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June Issue

Oscar Murillo ‘Violent Amnesia’ 2019 installation view
Kettle’s Yard, Cambridge

Interview

Winning Ground

Oscar Murillo interviewed by Cherry Smyth

The London-based Afro-Colombian artist discusses race and colonialism, the collective experience and the individual, cultural displacement and infiltration.

The physical energy that happens in the studio remains present beyond the action and the sense of labour is transferred to the space and the viewer. But somehow that is not enough. If you think of a dynamo that transfers energy to something else, in this show the pews carry that through, suggesting the link between colonialism and the church.

activists from PAIN (Prescription Addiction Intervention Now) performing a
die-in against Sackler’s funding of the Guggenheim Museum, New York, 2019
photo by Arda Arsena

Feature

Activism as Art

Activism is not an add-on says Tom Snow

It is time that museums recognised activism as central to critical art practices by individuals and collectives, such as Liberate Tate, PAIN, and BP or not BP?

The capacity of museums to represent and comment on current art and artists is flawed by the refusal to take note of their politically engaged contemporary activities. Tate and other institutions are potentially at risk of something similar by refusing to see activism as a serious component of contemporary practice.

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From the Back Catalogue Artists Must Eat But at what price asks Lizzie Homersham

Oliver Laric Lincoln 3D Scans 2012-

Feature

Virtual and Other Bodies

We need a new language of embodiment for 3D technologies argues Mark Wilsher

The unnerving feelings of dissociation triggered by the works of artists such as Oliver Laric, Laurie Anderson and Rachel Rossin show that, if we are to spend more time in the virtual world, it is important not to leave the body behind.

No matter what the content, no matter who the programmer, a virtual space created purely from data and navigable without any relationship to our situated bodies will always represent a patriarchal mode of experience because it is ultimately a dissociated one. It denies the body in order to more easily colonise space.

Comment

Editorial

Venice: Through a Glass Darkly

Venice is being swamped by tourists who are collectively destroying the cultural jewel they have come to visit. The international art crowd is part of this nihilistic tendency, so has the time now come to radically rethink our own relationship with the mother of all biennales?

‘You’re asking me what it’s like to live with this crap? It used to be wonderful, we had lots of artisans … The problem now is the mass tourism, the people who come for just a few hours and see nothing – it’s as much of a nightmare for them.’

Natalia LL’s Consumer Art 1973 which was censored from the Warsaw National Museum and the banana-eating protest that ensued
photo Annabelle Chapman

Artnotes

ACAVAaargh

Studio provider ACAVA has had one of its studio blocks repossessed, locking out more than two dozen artists; artists protest at Tate’s renewed contact with Anthony d’Offay; the Czech culture minister resigns after his politically motivated sacking of museum directors; protesters in Poland stage a mass banana-eating outside the National Museum in support of a censored artwork; Trevor Paglen’s ambitious satellite sculpture Orbital Reflector is officially declared lost in space, a victim of President Donald Trump’s government shutdown; plus the latest news on galleries, appointments, prizes and more.

Obituaries

Lutz Bacher
Bill Culbert

Larry Achiampong ‘Dividednation’ installation view, Primary, Nottingham

Profile

Larry Achiampong

Tom Emery discusses the thematic richness of ‘Relic Traveller’, the most recent work of the London-based multi-disciplinary artist.

Two near simultaneous political events form key influences for Larry Achiampong’s vision of the future: in June 2016 the UK voted to leave the European Union; weeks later in July, the African Union launched a passport programme that, when realised, will entitle holders to freedom of movement across all African nations.

Rugile Barzdziukaite, Vaiva Grainyte & Lina Lapelyte
Sun & Sea (Marina) 2019 Lithuanian pavilion, Venice

Exhibitions

Southern Constellations: The Poetics of the Non-Aligned

Moderna Galerija and Museum of Contemporary Art Metelkova, Ljubljana

Maja and Reuben Fowkes

58th Venice Biennale

various venues

Chris Clarke

The Unexpected Subject: 1978 Art and Feminism in Italy

FM Centre for Contemporary Art, Milan

Anna Maria Maiolino: Love Becomes Revolutionary

PAC Padiglione d’Arte Contemporanea, Milan

Elisa Adami

Rumblestrip

g39, Cardiff

David Trigg

Derek Boshier: It’s Only When the Tide Goes Out ...

