A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Index: D

  • 21 Days of Darkness review by Melissa E Feldman 38/195
  • DACS see Artlaw
  • Dada David Hopkins on 1/236; review by Andrew Wilson 23/ 292
  • Dada’s Boys review by Martin Herbert 28/298
  • Dada Daddy see Jennifer Thatcher
  • Dada and constructivism review by Christina Lodder 8/81
  • Dak’Art 7th Biennale of African Contemporary Art review by Teresa Gleadowe 34/297
  • Dakar see Dak’Art
  • Daley, Michael Post-Modernist Programme 31/23; Art Education 29/27, 33/39; Sculptural Materialism 33/39; Who Gets What? 21/54; letters 20/80
  • Dalí, Salvador by Meredith Etherington-Smith, book review by Toni del Renzio 30/166; review by Toni del Renzio 9/175; see also Artlaw
  • Dalla Bernardina, Marta review of Attitudes/Sculptures (Bordeaux) 42/187, 3e biennale de Lyon 27/193
  • Dalwood, Dexter review by Julian Stallabrass 29/177
  • Dalwood, Hubert review by John Glaves-Smith 15/23
  • Dalziel, Matthew review by Padraig Timoney 26/193
  • damage and insurance see Artlaw
  • Dalziel + Scullion review by Pryle Behrman 41/255
  • Daniels, Dieter and Frieling, Rudolf eds) Media Art Net 1 , review by Michael Gibbs 45/ 278
  • Daniëls, René/Ruggaber, Karin review by Alicia Miller 41/259
  • Danino, Nina & Mazière, Michael (eds) The Undercut Reader: Crticial Writings on Artists’ film and Video book review by Ian White 39/267
  • Dant, Adam see Donald Parsnips Daily Journal
  • Danto, Arthur C After the End of Art: Contemporary Art and the Pale of History, book review by Jonathan Harris 43/211
  • Darboven, Hanne interview by Mark Gisbourne 3/181
  • Darbyshire, Matthew: Blades House review by Eliza Williams 35/314
  • Data Dynamics review by Michael Gibbs 51/247
  • Data knitting by Michael Gibbs 44/266
  • Dateline Israel feature by Anna Dezeuze 1/307
  • Davaj! From the laboratories of Free Arts in Russia review by Axel Lapp 34/253
  • Davenport, Ian review by Andrew Wilson 55/200, Elisabeth Mahoney 38/227
  • David, Jiri review by Euan McArthur 16/117
  • Davie, Alan review by Margaret Garlake 20/117
  • Davies, Allan review of Peter Startup/Fulton/ Scully/Piper 27/13, New Contemporaries 2/15, review of Berg/Long/Green/Carolyne Kardia/ Hall 23/17, Critics Choice 19/20, In Brief 22/21, Carl Plackman 14/22, Richard Long/Hamish Fulton 15/25, Tolly Cobbold/ John Edwards 17/26, RCA Diploma 22/27, Degree Shows 25/28, Conroy Maddox 10/40
  • Davies, Anthony & Ford, Simon Art Capital 1/213; Art Futures 9/223; letters 20/224; response to 13/225, letters 17/225, 14/226
  • Davies, Hugh review by Margaret Garlake 20/74
  • Davies, Ivor on Yoko Ono in London 2/212
  • Davies, Maurice on Derbyshire Museums Association 2/140
  • Davies, Peter Regional Arts 23/15; St Ives School 3/48; Sven Berlin 3/52; Bryan Wynter 7/54; Geoff Rigden 10/66; commissions 31/69; The St Ives Years, book review by Margaret Garlake 29/77; Newlyn 14/85; Art in Poole and Dorset, book review by Margaret Garlake 30/114; A Northern School: Lancashire Artists of the Twentieth Century, book review by Roger Wollen 29/136
  • Dávila, Jose/Salcedo, Doris/Ristelhueber, Sophie review by Dan Smith 33/251
  • Davis, Kate profile by Ian Hunt 24/214; (crossing – closing); eine Brücke in Frankfurt, review of artists’ book by Stephen Bury 43/270 review by Kirsten Norrie 32/316
