A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Index: S

• Saatchi collection review by Mary Anne Francis 16/152 ; Gallery profile profile by Simon Ford 18/267
• Sabin, Andrew review by Stephen Hughes 28/138
• Sabin, Roger (ed) Punk Rock: So What? The cultural legacy of punk,book review by Stewart Home 49/229
• Sack, Steven Art in Black South African Townships 6/127
• Sackett, Colin DISTANCE etc: Longereadingandwriting ninetyfourtoninetynine,review by Stephen Bury 38/233; essayes, review by Ian Hunt 42/250
• Sackler Galleries review by Katharine Heron 26/151
• Sacoor, Helen & Morris, Simon bibliomania,review by Cathy Courtney 40/231
• Sadler, Simon The Situationist City,book review by Lucy Forsyth 45/221, letters 19/222
• Sadotti, Giorgio review by David Barrett 28/191, Gilda Williams 27/201, Dan Smith 33/265; From Navels to Nipples Henry Moore, review by David Gleeson 37/298
• Saeed, Usman and Sandu, Sukhdev I'll get my coat, review by Eddie Chambers 37/293
• Safe review by Patricia Bickers 20/152; letters 27/154
• Safe, Emma review of Jane Dixon 35/245, Open City: Street Photographs Since 1950 26/247, Mono-ha – School of Things 34/248, Fluid 35/251, Andrea Zittel 40/252, Presentness is Grace: Experiencing the Suspended Moment 24/253, Alia Syed 20/254, Ann Lislegaard/Fiona Banner 33/257, Ivan Morison 24/258, Richard Long 37/259, Hayley Newman 28/260, Susan Collins 31/262, Job Koelwijn 31/265, Nick Crowe & Ian Rawlinson 24/267
• Sahi, Jyoti The Child and the Serpent: Reflections on Popular Indian Symbols,book review by Prabhu S Guptara 32/43
• Sandback, Fred obituary 17/269
• Sainsbury Centre review by Stephen C Mooring 28/147
• Sainsbury Wing review by Tim Clarke 19/149
• Sala, Anri profile by Mark Godfrey 18/ 278, 'A Second Look' review by Rikke Hansen 28/312
• Salaman, Naomi (ed) WHAT SHE WANTS,book review by Valerie Reardon 44/179
• Salcedo, Doris/Ristelhueber, Sophie/Dávila, Jose review by Dan Smith 33/251
• saleroom contracts see Artlaw
• Salerooms see Introduction, Colin Gleadell, Margaret Garlake, Barbara Pollack
• Salle, David review by Paul Kopocek 21/49; interview by John Roberts 3/64
• Salomon, Kathryn review of Politics of Images 37/142
• Salter, Rebecca Rondo, review by Cathy Courtney 44/201
• Samaras, Lucas review by Mel Gooding 19/100 , Alison Green 32/276
• Samuel, Felicity review by Catherine Lampert 16/10
• San Francisco MOMA review by Tony Godfrey 42/189
• Sandback, Fred review by Cherry Smyth 35/ 287, Adam E Mendelsohn 32/303
• Sander, Katya & Sheikh, Simon (eds) We are All Normal (and we want our freedom): a collection of contemporary Nordic artists' writings, book review by Caryn Faure Walker 41/262
• Sanderson, Colin review of Naum Gabo 15/113
• Sanderson, Lesley review by Rosemary Betterton 32/184
• Sanderson, Philip review of r. warren/g. gussin/f. stapleton 34/186, Richard Deacon/Thomas Schutte 34/188, Ideal Standard Summertime 37/189, Jacqueline Poncelet 31/190, Ken Lum 31/192, David Griffiths 32/193, Anna and Bernhard Blume 32/193, The Impossible Science of Being 32/193, Markus Hansen 27/195; review by John Tozer 34/196; review of John Frankland 26/197, Julian Opie 25/198, New Contemporaries 40/199
• Sandle, Michael Art and Architecture 26/57; review of Birgit Skiold 20/59; review by Monica Petzal 18/88; letters 20/80, 23/92; review by Brandon Taylor 12/118; letters 23/119, 26/121
• Sandler, Irving interview with Agnes Martin 3/169; Art of the Postmodern Era,book review by Mel Gooding 34/213
• Sandqvist, Tom Dada East: The Romanians of Cabaret Voltaire, book review by David Briers 46/300
• Sandu, Sukhdev and Saeed, Usman I'll get my coat, review by Eddie Chambers 37/293
• Santacatterina, Stella review of Barbara Bloom 22/139, review of Carl Andre 18/152, John Murphy 20/157, Dinos and Jake Chapman 27/166
• São Paulo, 25th Biennial review by Jacopo Crivelli Visconti 25/256; polemic by Jimmie Durham 38/294; letters 15/295
• Saper, Craig J Networked Art, book review by Michael Gibbs 48/259
• Sarabianov, Dmitri Russian Art,book review by Matthew Cullerne Bown 37/138
• Saraceno, Tomas review by Eliza Williams 28/297
• Sarajevo art review by Caroline Juler 10/176
• Sardar, Ziauddin, Araeen, Rasheed, Cubitt, Sean (eds) The Third Text Reader on Art, Culture and Theory, book review by Eddie Chambers 41/263
• Sarmento, Julião & Murphy, John review by Nina Mehta 36/219
• Satom, Saki review by Jennifer Thatcher 25/ 284
• Saunders, David The Canberra Gallery's Architectural Strength 3/63
• Saunders, Frances Stonor Who Paid the Piper? The CIA and the Cultural Cold War,book review by Margaret Garlake 53/232
• Savinio, Alberto review by Toni del Renzio 21/155
