A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Index: B

• B.OPENED feature on Baltic opening exhibition by Paul Usherwood 1/259
• BLK Group review by Margaret Garlake 13/75
• Babe Power see Barbara Pollack
• babel review by David Briers 39/230
• Bach, Michael review by Nick Trench 23/176
• Back to Black: art, cinema and the racial imaginary review by Marcus Verhagen 28/ 288
• Back in the USSR see Sarah James
• Back to the Land see John Haldane
• Bacon, Francis review by Andrew Brighton 3/88; feature by Mikhail Sokolov 3/121; estate, see Artlaw
• Bad Girls review by Michael Archer 3/173
• Bad Timing see David Barrett
• Baddeley, Oriana Art in Latin America 10/127
• Badovinac, Zdenka on art in the new millennium 6/232
• Baer, Jack book review of Geraldine Norman (ed), The Fakes Progress 22/11
• Baer, Jo review by Willis Domingo 14/12
• Baghdad/Space Cog/Analyst review by Marcus Verhagen 31/319
• Bailey, David A, Baucom, Ian and Boyce, Sonia (eds) Shades of Black, Assembling Black Arts in 1980s Britain , book review by Eddie Chambers 46/ 288
• Bailey, Martin Young Vincent: The Story of Van Gogh‚Äôs Years in England,book review by Melissa McQuillan 27/136
• Baker, Chris review by Mel Gooding 16/94
• Baker, Deborah review by Peter Dormer 12/47
• Baker, Kenneth review of Rosemarie Trockel 19/150, art in California 16/151; on public art funding 2/159
• Baker, Steve The Postmodern Animal, book review by Neal Brown 45/237
• Bakewell, Joan Art on television 2/110
• Balch, Ian profile by Sam Ainsley 22/253
• Baldessari, John review by Michael Archer 24/117, Liam Gillick 3/187; Paul Claydon 29/255, Patricia Bickers 25/ 292 Seeing the World Askance: interview with Simon Patterson 1/331
• Baldry, H C The Case for the Arts,book review by Robert Hutchison 25/55
• Balfour, Nancy book review of Nick Netzer, The Subsidised Muse 33/22; letters 20/76
• Balka, Miroslaw: Nothere review by Krzysztof Cieszkowski 34/324
• Balla, Giacomo review by Richard Cork 11/110
• Bally, Niel review of Cologne Fair 24/72
• Baltic opening exhibition see Paul Usherwood 1/259 ; exhibition policy by Paul Usherwood 42/309
• Banana Republic review by David Burrows 45/199
• Banash, Joan and Ashton, Dore (eds) The Writings of Robert Motherwell, book review by Marjorie Welish 40/313
• Bandwagon Jumping review by Nick Crowe 35/262
• Banham, Joanna Women and art education 2/62
• Banham, Mary, Barker, Paul, Lyall, Sutherland and Price, Cedric A Critic Writes. Essays by Reyner Banham, book review by Graham Whitham 45/208
• Banham, Reyner see Mary Banham
• BANK review by Gilda Williams 39/219; letters 19/222; review by David Burrows 30/222; review by Gilda Williams 35/256
• Banks, Glynn In defence of common knowledge: post-modernism in architecture 23/63; Mulheimer Freiheit 22/73; Polemics 32/72, 27/80, 31/81; letters 20/84; review by Brian Hatton 14/101
• Banks, Joe book review of Allen S Weiss, Experimental Sound and Radio 47/250
• Banks, Tony interview by Peter Dormer 32/48
• Bann, Stephen Criticism in the eighties 3/13; Polemic: Pier and Ocean 24/37; review of John McLaughlin 11/47, Michael Kidner 12/65; interview with Anthony Hill 5/66, review of Malcolm Hughes 11/67; book review of Harry Holtzman (ed), The new art - the new life: the collected writings of Piet Mondrian, Carel Blotkamp, De Stijl: the formative years 23/109 ; review of Naum Gabo 3/139; with William Allen, Interpreting Contemporary Art, book review by Conor Joyce 23/149; book review of Briony Fer, On abstract art 32/213; book review of John Golding, Paths to the Absolute: Mondrian, Malevich, Kandinsky, Pollock, Newman, Rothko and Still 50/246
• Banner, Fiona review by David Barrett 27/184; profile by David Barrett 20/194; The Nam, book review by Stephen Bury 46/207; review by Michael Ellis 30/220; All the World‚Äôs Fighter Planes 2004 , artists‚Äô book review by Stephen Bury 37/ 287; review by Maria Walsh 24/297
• Banner, Fiona/Lislegaard, Ann review by Emma Safe 33/257
• Banner, Fiona/Smith, Bridget review by Juan Cruz 30/207
• Baranik, Rudolf The Nigger Drawings 27/29; Fuller and Berger 26/60; letters 22/86; obituary for Lawrence Alloway 35/134
• Barber, George: Beyond Language, Selected Video Works 1983-2008 review by Martin Herbert 42/328
• Barbican Centre review of 2/170
• Barcelona Art Report by Jacopo Crivelli Visconti 30/249
• Barclay, Claire review by Euan McArthur 29/180; profile by Elisabeth Mahoney 20/217; review by Sotiris Kyriacou 50/236, Sarah Tripp 38/270
• Barclays Young Artist Award 1993 review by Liam Gillick 21/164
• Barker, Barry review of Venice Biennale 2/98, Yves Klein 3/183, Sigmar Polke 3/184, Wild at Heart 12/186; obituary of Konrad Fischer 19/203; review of Piero Manzoni 1/215, Lucio Fontana 30/232
• Barker, Clive review by George Melly 12/21
• Barker, Paul, Banham, Mary, Lyall, Sutherland and Price, Cedric A Critic Writes: Essays by Reyner Banham, book review by Graham Whitham 45/208
• Barlow, Paul book review of Dick Pountain and David Robbins, Cool Rules 42/245; review of Mekons: OOOH! (Out Of Our Heads) 34/250
• Barnett, Alan W Community Murals, book review by Toni del Renzio 30/89
• Barnett, Anthony review of Ghisha Koenig 20/97; The shape of labour 4/100; The hand of God 5/102; The art of being British 9/104; letters 30/106; Behold Epstein 3/109; review of Tony Cragg 42/204
• Barney, Matthew review by Mark Sladen 8/187, 1/217, Polly Staple 48/234
• Barney, Matthew review by Mark Prince 26/258
• Baron, Wendy The Camden Town Group, book review by Charles Harrison 26/39
• Barraclough, Steve review by Margaret Garlake 14/76
• Barrell, John The Dark Side of the Landscape, book review by Conrad Atkinson 22/37
