A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Index: P

• Paci, Adrian review by Eliza Williams 32/306
• Packer, William review of Robbie etc 10/11; profile by Bernard Denvir 4/25; A Slice of late Seventies Art 3/34; profile of Bernard Denvir 3/69
• Page, David Art Education 32/59
• Paik, Nam June 50 min. with, by Jonathan Benthall 7/121; obituary 19/295
• Painter, Colin The Absent Public 9/39; Art Education 31/120; Art in the national curriculum 35/152
• Painting & Photography feature by Mark Prince 1/260
• Painting Lab review by Alex Farquharson 34/225
• Painting of Modern Life review by JJ Charlesworth 28/311
• Painting on the move see feature by Andrew Wilson 12/260
• Painting Paintings see David Trigg
• Painting Pictures: Paintings & Media in the Digital Age review by Axel Lapp 35/265
• Painting Still Lives see Marcus Verhagen
• Pakenham, Jack review by Brian McAvera 22/122
• Palace of Projects Ian Hunt on 9/216
• Palaces of Art: Art Galleries in Britain review by Tim Clarke 20/154
• Palaces of Culture The Great Museum Exhibition review by John Glaves-Smith 20/112
• Paladino, Mimmo review by Hetty Einzig 12/56
• Pale Carnage review by Lucy Steeds 23/305
• Pale, From Beyond the (IMMA) review by Robert Garnett 32/183
• Palermo review by Jill Lloyd 16/85
• Palermo, Blinky review by Mark Harris 36/266
• Palestine, Letter from see Sally O’Reilly 35/301
• Palmer, Judith review of Judith Dean 37/304
• Palmer, Roger review by Mark Durden 34/190
• Panacea: the art of wellbeing review by Jennifer Thatcher 25/ 289
• Panamarenko review by Caryn Faure Walker 24/169; letters 39/172; Deborah Schultz on 13/234
• Pane, Gina review by Catherine Grant 41/253
• Panting, Lisa review of Tomoko Takahashi 36/246; profile of Gillian Carnegie 20/250
• Panting review by Dan Smith 26/259
• Paoletti, John T review of Richard Long 4/101, The New Sculpture 14/136, MOMA High and Low 3/141
• Paolini, Giulio review by Sarah Kent 20/7
• Paolozzi, Eduardo review by Duncan Macmillan 16/25; Working as an artist Part 1 33/36, Part 2 32/37; Paolozzi’s Underground 12/94; obituary by Fiona Pearson 17/287
• Papanek, Victor Design for the Real World, book review by Peter Dormer 19/90
• Papps, Joel: goodpasture’s review by Dan Smith 28/310
• Paranoia review by Andrew Hunt 18/303
• Pardo, Jorge see feature on artist’s fascination with design by Alex Coles 7/253; review by Michael Archer 25/ 273
• Para-Cities & Paradigms see Michael Corris
• Parades and Processions review by Anna Dezeuze 27/328
• Paris France Liam Gillick on 27/140
• Paris in Brooklyn review by Michael Wilson 40/258
• Paris Post-War review by Mark Gisbourne 15/168, Toni del Renzio 17/169
• Paris and province Sarah James 43/316
• Parisien(ne)s review by Ian Hunt 30/204
• Parker, Cornelia review by Margaret Garlake 19/128, 28/132, Mary Anne Francis 19/151, 18/152, Cathy Courtney 29/165, and Tilda Swinton, review by Chris Short 25/190; review by John Tozer 29/201; inserts in Nature, review by Stephen Bury 39/217, Maria Walsh 33/262, David Briers 26/301, David Barrett 32/311
• Parker, Graham review of My Eye Hurts 44/230, Video Positive Zero: The Other Side of Zero 51/236, Manifesta 3 26/239, Tabley 41/240; ‘Go West Young Man’ on Double Feature (Nick Crowe and Gary Hill) 9/242; review of Michael Shamberg, Paul Housley 27/244, Richard Deacon 38/247, The International Language 39/248; review by Martin Vincent 31/251; review of Christoph Girardet and Matthias Müller 32/255, Further up in the air 36/261; New York Round-up 37/ 273 ; Forced Entertainment: feature on rock, ritual and repetition 11/ 276 ; review of Extreme Abstraction 32/ 290; profile of Sam Lewitt 24/304 profile of Vlatka Horvat 22/326; Fair Use (Notes from Spam), review by Sally O’Reilly 34/332
