Recent Articles
Private Museums
Aoife Rosenmeyer on the current boom in private art institutions
Oberhausen: Leaving the Cinema
Adam Pugh uses the 64th Oberhausen International Short Film Festival to show that cinema is essential today, it being one of the few remaining social structures to enable public assembly
Martha Rosler and Hito Steyerl: War Games
Stephanie Schwartz reviews the two-artist show at Switzerland’s Kunstmuseum Basel
Art Investigation
Daniel Neofetou argues that Forensic Architecture’s success in the art world is symptomatic of a broader demotion of art’s capacity for political opposition
Forensic Architecture: Counter Investigations
Maria Walsh reviews the group’s ICA exhibition
School: A Recent History of Self-Organised Art Education
Lauren Houlton reviews Sam Thorne’s survey of independent art schools
Andreas Gursky
Martin Herbert reviews the German photographer’s Hayward Gallery retrospective
Letter from Cairo: The Way Back
Maxa Zoller on Egypt’s post-revolution art scene
Terre Thaemlitz
The Minnesota-born, Kawasaki-based artist, writer, DJ and composer explores gender and systolic systems, and argues against reconciliation
What is Happening?
Laure Genillard asks why won’t more galleries voice the fact that art fairs are rapidly eroding their viability
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