• Savvas, Nike/Kesseler, Rob review by Sotiris Kyriacou 23/204
• Sawn Off review by Katrina M Brown 40/196
• Scales, Terence Encounters with David Bomberg 11/114
• Scarborough, James review of Antoni Tápies 17/117; Painting in Spain during the late eighteenth century 24/126
• Schapiro, Meyer Modern Art,book review by Rory Coonan 31/26
• Schechner, Alan review by Francis Frascina and Jonathan Harris 40/194, 45/195, 46/197; letters 18/198, 19/199
• Scheibitz, Thomas see feature by Mark Prince 9/257
• Scher, Julia review by Benjamin Weil 34/180
• Scherman, Tony review by John Roberts 11/29
• Scherübel, Klaus Mallarmé, the book , review by Stephen Bury 39/ 281
• Schiele, Egon review by Ian McKay 21/143; Jane Kallir, Egon Schiele,book review by Frank Whitford 22/143
• Schifano, Mario obituary 23/214
• Schlieker, Andrea interview with Gerard Hemsworth 9/101
• Schmetterling, Astrid review of East Berlin art 13/150, Ulrich Rückriem 13/152, Max Bill 19/153, Otto Dix 18/156, On Kawara 16/158, Annette Messager 21/159, James Turrell 24/167, Bracha Lichtenberg 30/168, 31/169, Josef Albers 38/178
• Schmidt, Julia, Oliver Kossack, Julius Popp, Rigo Schmidt, review by Tony Wood 30/ 289
• Schnabel, Julian review by Peter Fuller 19/73, Mel Gooding 15/101; Basquiat, review by Liam Gillick 46/200; Michael Holman on 8/210
• Schneider, Gregor review by Matthew Higgs 21/213 , Dave Beech 28/282
• School Reunion review by John Tozer 22/229
• Schopf, Christine and Leopoldseder, Hannes (eds) Cyberarts,book review by Michael Gibbs 37/213
• Schrader, Barbel The Golden Twenties: Literature in the Weimar Republic,book review by Jill Lloyd 33/122
• Schubert, Karsten and McClean, Daniel Dear Images: art, copyright and culture book review by Henry Lydiate 49/265
• Schultz, Deborah review of Marcel Broodthaers 23/207, review of Furniture 36/225, The Office of Misplaced Events (Temporary Annexe) 31/233, Please Touch Projects and SCP, At Home with Art Tate Gallery multiples 40/233; 'Flights of Fancy' on Panamarenko 13/234; review of Belvedere 36/235; profile of Emma Kay 22/244; In Absentia, on retrospectives 7/249 , Joseph Beuys 21/ 285
• Schum, Gerry review by John Slyce 41/ 284
• Schurz, Barbara/Brener, Alexander Bukaka Spat Here, book review by Tony White 41/260
• Schütte, Thomas review by Philip Sanderson 34/188, Ian Hunt 36/256, 'Fake/Function: Early Work' review by Teresa Gleadowe 22/312
• Schwartz, Frederic J Blind Spots: Critical Theory and the History of Art in Twentieth Century Germany, book review by Sarah James 46/296
• Schwarzkögler, Rudolf review by Stuart Morgan 12/167
• Schweinebraden, Jurgen notes on work by Stephen Willats 17/41
• Schwitters, Kurt review by Andrew Smith 11/51, Simon Morley 13/183; David Lillington on 20/231
• Science and the arts: the emergence of a new consciousness from the 60s to now review by Peter Suchin 44/ 275
• Scobie, Gavin review by Duncan Macmillan 22/32
• Scott, David letters 30/117
• Scott, Tim review by Richard Tilston 19/5, book review of Diane Waldman, Anthony Caro 32/58
• Scott, William obituary by Patrick Heron 34/133
• Scottish Arts Council Duncan Macmillan 3/145
• Scream and Scream Again review by Catherine Elwes 11/199
• Scull, Robert 38/102
• Scullion, Louise review by Padraig Timoney 26/193
• Scully, Sean review by Allan Davies 27/13, John Roberts 11/29, Michael Newman 8/50, Mel Gooding 21/112, Margaret Garlake 23/127
• Sculpture anglaise, un siècle de review by Patricia Bickers 3/199
• Sculpture, Mixed review by Mary Anne Francis 21/146
• Sculpture Projects Münster 07 review by John Slyce 21/309
• Sculptures Outside Tielt (Belgium) review by Timothy Foster 24/139
• Seago, Alex book review of Simon Frith and Howard Horne, Art into Pop 24/115
• Seagull, Sara review of George Maciunas DBA/Fluxhouse Co-operative Inc or Soho: A New Alternative 32/228
• Sear, Helen review by Valerie Reardon 39/216, Martin Herbert 21/271
• Seator, Glen review by David Barrett 35/209
• Secret Victorians review by Kim Sweet 38/223
• Seda, Katerina review by Lucy Steeds 22/295
• Seddon, Peter review by Peter Suchin 41/268
• Sedgemore, Brian letters 20/80; book review of Roy Shaw, The arts and the people 30/105; letters 22/107; Art and Urban Renewal - A World Problem 3/125
• Sedgley, Peter Berlin DAAD 8/50
• Seduced: Art and Sex from Antiquity to Now review by Jennifer Thatcher 25/312
• Seers, Lindsay profile by Michael Gibbs 20/310
• Segal, George interview by Andrew Graham-Dixon 5/151; obituary 21/238
• Sehgal, Tino review by Lucy Steeds 28/ 284
• Selected Books Received 1996 by Jessica Wyman 48/202, 1997 by Jon Parr 48/212, 1998 by Laura Moffatt 51/218
• Self-Institutionalisation see Jakob Jakobsen
• Self-reflexivity see Sally O'Reilly