• Barrett, Cyril review of Bill Culbert/Liliane Lijn 19/4; The Richards Report 13/5; book review of Irma B Jaffe, The Sculpture of Leonard Baskin 33/42; Ghisha Koenig 8/50; ROSC ‚Äò84 11/80, Coming of Age 4/120; Roy Johnston 11/87; Dublin Letter 6/98; New gallery at Warwick University 20/103; book review of Umberto Eco, Art and beauty in the middle ages 26/103; review of Directions Out 23/106; letters 28/106; review of Eighty European Painters 14/113; letters 31/122; on Museum of Modern Art, Dublin 28/140; on Ireland 24/143; on Arts Council of Northern Ireland 11/148; letters 32/165; obituary of Ghisha Koenig 34/171; letters 35/174, 38/200, 17/202; Open submission: on art in Dublin 45/202; book review of Liam Kelly, Thinking Long ‚Äì Contemporary Art in Northern Ireland 44/211; obituary 15/ 274
• Barrett, David review of Making Mischief 35/182; profile of Hadrian Pigott 30/183; review of Fiona Banner/Matthew Higgs/Jaki Irvine/Frieda Munro 27/184, Erika Rothenberg/Tracy Tynan 28/185, Contained/ Minky-Manky 30/186, Kerry Stewart/Peter Owen 33/187, Damien Hirst 37/188, Matthew Higgs & Imprint 93 45/189, Paul Noble/Gavin Brown/Amikam Toren/Jemima Stehli & Jean Baptiste Bruant/Sharon Lockhart/Paul Noble/Giorgio Sadotti/Gillian Wearing 28/191, House no Garden project 33/192; profile of Ceal Floyer 22/193, Fiona Banner 20/194; review of Kiss This 33/195, Sex and Drugs and Explosives 29/196, High-Rise 28/197, Private View 36/198; profile of Elizabeth Wright 24/199; Art ain‚Äôt wot it used to be 32/200, letters 19/201, 15/205; review of Jason Coburn 28/201, Tom Friedman 27/202, Gary Hill 22/203, Dissolution 27/204, Jacqueline Pennell 32/205, Andrea & Philippe 30/206, Tracey Emin 36/207, New Contemporaries 97 37/208, Glen Seator 35/209, Don Brown 34/210, John Coplans 34/210, Ideas for Sale/Supastore 38/211, First LEA Gallery Exhibition 33/212, Chad McCail 25/215, Rob Kesseler/Nike Savvas 42/216, Henry Bond 33/217, Angela de la Cruz 34/218, New Art from Britain, Innsbruck 7/219; letters 13/220; review of Surfacing ‚Äì Contemporary Drawing 27/221; letters 19/222; book review of David Phillips, Exhibiting Authenticity,and Anthony Hughes and Erich Ranfft (eds), Sculpture and its Reproductions 44/221; review of David Musgrave 34/222, Gerard Hemsworth 23/223, Gregory Crewdson 26/224, Chris Burden 25/226; ‚ÄòTrade Wins‚Äô, on 48th Venice Biennale 1/228; review of Adam Chodzko 29/229, Graham Ellard & Stephen Johnstone 45/230, New Contemporaries 99 30/231, 54 x 54 x 54, 210 x 297, Porcupines/Arthinking, Readymade Project 47/232; letters 9/232; review of Typeofgravy 26/267, 50th Venice Biennale 28/268, The Office 31/ 273, Wonderful: Visions of the Near Future 34/ 275 , Apopalyptical 27/ 276, Like Beads on an Abacus Designed to Calculate Infinity 21/277, Siobh√°n Hapaska 34/ 278; profile of Richard Hughes 18/ 281; review of The Relaxed Audience or Why We Are So Wise 33/ 282, Pass the Time of Day 21/284, Motohiko Odani, Joe Gilmore & Andrea Polli 29/ 287, Summer of Love 26/ 288 , Presence 26/ 289, Bridget Smith 39/ 292, Neil Zakiewicz 35/293, Flimflam 23/294, Tate Triennial 24/296, Everything Must Go 26/296, If it didn‚Äôt exist you‚Äôd have to invent it: a partial Showroom history 26/296, Until it makes sense 25/297, From There 35/298, East International 2006 28/299, Civil Restitutions 29/300, Suzanne Treister 29/302, John Armleder 36/304, Mike Kelley 36/304, Momentary Momentum 27/305, Prison 27/306, Stay forever and ever and ever 29/307, Christina Mackie 31/308, New Contemporaries 30/310, Cornelia Parker 32/311 review of Louise Lawler 37/313, Double Agent 29/314, If – people and places in recent film and video 28/316, Zombie Surfers 28/317; interview with Adam Chodzko 1/318; review of Games & Theory 30/319, Hilary Lloyd 31/320; winter reading 38/322; review of Mark Leckey in the Long Tail 37/324; summer reading 40/328; review of Shake It: An Instant History of the Polaroid 20/331; winter reading 09 36/332
• Barriball, Anna profile by Sally O‚ÄôReilly 22/268 review by Laura McLean-Ferris 32/324
• Barron, Stephanie (ed) German Expressionism 1915-1925, book review by Frank Whitford 28/128
• Barr-Smith, Adrian book reviews of Andrew Phillips, Charitable Status 24/37, Aaron Milrad and Ella Agnew, The Art World: Law and Business Practice in Canada 32/41; Art and Architecture 15/55; interview with Lawrence Harbottle 42/100
• Barter, Ruth review of Doubletake 16/155
• Barthelmeh, Volker Street Murals, book review by Peter Cork 27/64
• Barthes, Roland Camera Lucida,book review by Donald Brook 24/55; see Alex Coles 7/263
• Basar, Shumon and Miessen, Markus (eds) Did Someone Say Participate? An Atlas of Spatial Practice, book review by Kathy Battista 32/305
• Basar, Shumon book review of Rick Poynor, Designing Pornotopia 33/305 Letter from Iceland 48/318
• Baselitz, Georg review by Michael Newman 16/62, Jill Lloyd 13/113, Toni del Renzio 39/178
• Baseman, Jordan profile by John Tozer 22/197; Shup, review by Cathy Courtney 38/224
• Batchelor, David review of Lawrence Weiner 21/133; review by Briony Fer 41/204; Minimalism, book review by Mel Gooding 34/213; Chromophobia, review by Alex Coles 49/246 Colour, book review by Marjorie Welish 34/317
• Bath Festival Contemporary Art Fair review by David Briers 19/48
• Bathroom Critic, The feature on criticism by Alex Coles 7/263
• Batty, Lolly review by Mark Wilsher 36/247
• Battista, Kathy book review of Jonathan Rabagliati (ed) George Hanson Critical Forum , David Osbaldeston (ed) On Communication, Matthew Arnatt and Matthew Collings, Criticism 36/ 291 , letters 15/292; book review of Markus Miessen and Shumon Basar, Did Someone Say Participate? An Atlas of Spatial Practice 32/305 Letter from UAE: report on Sharjah Biennial 38/327; review of PLOT09: This World & Nearer Ones 18/329, Spencer Finch: The River That Flows Both Ways 18/329, Dress Codes: 3rd ICP Triennial of Photography and Video 35/331
• Baucom, Ian, Bailey, David A and Boyce, Sonia (eds) Shades of Black, Assembling Black Arts in 1980s Britain , book review by Eddie Chambers 46/ 288
• Baudrillard, Jean extract from System of Objects 5/115
• Bauhaus 1919-1933 review by Teresa Gleadowe 36/313
• Bauhaus Dessau review by Andrew Wilson 40/237
• Baumgarten, Lothar review by Paul Usherwood 25/176
• Baumgartner, Christiane: Solaris review by David Trigg 34/323
• Baxter, Michael review by Margaret Garlake 18/64
• Baxter, Ronald review of A Thoroughbred Exhibition: Age of Chivalry 28/112