• Parker, Rozsika Feminist art practices 16/43; and Griselda Pollock, Old Mistresses: Women, Art and Ideology, book review by Sandra Harrison 25/59
• Parliamentary report see Artlaw
• Parr, Jon Selected Books Received 1997 48/212
• Parr, Martin review by Peter Dormer 18/45, Julian Stallabrass 19/135; The Phone Book, review by David Chandler 40/262
• Parreno, Philippe review by Martin Herbert 33/306
• Parrino, Steven obituary by Michael Corris 15/ 285
• Parris, Janette review by Nick Crowe 40/253
• Parry, Eugenia text of Luc Delahaye, History, review by Gilda Williams 42/266
• Parsons, Betty interview by David Coxhead 5/22
• Parsons, Jonathan profile by John Tozer 28/242; review by Morgan Falconer 29/262
• Part Object Part Sculpture review by Mark Harris 29/293
• Participation in art see Dave Beech
• Pasmore, Victor interview by Mel Gooding and Peter Townsend 11/146; review by Simon Morley 38/191; interview by Cathy Courtney 40/191; obituary by Margaret Garlake 23/214
• Pass the Time of Day review by David Barrett 21/ 284
• Paterson, Toby review by Sarah Tripp 33/267
• Patha, Catharine and Morton, Tom Anyway , review by Bruce Haines 41/ 276
• Patrick, Keith review by Margaret Garlake 18/64
• Patrick, Martin review of art in Poland 38/220; book review of Robert C Morgan (ed), Clement Greenberg: Late Writings 41/269; book review of David Summers, Real Spaces: World Art History and the Rise of Western Modernism 41/ 275 ; feature on Rock and Art 1/ 276 , feature on Laurie Anderson 1/ 284 review of Sydney Biennale: Revolutions – Forms That Turn 20/319
• Pattern Recognition review by Stephen Lee 28/330
• Patterson, Richard review by Andrew Wilson 32/188
• Patterson, Simon review by Ian Hunt 35/179, Cathy Courtney 42/179, Ian Hunt 29/195; interview with Ian Hunt 1/ 288 Seeing the World Askance: interview of John Baldessari 1/331
• Patton, Sharon F African-American Art, book review by Niru Ratnam 52/222
• Paul, Kate Journal, book review by John A Walker 34/213
• Pavilions see feature by Alex Coles
• Pawson, Mark review by Clive Phillpot 45/229
• Payback 2001: DACS see Artlaw
• Payne, Oliver & Relph, Nick review by Peter Suchin 25/ 290
• Pearman, Hugh book review of Jes Fernie (ed) Two Minds: artists and architects in collaboration 38/297
• Pearson, Fiona obituary of Eduardo Paolozzi 17/ 287
• Pearson, Nicholas The ‘Specialness’ of Arts and Artists 3/21; The Bristol Sample 16/23; The economic situation of the visual artist 8/95
• Peckham Experiment, The review by Dan Smith 29/332
• Pécoil, Vincent Brand Art: feature on art after Warhol 1/265; Op Stars: feature on op art 7/270; Abstraction and Appropriation: feature 7/ 285
• Peel, Michael review by Peter Dormer 28/57; letters 20/80; review by Cathy Courtney 28/164
• Pels, Marsha see feature by Barbara Pollack 1/253
• Peng, Shan review of Hew Locke 33/320
• Pennell, Jacqueline review by David Barrett 32/205
• Penny Dreadfuls review by Gilda Williams 47/253
• Penone, Giuseppe review by Andrew Cross 16/171, Barry Barker 12/186
• Penrose, Roland The Work of Joan Miró 3/68; For Roland 2/76
• Pepper, Andrew Holograph, visual medium or cheap trick? 9/122
• Percent for art Roland Miller 26/144, Gary Power 23/152; Artlaw 35/161; case of Liliane Lijn Artlaw 46/186
• Percy, Christine Craft and Design 31/114
