A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Index: G

  • Gablik, Suzi Has Modernism Failed?, book review by Brandon Taylor 25/84; letters 22/86
  • Gabo, Naum interview by David Thompson 10/4; review by Kenneth Martin 3/12, 3/104, Colin Sanderson 15/113, Stephen Bann 3/139
  • Gage, John Colour and Culture, book review by Nicholas Watkins 41/181 book review by Marjorie Welish 34/317
  • Gaillard, Cyprien review by Michael Gibbs 22/328
  • Gaillot, Michel Techno: an artistic and political laboratory of the present, book review by Michael Gibbs 55/222
  • Gakona review by Anna Dezeuze 24/326
  • Gale, Matthew Dada and Surrealism, book review by Toni del Renzio 40/214
  • Gale, Peggy (ed) Artists Talk 1969-1977, book review by Cliff Lauson 37/295
  • Gallaccio, Anya review by Mary Anne Francis 16/152, Michael Archer 3/173, Godfrey Worsdale 38/188; interview by Patricia Bickers 3/195; review by David Musgrave 41/208, Elisabeth Mahoney 31/226, Martin Herbert 29/261, Maria Walsh 28/307
  • Gallagher, Ann on art in the new millennium 13/232
  • Gallagher, Ellen review by Nicky Bird 24/ 283, Sotiris Kyriacou 27/298
  • galleries and exhibitions see Artlaw
  • Gallery Artists review by Laura Moffatt 42/219
  • Gallery of the Future, Loughborough letters 18/225, 14/227
  • Gallois, Christophe review of Lyons Biennial 30/311
  • Gambiarra: New Art from Brazil review by Mark Wilsher 23/ 275
  • Gamble, Susan review of Tokyo Art Expo 35/146
  • Gambler review by Stuart Morgan 15/139
  • Games & Theory review by David Barrett 30/319
  • Games Patch review by Jon Thomson 52/230
  • Ganahl, Rainer Please write your opinions on US politics …, review by Maria Fusco 37/272
  • Gaputuyte, Elena obituary 29/156
  • Garb, Tamar Women Impressionists, book review by Colin Cruise 26/103; book review of John House, Monet, Nature into Art 28/103; review of Mona Hatoum 31/216
  • Garbage! review by Jeffrey Kastner 6/185
  • Gardner, Carl (ed) Media, Politics and Culture: A Socialist View, book review by Hugh Jenkins 33/29
  • Gardner, Tim review by Michael Wilson 43/247
  • Garfield, Rachel book review of Francis Frascina, Modern Art Culture: A Reader 34/331
  • Garlake, Margaret Salerooms: issues 50-93, 100 (see Introduction); review of Albert Irvin/ Tremlett/Blake/Mach/Rego/Karol Hiller 8/60, London Roundup: Derek Southall/Kim Lim/ Michael Porter/John Wood 13/61, Edward Craig/Robert Masson/Artworks II 12/62, Derek Boshier/Per Kirkeby 8/63, Gavin Jantjes/ Michael Baxter/Keith Patrick/Artimo 13/64, Hambling/Iskowitz/Abrahams 13/65, Gowing/ Jack Smith/Patrick Hughes 14/66, Paul Berry/Gerard Wilson/Adrian Heath/Paul Ryan 15/67, Heron/Lalouschek/Hide/Foster 19/70, Booker/Wapping/Sujo 17/71, Frost/Soweto/ Paper as Image 19/72, Contemporary Art Fair 2/73, O’Brien/Crowley/Davies/ Gunning/Hall/ Joiner 20/74, Whitehead/ Argent/BLK 13/75, Barraclough/ Wilde 14/76, Virgils/Slee/ Dogwork/Porter 22/77; book review of Peter Davies, The St Ives Years 29/77; review of Masi/Keith/ Piper/O’Brien 21/79, Brooks/Milsom/Roberts/ Neagu 18/80, Williams/Hayman/Bowman/ Greengrass 13/81, Steven Campbell 22/83, Hepher/Leverett/Mason 17/84, Mabbut/Hilton/ Chicago/Hall 17/85, Bomberg/Oxlade/Westley/ Holcroft 19/86 Jantjes/Cowan/St Martins/ Carruthers 16/87, Richards/Fesenmaier/ Roadworks/O’Donaghue 17/88, Heron/Sokari Douglas-Camp/Lloyd-Wright/Alan