• Be Here Now see Adam E Mendelsohn
• Be Me review of/by Giorgio Sadotti 27/201
• Beacon Art Project review by Dean Kenning 42/312
• Beagles & Ramsay review by David Burrows 23/213, Sally O‚ÄôReilly 22/267 review by Dean Kenning 26/322
• Beagles, John and Beech, Dave ‚ÄòAll You Need is Love‚Äô on Andy Warhol and Jeff Koons 1/233
• Beard, Steve Perfumed Head,review by Cathy Courtney 47/219
• Beard, Steve and Halford, Victoria Czar 52 Crash, review by Stephen Bury 37/328
• Beardsley, Aubrey review by Melissa E Feldman 38/222
• Beasley, Mark review of Simon Starling 38/246, Birmingham 41/249, Gelatin, Nellanutella, The B-Thing, Thomas Hirschhorn, Material: Public Works ‚Äì The Bridge 2000 45/251; review of Keith Tyson 29/254, Exchange, New Originals 38/255
• Beaumont, Mary-Rose Contemporary art in Malaysia 20/101
• Beaumont, Tim A Liberal Policy for the Arts 1/5; Politicians and the Arts 3/14
• Beautiful Inside My Head Forever see Artlaw
• Beban, Breda review by Catherine Elwes 32/179, David Briers 35/238, Martin Herbert 28/266
• Because a Fire Was in My Head review by Gilda Williams 42/236
• Becher, Bernd & Hilla review by Sotiris Kyriacou 29/243; obituary by Ian Hunt 17/309
• Beck‚Äôs Futures review by Cherry Smyth 45/236
• Beck, Martin Panel 2, review by Colin Perry 25/321
• Becker, Howard S Art Worlds, book review by Toni del Renzio 27/63
• Beckett, Wendy Contemporary Women Artists, book review by Margaret Garlake 28/127
• Become Like Me review by Nicky Bird 38/234
• Be(com)ing Dutch review by Paul O’Neill 22/320
• Bedwell, Simon review by Andrew Hunt 31/307
• Beech, Dave review by Robert Garnett 39/201; review of David Shrigley 29/204, Lucy Gunning 28/205, Keith Tyson 38/207, Sociable Realism 29/214, Paul Noble 24/215, Chris Ofili 31/217, What Difference Does It Make? 37/218, Mariko Mori 35/219, Diving for Pearls / Kling Klang 13/221, Jonathan Monk 32/222, Fun de Si√®cle 40/223; letters 20/224; review of Andreas Gursky 31/224; Feature on video art 7/225; letters 17/225, 14/226; review of Martin Creed 24/226, Drive By 30/227, East International & Riverside 20/229, Francesca Woodman, Sarah Jones 36/230, newBUILD 32/231, Rut Blees Luxemburg, Sophy Rickett, Blue Suburban Skies, Gillian Wearing 44/232; feature co-written with John Beagles on Andy Warhol and Jeff Koons 1/233; review of Donald Parsnips Daily Journal 39/233, Mike Nelson 36/234; review by JJ Charlesworth 27/235; feature on sculpture in the Millennium Dome 1/237; profile of Hayley Newman 22/238; review of New Contemporaries 2000 24/240, Georgina Starr 32/240, Thomson & Craighead 41/242, Michael Landy 30/244, Jeremy Deller 37/248, The Communications Department 33/249; review of David Burrows 45/253, Nausea: Encounters with Ugliness 30/258; Location: UK 28/259, letters 13/261; review of Santiago Sierra, Stephen Willats, Swetlana Heger/Roland Boden/Nick Crowe 35/260, Ben Fitton 24/261, Cornford & Cross 23/262; The A-Z of Nowhere, profile of Tim Brennan 18/264; book review of Terry Eagleton, After Theory 42/276, Neil Mulholland, The Cultural Devolution: Art in Britain in the Late Twentieth Century 41/ 277; review of The Art of the Encounter: Nicolas Bourriaud 46/278; letters 19/279, 14-15/280; review of Gregor Schneider 28/282; Art‚Äôs Debunkers: feature on Art Incorporated, The story of Contemporary Art by Julian Stallabrass 1/283, The Art of Skill: feature 1/ 290 , 39/291, Institutionalisation for all: feature 7/294, Forget Elitism: feature 1/296, 19/297, Shock v Awe: feature 1/300, The Politics of Beauty: feature 5/306, Autonomy v Barbarism: feature 1/309; letters 16/310 Include me out! Feature 1/315, letters 13/316; Recovering Radicalism: feature 7/323, letters 13/324, 16/326; book review of Oliver Ressler and Aneta Szylak (eds) Alternative Economics, Alternative Societies 35/325; Inside Out, on the fall of public art: feature 1/329; book review of Roger Scruton, Beauty 35/332
• Beecroft, Vanessa review by Cherry Smyth 33/240
• Beech, Dave & Burrows, David review by Robert Garnett 39/201
• Beek, Robert van book review of Gail Levin, Edward Hopper 31/45
• Beelden Buiten Tielt review by Timothy Foster 24/139
• Beeton, Peter review by Sean Cubitt 31/180
• Before the End (The Last Painting Show) review by Michael Corris 25/ 282
• Begg, Torie review by Sotiris Kyriacou 35/195
• Behind a theoretical Iron Curtain see Sarah James
• Behrman, Pryle review of Orbis Terrarum ‚Äì Ways of Worldmaking 45/240, Landscape 28/241, Julian Opie 31/244, Keith Wilson 30/247, Dalziel + Scullion 41/255, Berlin-London Gallery Swap 45/258 Kutlug Ataman 29/264, Thomas Ruff 33/268, The Distance Between You and Me 27/269, Manifesta 5 28/278, 1st Moscow Biennale of Contemporary Art 18/284, The Condition of England 25/287, Venice Biennale 1 22/288, Universalism at Stake: Dialogue with Senghor 21/289, Lyons Biennale 2005 21/291, Yang Fudong 37/296; Here There and Elsewhere: feature on Middle Eastern art 1/298, In search of the Ideal Biennale: feature 5/301, InternationalArt plc: feature on Venice and Documenta 5/308, Fair or Foul: feature on art fairs 11/311 review of Folkestone Triennial, Tatton Park Biennial 24/319, Liverpool Biennial 28/321, Figuring Landscapes 41/328, Quiet Revolution 24/329, Lyon Biennale: The Spectacle of the Everyday 28/331
• Beier, Nina & Lund, Marie review by Jennifer Thatcher 24/321
• Beke, Lazio Towards a Voluntaristic Art Criticism 3/26
• Bel, Jérôme review by Sally O’Reilly 37/315
• Bell, Harriet review by Monica Bohm-Duchen 23/139
• Bell, Trevor review by Margaret Garlake 17/142
• Belladonna review by Mark Sladen 36/204
• Bellany, John review by Martin Green 16/14, Peter Fuller 14/65
• Belton, Kate review by Juan Cruz 34/209
• Belvedere review by Deborah Schultz 36/235
• Belvedere for Bellever Forest 7/107
• Belleville or Manhattan? by Andrew Wilson 12/260
• Bellingham, David Ideas Leave Objects Standing, review by Stephen Bury 35/295
• Ben-Tor, Tamy review by Maria Walsh 22/317
• Bendon, Helen & Lansley, Jo review by David Briers 37/246
