Erika Balsom discovers spaces where resistant bodies are welcome
Vaishna Surjid on a doomsday performance that nevertheless suggests ways forward
Larne Abse Gogarty discovers a pointed layering of references in the American painter’s retrospective
Izabella Scott claims the US is obsessed yet in denial about the concept of empire
Mark Hutchinson argues that new approaches to curating aestheticise politics
Stephanie Schwartz questions the utopian potential of digital photography
Art Monthly celebrates its 50th anniversary and 500th issue in October 2026. Henry Lydiate marks the magazine’s 50th year by reviewing his Artlaw column since its first publication in 1976. Throughout 2026, one broad subject is explored each month, noting significant events and issues, and commenting on key changes and developments to date.
Henry Lydiate on the development of Artlaw over the past half century
The Michael O’Pray Prize is a Film and Video Umbrella initiative launched in 2017 in partnership with Art Monthly, supported by University of East London and Arts Council England. The prize seeks new writing on innovation and experimentation in moving-image art. Read the winning texts below.
Ricardo Reverón Blanco on a Cuban filmmaker suppressed both at home and abroad
Emily Morley examines a new mode of distributed filmmaking
Oliver Dixon revisits the work of experimental documentary filmmakers
Ren Scateni on artists who are remaking Scottish histories
Seán Ward discovers Edinburgh’s radical side via the 2024 art festival
Leanne Petersen responds to Rene Matic’s practice in dialogue with Black Cultural Archives’ collection
Four London-based artists discuss the rise of the online studio visit