  • Davison, Francis review by Mel Gooding 17/97
  • Dawson, Sally A Moment in Time: the Politics of Inequality 9/123
  • Day, Gail review of Chris Marker, Staring Back, Zoe Leonard, Analogues 35/315
  • Days Like These: Tate Triennial Exhibition of Contemporary British Art 2003 review by Martin Herbert 22/265
  • de Frutos, Javier & Julien, Isaac review by Alex Farquharson 35/241
  • De Keyser, Raoul review by Andrew Wilson 36/ 276
  • De Re Metallica review by Ian Hunt 32/208
  • de Ruyter, Thibaut book review of Catherine Millet, Richard Leydier (eds), Contemporary Art in France 44/308
  • De Salvo, Donna & Gudis, Catherine Ray Johnson: Correspondences, book review by Clive Phillpot 55/239
  • de Zegher, Catherine and Armstrong, Carol (eds) Artists at the Millennium, book review by Joan Key 38/307
  • Deacon, Richard review by Lynne Cooke 16/64; conversation with Patricia Bickers 17/83; review by Margaret Garlake 17/101, Patricia Bickers 12/106, Monica Bohm-Duchen 19/106, John Furse 30/132, Paul Usherwood 8/143; interview by Patricia Bickers 3/160; review by Euan McArthur 22/162, Philip Sanderson 34/188, Nina Mehta 44/228 Graham Parker 38/247, Matt Price 35/304
  • Deacon, Richard and Woodrow, Bill review by Eliza Williams 29/320
  • Dead Funny see Sally O’Reilly
  • Dead, The review by Simon Grennan 22/191
  • Dean, Judith review by Judith Palmer 37/304
  • Dean, Mark review by Michael Wilson 43/235 , Ian Hunt 32/ 279
  • Dean, Michael: near to no attention to fears review by Colin Glen 31/325
  • Dean, Tacita review by Libby Anson 35/188, Melissa E Feldman 53/200, Maria Walsh 24/227 , Maria Walsh 26/246; interview by Maria Walsh 1/281
  • Dean, Tacita and Millar, Jeremy Place , book review by Craig Burnett 41/ 29
  • Death Decay and the Everyday see Anna Dezeuze
  • Deblonde, Gautier Artists-Photographs, book review by Robert Garnett 55/228
  • Debord, Guy reviews of books on 51/240, see Stewart Home 45/250
  • deceased artists see Artlaw
  • Decibel see Richard Hylton; letters 15/ 275 ; polemic by Rasheed Araeen 43/ 275 ; letters 19/ 276
  • Decter, Jacqueline Nicholas Roerich: The Life and Art of a Russian Master, book review by Matthew Cullerne Bown 37/138
  • Deep Play see Morgan Falconer
  • Deepwell, Katy Readings of the Jewish Artist in Late Modernism, with Juliet Steyn 6/113; interview with Clare Short 12/123; State of arts funding 30/143; letters 24/74, 21/81, 28/83, 32/165; (ed) Art Criticism and Africa, book review by Niru Ratnam 42/215
  • Defence of the Image seminar Artlaw 43/190
  • Degenerate art review by Peter Nisbet 7/148
  • del Renzio, Tony obituary by Ian Hunt 17/303
  • Delahaye, Luc History, text by Eugenia Parry, review by Gilda Williams 42/266
  • Deller, Jeremy review by Godfrey Worsdale 31/195; The Uses of Literature, book review by Cathy Courtney 47/230de, review by Dave Beech 37/248
  • Deller, Jeremy & Kane, Alan Folk Archive see Dan Smith
  • Deliberate Regression review by Dan Smith 31/261
  • Delhi, Letter from see Daniel Jewesbury
  • Demand, Thomas review by Simon Grant 29/184, David Musgrave 33/205, Eliza Williams 34/298
  • Demand, Thomas/Rockenschaub, Gerwald review by Sotiris Kyriacou 29/243
