gallery • Irish Museum of Modern Art
This is Not Art: Activism and Other 'Not-Art'
John Douglas Millar on a provocation to the London art world
'If any single debate defines current discourse around contemporary art it is the question of art’s relationship with the category of "the political" and the scree of sub-questions produced in its wake: is art able to contribute to social change? Should art aim to make direct interventions? Can art mimic or demonstrate utopian social relations? How can art and activism meld and should they?'
Digital v Paper
Mark Wilsher argues against digital archives
'The migration from paper to digital archives has a negative side, especially in the case of education in the visual and creative arts where a qualitative mode of reading is required rather than simple information gathering. In fact I would say that electronic journal storage is actively bad for art education.'
Sophia Phoca looks at a shared-ownership model for art organisations
'The V22 plc shared ownership art organisation is constituted with the collection, while shareholders, made up mainly of 430 participating artists, can sell and buy shares in the publicly quoted company and steer and curate the collection and exhibitions. At the same time, V22 aims to increase shareholder value through growing the size and value of the collection.'
London Art Calendar
Art Monthly's London event calendar can also be viewed online.
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Art Monthly's exhibition listings can also be viewed online.
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Art Monthly Audio
On the Radio
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Next broadcast: 8pm Monday 9 September
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Audio recordings are available in the Events section of the Art Monthly website: www.artmonthly.co.uk/events
Artists and Programmes Curator
Wysing Arts Centre, Cambridge | 9 Sep
Tate St Ives | 9 Sep
Norman McLaren Project Coordinator
Centre for the Moving Image, Edinburgh | 11 Sep
MA Fine Art Tutor
Norwich University of the Arts | 12 Sep
Head of Department of Culture & Creative Arts
Bishop Grosseteste University, Lincoln | 13 Sep
Tate Liverpool | 13 Sep
University of Sunderland | 16 Sep
Young People’s Programmes Manager
National Portrait Gallery, London | 16 Sep
Lecturer/Senior Lecturer in Fine Art
Sheffield Hallam University | 20 Sep
Head of Museums and Collections
UCL, London | 22 Sep
Compton Verney, Warwickshire | 30 Sep
Assistant Professor (Global Modern Art)
University of California, Berkeley, USA | 1 Oct
BREESELITTLE'S Prize for Art Criticism Volume VIII
Calling young writers of art criticism for competition with £600 Prize. Sponsored by ArtQuarters Press.
BREESE LITTLE | 20 Sep
International Curator Competition
Arbank Sanat, Istanbul, Turkey | 10 Sep
Young International Contest of Contemporary Art
Yicca, Sofia, Bulgaria | 13 Sep
The Title Art Prize
Blank Media Collective, Manchester | 22 Sep
Changing Tracks – Outdoor Public Art Commission
Northamptonshire County Council | 27 Sep
Szpilman Award for Ephemeral Work
Szpilman Award | 30 Sep
Phynance Residency Open Call
Flat Time House | 8 Sep
Research Residency in Art Writing
Edinburgh College of Art | 9 Sep
Video Art and Film Residencies
Kran Film Collective, Brussels, Belgium | 10 & 24 Sep
Artist in Residence
Glasgow Museums | 13 Sep
Open call for UK/USA Residency
The White Buiding, London & Eyebeam, New York | 13 Sep
Artist in Residence
Foundation Kunstlerdorf, Schoppingen, Germany | 15 Sep
Central Saint Martins, London | 16 Sep
Creative Residency Programme
Arteles, Hameenkyro, Finland | 27 Sep
University of Cambridge | 27 Sep
Adam Reynolds Memorial Bursary
Shape & Spike Island, Bristol | 16 Sep
b-side Festival, Dorchester | 13 Sep
Cubitt, London | 30 Sep
Grants to Support Interaction Between UK & Japan
Daiwa Foundation, London | 30 Sep
Artists Access to Art Colleges
AA2A, UK | 30 Sep
The Discerning Eye
The Mall Galleries, London | 7 Sep
Curate North – Call for Submissions
Rowan Arts, London | 10 Sep
The Whitstable Biennale | 7 Oct
Submissions: Send opportunities to firstname.lastname@example.org
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