• Selwood, Sara Public art 3/143
• Semmes, Beverly review by Melissa E Feldman 34/201
• Serious Games review by Daniel Etherington 32/203
• Serota, Nicholas conversation with Michael Archer 2/119, 4/112
• Serpentine Gallery 2/155
• Serra, Richard interview by Patricia Bickers 3/161'Richard Serra: Sculpture Forty Years' review by Morgan Falconer 36/308
• Serrano, Andres review by Stuart Morgan 5/153; privacy Artlaw 35/175, review by Mel Gooding 8/190
• Setch, Terry review by Paul Greenhalgh 15/62
• Settings and Players review by Alison Green 1/246
• Seven Wonders of the World: 66 responses to the proposition 'suggest your own alternatives to the Seven wonders of the Ancient World' review by Cathy Courtney 47/230
• Sex and Drugs and Explosives review by David Barrett 29/196
• Seymour, Benedict review of Wooden Heart 41/235
• Shaker movement 31/101
• Shahbazi, Shirana review by Cherry Smyth 32/294
• Shamash, Diane review of Museum as Muse 22/227, Circa 1968 31/229
• Shamberg, Michael review by Graham Parker 27/244
• Shand-Kydd, Johnny Spit Fire, book review by Robert Garnett 55/228
• Sharkey, John Artists celebrating ancient places 22/55
• Shaw, George review by Gilda Williams 47/253
• Shaw, Jim review by Alex Farquharson 30/251
• Shaw, John Culture Cost 2/88
• Shaw, Roy book review of Hugh Jenkins, The Culture Gap: An experience of government and the Arts 27/31, Brian Sedgemore, The arts and the people 30/105; letters 22/107; book review of Stuart Turner, Practical Sponsorship 26/111
• Shawcross, Conrad review by Simon Morrissey 25/264
• Shebera, Jurgen and Schrader, Barbel The Golden Twenties: Literature in the Weimar Republic,book review by Jill Lloyd 33/122
• Sheeler, Jessie letters 31/112
• Sheikh, Simon & Sander, Katya (eds) We are All Normal (and we want our freedom): a collection of contemporary Nordic artists' writings, book review by Caryn Faure Walker 41/262
• Shelf Life review by Eddie Chambers 16/254
• Shephard, Greg interview by Lynne Cooke 3/163
• Sherman, Cindy review by Antonella Russo 8/181; Rosalind E Krauss, Cindy Sherman,book review by Francis Frascina 40/181; review by Andrew Wilson 33/242, Simon Ford 35/268
• Shield, Peter book review of Graham Birtwistle, Living art: Asger Jorn's comprehensive theory of art between Helhesten and Cobra (1946-49) 25/104; Comparative vandalism: Asger Jorn and the artistic attitude to life,book review by Lucy Forsyth 45/221
• Shift review by Michael Gibbs 30/187
• Shifting Borders review by Paul Usherwood 21/160
• Shimamoto, Shozo review by Clare Manchester 7/251
• Shimmering Substance review by Ian Hunt 39/257, JJ Charlesworth 7/259
• Shimizu, Kumiko review by Guy Brett 17/115
• Shine, Vincent review by Liam Gillick 15/142
• Shipway, Alan Polemics 30/71, with Ian Edmonds 21/90, Polemics, New Age 29/101
• Shiraishi, Yuko review by Mel Gooding 24/138
• Shock to the System review by Brandon Taylor 19/146
• Shock v Awe see feature by Dave Beech
• Shonibare, Yinka review by David Burrows 31/203, Alex Farquharson 26/221, Niru Ratnam 40/225, Sara Harrison 34/273
• Sholette, Gregory and Stimson, Blake (eds) After Modernism: The Art of Social Imagination after 1945, book review by Sarah James 38/310
• Shop Front see Michael Wilson
• Shopping: A Century of Art and Consumer Culture review by Martin Herbert 22/263
• Short, Chris review of Cornelia Parker and Tilda Swinton 25/190
• Short, Clare interview by Katy Deepwell 12/123
• Short, Louise review by Valerie Reardon 39/206
• Shot in the Head, A review by Michael Archer 46/239
• Show Hide Show review by Mary Anne Francis 24/159
• Shrigley, David Why we got the sack from the museum,review by Cathy Courtney 43/221; review by Dave Beech 29/204, Mark Wilsher 32/246
• Sickert, Walter review by Paul Overy 5/52
• Sidén, Ann-Sofi review by Catherine Wood 18/254
• Side Tracks review by Valerie Reardon 41/197
• Siderfin, Naomi, McCorquodale, Duncan and Stallabrass, Julian (eds) Occupational Hazard: Critical Writings on Recent British Art,book review by Valerie Reardon 45/223
• Siegelaub, Seth Working with Shadows, Working with Words conversation with Daniel Buren and Michel Claura 3/122
• Sierra, Santiago review by Dave Beech 35/260, Richard Cork 33/279
• Signer, Roman see Anna Dezeuze
• Sightings: New Photographic Art review by Mark Durden 30/214
• Signals review by Michael Archer 10/180, Paul Usherwood 31/181
• Signer, Roman review by Dan Smith 39/253
• Silva, Mike review by David Burrows 39/204
• Silver, Kenneth E Esprit de Corps,book review by Julian Stallabrass 27/134
• Simmonds, Gary review by Eliza Williams 25/ 283
• Simmons, Rosemary review of Charles Claude Ziemann 18/53
• Simotova, Adriena review by Jiri Valoch 11/70