  • Demarco, Richard profile by Ken Dingwall 17/1
  • Dematerialised: Jack Wendler Gallery 1971-1974 review by Martin Herbert 24/327
  • Democracy! review by JJ Charlesworth 13/236, letters 16/237
  • Dempsey, Andrew Turning the Hayward Around 12/17; obituary of Kenneth Martin 21/82
  • Denny, Robyn A reply to Peter Fuller 22/20; review by Melinda Wortz 13/78, Margaret Garlake 16/154; case of, Artlaw 47/182
  • Denvir, Bernard profile of William Packer 4/25; Late Seventies Art 3/34; profile of Terence Mullaly 3/39; book review of Norbert Lynton, The Story of Modern Art, John Russell, The Meanings of Modern Art 32/58, Roger Berthoud, Graham Sutherland: A Biography 25/62, Sarah Cornell, Art, A History of Changing Style 26/66, James Hall, Hall’s History of Changing ideas and Images in Italian Art, Norman Bryson, Vision and Painting: The Logic of the Gaze 25/70, A G Lehmann, The European Heritage 25/80, Edward Lucie-Smith, Art of the 1930s, Age of Anxiety, American Art Now 29/95; profile by William Packer 3/69; obituary by Mark Gisbourne 28/183
  • Derain, André review by Merlin James 13/144
  • Derby Museums Association Maurice Davies on 2/140; Mark Taylor on 2/146
  • Derieg, Aileen see Gerald Raunig
  • Dermisache, Mirtha Libro No 2-1968, review by Stephen Bury 44/296
  • Derrida, Jacques The Truth in Painting, book review by Liz Brooks 27/120
  • Design Museum review by Paul Greenhalgh 3/128
  • Desiring Necessities review by Sally O’Reilly 34/327
  • Desperate Optimists review by Ian Hunt 14/185
  • Deutsche Bank collection review by Mark Thomson 9/145
  • Developing Global Frameworks see Artlaw
  • Dezeuze, Anna review of Li Yuan-chia 32/245; Experiment: Art in Brazil, 1958-2000 24/250, Meat Joy, feature on A Short History of Performance, Part One 1/257, review of The Object Sculpture, Joëlle Tuerlinckx 35/2; Art, Lies and Performance: feature on performance art 13/ 273 ; review of Gabriel Orozco 35/ 279 , Open Systems: Rethinking Art c1970 33/ 288 , George Brecht 26/ 291 , Paul McCarthy 36/ 292, Bas Jan Ader 29/297; Death Decay and the Everyday: feature on Robert Rauschenberg, Fischli & Weiss, Roman Signer 1/302; Wall of Silence: feature on Dateline Israel, Francis Alys, censorship 1/307; review of Hélio Oiticica 29/308 What’s so funny? Feature 9/314; review of The Object Quality of the Problem, Les Inquiets: 5 artistes sous la pression de la guerre 27/318; Walking the Line, interview with Francis Alÿs 1/323; review of The Art of Participation: 1950 to Now 24/324, Voids: A Retrospective, Gakona 24/326, Parades and Processions 27/328, Thessaloniki Biennale of Contemporary Art, 2nd: Praxis: Art in Times of Uncertainty 31/331
  • Dhanjal, Avtarjeet Forma Viva 21/65
  • Dia Projects review by Michael Gibbs 58/249
  • Dia Web review by Michael Gibbs 43/277
  • Diary review by Mark Durden 37/234
  • Dibbets, Jan review by Rudi Fuchs 24/3, Timothy Foster 18/124
  • Dickenson, Mark review by Sotiris Kyriacou 33/201
  • Dickinson, Bob review of Asia Triennial 33/316, AL & AL: Eternal Youth 27/317, Andres Lutz & Anders Guggisberg 40/318, Tsang Kin-Wah: What Are You Looking At? 29/319, KISSS: Kinship International Strategy on Surveillance and Suppression 22/321, Marina Abramovic Presents … 27/329