• Perejaume review by Jeffrey Kastner 21/170
• Performa05 review by Helena Blaker 40/293
• Peri, Peter review by Margaret Garlake 17/103; letters 25/104
• Permaculture review by Daniel Jewesbury 27/265
• Permar, Roxane 20 Moscow artists 9/101; Perestroika, Glasnost and Art: Moscow 1988 10/121; letters 25/124
• Perret, Mai-Thu, Carron, Valentin, review by Marcus Verhagen 41/296
• Perry, Colin review of Stuart Brisley: Crossings 26/315, Adel Abdessemed – Trust Me 25/316, Emily Wardill 32/320, Martin Beck 25/321, Presque Rien II 31/322, Darcy Lange 26/323, Tate Triennial: Altermodern 25/324, Ashok Sukumaran 35/326, Falke Pisano: Figures of Speech 30/327; Reel to Real: feature 1/328; review of Nicolas Moulin 29/328, Radical Nature: Art & Architecture for a Changing Planet 1969-2009 23/330, Chen Chieh-Jen 32/332 Perry, Gill Women Artists and the Parisian Avant-Garde, book review by Monica Petzal 41/191; review of Roni Horn 34/307
• Perry, Roy on conservation 5/139
• Personal Effects review by John Tozer 26/220
• Perspective 2000 review by Daniel Jewesbury 22/240
• Pesch, Martin text for Carsten Nicolai, Autopilot, review by Dan Smith 48/268
• Pessoli, Alessandro review by Alicia Miller 32/ 288
• Petherbridge, Deanna Patronage and sponsorship 3/38, 38/42, 27/45, 30/48, 27/50; Commissions 31/52, 28/53, 29/68; Joint Games of Chance 6/53; Art and Architecture: supplement ed 56; Just a normal anarchist 3/61; Hunting, Gathering and Shaping 12/62; John Moores Exhibition 13 9/63; review by John McEwen 11/64; A project in Portsmouth 12/78; review by Margaret Garlake 18/107; (ed) Art for Architecture: A handbook on commissioning, book review by John Willett 28/114; Making Space - Art Galleries beyond the Gallery 27/115; Paris Muses 22/116; Da Da Deconstruction Lives: The International Symposium on Deconstruction 1988 8/117; The Possibility and Problems of Permanence 7/118; A Moment in Feminism: Feminisme! C’est Moi 6/123; The Russian Avant-Garde and Architecture 21/124; letters 22/125; review by Margaret Garlake 23/133; book review of R W Ferrier (ed) The Arts of Persia28/136; Judgement against Petherbridge 2/139; book review of Thomas Metcalf, An Imperial Vision: Indian Architecture and the Raj 24/140; letters 16/201
• Pettibon, Raymond review by Alex Farquharson 51/239, Clare Manchester 33/250 , Gilda Williams 30/ 273
• Petty Crimes: Contemporary Images of Childhood Play review by Maria Walsh 49/236
• Petzal, Monica review of Agnes Martin 15/6, Robert Ryman 14/12, Susan Hiller 22/17, Evan Hesse 15/27; book review of Germaine Greer, The Obstacle Race: The Fortunes of Women Painters and Their Work 28/33; review of Carolyne Kardia 11/37, Brice Marden/Robert Mangold 10/47, 13 British Artists in Aachen 7/54, Prunella Clough/Gillian Ayres 12/57, Bruce McLean/Tony Cragg/English Expressionism 18/86, Harkness Fellows/Eileen Cooper/Louise Blair 15/87, Jennifer Durrant 15/88, Jean Michel Alberola/Michael Sandle/Wols 18/88; book review of Gill Perry, Women Artists and the Parisian Avant-Garde 41/191
• Phaophanit, Vong review by Niru Ratnam 32/216
• Phelan, Peggy (survey), Reckitt, Helena (ed) Art and Feminism, book review by Cherry Smyth 47/251
• Philipsz, Susan profile by Niamh Ann Kelly 24/260
• Phillips, Andrew Charitable Status, book review by Adrian Barr-Smith 21/37
• Phillips, David Exhibiting Authenticity, book review by David Barrett 44/221
• Phillips, Rodney and Clay, Steven (eds) A Secret Location on the Lower East Side:Adventures in Writing 1960-1980, review by Cathy Courtney 44/225