• Simplay, Surjit review by Ian Hunt 39/210
• Simpson, D J review by John Tozer 34/224
• Simpson, Ian book review of Barry Martin, Paintings and Sculpture 1960-74 28/81
• Simpson, Jane review by Emma Smith 44/234
• Simpson, Lorna review by Niamh Ann Kelly 29/266
• Sinclair, Ross review of Alan Johnston 22/146, Contact 522 4813 20/158; How to deal with dinosaur culture 2/161; review of Tracy Mackenna 22/166, Douglas Gordon 22/167, 2nd Tyne International 27/169; review by Melissa E Feldman 37/197, John Molyneux 32/237
• Siqueiros, David Alfaro review by Simon Morley 43/210
• Sirk, Douglas see No Room for the Groom
• site sensitivities Brian McAvera on 35/215, letters 22/216
• Sitting Pretty review by Paul Usherwood 39/258
• Situationist International 1957-1972 review by Barnaby Drabble 32/308
• Situationists review by Simon Ford 14/177
• Six Unrelated Projects review by Melissa E Feldman 25/205
• Sixties, Art Scene in London review by Andrew Wilson 9/166
• Size Matters see Dan Smith
• Skaer, Lucy profile by Gilda Williams 24/ 279
• Skelton, Pam review by Catherine Elwes 26/185
• Skiold, Birgit review by John McEwen 19/77, Michael Sandle 20/59
• Sladen, Mark review of Matthew Barney 8/187, Mirage 13/188; Care and Control 13/189; review of Geneviève Cadieux 24/190, The Body in Question 3/191; letters 14/191; review of Louise Bourgeois 35/192, Moby Dick 29/193 ,Jana Sterbak 23/194, Spellbound: Art and Film 25/195; on Claes Oldenburg 3/197; Familiars,book review of Hamad Butt 43/198; review of Jack Pierson 57/200, Robert Mapplethorpe 12/201; letters 14/203; review of I am Curious: exhibitions of young Swedish art 40/202, Belladonna 36/204, Matthew Barney 1/217
• Slash Fiction review by Martin Newman 30/306
• Slee, Richard review by Margaret Garlake 22/77; interview with Cathy Courtney 46/202
• Sleuth review by Michael Wilson 33/234
• Slight review by Melissa E Feldman 26/204
• Slominski, Andreas review by Sally O'Reilly 31/272, Sally O'Reilly 24/287
• Slovak and Czech art review by Paul Overy 30/178
• Slyce, John review of Art & Language 23/231; letters 19/232; review of Richard Wentworth 36/232, Rodney Graham 40/243, Victor Burgin 28/247, Hamish Fulton 22/256, Graham Gussin 37/257, East International 33/259, Victor Burgin 25/261, Jeff Wall 30/263; review of Amikam Toren 20/264, 50th Venice Biennale 26/268, Sherrie Levine 32/ 277, John Stezaker 35/282, Joan Jonas 21/283, Gerry Schum 41/284, Gustav Metzger 42/288, .all Hawaii eNtrées/LuNar ReGGae 26/303, Michael Landy 20/305, Lawrence Weiner 22/306, Matthew Buckingham 23/307, Sculpture Projects Münster 07 21/309
• Small Battles review by David Briers 38/241
• small truths review by Godfrey Worsdale 24/204
• Smallish review by Polly Staple 28/245
• Smith, Alan Polemics 32/86; review by David Brett 20/147
• Smith, Andrew review of Ceri Richards/David Jones/Cecil Collins 8/50, Kurt Schwitters 11/51, Michael Porter 12/65
• Smith, Bernard Marx and Aesthetic Value Part 1 5/110, Part 2 12/111
• Smith, Bob & Roberta review by David Burrows 32/195, 31/210
• Smith, Brian review of Harold Cohen 10/68
• Smith, Bridget review by Godfrey Worsdale 29/185, Juan Cruz 30/207, David Barrett 39/ 292
• Smith, Caroline review of Outer Space/Suspended States 20/156
• Smith, Dan review of Hiroshi Sugimoto 26/244, Tania Kovats 37/247, Bloomberg New Contemporaries 2001 38/250, Doris Salcedo/Sophie Ristelhueber/Jose Dávila 33/251, Matthew Ritchie 41/252, Roman Signer 39/253, Hew Locke 38/257, John Russell 32/258, Panting 26/259, Die First 32/260, Deliberate Regression 31/261, Adam Chodzko 29/263, Gary Stevens 22/264, Giorgio Sadotti 33/265, Langlands & Bell 32/266, Simon Callery 29/267, Carsten Nicolai, Autopilot with texts by Christopher Cox, Takashi Ikegami, Martin Pesch and Hans Ulrich Obrist 48/268, East International 28/269, Beyond the Endgame: Abstract Painting in Manchester 30/270, Des Hughes 20/271, Story of the Eye 34/274, Conor Kelly 37/275; Size Matters: feature on misuse of Guy Debord's concept of 'the spectacle' 1/282; letters 8/283; review of Tomoko Takahashi 29/285, EAST international 2005, CAN.05 34/289; Folk Art? feature on Jeremy Deller and Alan Kane's folk archive 1/299, Unnatural Histories: feature 13/304; review of Ma Yongfeng: The Cretaceous Period 28/310, Joel Papps: goodpasture's 28/310
• Smith, David review by Patricia Bickers 17/89, John Glaves-Smith 25/102
• Smith, Emma review of Projection – a video magazine 34/230, Jane Simpson 44/234, Luisa Lambri 38/239, 50 Projects in 50 Weeks 43/243, British Avant Garde: The Twenties, British Avant Garde: the Thirties 49/244, Sam Taylor-Wood 31/257
• Smith, Jack review by Margaret Garlake 14/66
• Smith, John review by Michael O'Pray 43/261