• Beneath The Paving Stones: Situationists & The Beach, May 1968 book review by Stewart Home 45/250
• Benjamin, Walter, A pasta de review by Andrew Wilson 33/172
• Bennett, Gordon review by Eddie Chambers 26/233
• Benthall, Jonathan 50 min. with Nam June Paik 7/121
• Bentley, D New York Notes 19/56
• Benton, Charlotte review of Lubetkin and Tecton 11/55
• Beres, Jerzy Performance, review by Caroline Wilkinson 31/121
• Berg, Adrian review by Peter Fuller 8/42
• Bergen Biennial Conference report by Teresa Gleadowe 36/331
• Berger, John A Painter of Our Time,book review by Peter Fuller 13/4; The Success and Failure of Picasso,book review by Brandon Taylor 29/41; About Looking, book review by Donald Brook 28/45; letters 32/112; Raising Hell and Telling Stories, conversation with Janine Burke 3/124; letters 22/125; review by Raymond Durgnat 24/147; TV series Ways of Seeing, review by John A Walker 3/154; Cathy Courtney 40/182 Selected Essays, ed G Dyer, book review by Adrian Lewis 42/260
• Berger, John and Christie, John I Send You This Cadmium Red, review by Cathy Courtney 44/237
• Berger, Sybille obituary 13/319
• Berggruen collection: welcomed addition review by Iain Robertson 21/149
• Berlin produzentengalerien Sarah James 40/314
• Berlin ‚Äì London 01 review by Mark Wilsher 41/248
• Berlin 1990 review by Mark Thomson 3/142
• Berlin Akademies by David Evans 31/159
• Berlin-London Gallery Swap review by Pryle Behrman 45/258
• Berlin: Public v Private Axel Lapp 44/316
• Berlin Biennale 1 feature by Patricia Bickers 1/222; review of Berlin Biennale 2 Axel Lapp 8/247, Berlin Biennale 3, Michael Corris 21/ 275 ; letters 18/ 276; 4th Berlin Biennale review by Axel Lapp 20/296 Berlin Biennial 5th: When things cast no shadow: Day review by Teresa Gleadowe 34/316 review by Sarah James 36/316
• Berlin in transition by Anke Kempkes 2/163
• Berlin, Letter from see Richard Grayson
• Berlin ‚Äì London 01 review by Mark Wilsher 41/248
• Berlin, on the reconstruction of by Thomas Wulffen 12/209
• Berlin, Sven review by Peter Davies 3/52
• Berlin Round-Up see Sara Harrison, Sally O‚ÄôReilly, Sarah James.
• Bermondsey Artists Group review by Jessica Wilkes 23/78
• Bernard, Bruce The Impressionist revolution, book review by Colin Cruise 26/103
• Bernard, Cindy review by Julian Stallabrass 12/187
• Berry, Kenneth letters 30/73, 22/84
• Berthot, Jake review by Michael Archer 21/27
• Berthoud, Roger Graham Sutherland: a biography, book review by Bernard Denvir 25/62
• Berwick Ramparts Project review by Sarah Greenberg 43/199
• Besset, Maurice Le Corbusier, to live with the light, book review by Bill Homes 28/108
• Best, Anna Occasional Sights: a London guidebook of missed opportunities and things that aren‚Äôt always there, review by Stephen Bury 40/275
• Betterton, Rosemary review of Lesley Sanderson 32/184
• Between Letters and Abstraction review by Martin Herbert 33/ 284
• Beuys will be Beuys see Michael Archer 7/31
• Beuys, Joseph review by Owen Griffiths 10/40, Lynne Cook 11/56, 15/69; John Latham and Richard Hamilton 9/94; review by Jill Lloyd 11/111; interview by William Furlong 1985 7/112; review by Vera Frenkel 12/117; review by Andrew Wilson 14/155; Heiner Stachelhaus, Joseph Beuys,book review by Stuart Morgan 22/155; review by Brian Hatton 34/172; Multiples, review by David Briers 46/229; recollection by Lynda Morris 42/ 284 ; review by Deborah Schultz 21/ 285
• Bevan, Oliver Art Education 33/59; review by Clare Rendell 18/70
• Bevan, Tony review by Alex MacGregor 13/45, Brandon Taylor 16/112, Simon Morley 31/201
• Beyond and the Ridiculous, The review by Mark Durden 20/207
• Beyond Appropriation Art see Mark Prince
• Beyond Infinity feature by Alex Coles 1/248
• Beyond Paradise: Nordic Artists Travel East review by Sachiko Namba 36/255
• Beyond Public Art see Mark Wilsher
• Beyond Reason: Art and Psychosis review by Cathy Courtney 40/205
• Beyond the Endgame: Abstract Painting in Manchester review by Dan Smith 30/270
• Bhabha, Homi Contemporary Indian Art 7/61; book review of Kwesi Owusu (ed), Storms of the Heart 5/121; with Iverson, Margaret, Crimp, Douglas Mary Kelly, book review by Maria Walsh 42/211
• Bhimji, Zarina inserts in QJM,review by Stephen Bury 39/217 Sally O‚ÄôReilly 31/297
• Bick, Andrew review of A Rational Aesthetic: The Systems Group and Associated Artists 22/314
• Bick, Andrew and Hollander, Gad The Palaver,review by Cathy Courtney 38/224
• Bickers, Patricia conversation with Richard Deacon 17/83; Elizabeth Frink 3/86, Of Competitions 11/88; letters 21/88; review of Afterimages: David Smith‚Äôs spray images 17/89, Artangel and Interim Art 18/89, Twenty-five years at Juda Rowan 8/92, Daniel Buren 13/94, Donald Judd 20/95, In Tandem 11/97; book review of Anne Middleton Wagner, Jean-Baptiste Carpeaux, Sculpture of the Second Empire 27/101; review of Qu‚Äôest-ce que la sculpture moderne? 19/102, Bruce Nauman 12/104, Tony Cragg 12/105, Richard Deacon 12/106, Arcangelo 22/106, German Abstract Artists 20/108, Cy Twombly 17/111; Tony Cragg 5/119;review of Rachel Whiteread 15/144, Amikam Toren 18/145, Safe 20/152; letters 27/154; interviews with Richard Deacon 3/160, Richard Serra 3/161, Claes Oldenburg 3/171, Jeff Wall 3/179; review of Drawing the Line 40/189; interview with Anya Gallaccio 3/195; Un si√®cle de sculpture anglaise 3/199; interview with Steve McQueen 1/202; obituary of Dan Flavin 19/203; interview with John McCracken 1/204; review of 47th Venice Biennale 1997 1/208; Sense & Sensation: on dealing futures in art 1/211; letters 13/213; review of Berlin/Berlin: 1st Berlin Biennale 1/222; ‚Äò2000 and What?‚Äô 2/232, ‚ÄòThe Curator Also Rises‚Äô on Tate Modern 1/238; review of Sydney Biennale 2000 24/238 ; Mixed Messages, interview with Hans Haacke 1/244; No Man‚Äôs Land, interview with Ed Ruscha 1/252 Marriage √† la Mode, feature on art and fashion 1/261, Hung up on Hesse, feature on Eva Hesse 1/263 , Angry White Man: feature on Sigmar Polke 1/271; obituary of Nell Wendler 19/272; review of Donald Judd 29/ 275 ; Triple Bluff: Mike Nelson interview 1/ 278 ; review of John Baldessari 25/ 292 Bruce Nauman 20/298 feature interview with Glenn Ligon 1/317; Letter from Jordan 38/319; The Future of Art Education special issue feature 1/320; review of 53rd Venice Biennale 24/328, Ed Ruscha: Fifty Years of Painting 20/332