Green 20/89, Jean Charles Blais/Vera Cunningham/Eddie Chambers 11/90, Mistry/Wiszniewski/Masoero/ Gwen John 16/91, Pietsch/Ayres/McKenna/ Human Interest 17/92, Fuller/Goldsworthy/ Our Wonderful Culture 18/93, Hayward Annual 5/96, Canvas II/Stephen Finer/Glenys Johnson 16/98, The Forest/Arnatt/Godwin/ Rothenstein/Leventon 20/100, Rsuzkowski/ Deacon/Jones 17/101, Waller/Frost/Austen 27/102, The Elements/Peri Rowe 17/103, Joy/Lowndes 19/104; letters 25/104;review of Current Affairs/Rego/Kinley/Arif/Phillips 15/105; letters 28/106; review of Toronto scene/Petherbridge/British pop art 18/107, Winifred Nicholson/Wood/de Francia 17/108, Tucker/Gear/Artist of the day 16/109, Whishaw/Woodley/Houshiary 20/111, An Under-Developed National Gallery 13/112, Turnbull/Kestelman/Hyslop/McAleer 25/112, Thérèse Oulton 14/114; book review of Peter Davies, Art in Poole and Dorset 30/114, review of Denis Masi/Mark Lancaster 10/115, Gwen Hardie and John Golding 22/116; Pavilion’d in Splendour 5/117; review of Alan Davie/Death/Liam Gillick 20/117, Rasheed Araeen 18/118, Tess Jaray 21/118, Andrew Stahl 21/118; book review of Malcolm Yorke, The Spirit of the Place 29/118; review of Frank Bowling 20/119, Clifford Myerson 20/119, The Forest of Dean Revisited 15/120; letters 26/120; review of Mali Morris/Hans-Dieter Pietsch/JL Katz 18/121, Adrian Heath 24/122, The Fallen 24/122, Glenn Sujo 24/122, Bath Academy of Art 1946-72 23/123, William Latham 23/123, Ralph Rumney/David Tremlett 17/125; The Provinces are Very Badly Served … 8/126; review of Skulpturen Republik/Prunella Clough 20/126, Sean Scully 23/127; book review of Wendy Beckett, Contemporary Women Artists 28/127;review of Cornelia Parker 19/128, Barry Martin/Sharon Morris and Helen Sear/Sylvia Gosse/Rainer Fetting 22/130, Paul Nash/Graham Sutherland/ Ivon Hitchens 22/131, Denis Bowen/Cornelia Parker/John McLean 28/132, Deanna Petherbridge/Bill Woodrow 22/133, Lifelines 12/134, Arts Council Collection 14/135, Keith Haring/William Burroughs 18/136, Nancy Spero 18/137; letters 24/137; Brown Bagging in Venice: The Venice Biennale 3/138; review of Art from South Africa 25/139, Green/Bell 17/142, Raj and the British 14/144, Tate Gallery 3/147; book review of Peter Khoroche, Ivon Hitchens 28/151; review of James Casebere 15/152, Robyn Denny and others 16/154, Tessa Robins 19/155, Expo’92 29/158; William Green 11/165; review of various 28/168, Roger Hilton 30/172, Yoko Terauchi 40/178, Bridget Riley 28/181; book review of Norbert Lynton, Ben Nicholson 42/181; Venice Biennale 3/188; Africa ’95 10/191; book review of Robert Hewison, Culture and Consensus 43/192; review of Prunella Clough 20/198; Le FRAC, le Parc et la Plage: on FRACs 24/200; letters 16/201; review of David Nash 29/203; letters 15/205; review of Objects of Desire 38/212; letters 13/213; obituary of Victor Pasmore 23/214; book reviews of Eileen Adams, Public Art: People, Projects, Process, Malcolm Miles, Art, Space and the City: Public Art and Urban Futures, Alison Raftery, Opening Lines: New Contexts for Artists’ Projects, Royal Society of Arts, The Arts Matter 39/215; review of Patrick Heron 38/219; book review of Richard Witts, Artist Unknown: An Alternative History of the Arts Council 49/219; review of Kenneth Martin 32/224; New Art New World: British Art in Postwar Society, book review by Adrian Lewis 