• Phillips, Tom A Humument, book review by Norbert Lynton 32/43; Dante’s Inferno, book review by Norbert Lynton 28/89; review by Margaret Garlake 15/105
• Phillips, Tony review by Roger Malbert 23/150
• Phillpot, Clive An insular view 1/1; review by Cathy Courtney 37/94, 29/99, 32/102, 30/176; review of Livres d’artistes: l’invention d’un genre 48/209, Henri Chopin 38/214; and Cornelia Lauf, Artist/Author: Contemporary Artists’ Books, review by Cathy Courtney 38/215; review of Helen Douglas, Between the Two, and Peter Downsborough, Pose50/216; obituary of Dieter Roth 20/218; review of Mark Pawson 45/229, Donna De Salvo & Catherine Gudis, Ray Johnson: Correspondences, Lightworks Magazine 55/239, Monica Ross, valentine 46/247; obituary of Ian Breakwell 19/ 292; review of Ed Ruscha 26/295
• Phoca, Sophia review of Mary Ellen Bute 37/319; book review of Stuart Corner (ed.) Film and Video Art 39/328
• Photographic Object, The review by David Ryan 28/327
• photographing art collections see Artlaw
• Photomontage Now review by Genevieve Fox 25/149
• Photo-reclamation, new art from Russia review by Susan E Reid 31/179
• Photoshock see Deke Dusinberre
• Physical Evidence review by David Lillington 30/223
• Picabia, Francis review by Mel Gooding 14/120
• Picasso, Pablo review by Francis Frascina 3/49, Toni del Renzio 6/49, 17/100; review of Late Picasso by Deke Dusinberre 14/117; review of Picasso and Braque by David Lomas 21/135; On Classic Ground, review by Julian Stallabrass 23/138; Françoise Gilot on 21/144; review by Toni del Renzio 3/174, 26/175
• Picazo, Gloria (ed) Nómadas y Bibliófilos, concepto y estéttica en los libros de artista (with text by Johanna Brucker, Lucy R Lippard, Nancy Princenthal and Anne Moeglin-Delcroix), review by Andrew Wilson 33/271
• Pick, John The Pound Made Flesh: examination of the Policy Studies Institute Report 4/124
• Pictura Britannica review by Courtney Kidd 33/211
• Pictures Generation, 1974-1984, The review by Morgan Falconer 25/327
• Pictures of Lily review by David Burrows 35/211
• Pictures of Pictures review by Eddie Chambers 36/231
• Pierson, Jack review by Mark Sladen 57/200 review by Roger Cook 22/316
• Pietsch, Hans-Dieter review by Margaret Garlake 17/92, 18/121
• Pigott, Hadrian profile by David Barrett 30/183; review by Erika Lederman 46/187
• Pigott, Hadrian and Robinson, Hamish Rifiuti: Rome July 2005, review by Stephen Bury 35/295
• Pil and Galia Kollectiv review of David Shrigley’s Worried Noodles 39/314
• Pimlott, Mark review by Mark Gisbourne 39/193
• Pinkney, Tony (ed) The Politics of Modernism, book review by Philip Dodd 33/132
• Pioneers of Modern Furniture review by Paul Overy 17/147
• Piotrowski, Piotr On the ethos of the Polish artist 11/103
• Piper, Adrian review by Eddie Chambers 13/152, Piers Masterson 32/178, review by David Lillington 30/259
• Piper, John review by Allen Davies 27/13, John Glaves-Smith 20/28
• Piper, Keith review by Margaret Garlake 21/79, Conor Joyce 20/153, Piers Masterson 31/188, Eddie Chambers 43/209
• Pippin, Steven review by Melissa E Feldman 30/225
• Pisano, Falke: Figures of Speech review by Colin Perry 30/327
• Pistoletto, Michelangelo review by Liam Gillick 20/150
• Pitt, Alex on copyright 17/166
• Pittman, Lari review by Stuart Morgan 26/218, Eliza Williams 30/ 281
• Places in Mind review by Daniel Jewesbury 45/242
• Plackman, Carl review by Allan Davies 14/22; obituary by Margaret Garlake 16/274; review by David Briers 33/304
• Planet Finance: Falling to Earth Richard Grayson 39/327