• Smith, Karen review of new art from China 24/186
• Smith, Kate review by Michael Archer 16/113, David Burrows 34/207
• Smith, Keir obituary 16/306
• Smith, Kiki review by Elisabeth Mahoney 37/229, Eliza Williams 24/301
• Smith, Maggie and Arnatt, Matthew (eds) The New Art, book review by Lisa Le Feuvre 39/307
• Smith, Michael and White, Joshua review by Alex Farquharson 28/256
• Smith, Owen, Allsopp, Ric and Friedman, Ken (eds) On Fluxus, book review by Simon Anderson 41/273
• Smith, Peter review of Victor Burgin 21/2, Art and Language 28/13, Soviet Art Reconsidered Part 1, Part 2 11/49, Part 3 5/50; letters 24/74; William Morris 8/75; letters 20/80
• Smith, Richard review by Sarah Kent 20/7, Frederick Ted Castle 4/29
• Smith, Stephanie see Smith/Stewart
• Smith, Terry An Alternative View 6/57; book review of Angelica Zander Rudenstine (ed), Russian Avant-Garde 33/73; review of Diego Rivera 4/111; site unseen,review by Cathy Courtney 45/212
• Smith, Tony RCA Painting 1980 29/36
• Smith/Stewart profile by Melissa E Feldman 24/196; review by David Musgrave 33/230, Mark Wilsher 22/262, Smith/Stewart: Enter Love and Enter Death review by Kirsten Norrie 27/312
• Smithson, Alison and Peter see Ian Hunt
• Smithson, Robert review by Frederick Ted Castle 6/85, Paul Wood 20/116; see Joseph Masheck
• Smyth, Cherry review of Nicola Tyson 35/189, Luc Tuymans 29/227, Glen Dimplex Award Shortlist 46/228, Vija Celmins 40/229, Beck's Futures 45/236; book review of Laura Cottingham, Seeing Through the Seventies: Essays on Feminism and Art 47/237; review of Girlish, Nervous Kingdom 41/238, Catherine Opie, Vanessa Beecroft 33/240, Chen Zhen 41/247; book review of Helen McDonald, Erotic Ambiguities: The Female Nude in Art 52/248; review of Katharina Fritsch 29/250; book review of Helena Reckitt (ed), Peggy Phelan (survey) Art and Feminism 47/251 , review of Willie Doherty 30/254, Eija-Liisa Ahtila 32/257, Jane & Louise Wilson 31/266, Monica Bonvicini 37/269, Recycling Lucifer's Fall 33/272; Alice Neel 38/278, Steve McQueen 22/281, Nicola Tyson 35/284, Phil Collins 33/286, Fred Sandback 35/287, Rita Donagh 24/291, Jeff Wall 28/292, Shirana Shahbazi 32/294, Clodagh Emoe 32/295; book review of Jennifer Doyle, Sex Objects: Art and the Dialectics of Desire 43/302; review of Joan Mitchell 39/308
• Snaebjornsdóttir, Bryndis profile by Elisabeth Mahoney 20/223
• Snow, Michael interview by Michael O'Pray 9/256
• Sociable Realism review by Dave Beech 29/214
• Social systems review by Jennifer Thatcher 30/309
• Software: Back to Basics see Michael Gibbs
• Sohail, Tassaduq review by Tariq Ali 21/106
• Sokolov, Mikhail review of Francis Bacon 3/121
• Solakov, Nedko The Right One, review by Michael Gibbs 45/245
• Solanke, Adeola review of Donald Rodney 13/124, Essential Black Art 22/114, preview of The Other Story 32/132
• Solano, Susana interview by Simon Grant 3/165
• Solnit, Rebecca Wanderlust: A History of Walking, book review by Paul Claydon 48/257
• Some Drawings: From London review by Juan Cruz 32/198
• Some Kind of Heaven review by Maria Walsh 39/208
• something else review by Cathy Courtney 39/194
• Something of the Night review by David Briers 38/ 292
• Sommerer, Christa and Mignonneau, Laurent Art@Science,review by Michael Gibbs 55/222
• Sommerton, Janet Sponsorship 27/92
• Sonic Boom review by David Cunningham 34/237
• Sonic Cities see Ian Hunt
• Sonic Process: A New Geography of Sounds review by Simon Morrissey 34/261
• Sonsbeek '86 review by Michael Gibbs 41/100; '93 review by Michael Gibbs 24/168, 9: Locus Focus, review Michael Gibbs 43/248
• Sontag, Susan On Photography,book review by Paul Overy 10/20
• Sorkin, Jenni profile of Shirin Neshat 26/230; review of Carnegie International 28/232, Whitney Biennial 36/236
• Sorry for the Inconvenience: an art exhibition by Chinese, Indian and Thai artists review by Sachido Namba 36/255
• Soskice, Oliver Polemics: Still-life painting 24/107
• Sotheby's and Christie's see Artlaw
• Soto, Jesús Rafaël obituary 16/ 284
• South Africa: recent art review by Piers Masterson 38/197
• South African art review by Margaret Garlake 25/139
• South Bank 14/227
• South Bank Centre Katharine Heron 2/149, Paul Finch et al 12/170
• South West Open review by John Furse 28/159
• Southall, Derek review by Margaret Garlake 13/61; book review of Anne Truitt, Daybook: The Journal of an Artist 26/68; review by Anthony Howell 12/87
• Southfork Ranch Romania see Mark Prince
• Soviet Union Susan Reid 3/137; Soviet Art: Narcissus Gazes? review by Juliet Steyn 23/131; letters 30/138; Soviet Socialist Realist Painting review by Brandon Taylor 9/153
• Space of the Page review by Cathy Courtney 39/211