38/224; book review of Andrew Causey, Sculpture Since 1945 47/225; review of Bob Law 26/226; book review of Frances Stonor Saunders, Who Paid the Piper? The CIA and the Cultural Cold War 53/232; obituary of Prunella Clough 15/233; review of Things: assemblage, collage and photography since 1935 31/235; ‘Tate Trials’ on Tate Britain 6/238 review of 50 Projects in 50 Weeks 45/243; Art in the City, on Century City: Art and Culture in the Modern Metropolis 1/245 ; review of Blast to Freeze: British Art in the 20th Century 23/265, Bridget Riley 23/269obituary of Carl Plackman 16/ 274 ; review of Mary Martin 31/ 284 , Elements of Abstraction 22/ 292; obituary of Denis Bowen 18/297, Peter Townsend 14/299; letters 14/307, 18/308; review of Kenneth Martin & Mary Martin: Constructed Works 22/310, letters 12/312
  • Garms, Robin letters 27/135
  • Garnett, Robert review of Oliviero Toscani and Nigel Coats/Doug Branson 25/182, From Beyond the Pale (IMMA) 32/183, Kettle’s Yard Open House 30/185, Take Me (I’m Yours) 29/186, Young British Artists IV 31/187, Rites of Passage 28/188, Charge of the Light Brigade/ John Timberlake 26/191, British Art Show 4 27/192; letters 18/193; Opinion: Beyond the Hype 43/195; review of Terry Atkinson 26/196; letters 15/198, 20/199; review of James Coleman 27/199, Plastic 60/200, Pierre Bismuth/James Casebere/Gaylen Gerber 37/201, Dave Beech & David Burrows 39/201; book review of Damien Hirst, I Want to Spend the Rest of My Life Everywhere, With Everyone, One to One, Always, Forever, Now 40/211; review of Fantasy Football Art League 33/215, Root: Thurston Moore 30/221, Die Young Stay Pretty 39/222; book review of Johnny Shand-Kydd, Spit Fire, Gautier Deblonde, Artists-Photographs 55/228; Postcard from Paris 28/236
  • Garnett, Robert and Hunt, Andrew (eds) Gest: Laboratory of Synthesis #1, book review by Peter Suchin 38/326
  • Garrard, Rose review by Michael Archer 10/65
  • Gaskell, Anna review by Sally O’Reilly 33/263
  • Gaskell, Anna/Morris, Sarah review by Catherine Elwes 35/227
  • Gavin, Barrie Moving Pictures 33/74
  • Gawthrop, Rob book review of AL Rees, A History of Experimental Film and Video from the Canonical Avant-Garde to Contemporary British Practice 54/228
  • Gaza see Francis Frascina
  • Gear, William review by Anne Massey 14/58, Margaret Garlake 16/109
  • Gec, Stefan review by Paul Usherwood 39/187
  • Gelatin Nellanutella, The B-Thing, review by Mark Beasley 45/251
  • General Idea review by Michael Ellis 27/218, Jennifer Thatcher 36/295
  • General Release review by Michael Archer 8/188
  • Generational, The: Younger than Jesus review by Morgan Falconer 30/328
  • Generosity is the New Political review by Laura McLean-Ferris 30/330
  • Génie de la Bastille, Le review by Deke Dusinberre 16/102
  • Genzken, Isa review by Maud Capelle 33/ 277 review by Melissa Gronlund 25/317
  • George Maciunas DBA/Fluxhouse Co-operative Inc or Soho: A New Alternative review by Sara Seagull 32/228
  • Georgiana collection review by Monica Bohm-Duchen 13/104
  • Gerber, Gaylen review by Robert Garnett 37/210
  • German art 14/105, 20/108; review by Peter Nisbet 7/148, John Roberts 15/150; Romantic spirit in German art exhibition, review by John Willett 3/180
  • Germanpaintingtwothousandandthree review by Axel Lapp 35/265
  • Germany Calling see Axel Lapp