• Playback review by Maxa Zoller 30/313
• Plastic review by Robert Garnett 60/200
• Platt, Michael review by Piers Masterson 32/177
• Platzverfuhrung review by Greg Hilty 16/159
• Playlist review by Sarah Harrison 20/ 275
• Playmaker, The see John Slyce
• Plaza Suite review by Eliza Williams 31/ 279
• Please Touch Projects and SCP review by Deborah Schultz 40/233
• Pleasure of Aesthetic Life, The review by Valerie Reardon 29/202
• Pleasure & Pain see Marcus Verhagen
• Plensa, Jaume review by Barry Barker 12/186
• PLOT09: This World & Nearer Ones review by Kathy Battista 18/329
• Plowman, John Twilight Shift, review by Stephen Bury 35/295
• Plug-In: Unity and Mobility review by Michael Corris 37/249
• Plywood Utopias see Mark Wilsher
• Poland review of art by Martin Patrick 38/220, film and video by Marek Wasilewski 40/220
• Polemic Felicity Allen 44/224; Peter Kennard 45/235; Eddie Chambers 54/236; Julian Stallabrass 48/240
• Polemics Conrad Atkinson, An exhibitor answers criticisms of ‘Art for Whom’ and ‘Art for Society’ 23/19; Robyn Denny, A Reply to Peter Fuller 21/20; Art & Language, On the Recent Fashion for Caring 22/20; Oh God, Oh Ulster 21/22; Paul Overy, The Specialness of Art and Artists; Michael Daly, A Post-Modernist Programme 30/23; Philip Corrigan, Untitled 1979 29/24; Glenn Sujo, The British Sample and the Gulbenkian Enquiry; Stephen Willats, Working with the Work of Art 29/25; Art & Language: Artists and Philosophers 33/26; Guy Brett, Just What is Modernism? 32/32; Marcus Reith-Roberts, A note on narrative painting 33/38; Anthony Hill, Autoscopy 30/39; Jeffrey Steele, Closing the dossier on P & O 30/40; Michael Newman, What Happened to History Painting? 35/43; Catherine Morley, Against a theory of Expression 26/44; Michael Newman, Closed Circuits 32/51; Krzysztof Cieszkowski, The Shock of the Real 31/52; Michael Sandle, Art and Architecture 26/57; Rasheed Araeen, Come on, cheer up! 29/59; Michael Newman, Irony and the Amazonians: Post-Modernism in the Media Jungle 30/61; Stuart Brisley, John Stezacker 29/62; Glyn Banks, In Defence of Common Knowledge, Post-Modernism in Architecture 23/63; David Boland, Moral values in art 28/65; Iain Biggs, An honourable occupation? 28/68; Ian Edmonds and Alan Shipway, Recession pictures 30/71; Glyn Banks, Any Old Irony 32/72; John Roberts, Making Modernity Work 25/76; Ian Edmonds and Alan Shipway, Opportunism, Powerlessness, Greed, Apathy and Fear 30/78; Glyn Banks, Try Another World Part 1 27/80, Part 2 31/81; Giles Auty, Tastemaking 32/82; Ian Edmonds and Alan Shipway, Reading Writing (A Documentary) 29/84; Anthony Hill, An imaginary letter and fifteen comments 31/85; Alan Smith, Art in Security 32/86; Fay Brauer, Art in Aspic: A Man-made Preservative? 26/87; Anthony Hill, The against comes before the fore 25/88; Ian Edmonds and Alan Shipway, Reading Writing (A Documentary) 23/90; Anthony Hill, Pointe Finale 26/91; John Roberts, German Art in the Twentieth Century, A Look at Its Context 30/92; Andrew Brighton, Helen Gotitright, or What should be done? 30/96; Alan Shipway, New age 29/101; John Roberts, Art and value 24/103; Oliver Siskice, Still-life painting 24/107; Jeff Instone, Notes on the Cy Twombly exhibition catalogue 30/109; Jonathan Watkins, The Curator as Artist 27/111; Andrew Brighton, What Has Happened and What Is Happening 37/112; Brian McAvera, Gormley, TSWA 3D and Derry’s Walls 31/116
• Polish art 11/103
• Politics of Images review by Kathryn Salomon 37/142
• Polke, Sigmar review by Barry Barker 3/184, review by Michael Wilson 34/243; see Patricia Bickers