• Bicknell, John art in Athens 35/147
• Bieber, Susanne review of Daphne Wright 34/272
• Biederman, Charles Search for New Arts,book review by Alistair Grieve 25/61
• Biennale Inc. see Marcus Verhagen
• Biennale Round-up Sally Lai 32/301
• biennials see Pryle Behrman
• Big O, The David Dye, interview by Stuart Morgan 6/144
• Big Screen, The review of Scream and Scream Again by Catherine Elwes 11/199
• Biggs, Ian Polemics 28/66
• Bill, Max review by Astrid Schmetterling 19/153
• Billcliffe, Roger The Glasgow Boys,book review by Colin Cruise 29/97
• Billing, Johanna review by Martin Herbert 30/304
• Billingham, Richard review by Gilda Williams 31/199, Stewart Home 45/238 Rikke Hansen 20/302
• Bird, Jon A discussion with Terry Atkinson 8/67; review of Hans Haacke 15/74; New York 9/78; Leon Golub 10/83; letters 20/87, 21/88
• Bird, Jon and Newman, Michael(eds) Rewriting Conceptual Art,book review by Jonathan Harris 51/234
• Bird, Nicky review of Alison Marchant, Living Room 49/218, Hot in the City, The Queen is Dead, Where the Wild Roses Grow 38/225, E.S.P. 27/227, Atelier van Lieshout 41/230, Clare Charnley, Nothing like this 51/232, Become Like Me 38/234, Roderick Buchanan 37/243; letters 15/244; review of Wendy Ewald 39/244, Trauma 48/249, Words and Things, Tracey Mackenna & Edwin Janssen 48/252 Bird, Nicky review of Con Art 27/255, Chrisopher Wool, 35/266, The Lost Collection of an Invisible Man 25/265 Strangers to Ourselves 35/ 273 , Terminal Frontiers 25/ 280 , Ellen Gallagher 24/ 283 , Barbara Kruger 29/ 289 Graham Fagen 28/302, Christine Borland 28/303
• Birmingham review by Mark Beasley 41/249
• Birnbaum, Daniel Making Worlds, review by Lisa Le Feuvre 25/328
• Birnbaum, Daniel and Graw, Isabelle (eds) Canvases and Careers Today: Criticism and its Markets, book review by Alex Coles 33/330
• Birtwistle, Graham Living Art. Asger Jorn‚Äôs comprehensive theory of art between Helhesten and Cobra (1946-49),book review by Peter Shield 26/104
• Bismuth, Pierre review by Robert Garnett 37/201, Juan Cruz 22/215
• Bismuth, Pierre and Gondry, Michel: The All-Seeing Eye review by Eliza Williams 34/322
• Bismuth, Pierre/Monk, Jonathan review by Morgan Falconer 21/264
• Bissier, Julius review by Anthony Everitt 18/7
• Bistritsa, Babi and Huws, Bethan review of A Work for the North Sea by Michael Archer 20/169
• Biswas, Sutapa A Moment in Time: The Presence of Black Women 11/123; review by Ian Connolly Hunt 27/162
• Bit Streams review by Michael Gibbs 51/247
• Bitter Truth: Avant-Garde Art Show review by Chris Stephens 29/181
• Black Art Gallery back page/161, 162
• Black Audio Film Collective review by Ian Hunt 31/304
• Black Markets review by Eddie Chambers 31/148
• Blain, Dominique review by Elisabeth Mahoney 37/216
• Blair, Louise review by Monica Petzal 15/87
• Blais, Jean-Charles review by Margaret Garlake 11/90
• Black Square see Joseph Masheck
• Blais, Joline & Ippolito, Jon At the Edge of Art, book review by Michael Gibbs 48/296
• Blake, John 600 Eyes for Krysztofory: Their Eyes, review by Cathy Courtney 29/120; review by Jeff Instone 26/129
• Blake, Nigel review of Hans Hofmann 7/119
• Blake, Peter review by Paul Overy 12/64, Peter Fuller 13/64
• Blaker, Helena review of Performa05 40/293
• Blandy, David: Crossroads review by David Trigg 35/327
• Blast to Freeze: British Art in the 20th Century review by Margaret Garlake 23/265
• Blazwick, Iwona interview with Willie Doherty 3/172; review of Lucia Nogueira 33/177, Douglas Gordon 34/183; An Anatomy of the Interview 15/200; review of Citt√† Natura 7/207, M√ºnster Skulptur. Projekte 7/209, Mercosul Biennial, Brazil 9/212; on new photography 6/221; book review of Mary Anne Staniszewski, The Power of Display: A History of Exhibition Installations at the Museum of Modern Art 49/227; on art in the new millennium 9/232; review of 49th Venice Biennale 30/248; Beauty Rears Its Ugly Head Again: report on the College Arts Association conference 44/265; review of Istanbul Biennial 9 18/ 291 Taking responsibility: feature interview with Martha Rosler 1/314; report on Undoing the Aesthetic Image conference 37/325
• Bleckner, Ross review by Michael Archer 16/118, Jeffrey Kastner 28/187, Alex Coles 31/242
• Blissett, Luther and Home, Stewart Green Apocalypse, book review by Simon Ford 43/198
• Bloch, Martin review by Frances Spalding 9/76
• Blood Show, The review by Michael Wilson 25/229
• Bloom, Barbara review by Stella Santacatterina 22/139, Michael Wilson 43/247
• Bloomberg New Contemporaries 2001 review by Dan Smith 38/250 review by Martin Vincent 30/269, Martin Herbert 27/ 281
• Blotkamp, Carel De Stijl, the Formative Years,book review by Stephen Bann 23/109
• Blow, Sandra obituary 23/300
• Blue Chamber, The review by Laura Moffatt 39/235
• Blue Cow Madness: Expo ‚Äò92 by Margaret Garlake 29/158
• Blue Suburban Skies review by Dave Beech 44/232
• Blume, Anna and Bernhard review by Philip Sanderson 32/193
• Blunt, Anthony Blunt Revealed by Cathy Courtney 16/162; letters 32/163
• Blurring the Boundaries Andrew Cross on 1/205
• Boden, Roland/ Heger, Swetlana/ Crowe, Nick review by Dave Beech 35/260
• Bochner, Mel review by Marjorie Welish 32/298
• Bock, John review by Sarah James 35/ 281
• Boettger, Suzaan Earthworks: Art and the Landscape of the Sixties, book review by Jeffrey Kastner 35/271
• Boetti e Alighiero review by Nina Mehta 22/231
• Bogart, Michele H Artists, Advertising, and the Borders of Art,book review by John A Walker 45/196
• Bogside Artists review by Ian White 39/270
• B√∂hm, Kathrin profile by Alex Coles 24/247
