A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Index: E

  • e artists’ books review by Stephen Bury 42/241; letters 21/242
  • E.S.P. review by Nicky Bird 27/227
  • Eachus, Paul review by Richard Leachman 12/66
  • Eagleton, Terry After Theory , book review by Dave Beech 42/ 276
  • Eardley, Joan review by Mel Gooding 14/120
  • Early One Morning see JJ Charlesworth 7/259
  • Earnshaw, Anthony Flick Knives and Forks, book review by Ian Breakwell 28/62
  • East End Academy review by Jennifer Thatcher 31/ 278
  • East International review by John Slyce 33/259, Dan Smith 28/269 , 2006 David Barrett 28/299, 2007 Martin Herbert 24/309 review by Martin Herbert 20/329
  • Earth and Everything: Recent Art from South Africa review by Piers Masterson 38/197; letters 16/198
  • East 1993 review by Paul Usherwood 23/169, 1994 Mark Durden 38/179, 1995 Mark Durden 39/189, 1996 Mark Durden 38/199, 1997 Sotiris Kyriacou 37/209, 1998 Ben Judd 24/219, 2001 Mark Wilsher 24/249 , 2004 Martin Herbert 28/279 , 2005 Dan Smith 34/ 289
  • East Berlin after the Wall by Astrid Schmetterling 13/150
  • East International & Riverside review by Dave Beech 20/229, David Burrows 32/239
  • East, Oliver allemansretten, review by Maria Fusco 37/272
  • Eastenders review by Simon Grennan 27/214
  • Eastern Bloc conceptualism see Sarah James
  • Easthaugh, Nicholas Ars Brevis? A Conservator’s View 7/122
  • Eastley, Max review by Hannah Charlton 6/60
  • Echigo-Tsumari Art Triennial 2000 review by Sachiko Namba 30/239
  • Eco Art see Dean Kenning
  • Eco, Umberto Art and beauty in the middle ages, book review by Cyril Barrett 26/103
  • Economy of Art, The see Michael Corris
  • Ecstasy: In and About Altered States review by Simon Herbert 37/ 292
  • e-commerce: art online see Artlaw
  • Edge, Nina review by Sean Cubitt 31/180
  • Edge, Sarah A Moment in Time: The Politics of Inequality 9/123
  • Edinburgh review by Duncan Macmillan 6/140, 3/145; gallery closures, Roland Miller on 2/151
  • Edinburgh Round-up Sally O’Reilly 40/300
  • editions or series see Artlaw
  • Edmier, Keith review by Mark Harris 30/217
  • Edmonds, Ernest Constructing With Computers 12/129; Constructivism and the Environment 39/132; book review of Foundation PRO, Constructivism: Man versus Environment 28/135
  • Edmonds, Ian Polemics 30/71, 30/78, 23/90
  • Education Reform bill letters 37/118
  • Edwards, John review by Allan Davies 17/26 obituary 16/330
  • Edwards, Paul review of Wyndham Lewis 16/140; Wyndham Lewis: Painter and Writer, book review by David Peters Corbett 49/247
  • Eggleston, William review by Alison Green 27/259
  • Eichelmann, Volker and Maclennan, Ruth style-substance: The MaxMara Coat Project, review by Cathy Courtney 40/231
  • Eichelmann, Volker & Rust, Roland and Marshall, Mike review by Sara Harrison39/268
  • Einzig, Hetty review of Ger van Elk 10/54, Anselm Kiefer/Mimmo Paladino 12/56; New Contemporaries/St Martin’s Painters 16/57
  • Eitner, Lorenz Géricault: His Life and Work, book review by Roger Malbert 36/73
  • El-Sherbini, Yara Sheikh ‘n’ Vac review by Eddie Chambers 37/293
  • Elderfield, John Matisse in the Collection of the Museum of Modern Art, book review by Tim Hilton 32/26; Art and Memory 3/94
  • Electric Dreams review by Sara Harrison 35/259
  • Elemental review by Juan Cruz 34/192
  • Elements of Abstraction review by Margaret Garlake 22/ 292
  • Eliasson, Olafur review by Ellen McBreen 35/257 review feature by Peter Scott 5/322
  • elitism see Dave Beech
  • Eliot, Karen letters 24/119, 26/124
  • Elliott, Patrick obituary of Mark Boyle 17 /287
  • Elk, Ger van review by Hetty Einzig 10/54
  • Ellard, Graham & Johnstone, Stephen review by David Barrett 45/230
  • Elliott, David review of Heinrich Vogeler 8/71; letters 24/105, 30/131, 35/133
  • Ellis, Michael review of Gordon Matta-Clark 34/217, General Idea 27/218, This Island Earth 30/219, Fiona Banner 30/220, Steve Hollingsworth, Annette Heyer 39/242, Aernout Mik 38/243, Rachel Lowe 36/244, Peter Friedl 29/251
  • Ellis, Robert profile by Andrew Cross 24/201
  • Elmgreen, Michael & Dragset, Ingar review by Alex Coles 20/294
  • Elsewhere review by Mark Durden 36/201
  • Elsom, John Whose Side are You On? 3/42
  • Elwes, Catherine review of Jacqueline Morreau 7/54, Amikam Toren 13/61; letters 24/94; review of video art 25/157, Body in Video 23/175, BT New Contemporaries 36/177, Breda Beban/Hrovje Horvatic 32/179, Stan Douglas 28/180, Broadcast Arts 46/183; video reviews 46/184; review of Pam Skelton 26/185, Michèle Fuirer 28/190; Videoscan 8/196; The Big Screen: review of Scream and Scream Again 11/199; Gone fishing: on art in New Caledonia 34/200; review of Worldwide Video Festival 26/211, Canadian video 7/217, Anna Gaskell/Sarah Morris, Isaac Julien 35/227; profile of Dryden Goodwin 26/234; Video Art: a guided tour , book review by Felicity Sparrow 36/ 291