• Pollack, Barbara ‘The Killing Machine’ on David Wojnarowicz 1/224; ‘The Fame Game’ on Fame After Photography 1/230; ‘Babe Power’ on postfeminist art 7/235; review of Whitney Biennial Internet art 58/236, Martha Rosler, Barbara Kruger 34/239; Salerooms 59/228, 59/232, New York salerooms 50/243; review of Paul McCarthy 22/245, Collaborations with Parkett: 1984 to Now, 48/247; Fascinating Fascism? feature on; MacDermott & Gough, Collier Schorr, Marsha Pels, Mirroring Evil: Nazi Imagery/Recent Art 1/253; letters 9/254, 19/255, 15/256; review of The Short Century: Independence and Liberation Movements in Africa 1945-1994 23/256, The Multiples and Editioned Work of Jenny Holzer 46/259, Drawing Now: Eight Propositions 35/263
• Polli, Andrea & Gilmore, Joe review by David Barrett 29/ 287
• Pollock, Charles review by Vivien Rothwell 14/26
• Pollock, Griselda book review of Pamela Gerrish Nunn, Victorian Women Artists 26/113; on Clement Greenberg 14/178; letters 25/179; (ed) Generations and Geographies in the Visual Arts: Feminist Readings, book review by Valerie Reardon 47/204
• Pollock, Jackson review by Francis Frascina 9/55, 16/133, 29/141; Jeffrey Kastner ‘Pollock 50 Years On’ 1/223; Jonathan Harris ‘Pollockmania’ 7/226
• Polsky, Richard I Bought Andy Warhol, book review by Colin Gleadell 38/271
• Pommerer, Peter review by Laura Moffatt 42/219
• Poncelet, Jacqueline review by Philip Sanderson 31/190
• Pop art review by Stuart Morgan 3/150; Marco Livingstone, Pop Art, book review by John A Walker 28/150
• pope art Editorial 10/330
• Pope, Nicholas review by Lynne Cooke 11/53
• Popoccultural review by David Burrows 33/202
• Popp, Julius/Schmidt, Julia/Kossack, Oliver/Schmidt, Rigo review by Tony Wood 30/ 289
• Populism review by Michael Gibbs 22/ 287
• Porcupines/Arthinking review by David Barrett 47/232
• Pornography by John A Walker 3/155
• P-Orridge, Genesis book review of Malcolm Green (ed) Brus, Muehl, Nitsch, Schwarzkogler: Writings of the Vienna Actionists 48/235
• Portable fabric shelters review by Godfrey Worsdale 41/187
• Porter, Michael review by Andrew Smith 12/65, Margaret Garlake 13/61, 22/77; book review of Terry Wilson (ed), Here to Go – Brion Gysin, Jason Weiss (ed), Back In No Time – The Brion Gysin Reader 52/258
• Posey, Emma (ed) Remote, Essays on Creativity, Technology and Remoteness 40/ 286 , book review by Michael Gibbs 40/ 286
• Postcard from Paris by Robert Garnett 28/236
• Postcards on photography review by Valerie Reardon 25/223
• (Post)Cinema see Daniel Miller
• postfeminist art Barbara Pollack on 7/235
• posthumous artworks see Artlaw
• post 9/11 art from the USA see feature by Michael Corris
• Postmarks from the World of Donald Evans review by Cathy Courtney 31/213
• Potter, Norman What is a Designer?, book review by Christopher Cornford 29/48
• Pountain, Dick and Robbins, David Cool Rules, book review by Paul Barlow 42/245
• Poupeye, Veerle Caribbean Art, book review by Niru Ratnam 52/222
• Powell, Richard Black Art and Culture in the 20th Century, book review by Niru Ratnam 42/206
• Power, Gary percent for art 23/152
• Poynor, Rick Designing Pornotopia, book review by Shumon Basar 33/305
• Praxis: Art in Times of Uncertainty see Thessaloniki Biennale of Contemporary Art
• Prendergast, Kathy review by Conor Joyce 20/153; inserts in Society and Space, review by Stephen Bury 39/217; review by Daniel Jewesbury 45/234
• Presence review by David Barrett 26/ 289
• Presentness is Grace: Experiencing the Suspended Moment review by Emma Safe 24/253