• Bohm-Duchen, Monica Jean Dubuffet 14/71; review of Mario Dubsky 19/77, Bianchi/ Ceccobelli/Dessi/Gallo 23/102, Brisley/ Currie/Glenys Johnson/Wallinger 13/104, Lijn/Ackling/Wentworth/Deacon 19/106, A World‚Äôs Waste: Cumbria, Sellafield and nuclear reprocessing 18/109, Spring ‚Äò68 19/117, Liliane Lijn, Jean Gibson, Harriet Bell 23/139, Five Artists from Israel 20/142; book reviews of Brandon Taylor and Wilfried van der Will (eds), The Nazification of Art 30/148, Ziva Amishai-Maisels, Depiction and Interpretation: The Influence of the Holocaust 32/174; review of Liliane Lijn 49/238
• Bois, Yve-Alain and Krauss, Rosalind E Formless: A User‚Äôs Guide,book review by Mark Durden 40/224
• Bois, Yve-Alain; Foster, Hal; Krauss, Rosalind and Buchloh, Benjamin HD Art Since 1900: modernism, antimodernism, postmodernism , book review by Richard Noble 38/ 289
• Boland Roberts, Rosalind de (ed), Growing up with the Impressionists: The Diary of Julie Manet,book review by Nicholas Wadley 23/115
• Boland, David Polemics 28/65; Body Art: Cheap Thrills 42/192
• Boltanski, Christian review by Greg Hilty 16/137, Mark Durden 26/162, Euan McArthur 33/178
• Bomberg, David review by Charles Spencer 8/31, Margaret Garlake 19/86, 3/107, Ghisha Koenig and Terence Scales 11/114
• Bomberg, Lilian tribute by Richard Cork 20/67
• Bonami, Francesco on art in the new millennium 5/232; (ed) Echoes: Contemporary Art in the Age of Endless Conclusions,book review by Liam Gillick 41/205
• Bonaventura, Paul interview with Mark Wallinger 3/175; review of Richard Wentworth 12/182; profile of Gillian Wearing 24/184; profile by Keith Wilson 20/204
• Bond, Henry review by David Barrett 33/217
• Bond, Henry and Gillick, Liam review by Ian Jeffrey 11/144; letters 28/145
• Bonfire of the Vanities see JJ Charlesworth
• Bongard, Dr Willy by Frank Whitford 2/73
• Bonvicini, Monica review by Cherry Smyth 37/269
• Booker, Alex review by Margaret Garlake 17/71
• Booth, Colin Where the Parties Stand on the Arts 12/24
• Boredomreview by Michael Gibbs 43/215
• Borland, Christine review by Michael Archer 23/165, Andrew Wilson 36/181, Sotiris Kyriacou 33/207, Elisabeth Mahoney 34/233, Maria Walsh 36 /275, Nicky Bird 28/303
• Borovsky, Alexandre Art in Leningrad 7/137
• Borrowed Image review by Mark Durden 34/190
• Borzello, Frances Seeing Ourselves, women‚Äôs self-portraits,book review by Maria Walsh 41/226
• Bosch, Annette van der Sydney Biennale 4/77; The Provincialism Problem 9/86
• Boshier, Christine review by William Jeffett 38/186
• Boshier, Derek review by Paul Kopocek 18/48, Margaret Garlake 13/63, Marco Livingstone 3/90
• Boule to Braid review by Mark Prince 19/329
• Bourgeois, Louise review by Mark Sladen 35/192
• Bourriaud, Nicholas see Dave Beech
• Bourseiller, Christophe La Vie et Mort de Guy Debord,book review by Lucy Forsyth 51/240
• Bouvet, Francis Bonnard: The Complete Graphic Works,book review by John Glaves-Smith 28/52
• Bowen, Denis review by Margaret Garlake 28/132; obituary of Aubrey Williams 35/137, obituary by Margaret Garlake 18/297
• Bowen, Stella Drawn from Life,book review by Adrian Heath 27/82
• Bowling, Frank review by Martin Green 17/7, Mel Gooding 16/94, Margaret Garlake 20/119, Ian Hunt 39/192, obituary of Peter Townsend 16/299
• Bowness, Alan letters 26/95; Tate interview 3/120, obituary of Peter Townsend 15/299
• Boxer review by Piers Masterson 34/189
• Boyce, Martin review by Michael Archer 34/185
• Boyce, Sonia review by Eddie Chambers 26/215 review by Colin Glen 23/331
• Boyce, Sonia; Bailey, David A and Baucom, Ian eds) Shades of Black, Assembling Black Arts in 1980s Britain , book review by Eddie Chambers 46/ 288, review by David Ryan 40/307
• Boyd and Evans review by Mel Gooding 13/98
• Boyd, William Nat Tate. An American Artist: 1928-1960,book review by Emily Ormond 50/218
• Boyle family interviewed by Henry Lydiate 6/101
• Boyle Family review by David Briers 26/270
• Boyle, Mark review by Willis Domingo 14/12; obituary by Patrick Elliott 17/ 287
• Boyles, Denis Letter from New York 24/8
• Bracewell, Michael The Nineties; When Surface Was Depth, book review by Marcus Verhagen 43/266; book review of Marco Livingstone, British Pop 38/301, Mark Francis and Hal Foster (eds) Pop 38/301 review of George Shaw: Woodsman 33/325, Richard Hamilton: Toaster Deluxe 27/327
• Bracewell, Michael / Forster, Richard review by Stephen Bury 37/328
• Bracewell, Michael and Linder I Know Where I‚Äôm Going: A Guide to Morecambe & Heysham, review by Stephen Bury 39/ 274
• Braden, Sue Artists and People,book review by Shaun Taylor 27/34
• Brades, Peter review of Painting Space-Gallery Space, Malcolm Hughes 17/124
• Bradley, Alexandra review of Hilary Lloyd 27/231, This Season 38/232
• Bradley, Fiona Surrealism,book review by Toni del Renzio 40/214
• Bradley, Jyll Mr Roscoe’s Garden review by Stephen Bury 37/328
• Bradshaw, Philippe obituary 17/ 291
• Bradshaw, Stuart review of Mali Morris 19/89
• Brady, Dan The Trial, review by Stephen Bury 43/270
• Bragg, Melvyn review by Kevin Gough-Yates 35/48; Broadcast TV 3/74
• Brakhage, Stan obituary 16/265
• Bramly, Serge & Rheims, Bettine Deke Dusinberre on 1/235
• Branca, Alba Muse,book review by Emily Ormond 50/218
• Brancusi, Constantin review by Simon Morley 16/188
• Brand Art see Vincent P√©coil
• Brandley, Daniel review of Traces by Cathy Courtney 17/112
• Branson, Doug review by Robert Garnett 25/182
• Braque, Georges Picasso and Braque: Pioneering Cubism,book review by David Lomas 20/135
• Brauer, Fay Polemics 26/87; Sponsorship 35/88; letters 21/88; review of Evelyn Williams 7/90; Tate Sponsorship 2/91; Socialist Realism Reviewed 10/93; book review of Christopher Green, Cubism and its enemies 25/119; review of Sydney Biennale 21/101, 17/163
• Brauner, Victor review by Clio Mitchell 17/110
• Bread and Circuses see Peter Scott
• Breakwell, Ian review by Peter Fuller 16/21; A Personal History 3/40; review by Paul Overy 16/45; From a Cambridge Diary Part 1 6/56, Part 2 8/57, Part 3 8/58; book review of Anthony Earnshaw, Flick Knives and Forks 28/62; Witness - More Diary Extracts 1976-82,book review by Paul Hammond 27/63; letters 25/72, Cathy Courtney 28/99; Vocals, review by Paul Claydon 41/ 279; obituary by Clive Phillpot 19/ 292; review by Eliza Williams 33/295