S Mark Gubb: The Last Judgement

Oriel Mostyn, Llandudno

Alexander Massouras

Cory Arcangel: BACK OFF

Firstsite, Colchester

Matthew Bowman

Athena Papadopoulos: A Tittle-Tattle Tell-A-Tale Heart

Humber Street Gallery, Hull

Bob Dickinson

Berlin Round-up

Capitain Petzel • BQ • Martin-Gropius-Bau • KOW

Martin Herbert

New York Round-up

Queer Thoughts • Bodega • Ludlow 38

Tim Steer

San Francisco Round-up

Altman Siegel • Oakland Museum of California • SFMOMA and Yerba Buena Center for the Arts

Glen Helfand

Reviews

Artists’ Books

Alexander Kluge and Ben Lerner: The Snows of Venice

Adam Heardman

As all good artists’ books should be, The Snows of Venice is a collision-site between thought, image and material.

Reviews

Books

Marc James Léger: Vanguardia – Socially Engaged Art and Theory

Dave Beech

This survey of political art doubles as a guided tour of anti-capitalist political theory from May ’68 to Occupy.

Reviews

May Hobbs speaking in Hyde Park at a demonstration against the Industrial Relations Bill, 1971 footage not used in Nightcleaners

Film

Nightcleaners

Melissa Gronlund

These texts weave together a composite picture of that incredible era of film activism.

Reports

defaced campaign billboard

Letter from Dakar

The Neocolonial Trinity

Morgan Quaintance

I left Dakar still convinced that the true future of international art and culture has to be exchange, collaboration and support from the ground up, not the top down.

Reports

Anna Winteler Horizontal Waltz for Left and Right Handcameras 1989 video

Letter from Zurich

Cinderellas

Aoife Rosenmeyer

Women who have managed to survive into old age while maintaining a practice that we contemporary viewers can read without straining ourselves too much are not only agreeable but even in short supply – a win-win for the market.

Reports

Protest

Extinction Rebellion

Rob La Frenais

Gavin Turk made headlines by getting arrested and was present at many of the actions, but others, such as Jennet Thomas, Ackroyd/Harvey and Hercules Fisherman, were key to the rebellion’s cell-like structures.

Artlaw

Ways of Working

Ownership

Henry Lydiate

When is a ‘work’ completed? Is it when the artist releases it for public viewing, and/or only if released for sale? What is the status of a work an artist (or a deceased artist’s estate) disowns after its release?

Listings

Events

Calendar

This month's highlights include:

• Maria Fusco performance South London Gallery 7.30pm Tue 4 Jun
• Michael Rakowitz in conversation with Iwona Blazwick Whitechapel Gallery 7.00pm Thu 6 Jun
• Katie Paterson workshop CCA Derry 11:00am Sun 9 Jun

The updated events and exhibitions calendar can be viewed online.

Exhibitions

Exhibition Listings

Art Monthly's exhibition listings can be viewed online.

Events

The Producers Part II

New Positions on Curating

Tuesday 29 October 5.15pm
Katerina Gregos, curator of the inaugural Riga Biennale
Mirjam Varinidis, curator at Zurich Kunsthalle

This series of public discussions devised by Newcastle University and Art Monthly brings together curators, writers and artists to examine how current exhibition-making strategies have responded to significant changes in the art world. The talks will address issues such as: the fallout of an increasingly globalised art world; the growing significance of the role of collectors; the reshaping of public-sector art economies and the ways in which the development of new technologies has redefined how artworks are made, understood and disseminated.

Venue: Fine Art Lecture Theatre, Newcastle University
Price: Free entry

Audio

Art Monthly Audio

On the Radio

Art Monthly hosts a talk show to discuss the current issue at 8pm on the second Monday of each month on Resonance 104.4 FM.

Next broadcast: 8pm Monday 10 June

On iTunes

The Art Monthly Talk Show is available as a podcast on iTunes – subscribe for free automatic downloads.

Online

Audio recordings are available in the Events section of the Art Monthly website: www.artmonthly.co.uk/events

Recent additions:

• May: Adam Heardman, Adam Hines-Green & Lauren Houlton discuss Petra Bauer’s socially engaged art practice, Richard Billingham’s film ‘Ray & Liz’ and the ‘Workforce’ exhibition at NewBridge Project in Gateshead.
• Apr: Kathryn Lloyd, John Parton, Jamie Sutcliffe & George Vasey discuss exhibitions by Laure Prouvost, Callum Hill and Reinhard Mucha as well as the ‘Is This Tomorrow?’ exhibition at the Whitechapel Gallery.
• Mar: Louise Ashcroft, Joseph Constable & Daniel Neofetou discuss collaborative models of artistic self-determination from alternative art schools to community interest companies, Ghislaine Leung’s exhibition at Chisenhale Gallery and Josephine Berry’s book ‘Art and (Bare) Life: A Biopolitical Enquiry’.

Opportunities

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