• Presque Rien 1 review by Martin Herbert 32/312
• Presque Rien II review by Colin Perry 31/322
• Pretext: Heteronyms review by Mark Durden 40/192
• Price, Cedric Re:CP , book review by Bruce Haines 42// 273
• Price, Cedric, Banham, Mary, Barker, Paul and Lyall, Sutherland A Critic Writes. Essays by Reyner Banham, book review by Graham Whitham 45/208
• Price, Elizabeth review by Mark Wilsher 30/245; small Gold Medal, book review by David Lillington 37/254, LIVE , book review by Stephen Bury 37/ 290; Hearse Attending 1 to 7, Progress of a Sculpture 1 to 7, review by Stephen Bury 35/295; review by Maria Walsh 29/303 interview with Paul O’Neill 1/326
• Price, Joanna review by Mikey Cuddihy 24/173
• Price, Matt review of Richard Deacon 35/304, Cult Fiction: Art and Comics 34/308, It Starts From Here 27/309 review of Revolution I Love You 27/323
• Priest, Margaret review by Sarah Kent 25/3
• Prina, Stephen review by Andrew Wilson 28/ 281
• Prince, Mark Avant-garde and Kitsch, feature on painting from the former GDR 9/257; review of Matthew Barney 26/258; feature on Painting & Photography 1/260 ; Southfork Ranch Romania: feature on the art of displacement 7/264; Feint Art 1/267 , feature on curators 1/ 274 , feature on pop music and art 6/ 276; letters 24/ 278 ; feature on sculpture 7/ 282; Pluralism: feature 7/293, Conceptual Formalism: feature on the legacy of Kenneth Noland 7/299, Once More with Feeling: feature on emotion in minimal and conceptual art 1/304; review of Made in Germany 40/308, Documenta 12 20/309; Beyond Appropriation Art: feature on Richard Prince and contemporary appropriation 9/310 The self-effacing object: feature 1/319, The New Black: feature, on Rothko 9/321, Reel Time: feature 5/325; review of Boule to Braid 19/329; Art & Politics: feature 5/330, The Lost Conceptualism: UK v US conceptual art: feature 5/331
• Prince, Richard review by Michael Newman 7/72; see feature by Mark Prince
• Princenthal, Nancy see Andrew Wilson
• Prison review by David Barrett 27/306
• Private View review by David Barrett 36/198
• Procktor, Patrick interview with Cathy Courtney 42/195
• Product Placement see Christopher Townsend
• Projection – a video magazine review by Emma Smith 34/230
• Prophet, Jane review by Sophie Howarth 52/242
• Propositions review by Sotiris Kyriacou 24/208
• Protest Art see feature by Chris Townsend
• Pryde, James review by Paul Overy 20/160
• Psycho Buildings: Artists Take On Architecture review by Martin Herbert 35/318
• Public art degree 16/103; book review by John A Walker of Malcolm Miles et al., Art for Public Places 19/130; Sara Selwood 3/143; Paul Overy 2/148; letters 34/162; Chicago, review by Andrew Cross 2/168; Roland Miller on 26/178; Malcolm Miles on 26/179; Paul Usherwood on 39/184
• public art see Dave Beech, Mark Wilsher; editorial 12/329
• Public art commissions see Artlaw, Paul Usherwood
• Public Art Fund Projects review by Maria Fusco 26/ 277
• Public Art: The Professionals by Peter Fink 37/264
• Public exhibition payment see Artlaw
• Publish and Be Damned see Maria Fusco
• Pugh, Simon review of Art from Another World 18/123
• Punk art review by Andrew Wilson 7/154; letters 28/155
• Pylypchuk, Jon review by Craig Burnett 29/ 274
• Pyman, James Wilf - a life in pictures , review by Stephen Bury 35/ 280, Charles Burns, Black Hole 37/297, Matt Madden, 99 Ways To Tell A Story: Exercises in Style 45/300, Chris Ware, Acme Novelty Library Issue 16 37/301
• Pyramids of Mars review by Alex Farquharson 33/244