• Space Soon: Art and Human Spaceflight conference, review by Dean Kenning 40/301
• Spalding, Frances The Omega Workshops 26/73, Martin Bloch 9/76; interview with Stephen Buckley 8/85
• Spalding, Julian Glasgow Gallery of Modern Art catalogue, review by René Gimpel 47/198 ; The Eclipse of Art: Tackling the Crisis in Art Today, book review by Jonathan Harris 50/268, letters 14/269
• Spalletti, Ettore review by Piers Masterson 36/183; Martin Herbert 36/ 288
• Spargo, Demelza review of Renato Guttuso 15/112
• Sparrow, Felicity review of Catherine Elwes, Video Art: a guided tour 36/ 291
• Spector, Buzz Between the Sheets, review by Stephen Bury 39/274
• Spector, Jack J Surrealist Art and Writing 1919/39, book review by Toni del Renzio 48/229
• Speed review by Gilda Williams 24/220, letters 15/223
• Speed Of Light, The Speed Of Sound, The review by Michael Gibbs 34/202
• Spellbound: Art and Film review by Mark Sladen 25/195
• Spence, Jo review by John Roberts 6/87; obituary by John Roberts 33/158
• Spencer, Charles review of David Bomberg 8/31, New Symbolism 21/43
• Spencer, Hilda and Stanley review by Tanya Ledger 20/21
• Spencer, Jean obituary by Trevor Clarke 17/213
• Sperandio, Christopher review by Mark Durden 33/191
• Sperlinger, Mike Interfunktionen: feature 13/278 ; book review of Nicky Hamlyn, Film Art Phenomena 38/280; review of Time Zones 38/282, Starting At Zero: Black Mountain College 1933-57 26/293, Eye on Europe: Multiples and Books 1960 to Now 22/303, WACK! Art and the Feminist Revolution 22/307; book review of Alexander Alberro and Sabeth Buchmann (eds) Art After Conceptual Art 41/311, John C Welchman (ed) Institutional Critique and After 41/311
• Spero, Nancy review by Michael Newman 19/79, Mel Gooding 17/106, Margaret Garlake 19/137
• Spine, The review by Michael Gibbs 26/174
• Spitzer, Serge review by Barry Barker 12/186
• sponsorship and taxation Artlaw 31/142; James Odling-Smee on 18/175, 20/178
• Sporting Glory at V & A review 2/165
• Squiers, Carol, Wilson, Andrew, Wearing, Gillian Paul Graham,book review by Julian Stallabrass 50/201
• St John Stevas, Norman by Peter Dormer 30/32
• Staden, Geoff review of L'H. Art '89 39/131
• Stadtmüller, Klaus I Build My Time: Columns, Grottos, Niches: A Collage Built on Texts by Kurt Schwitters, review by Stephen Bury 45/256
• Staeck, Klaus review of John Heartfield 31/158
• Staging the self review by Guy Brett 24/102
• Stahl, Andrew review by Guy Brett 21/79, Margaret Garlake 21/118
• Staines, Judith review of Cerco at Obidos 32/172
• Stallabrass, Julian review of Photography in the Weimar Republic 15/128; book review of Kenneth E Silver, Esprit de Corps 27/134, Martin Parr, The Cost of Living 19/135; On Classic Ground: Picasso, Léger, De Chirico and the New Classicism 23/138; The Artful Ad 14/142; review of Mat Collishaw and Re-writing History 17/143, John Stezaker 18/144, Max Ernst 27/151, Lea Andrews 24/163, Young British Artists II 19/164, Judith Cowan/Andrea Fisher/ Gillian Wearing 15/165; letters 33/165; review of Renegotiations 21/166; letters 28/166, 36/168, 37/168; review of Bad Girls and Elective Affinities 26/172; on William Latham and New Age cybernauts 14/173; review of Alain Kirili 27/174, Beyond Belief/Dexter Dalwood & Henry Krokatsis/ Barbara Ess 29/177, The Epic and the Everyday and Who's Looking at the Family 8/179, Discrete Images 35/181; on alternative art 3/182; review of Cindy Bernard/John Kippin 12/187, Olivier Richon/Matthias Wahner 29/188, Andreas Gursky 23/191, Art and Power 3/192; book review of Ian Hunt (ed), What the Butler Saw: Selected Writings by Stuart Morgan 48/197; Gargantua. Manufactured Mass Culture,book review by Mark Harris 52/199; book review of Andrew Wilson, Gillian Wearing, Carol Squiers, Paul Graham 50/201; The Other Art: Media Art in a Modernist Climate 50/202; Phoney War: on the philistines of new British art 15/206; letters 14/207, 19/208; High art lite: British art in the 1990s,book review by J J Charlesworth 54/238; letters 17/239, 9/240, 15/241, 20/242; Polemic: Art and Politics 48/240; letters 13/243; see Dave Beech; Partying: feature on art's monied parties 1/286; letters 14/287; Not in Our Name: feature on Iraq through the lens of Vietnam 1/293
• Stallabrass, Julian, McCorquodale, Duncan and Siderfin, Naomi (eds) Occupational Hazard: Critical Writings on Recent British Art,book review by Valerie Reardon 45/223
• Stangos, Nikos obituary 16/277
• Staniszewski, Mary Anne The Power of Display: A History of Exhibition Installations at the Museum of Modern Art, book review by Iwona Blazwick 49/227
