The Producers Pt II

Charlotte Cotton, artistic director of Tasweer Photo Festival, and Shoair Mavlian, director of Photoworks, discuss new positions on curating. Chaired by Uta Kögelsberger.

Talk 11 of ‘The Producers Part II: New Positions on Curating’ devised by Uta Kögelsberger of Newcastle University and Chris McCormack of Art Monthly, with the generous support and input of staff at the Hatton Gallery, from the School of Arts and Cultures, Newcastle University and from Art Monthly.

Free online event. Request link and password: chris@artmonthly.co.uk

Ekaterina Degot, director of Steirischer Herbst in Graz in Austria, and Bas Vroege, director of Paradox in the Netherlands, discuss new positions on curating. Chaired by Harry Weeks, lecturer in art history at Newcastle University.

Talk 10 of ‘The Producers Part II: New Positions on Curating’ devised by Uta Kögelsberger of Newcastle University and Chris McCormack of Art Monthly, with the generous support and input of staff at the Hatton Gallery, from the School of Arts and Cultures, Newcastle University and from Art Monthly.

Katerina Gregos, curator of the inaugural Riga Biennale, and Mirjam Varadinis, curator at Kunsthaus Zurich. Chaired by Alessandro Vincentelli, curator of exhibitions and research at Baltic Centre for Contemporary Art.

Talk 9 of ‘The Producers Part II: New Positions on Curating’ devised by Uta Kögelsberger of Newcastle University and Chris McCormack of Art Monthly, with the generous support and input of staff at the Hatton Gallery, from the School of Arts and Cultures, Newcastle University and from Art Monthly.

Bassam El Baroni, assistant professor at Aalto University in Helsinki, and Adam Szymczyk, artistic director of Documenta 14.

Talk 8 of ‘The Producers Part II: New Positions on Curating’ devised by Uta Kögelsberger of Newcastle University and Chris McCormack of Art Monthly, with the generous support and input of staff at the Hatton Gallery, from the School of Arts and Cultures, Newcastle University and from Art Monthly.

Sarah McCrory, director of Goldsmiths CCA, and Fatos Ustek, director of DRAF.

Talk 7 of ‘The Producers Part II: New Positions on Curating’ devised by Uta Kögelsberger of Newcastle University and Chris McCormack of Art Monthly, with the generous support and input of staff at the Hatton Gallery, from the School of Arts and Cultures, Newcastle University and from Art Monthly.

Michelle Cotton, director of Bonner Kunstverein, and Woodrow Kernohan, director of John Hansard Gallery. Chaired by Neil Bromwich, senior lecturer in Fine Art at Newcastle University.

Talk 6 of ‘The Producers Part II: New Positions on Curating’ devised by Uta Kögelsberger of Newcastle University and Chris McCormack of Art Monthly, with the generous support and input of staff at the Hatton Gallery, from the School of Arts and Cultures, Newcastle University and from Art Monthly.

Lisa Le Feuvre, inaugural executive director of the Holt-Smithson Foundation, and James Lingwood, co-director of Art Angel, discuss new positions on curating. Chaired by Chris McCormack, associate editor at Art Monthly.

Talk 5 of ‘The Producers Part II: New Positions on Curating’ devised by Uta Kögelsberger of Newcastle University and Chris McCormack of Art Monthly, with the generous support and input of staff at the Hatton Gallery, from the School of Arts and Cultures, Newcastle University and from Art Monthly.

Martin Clark, director of Camden Arts Centre, and Mason Leaver-Yap, associated curator at Kunstwerke Berlin. Chaired by George Vasey, curator at Wellcome Collection.

Talk 4 of ‘The Producers Part II: New Positions on Curating’ devised by Uta Kögelsberger of Newcastle University and Chris McCormack of Art Monthly, with the generous support and input of staff at the Hatton Gallery, from the School of Arts and Cultures, Newcastle University and from Art Monthly.

Achim Borchardt-Hume (director of exhibitions at Tate Modern) and Paul Goodwin (independent curator and urban theorist, UAL chair of contemporary art & urbanism and director of the Transnational Art, Identity and Nation Research Centre) discuss themes of conflict, recalcitrance and the ‘undercommons’. Chaired by Laura Sillars, director of MIMA.

Talk 3 of ‘The Producers Part II: New Positions on Curating’ devised by Uta Kögelsberger of Newcastle University and Chris McCormack of Art Monthly, with the generous support and input of staff at the Hatton Gallery, from the School of Arts and Cultures, Newcastle University and from Art Monthly.

Chrissie Iles (Anne and Joel Ehrenkranz curator at Whitney Museum of America Art) and Polly Staple (director of Chisenhale Gallery) discuss the place of the institution as a site of change and practice. Chaired by Alistair Robinson, director of NGCA.

Talk 2 of ‘The Producers Part II: New Positions on Curating’ devised by Uta Kögelsberger of Newcastle University and Chris McCormack of Art Monthly, with the generous support and input of staff at the Hatton Gallery, from the School of Arts and Cultures, Newcastle University and from Art Monthly.

Writer Erika Balsom discusses her book After Uniqueness: A History of Film and Video Art in Circulation and director of Film and Video Umbrella Steven Bode reflects on the changing landscape of moving-image production in the UK. Introduced by Uta Kögelsberger, senior lecturer at Newcastle University, and chaired by Chris McCormack, associate editor of Art Monthly.

Talk 1 of ‘The Producers Part II: New Positions on Curating’ devised by Uta Kögelsberger of Newcastle University and Chris McCormack of Art Monthly, with the generous support and input of staff at the Hatton Gallery, from the School of Arts and Cultures, Newcastle University and from Art Monthly.