  • Dickinson, Rod & McCarthy, Tom review by Dean Kenning 31/295
  • diCorcia, Philip-Lorca review by Alison Green 31/268
  • digital archives see Artlaw
  • Die First review by Dan Smith 32/260
  • Die Young Stay Pretty review by Robert Garnett 39/222
  • Diebenkorn, Richard review by Simon Morley 21/151
  • Dilworth, Norman Artnotes 18/71
  • Dillon, Tamsin review of Manifesta 4 46/258
  • Dimitrijevic, Braco review by Jonathan Harris 47/252
  • Dimitrijevic, Nena review of Bruce McLean 5/24, Audio Arts 17/52
  • Dine, Jim review by Robert Ayers 41/225
  • Dingwall, Kenneth profile of Richard Demarco 17/1; Inscape 23/3; review by Duncan MacMillan 15/9
  • Dion, Mark review by Gilda Williams 22/204, Ann Coxon 27/ 290
  • Dionysiac review by Martin Herbert 24/ 286
  • Dipper, Andrew Polemics 27/68; letters 22/86
  • Directions Out review by Cyril Barrett 23/106
  • Disaster! review by Sotiris Kyriacou 29/233
  • Discrete Images review by Julian Stallabrass 35/187
  • displaying student work see Artlaw
  • Dissolution review by David Barrett 27/204
  • Distant Relations: A Dialogue between Chicano, Irish and Mexican Artists review by Piers Masterson 34/193
  • Dittborn, Eugenio review by Simon Grant 23/167
  • Diving for Pearls review by Dave Beech 13/221
  • Division of Labor: ‘Women’s Work’ review by Libby Anson 32/185
  • Dix, Otto review by Astrid Schmetterling 18/156
  • Dixon, Jane review by Emma Safe 35/245
  • Do you like stuff? review by Adam E Mendelsohn 34/ 290
  • Dobson, Frank review by John Glaves-Smith 15/49
  • Docklands Project review by Conrad Atkinson 13/62
  • Documenta 7, A Souvenir of by Art & Language 3/60; 8 review by Michael Archer 21/108, IX Michael Archer 7/158, Regina Cornwell 22/159, X Matthew Higgs 1/209, Michael Gibbs 51/209
  • Documenta 11 feature by Michael Gibbs 1/258, feature by Axel Lapp 7/258; letters 17/259
  • Documenta 12 see Pryle Behrman; review by Mark Prince 20/309; book review by Lucy Steeds 38/309
  • documentary see David Briers, Sarah James
  • Documenting Documentary see Sarah James
  • Documents: Stock List review by Stephen Bury 41/245
  • Dodd, Philip book review of Tony Pinkney (ed), The Politics of Modernism 33/132; letters 28/152
  • Doesburg, Theo van review by Paul Overy 8/60
  • Dogtooth and Tessellate review by Jennifer Thatcher 35/323
  • Dogwork review by Margaret Garlake 22/77
  • Doherty, Claire review of Out of Place: Memory, Imagination and the City 26/241 , review of The Unthought Known 25/255, Liverpool Biennial 38/261, 14th Biennale of Sydney: On Reason and Emotion 29/ 278 ; Location Location: feature on the biennale and the city 7/281
  • Doherty, Willie interview by Iwona Blazwick 3/172; review by Sean Cubitt 42/208, review by Cherry Smyth 30/254 Replays: Selected video works 1994-2007, review by Peter Suchin 31/314; review by Nicky Bird 32/327
  • Doig, Peter review by Juan Cruz 30/194
  • Dolven, AK review by Catherine Wood 35/246 , Maria Walsh 36/296
  • Domingo, Willis review of Daniel Buren 27/2, Donald Judd 24/3, Pontus Hulten 4/4, Sol LeWitt 20/6, Stella/Kline/Hoffmann/Adami 16/7, Jo Baer/Mark Boyle 14/12, Dan Graham/ Alan Johnston 17/20, Hans Haacke 14/22; Artists and Philosophers 8/24; Artists from France 19/26; Artists’ Postcards 20/27
  • Don’t Worry review by Alison Green 47/236