• Brecht, George review by Anna Dezeuze 26/ 291
• Breitz, Candice review by Jean Wainwright 18/271
• Brener, Alexander/Schurz, Barbara Bukaka Spat Here, review by Tony White 41/260
• Brennan, Cecily profile by Jaki Irvine 20/306
• Brennan, Tim The A-Z of Nowhere, profile by Dave Beech 18/264; review by Sotiris Kyriacou 21/301
• Breton, Andr√© Beaubourg, review by Sarah Wilson 13/147
• Brett, David review of Alan Smith 20/147
• Brett, Guy An Art officer 1/7; Pains of a Panel Member 14/10; review of Georgina Hunt 27/18; All That Glitters ... 4/25; Just What is Modernism? 32/32; review of Susan Hiller 15/34; Signs 2/36; What is Tradition? 2/38; review of Lea Lublin 10/40, David Medalla 10/45, Maty Grunberg 17/45, Susan Hiller 7/66; The Live Weekend 10/69, Andrew Stahl 21/79; letters 23/83; Paintings of Hiroshima 7/88; review of Carlyle Reedy 12/93, Rasheed Araeen 19/94, Staging the self 24/102; book review of Nelly Richard, Margins and Institutions: Art in Chile since 1973 27/104; Through our own eyes: popular art and modern history, book review by Colin Cruise 32/105; Rivera and Kahlo 7/109; Depicting History: For Today 19/120; review of Kumiko Shimizu 17/115, 1989 Sao Paulo Biennale 20/132; Changing Places: review of Martha Fleming with Lyne Lapointe 30/200; review of Rose Finn-Kelcey 36/212; Carnival of Perception: Selected Writings on Art, book review by Ian Hunt 36/ 283
• Breuer, Frank review by Marcus Verhagen 34/268
• Brick Lane Open back page/160; letters 33/161
• Bricks Abstract, The Carl Andre 16/164
• Brickwood, Cathy and van Mourik, Julia (eds) New Media Culture in Europe, book review by Michael Gibbs 43/226
• Briers, David review of Bath Festival 19/48; Art in Wales 12/125; review of Star Dot Star 50/219, Chemical Traces 20/220; on Rethinking the Avant-Garde conference 47/222; review of Acoustic Shadows 34/226, Joseph Beuys multiples 46/229, babel 39/230, TOOT 41/232, Audible Light 42/234; letters 16/235; review of Zero Gravity 43/236, Breda Beban 35/238, ManMoMA 28/240, Small Battles and Goethe‚Äôs Oak Has Woodworm 38/241, The Idea of North 48/242, Home (Between 8 and 10pm) 43/244, Jo Lansley & Helen Bendon 37/246, Janet Cardiff 45/252 book review of Martin Rogers and Simon Cutts (eds), The Printed Performance: Brian Lane Works 1966‚Äì99 41/254; review of Richard Wilson: Irons in the Fire 24/255, Tony Kemplen 43/268, Boyle Family 26/270, Other Criteria 29/272 review of Independents 04 25/ 281, artists‚Äô magazines 37/ 283 , The Text, Bob Cobbing 21/ 287 , Something of the Night 38/ 292, Insignificance: feature on Making History documentary exhibition 7/295; review of The Impossible Theatre 47/296; book review of Tom Sandqvist, Dada East: The Romanians of Cabaret Voltaire 46/300, IRWIN (ed) East Art Map: Contemporary Art & Eastern Europe 46/300; review of Cornelia Parker 26/301, Carl Plackman 33/304, Re- 18/305, Centre of the Creative Universe 25/306, Iceland 39/311 Art & Music: feature 11/313; book review of Lisa Tickner, Hornsey 1968: The Art School Revolution 40/316; profile Qiu Anxiong 18/317; review of Isamu Noguchi 27/320, Liverpool Biennial 30/321, Fluxus: The Dream of George Maciunas 22/324, Subversive Spaces 24/325; book review of Ian Walker, So exotic, so homemade: Surrealism, Englishness and Documentary Photography 38/326; review of The Agency of Words 22/329
• Brighton, Andrew obituary of Peter Townsend 14/299
• Brighton Photo Biennial 2008 review by Clare Grafik 40/322
• Bright, Kate review by Martin Herbert 24/269
• Brighton, Andrew William Coldstream 23/2; Towards Another Picture, book review by Leslie Waddington 34/15; Great Victorian Pictures 25/18; The Specialness of Art and Artists 3/21; review of Kandinsky 10/32, Andrew Wyeth 3/3, Mayakovsky 12/55; book review of Lawrence Gowing, Lucian Freud 25/63; review of Tolly Cobbold 5/71, Lucian Freud 9/72; Beckmann and Art from the GDR 15/78; The Hard Won Image 16/79; British Art Show 6/82; review of Peter Greenham 12/84; Payments for Artists 2/86; review of Francis Bacon 3/88, Edward Burra 12/89; Polemics 30/96; book review of Tony Godfrey, The New Image: Painting in the ‚Äò80s 30/100; British Art in the 20th Century 4/103; letters 23/105, 28/105, 30/106; Palls, Shrouds, Sudaria: Arturo Di Stefano 18/112; Polemics 37/112; letters 25/113; review of Lucian Freud 13/114; letters 25/114, 21/115; Envoi 39/119, 39/120, 39/121, 39/124, 39/125; book review of Robert Hughes, Frank Auerbach 10/141
• Brilliant! review by Jeffrey Kastner 10/192
• Brisley, Stuart review by John Roberts 5/46, 15/100; Polemics 29/62; letters 20/87; review by Monica Bohm-Duchen 13/104, Ian Hunt 26/198, Beyond Reason: Ordure, review by Paul Claydon 40/277 Crossings review by Colin Perry 26/315
• British avant-garde film see Maxa Zoller
• Britain in Brussels Festival 1992 review by Andrew Wilson 8/162
• British Art Show review by Andrew Brighton 12/82, Dennis Farr 2/138
• British Art Show 4 review by Robert Garnett 27/192
• British Art Show 5 review by Ian Hunt 30/236; Alex Farquharson on 1/242; British Art Show 6 review by Sarah James 20/ 291
• British Avant Garde: The Twenties, British Avant Garde: The Thirtiesfilm review by Emma Smith 49/244
• British Rubbish review by David Burrows 45/199
• Broadcast TV Tamara Krikorian 9/73; Melvyn Bragg 3/74
• Broadcast Yourself review by Paul Usherwood 33/315
• Bronstein, Pablo A Guide to Postmodern Architecture in London, Ornamental Designs for the Framing of Doors, review by Lucy Steeds 42/318
• Broodthaers, Marcel Roll of Honour by Richard Hamilton 3/1; review by John McEwen 2/6, Pat Gilmour 16/6, Mark Thomson 15/153, Deborah Schultz 23/207 review by Deborah Schultz 27/314
• Brook, Donald book review of Richard Cork, The Social Role of Art 21/37, Brandon Taylor (ed), Art and Criticism 29/39, Peter Fuller, Seeing Berger: a Revaluation and Beyond the Crisis in Art, John Berger, About Looking 28/45; An Aesthetic Experience 2/46; book reviews of Roland Barthes, Camera Lucida 24/55, Peter Fuller, Aesthetics after Modernism 2/57; Exemplary Objects 2/61; Reflections on the State of the Art 3/72; book review of Brandon Taylor, Modernism, Post-Modernism, Realism 30/108; letters 20/109, 25/111
