Art Monthly : Article :

In Jordan Mark Sheerin encounters softly spoken artworks that nevertheless burn with urgency

Amrita Dhallu finds the South African artist’s imaginative history of stone throwing has become a foundation for worldmaking

Maja and Reuben Fowkes feel the urgency of the curator’s question: can the seas survive us?

Maria Walsh surrenders to an experimental film that explores the idea of an ‘autistic camera’

Chris Townsend reports from Texas on the Myth of the West at a time when California is beset by wildfires

Matthew Bowman considers the role of archives in recording and representing the destruction of art by artists and by others

Art/Class September 2022

Bob Dickinson wonders whether working-class culture can survive in the UK

Public sculpture is everywhere yet it is in crisis argues Lisa Le Feuvre

Michaële Cutaya on the politics of plants

Adam Heardman looks beyond the spectacle of high-tech immersive art experiences

Bami Oke examines Garrett Bradley’s embodied video reflection on US culture

E De Zulueta explores the delirious resistance of Mexican filmmakers Colectivo los ingrávidos

Nevan Spier views Palestine through the films of Mustafa Abu Ali and Elia Suleiman

Natasha Thembiso Ruwona explores Ashanti Harris’s Black Gold

Aislinn Evans critically examines a lesbian relation to histories of the land and landscape cinema