  • Donachie, Jacqueline 3, 532 Miles, review by Stephen Bury 46/212
  • Donachie, Jacqueline/Gill, Alison review by Michael Archer 29/224
  • Donagh, Rita review by Ursula Szulakowska 30/182, Cherry Smyth 24/291
  • Donald Parsnips Daily Journalreview by Dave Beech 39/233
  • Donaldson, Lord interview 1/3
  • Donegan, Cheryl review by Maria Walsh 20/321
  • Donnelly, Trisha review by Marcus Verhagen 33/312
  • Donovan, Terence review by Ian McKay 16/139
  • Doors of Perception 2 review by Michael Gibbs 26/182
  • Dörflinger, Johannes review by Guy Atkins 11/51
  • Dormer, Peter Local Government Patronage Part 1 19/13, Part 2 25/15, Part 3 23/18; Artlobby: Briefings 26/30; Arts Council 34th Annual Report 20/31; Talking with Mr St John Stevas 30/32; Anatomy of Arts Expenditure 29/33; Ikon Gallery 32/34; Mistaken Identities 28/35; Art into Landscape 30/36; Mr Gradgrinds Charter 30/37; Out of India 34/38; Our Sporting Life 37/39; 35th Arts Council Report 33/41; Snaps … Shot 36/42; Only Connect 37/43; Using Photographs at the Sharp End 29/44; review of Martin Parr 18/45; Wroughting Rights 33/45; You Scratch my Back 29/46; Diane Arbus/Deborah Baker 12/47; Arts Council Cuts 30/47; interviews with Paul Channon and Tony Banks 32/48; John Hilliard 15/49; A Bottle of Stout 36/49; You Say No 29/50; Who is Going to be Left with London Arts? 35/51; Mr Bally’s Rally 34/52; What the Eye Cannot See 31/53; The Strawstuffed Artist Person 33/54; book review of Janet Wolff, The Social Production of Art 33/54; Oppressive Language Part 1 29/55, Part 2 29/56; Loose Connections 28/57; Tony Rickaby/Michael Peel 28/57; Primitive Pleasures 35/58; Pictures and Politics 34/59; book review of Robert Hutchison, The Politics of the Arts Council, C B Cox and Raymond Williams, The Arts Council: Politics and Policies 24/60; Between two cultures 28/60; Land of Hope and Glory 32/61; Roy Rules 37/62; Mohr Pictures 30/63; Dancing with your hands 35/64; Kitsch Lorraine 35/65; Accessibility Part 1 36/66, Part 2 36/67; W R Lethaby, Principal of the Central School 35/68; Doubtful Taste 32/70; The Future of The Craftsman Part 1 36/71, Part 2 38/72; Higher Education 39/73; interview with Luke Rittner 35/74; Marta Rogoyska 32/75; Peter Kennard’s Third Images 29/76; Max Ernst’s Gold and Silver Sculpture 20/77; William Morris 34/77; Fuller tries on Scruton’s shoes 36/78; Art and the Class Struggle 34/79; Wentworth’s Luck 33/80; Artlobby: The Italian Job 26/81; The South Bank’s Pitti Palace 28/82; Art into Production 28/83; Goldsmith’s Alternative MA 32/84; Crafting Popular Policies 36/85; When a Little Activity Palls 35/86; Looking Back on Fast Forward 28/87; The Art of the Double Glazing Craftperson 34/89; book review of Victor Papanek, Design for the Real World 19/90; The Post-Modern Aura 25/91; Room for Foreign Bodies 29/92; Mickey Mouse 30/93; The Art of Necrophilia 32/94; Moral Stutterings 30/95; The Craft of Censorship 32/96; The Word is Design 32/98; Artlobby 34/100, 31/101; Craft and design 32/104, 36/105, 34/106, 31/107; On and on she goes 2/108; letters 22/109; obituary by Balraj Khanna 19/203
  • Doron, Itai Andrew Wilson on 19/168
  • Double Agent review by David Barrett 29/314
  • Double Feature Graham Parker on 9/242