  • Embedded review by Marcus Verhagen 31/319
  • Emin, Tracey review by David Barrett 36/207, Michael Gibbs 32/262
  • Emoe, Clodagh review by Cherry Smyth 32/295
  • Enclosed and Enchanted review by Sotiris Kyriacou 42/240
  • Endlichkeit der Freiheit, Die: Berlin 1990 by Mark Thomson 3/162
  • Endo, Toshikatsu review by Simon Morley 20/157
  • Engaged issue 3 (CD-Rom), 1995, review by Michael Gibbs 43/215
  • English, Derby How to See a Work of Art in Total Darkness, book review by David Marriott 39/312
  • English, Simon review by Pablo Lafuente 35/ 276
  • Engmann, Rebecca K review of Ars 01: Unfolding Perspectives 37/251
  • En Route review by Morgan Falconer 27/261
  • Epic and the Everyday, The review by Julian Stallabrass 8/179, Thomas Frangenberg 40/179
  • l’époque, la mode, la morale, la passion review by Deke Dusinberre 11/109
  • Epstein, Jacob review by Anthony Barnett 3/109
  • Erasmus, a programme of hope letters 30/117
  • Ericson, Kate obituary by Andrew Cross 22/192
  • Ericson, Kate and Ziegler, Mel review by Andrew Cross 17/174
  • Ernst, Max review by Peter Dormer 20/77, Peter Allison 13/140; review of books on, by Julian Stallabrass 27/151; review by Toni del Renzio 11/145
  • Erkmen, Ayse, Hill, Christine, Hirschhorn, Thomas review by Axel Lapp 39/302
  • Escale/Stopover/Tussenstop review by Andrew Cross 30/175
  • Esche, Charles on art in the new millennium 13/232
  • Esche, Charles, Leighton, Tanya, (eds) Art and the Moving Image: A Critical Reader, book review by Maxa Zoller 38/328
  • Espaço Aberto/Espaço Fechado review by Ian Hunt 23/295
  • Espaliú, Pepe review by Simon Grant 22/175, 35/191
  • Ess, Barbara review by Julian Stallabrass 29/174
  • estates (Francis Bacon) see Artlaw
  • Etant donnés see Artlaw
  • Etats Spécifiques review by Mark Thomson 17/158
  • Etherington, Daniel review of Serious Games 32/203
  • Etherington-Smith, Meredith Dali, book review by Toni del Renzio 30/166
  • Ettinghausen, Henry review of Joan Miró 20/133
  • EU Directives see Artlaw
  • Euro-curating see Alex Farquharson, Paul O’Neill
  • Eurobonding comment on 2/155
  • Eurodisney and Dept of National Heritage 2/156
  • Europalia festivals 23/100
  • European art policies see Artlaw
  • EV+A 2000 – Friends and Neighbours review by Daniel Jewesbury 36/237 2001 Niamh Ann Kelly 41/246, 2002 Daniel Jewesbury 41/256, 2004 Niamh Ann Kelly 28/ 277
  • Evans, Cerith Wyn/Wool, Christopher/Harrison, Rachel review by Ian Hunt 31/ 274
  • Evans, David review of John Heartfield 3/148, 31/158; review of books on Russian art 24/153; degenerate art 32/156; Berlin Akademies 31/159
  • Evans, Garth review by Caryn Faure Walker 8/42
  • Evans, Geoff letters 23/83, 20/87, 22/98
  • Evans, Geraint review by Alex Farquharson 51/239
  • Evans, Merlyn review by Morris Kestelman 16/86
  • Evans, Tom Polish photography 10/40
  • Evans, Trish conversation with Clement Greenberg Part 1 3/73, Part 2 10/74, Part 3 4/75
  • Ever Felt Had? see Ian Hunt
  • Everall, Gavin, Watson, Grant and van Noord, Gerrie (eds) Make Everything New - A Project On Communism, book review by Esther Leslie 39/309
  • Everitt, Anthony review of Julius Bissier 18/7
  • Everything and Nothing see Andrew Wilson
  • Everything Must Go review by David Barrett 26/296
  • Evidence review by Cathy Courtney 31/213
  • Evident review by Gilda Williams 38/202
  • Evolution Isn’t Over Yet review by David Burrows 31/227
  • Ewald, Wendy review by Nicky Bird 39/244
  • Exchange review by Mark Beasley 38/255
  • Executive Outcomes review by David Musgrave 32/238
  • Exhibit A review by Kate Bush 15/157
  • Exley, Roy review of Miguel Angelo Rocha 28/202, Craig Richardson 27/203
  • Experimenta: Under the Radar review by Cliff Lauson 29/301
  • Experimental Film Today conference report by Ian White 42/269
  • Experiment/Experiência: Art in Brazil, 1958-2000 review by Anna Dezeuze 24/250
  • Exploding Cinema review by Michael Gibbs 49/234
  • Exploring Landscape: Eight Views from Britain review by Michael Wilson 32/264
  • Expo 21: Strategies of Display review by Paul Usherwood 20/ 277
  • Export, Valie review by Sally O’Reilly 31/ 280
  • Expressionist and degenerate art review by Anna Cohen and David Evans 32/156
  • Expresso Punko Andrew Wilson 7/154; letters 28/155
  • Extra-ordinary Dance see Catherine Wood
  • Extreme Abstraction review by Graham Parker 32/ 290
  • Eye on Europe: Multiples and Books 1960 to Now review by Mike Sperlinger 22/303
  • Eyferth, Tobias review by Conor Joyce 16/154
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