• Staple, Polly review of Video Stage 1.0: The Music Session 39/232, Unconvention 22/233, Matthew Barney, Cremaster 2 48/234, The Greenhouse Effect 38/236; 'Video Show House' on Lisson Gallery @ Covent Garden 11/238; review of Smallish 28/245
• Staple, Polly and Gronlund, Melissa (eds) Frieze Projects: Artists Commissions and Talks, book review by Lisa Le Feuvre 39/307
• Staples, Tim ... to relieve boredom, review by Cathy Courtney 45/201
• Stapleton, F. with R. Warren, G. Gussin review by Philip Sanderson 34/186
• Stapleton, Fergal & Warren, Rebecca review by David Burrows 45/199
• Stapleton, Jaime book review of Richard Hylton, The Nature of the Beast, Cultural Diversity and the Visual Arts Sector: A study of policies, initiatives and attitudes 1976-2006 36/306
• Star Dot Star review by David Briers 50/219; letters 14/220
• Stark, Frances The Architect & The Housewife,review by Cathy Courtney 47/230; Collected Works, review by Miles Champion 40/311
• Starkey, Hannah review by Alicia Miller 39/278
• Starkmann Limited review by Erika Lederman 38/185
• Starling, Simon review by Mark Beasley 38/246
• Starting At Zero: Black Mountain College 1933-57 review by Mike Sperlinger 26/293
• Starr, Georgina review Michael Gibbs 25/175; profile by Antonella Russo 24/185; review by Dave Beech 32/240
• Startup, Peter review by Guy Brett 21/79, Mel Gooding 21/112
• State of Play review by Marcus Verhagen 22/274
• Stathatos, John review of Another Objective 13/118, Art or Nature 13/118, Ron Haselden 16/124, Ian Walker and Verdi Yahooda 16/124, Matter of Facts 19/125, Keith Arnatt 13/128, Mona Hatoum 16/129, Judith Cowan, Susan Trangmar 21/135
• Static review by Libby Anson 34/182
• Stawman, Myles review by David Lillington 37/227
• Stay forever and ever and ever review by David Barrett 29/307
• Stazewski, Henryk Shelagh Wakely, Michael Kidner and Peter Lowe 17/62
• Stears, Derek The Probity of Art 15/36
• Steeds, Lucy review of Living Dust 32/281, Tino Sehgal 28/284, Steve McQueen 37/288, Katerina Seda 22/295, Surprise, Surprise 29/299, Janice Kerbel 46/302, Pale Carnage 23/305; book reviews of Venice Biennale 2007, Documenta 12 Catalogues, etc 38/309
• Steele, Jeffrey Against the New Kitsch 19/18; Closing the Dossier on P&O 30/40; letters 24/120
• Stefano, Arturo di Palls, Shrouds, Sudaria,book review by Andrew Brighton 18/112
• Stehli, Jemima review by David Barrett 28/191
• Steidl, Gerhard review of John Heartfield 31/158
• Steinbach, Haim review by Robert Marriner 13/138, John Tozer 28/216
• Stella, Frank review by Juliet Steyn 13/7, Willis Domingo 16/7
• Stepanova, Vavara Aleksandr Rodchenko and Vavara Stepanova, review by Stuart Morgan 18/134
• Stephens, Chris Tate Gallery St Ives 3/166; review of A Bitter Truth: Avant-Garde Art 29/181; obituary of Terry Frost 22/270
• Stephenson, Andrew review of Edward Burra 12/89
• Stephenson, Andrew and Jones, Amelia (eds) Performing the Body/Performing the Text,book review by Mark Harris 42/231
• Sterbak, Jana review by Mark Sladen 23/194
• Stern, Eddo review by Jonathan Harris 28/ 283
• Stevens, Chris review by Paul Greenhalgh 22/130
• Stevens, Gary review by Jonathan Watkins 30/110; Dan Smith 22/264, Martin Herbert 35/311
• Stewart, Edward see Smith/Stewart
• Stewart, Kerry review by David Barrett 33/187
• Steyn, Juliet review of Frank Stella 13/7, K Turnell 17/9, Prof. Argan, Mayor of Rome 3/11; Putting the Hayward Annual together 10/19; review of Harry Holland 16/27, Sandra Blow/Peter Coker 23/28, Carel Weight 7/54, Stephen Cox 13/66, 15 Artists against Apartheid 18/69; Realism in the Fifties 6/78; Artnotes 23/79; review of Marc Chagall 6/85; letters 20/80; Art swims in Hackney 18/101; with Katy Deepwell, Readings of the Jewish Artist in Late Modernism 6/113; review of R B Kitaj 8/113, Blasphemies, Ecstasies, Cries 15/125, Soviet Art: Narcissus Gazes? 23/131, Transitions 29/140, Chagall to Kitaj 22/142, Nord Pas-de-Calais 20/148; obituary of Andrea Fisher 19/203; (ed) Other than Identity: The subject, politics and art,book review by Jonathan Harris 47/208
• Stezaker, John Polemics: Post? Modern? Ism? 30/62; review by John A Walker 17/126, review by Julian Stallabrass 18/144, by John Slyce 35/ 282
• Stieglitz, Alfred Dorothy Norman,book review by Rory Coonan 29/31
• Stijl, De Paul Overy,book review by Liam Gillick 5/152
• Stimson, Blake and Alberro, Alexander (eds) Conceptual Art: A Critical Anthology,book review by Liam Gillick 55/238, The Pivot of the World: Photography and Its Nation, book review by Sarah James 38/310
• Stimson, Blake and Sholette, Gregory (eds) After Modernism: The Art of Social Imagination after 1945, book review by Sarah James 38/310
• Stimuli review by Michael Gibbs 49/234
• Stockham, Jo review by John Leslie 12/144; obituary of Shelagh Cluett 17/309