  • Double Mixte review by Mark Gisbourne 36/186
  • Doubletake review by Liam Gillick 14/154, Ruth Barter 16/155
  • Dougan, David letters 22/86, 22/110
  • Douglas, Anna review of Video Positive 93 31/168, Stewart Wilson 23/170, Ann Hamilton 29/174
  • Douglas, Caroline review of Keith Coventry 28/206
  • Douglas, Helen Between the Two, review by Clive Phillpot 50/216; interview with Cathy Courtney 51/216; Wild Wood, review by Cathy Courtney 52/232
  • Douglas, Helen and Stokes, Telfer Water on the Border, review by Cathy Courtney 43/193, 38/194; review by Cathy Courtney 41/201
  • Douglas, Stan review by Catherine Elwes 28/180; in conversation with Daniel Jewesbury 1/243 review by Mark Wilsher 30/255
  • D’Outre Manche review by Deke Dusinberre 10/182
  • Dove, Katy review by Morgan Falconer 20/ 285 review by Rosie Lesso 28/295
  • Dower, Natalie review by Mel Gooding 16/104
  • Downsborough, Peter Pose, review by Clive Phillpot 50/216
  • Dowson, Katharine review by Godfrey Worsdale 38/188
  • Downtown 81review by Michael Holman 51/252
  • Downtown Show: The New York Art Scene 1974-84 review by Michael Holman 25/295
  • Doy, Gen Seeing and Consciousness: Women, Class and Representation, book review by John A Walker 40/190
  • Doyle, Jennifer Sex Objects: Art and the Dialectics of Desire, book review by Cherry Smyth 43/302
  • Drabble, Barnaby review of Pavel Büchler 21/303, Bethan Huws 26/305, Situationist International 1957-1972 32/308 book review of Paul O’Neill (ed.), Curating Subjects 36/320
  • Dragset, Ingar & Elmgreen, Michael review by Alex Coles 20/294
  • Draeger, Christoph review by Padraig Timoney 42/229
  • Drawing Now: Eight Propositions review by Barbara Pollack 35/263
  • Drawing the Line review by Patricia Bickers 40/189
  • Drawings review by Alex Coles 30/246
  • Dream Machines review by Elisabeth Mahoney 23/235
  • Dress Codes: 3rd ICP Triennial of Photography and Video review by Kathy Battista 35/331
  • Drew, Joanna Remembrance of Sir Roland Penrose 2/76; Financial Considerations 3/78; letters 27/77; obituary 14/267
  • Drewe, John Colin Gleadell on 1/225
  • Drive By review by Dave Beech 30/227
  • droit de suite see re-sale royalty under Artlaw
  • Drucker, Johanna interview with Cathy Courtney 46/210
  • Druckrey, Timothy and Weibel, Peter (eds) net_condition: art and global media, book review by Michael Gibbs 54/248
  • Drummond, Bill book review of John A Walker, Left Shift – Radical Art in 1970s Britain 41/262; 17, review by Michelle Cotton 35/319
  • Dubsky, Mario Tom Phillips’ Progress, book review by Philip Rawson 29/52; review by Monica Bohm-Duchen 19/77
  • Dubuffet, Jean review by Monica Bohm-Duchen 14/71
  • Duchamp, Marcel review by Mark Thomson 17/147; letters 24/137; review by David Hopkins 15/216
  • Duck not on a Pond … review by Mark Durden 33/191
  • Duerdin, Dennis book review of Richard Wollheim, Painting as Art 24/118; review of The Non-objective World Revisited 16/119; review of Gottfried Honegger 21/123, 100 Years of Russian Art 17/127, Caziel (Kazimierz J Zielenkiewicz) 26/135
  • Duffy, Damien review by David Musgrave 36/195
  • Dugger, John Cricket Report 25/39; book review of Charlotte: Life or Theatre 28/59
  • Dujourie, Lili review by Simon Grant 35/191
