Art Monthly : Recent Articles

Shanzhai Lyric

Alexandra Symons Sutcliffe on the way the New York duo’s work charts the flows of capital that shape our world

How to Make Art in a Pandemic?

Khairani Barokka considers ableism in art in the light of the Covid-19 lockdown

Steve McQueen

Adam Hines-Green finds that the Oscar-winning artist is liberated by the limitations of video

Reflections on Education from the Frontlines

Royal College of Art lecturers challenge the business-first approach of British universities and their art departments

Sophie Cundale

Kathryn Lloyd examines the London-based artist’s new work, which takes on Greek mythology, cinema and the world of boxing to address long-term concerns about loss and trauma.

Alex Margo Arden and Caspar Heinemann: The farmyard …

Larne Abse Gogarty finds this exhibition and two-act play to be an antidote to today’s cruel and crass political landscape.

The Found Archive of Hani Jawherieh

Amna Malik explores Void Project’s thoughtful feminisation of contested representations of masculinity through the work of the late Palestinian filmmaker.

Imran Perretta

George Vasey discusses the coercive role of images and hidden racial, social and economic biases of photographic and other technologies, as revealed in the work of the London-based artist.

Andrea Luka Zimmerman and Adrian Jackson: Here For Life

Hettie Judah reviews a collaborative film that follows the lives of Londoners as their city changes around them

Carolyn Lazard

Giulia Smith discusses the Philadelphia-based artist’s political agenda, which centres on changing the institutional treatment of disability rather than merely representing it

Richard Grayson: Possessions_inc.

Jamie Sutcliffe navigates the vortex of superstition and techno-consipiracy in Richard Grayson’s online video series

Letter from Zurich

Aoife Rosenmeyer is peeved by the art market’s framing of older female artists as Cinderellas waiting gratefully to be discovered

Call & Response

Morgan Quaintance takes issue with the political claims made in Stephanie Bailey’s article ‘Athens: Future Past’ and Stephanie Bailey responds

Harry Meadley: But what if we tried?

Tom Emery finds out what happens when a public gallery attempts to exhibit every artwork in its collection at once

Letter from Houston

Astrid Korporaal finds a pioneering spirit full of hope for positive change in a city with a surprisingly rich art heritage

Meiro Koizumi: Battlelands

Amy Luo reviews the Japanese artist’s collaboration with US military veterans

Bow Gamelan Ensemble: Great Noises that Fill the Air

Morgan Quaintance enjoys the artist sound collective as an enthralling reminder of the experimental alternative to cultural conservatism

Letter from Kampala

George Vasey reports on the Ugandan capital’s energetic but under-resourced art scene

Letter from Korea: One Step at a Time

Chris McCormack reports on the Gwangju and Busan biennales at a tentatively hopeful time in Korean politics

Private Museums

Aoife Rosenmeyer on the current boom in private art institutions

Oberhausen: Leaving the Cinema

Adam Pugh uses the 64th Oberhausen International Short Film Festival to show that cinema is essential today, it being one of the few remaining social structures to enable public assembly

Martha Rosler and Hito Steyerl: War Games

Stephanie Schwartz reviews the two-artist show at Switzerland’s Kunstmuseum Basel

Art Investigation

Daniel Neofetou argues that Forensic Architecture’s success in the art world is symptomatic of a broader demotion of art’s capacity for political opposition