• Brooks, Barry review by Margaret Garlake 18/80
• Brooks, Liz book reviews of E Agar and A Lambirth, A Look at My Life 27/121, Janet Kaplan, Unexpected Journeys: The Art and Life of Remedios Varo 30/123, Jacques Derrida, The Truth in Painting 27/120; review of FE McWilliam 19/127
• Brooks, Rosetta review of Bruce Robbins 22/4
• Brougher, Kerry on art in the new millennium 9/232
• Brouwn, Stanley review by Axel Lapp 27/245
• Browett, Michael What Fields of Art Study Belong to Fine Art? 32/33
• Brown, Carolyn Chance and Circumstance: Twenty Years with Cage and Cunningham, book review by David Ryan 36/315
• Brown, David Van Abbemuseum 21/4; Roger Hilton 16/6; book reviews of Giles Auty, The Art of Self-Deception 18/12, Charles Harrison, English Art and Modernism 25/46; letters 22/105
• Brown, Don review by David Barrett 34/210
• Brown, Gavin review by David Barrett 28/191
• Brown, Glenn Painting Paintings: interview with David Trigg 1/325
• Brown, Katrina M review of Sawn Off 40/196
• Brown, Neal book review of Steve Baker, The Postmodern Animal 45/237
• Bruant, Jean Baptiste review by David Barrett 28/191
• Brucker, Johanna see Andrew Wilson
• Bruggen, Coosje van with Claes Oldenburg, interview by Patricia Bickers 3/171
• Brunskill, Ian review of Cologne Art Fair 13/122
• Bruszewski, Wojciech obituary 16/330
• Bryars, Gavin & Mu√±oz, Juan review by Juan Cruz 30/211
• Bryson, Norman Visions and Painting: The Logic of the Gaze, book review by Bernard Denvir 25/70
• BT New Contemporaries review by Catherine Elwes 36/177
• Bublex, Alain portrait by Jean-Max Colard 14/215
• Buchanan, Roderick profile by Gilda Williams 24/209; review by Nicky Bird 37/243, Gilda Williams 28/291, James Clegg 32/307
• B√ºchel, Christoph v Mass MoCA see Artlaw
• B√ºchler, Pavel Ghost Stories: stray thoughts on photography and film, book review by Ian Hunt 54/228 Nick Crowe 37/ 279, Barnaby Drabble 21/303
• Büchler, Pavel and Siegelaub, Seth future of art education 4/320
• Buchloh, Benjamin Magazine Mentality and the Market 4/1; West-Kunst, Modernism‚Äôs Restkunst? 3/50; Michael Archer on 1/250
• Buchloh, Benjamin; Foster, Hal; Krauss, Rosalind and Bois, Yve-Alain Art Since 1900: modernism, antimodernism, postmodernism , book review by Richard Noble 38/ 289
• Buchmann, Sabeth and Alberro, Alexander (eds) Art After Conceptual Art, book review by Mike Sperlinger 41/311
• Buckingham, Les letters 25/120
• Buckingham, Matthew review by John Slyce 23/307
• Buckle, Don T review of Art and Chess 2/143
• Buckle, Harry T Art Education 33/83
• Buckley, Carmel review by Maria Walsh 27/229
• Buckley, Carmel/Harris, Mark review by Maria Walsh 27/229
• Buckley, Stephen interview by Frances Spalding 8/85
• Buenos Aires Frederick Ted Castle on 18/229
• Bulatov, Erik interview by William Furlong 12/125
• Bulgaria, letter from by David Reason 33/148
• Bulloch, Angela review by Andrew Cross 25/202; Rule Book, review by Alison Green 54/242; interview with Maria Walsh 1/292
• Burden, Chris review by Alex MacGregor 9/46, David Barrett 25/226, Mark Harris 52/200, Paul Usherwood 27/ 289 ; see also Martin Patrick
• Buren, Daniel review by Willis Domingo 27/2, Patricia Bickers 13/94, Deke Dusinberre 12/107; Working with Shadows, Working with Words conversation with Seth Siegelaub, Deke Dusinberre and Michel Claura 3/122; review by Andrew Wilson 21/198, Teresa Gleadowe 36/302
• Bures Miller, George and Cardiff, Janet: The House of Books Has No Windows review by Stephen Lee 32/322
• Burgin, Victor review by Peter Smith 21/2, Tony Godfrey 16/96, Brian Hatton 29/199; In/Different Spaces and Some Cities, book review by Mark Durden 40/203; review by John Slyce 28/247, review by John Slyce 25/261
• Burke, Janine Raising Hell and Telling Stories: conversation with John Berger 3/124
• Burke, Ursula & Jewesbury, Daniel Archive: Lisburn Road: the material culture of a Belfast suburb , review by Stephen Bury 33/ 285
• Burkhauser, Jude on Glasgow Gallery debate 31/143
• Burki, Marie Jos√©/H√∂ller, Carsten review by Gilda Williams 43/216
• Burn, Ian review of Sydney Biennale 6/138
• Burnett, Craig review of Jon Pylypchuk 29/ 274 ; feature on The Art of Play 1/ 279 ; review of Liverpool Biennial 23/ 281 ; feature on The Beastly Real 1/ 289 ; feature on The Invisible Curator 1/ 291 ; book review of Jeremy Millar and Tacita Dean, Place 41/ 292
• Burnett, Ron How Images Think, review by Michael Gibbs 45/ 282
• Burns, Bill New British Sculpture Part 1 12/98; review of Tony Bevan 13/101
• Burns, Charles Black Hole, review by James Pyman 37/297
• Burr, Tom review by Pablo Lafuente 31/267
• Burra, Edward review by Martin Green 14/8, Andrew Brighton 12/89
• Burroughs, William review by Margaret Garlake 18/136
• Burrows, David review of Mike Nelson 28/194, Bob & Roberta Smith 32/195, Jonathan Monk 30/196, I beg to differ 32/197, Adam Chodzko 28/198, Yerself is Steam, Banana Republic, Strange Days, How will we behave?, Rebecca Warren & Fergal Stapleton, British Rubbish 45/199, Stewart Home 58/200; letters 18/201; review by Robert Garnett 39/201; review of Popoccultural 33/202, Ade Adekola/Yinka Shonibare/Mark Wallinger 31/203; letters 15/204; review of Mark Silva 39/204, Markus Muntean & Adi Rosenblum 23/205, Collected 21/207, Kate Smith 34/207, Low Maintenance & High Precision 39/209, Bob & Roberta Smith 31/210, Pictures of L
• Bury, Stephen review of Jyll Bradley, Mr Roscoe’s Garden 37/328, Victoria Halford and Steve Beard Czar 52 Crash 37/328, Susan Hiller, Auras: homage to Marcel Duchamp/levitations: homage to Yves Klein 37/328, Franz Kafka, Blumfeld, an Elderly Bachelor, images by David Musgrave 37/328, Simon Lewandowski, 100 things with handles 37/328, Richard Forster / Michael Bracewell 37/328, Bram Stoker, Dracula 37/328; obituary of David Troostwyk 19/331
• Bute, Mary Ellen review by Sophia Phoca 37/319
• Byam Shaw School of Art student protest letters 14/325, 17/326, 19/327