  • Dumas, Marlene review by Libby Anson 38/196 Niamh Ann Kelly 43/253
  • Dummy review by David Musgrave 36/203
  • Dunbar, John on Yoko Ono in London 4/212
  • Dunbar, Sandy Devolution and the Arts in Scotland 9/2
  • Duncan, Alasdair letters 9/254
  • Dunkin’ Donuts; see David Burrows
  • Dunnett, James Le Corbusier: the school of Paris and the Radiant City 6/105; The Tate in Liverpool 5/118
  • Duration Duration Duration feature by Alison Green 6/255
  • Durden, Mark review of Christian Boltanski 26/162; The Objective State 24/165; book review of W J Mitchell, The Reconfigured Eye 27/167, Rosalind E Krauss, The Optical Unconscious 37/172; review of Bernard Frize 24/175, Boyd Webb 27/176, Whitechapel Open 1994 44/178, EAST 1994 38/179, Jannis Kounellis 16/182, Jean-Luc Vilmouth 36/178, Green Room 36/188; letters 24/189; review of EAST 1995 39/189, Roger Palmer/ The Borrowed Image 34/190, Simon Grennan and Christopher Sperandio/Duck Not on a Pond … 33/191, Pretext: Heteronyms 40/192, Swinging the Lead 35/198, East International 38/199, Sherrie Levine 50/200, Elsewhere 36/201, Loaded 11/202; book review of Victor Burgin, In/different Spaces and Some Cities 40/203; review of In Visible Light: Photography and Classification in Art, Science and the Everyday 6/205, The Beyond and the Ridiculous 20/207, Sightings: New Photographic Art 30/214; book review of John Roberts, The art of interruption: realism, photography and the everyday 43/220; review of Sophie Calle 29/222; book review of Yve-Alain Bois and Rosalind E Krauss, Formless: A User’s Guide 40/224; letters 15/226; review of Diary 37/234, Mark Lewis 26/235; book review of David Green (ed) Where is the Photograph? 40/274
  • Durgnat, Raymond film review 40/142; letters 21/143; review of John Berger 24/147, The Late Show 26/148, LFMC 24/151
  • Durham, Jimmie interview by Mark Gisbourne 7/173; polemic on São Paulo Biennale 38/294; letters 15/295; review by Dean Kenning 27/302
  • Durrant, Jennifer review by Peter Fuller 10/40, Monica Petzal 15/88
  • Dusinberre, Deke Notes on an Unfinished Fountain 2/96; review of Le Génie de la Bastille 16/102; Changing places 12/107; L’Epoque, la Mode, la Morale, la Passion 11/109; review of Octobre des Arts 14/112; Conference 22/116; review of Late Picasso 14/117; Working with Shadows, Working with Words conversation with Daniel Buren, Seth Siegelaub and Michel Claura 3/122; review of Hues from France 20/122; The Grand Louvre 9/128; conjurations: Magiciens de la Terre 7/129; review of Andy Warhol 8/139; Art and Advertising 11/142; exhibitions in France 7/150, 2/158; Manifeste 15/160; Jacques Toubon 2/166; report on GATT 35/172; review of D’Outre-Manche 10/182; The Reckoning: Mitterrand’s Grands Projets 22/200; ‘Photoshock’, on Joel-Peter Witkin, David Nebreda, Bettine Rheims & Serge Bramly 1/235, Traversées 30/253, Le Nouveau Réalisme 24/307
  • Dutch Electronic Arts Festival review by Michael Gibbs 26/182
  • Dwurnik, Edward review by Anne Appelbaum 14/107
  • Dye, David interview by Stuart Morgan 6/144
  • Dyer, Geoff Crisis in the Arts 26/75; Ways of telling: the work of John Berger, book review by Peter de Francia 27/106 John Berger: Selected Essays, book review by Adrian Lewis 42/260
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