• Stockham, Jo/Viner, Darrell review by Padraig Timoney 41/210
• Stockholm, Letter from see Sally O'Reilly
• Stockholm Smart Show 1997 review by Sotiris Kyriacou 44/204
• Stoddart, Alexander J letters 23/96, 30/117
• Stokes, Adrian review by Paul Overy 13/58
• Stokes, Telfer Song of the Thrush,review by Cathy Courtney 42/220; Become, review by Alec Finlay 55/249
• Stokes, Simon Art & Copyright, book review by Henry Lydiate 57/258
• Stokes, Telfer and Douglas, Helen Water on the Border,review by Cathy Courtney 43/193, 38/194, 41/201
• Story of the Eye review by Dan Smith 34/ 274
• Stooke, Andrew letters 30/117, 31/122
• Storch, Kevin review by John Osborne 23/4
• Strachan, W J Open Air Sculpture in Britain,book review by Toni del Renzio 30/89
• Strange Days review by David Burrows 45/199
• Strangers to Ourselves review by Nicky Bird 35/ 273
• Strba, Annelies/Lundin, Ulf review by John Tozer 26/223
• Streaming media Michael Gibbs on 48/241
• Street: behind the cliché review by Michael Gibbs 29/301
• Streuli, Beat review by Gilda Williams 32/210
• Stevens, Gary review by Dan Smith 22/264
• Strike review by James Swinson 22/261
• Stromberg, Gerhard review by Felicity Lunn 41/229
• Struth, Thomas review by Mel Gooding 20/113; interview by Mark Gisbourne 3/176
• Stubbing, Tony obituary by John McEwen 20/71
• students see Artlaw
• Studholme, Joe interview with Cathy Courtney 41/195
• Suchin, Peter letters 23/96, 37/118, 25/121; Art Education 31/98; Campus Capitalism, polemic 45/259; letters 17/260, 14/261, 13/262, 12–14/263; review of The Galleries Show: Contemporary Art in London 40/261; The Critic Never Sleeps, polemic on art criticism; 41/266, letters 9–10/267, 19/270, 8/271; review of Jake & Dinos Chapman 20/267, Independence, Peter Seddon 41/268; review by David Hopkins 28/270; review of Common Wealth 21/272, Science and the arts: the emergence of a new consciousness from the 60s to now 44/ 275 ; letters 13/ 277 ; review of Terry Atkinson 30/ 277 , Joseph Kosuth 36/ 279 , Richard Grayson 17/ 283 ; For Explanation: feature 7/ 287 ; review of Oliver Payne & Nick Relph 25/ 290 ; John Latham 45/ 292; polemic on institutionalisation 38/295; profile of Jeffrey Charles Henry Peacock 18/296; letters 14/297; review of Amikam Toren 27/297; book review of Nina Möntmann (ed), Art and its Institutions: Current Conflicts, Critique and Collaborations 38/298; review of Stephen Willats 34/300, Martin Westwood 25/305; letters 19/308, 13/309, 14/309; review of Oona Grimes: Conversations with Angels 31/312
• Suderburg, Erika (ed) Space, Site, Intervention: Situating Installation Art,book review by Alex Coles 45/241
• Sugimoto, Hiroshi review by Melissa E Feldman 29/208, Dan Smith 26/244, Morgan Falconer 33/273
• Sujo, Glenn The British Sample and the Gulbenkian Enquiry 29/25; Narrative painting 19/30; review by Margaret Garlake 17/71, 24/122
• Summer of Love review by David Barrett 26/ 288 Summers, David Real Spaces: World Art History and the Rise of Western Modernism , book review by Martin Patrick 41/ 275
• Sullivan, Catherine: Triangle of Need review by Chris McCormack 37/312
• Sum of the Parts review by Mark Wilsher 26/260
• Supastore review by Simon Grant 33/181
• Superchannel profile by Michael Gibbs 20/243
• Supra caput esse enthronement gifts review by Pablo Lafuente37/ 277
• Surprise, Surprise review by Lucy Steeds 29/299
• Surfacing – Contemporary Drawing review by David Barrett 27/221
• Surrealism 2001 see David Hopkins
• Surrealism: Desire Unbound review by David Hopkins 1/251
• Suspended States review by Caroline Smith 20/156
• Swain, Tony review by Sara Harrison 34/293
• Sweet, Kim review of Secret Victorians 38/223
• Swinging the Lead review by Mark Durden 35/198
• Swinson, James review of Conrad Atkinson/Strike 22/261
• Swinton, Tilda with Cornelia Parker, review by Chris Short 25/190
• Sydney Biennale review by Nick Waterlow 3/57, Fay Brauer 21/101, 17/163, 10th Maria Lind 36/199, 11th Teresa Gleadowe 39/221, 2000 Patricia Bickers 24/238, 14th Claire Doherty 29/278 , Sydney 15th Biennale: Zones of Contact review by Natalie King 24/298
• Syed, Alia review by Emma Safe 20/254
• Sylvester, David About Modern Art – Critical Essays 1948-1996,book review by Toni del Renzio 68/200
• Sympathy for the Devil: Art and Rock and Roll Since 1967 review by Mark Harris 26/311
• System + Structure review by John Tozer 28/242
• Sze, Sarah review by Eliza Williams 26/310
• Szeemann, Harald obituary 15/ 285
• Szczelkun, Stefan/Heise, Henriette/Jakobsen, Jakob review by Laura Moffatt 35/224
• Szulakowska, Urszula review of Rebecca Horn 16/181, Rita Donagh 30/182, Jaroslaw Kozlowski 40/187
• Szuper Gallery review by Matthew Higgs 29/218