  • Germany, The Twentieth Century: A Hundred Years of Art in Michael Archer on 7/231
  • Gerrish Nunn, Pamela Victorian Women Artists, book review by Griselda Pollock 26/113
  • Gersht, Ori review by Jean Wainwright 38/258
  • Gerz, Jochen Life after Humanism Photo/Text 1988-92, book review by Valerie Reardon 43/184
  • Gerzina, Gretchen Carrington: a life of Dora Carrington, book review by Andrew Wilson 18/140
  • Getting Even: Oppositions + Dialogues in Contemporary Art review by Maeve Connolly 22/323
  • Giacometti, Alberto review by John Glaves-Smith 13/45
  • Gibbons, John Triangle Workshop 6/74
  • Gibbs, Ella/Jackson, Alison review by JJ Charlesworth 27/264
  • Gibbs, Michael Sonsbeek ’86 14/100; review of Anselm Kiefer 18/104; Para-Sites: a long walk round Amsterdam 8/110; book review of Komar & Melamid, Death Poems 28/127; review of Ilya Kabakov 22/164, Sonsbeek ’93 24/168; review of The Spine 26/174, Georgina Starr/Verstappen/Driessens 25/175, Doors of Perception 2/Dutch Electronic Arts Festival 26/182, Piet Mondrian 9/183, Shift 30/187, Wild Walls 30/191, Manifesta 1 39/198; Internet Art: Net Working 72/200, The Speed Of Light, The Speed Of Sound 34/202, ID – An international survey on the notion of identity in contemporary art 34/203; Objects versus Pixels 42/203; review of Lawrence Weiner 43/205, It always jumps back and finds its way 34/206, documenta X 51/209; Web broadcasting 50/210; on Yoko Ono in London 3/212; book review of Hannes Leopoldseder and Christine Schopf, Cyberarts 37/213; review of Engaged, issue 3 (CD-Rom), 1995 and Boredom, curated by Susan Morris, 43/215; book review of Emmett Williams and Ann Noël (eds) Mr Fluxus, a collective portrait of George Maciunas 52/216; Around the Web 55/216; review of Avatar 53/218, Life is a Bitch 21/220, ISEA 98/INFOWAR 48/220; obituary of Dick Higgins 25/222; review of Christa Sommerer and Laurent Mignonneau, [email protected], and Michel Gaillot, Techno: an artistic and political laboratory of the present 55/222, Web Stalker 47/223, Net-art98 competition 43/224, Cinéma Cinéma 24/225; book review of Cathy Brickwood and Julia van Mourik (eds), New Media Culture in Europe, README!, Sean Cubitt, Digital Aesthetics 43/226; on Net war 58/228; review of AD Coleman, The Digital Evolution: Visual Communication in the Electronic Age: Essays, Lectures and Interviews 1967-1998 50/229; CD Rom review of Permanent Flux, Site + Sound 57/232; review of Exploding Cinema, Stimuli 49/234; CD Rom review of Suzanne Treister, … No other symptoms, time travelling with Rosalind Brodsky 51/235, review of WOW WOW, Sites Unseen/The Internet Review 49/237, Internet art 60/238, Graham Harwood, Uncomfortable Proximity, Nick Crowe, Service 2000, web sites 58/239; on streaming media 48/241; CD Rom review of Uncle Bill 58/242 profile of Superchannel 20/243; book review of Peter Lunenfeld, Snap to Grid: A User’s Guide to the Digital Arts, Media, and Culture 249/243, William J Mitchell, e-topia 48/244; on web soaps 51/244; review of Nedko Solakov, The Right One 45/245, Art and Money Online 51/246, Bit Streams and Data Dynamics 51/247, Sonsbeek 9: Locus Focus 43/248; book review of Peter Weibel and Timothy Druckrey (eds), net_condition: art and global media 54/248; review of Dia Projects 58/249; book review of Lev Manovich, The Language of New Media 48/250; review of Low-fi: Indexes to Infinity 48/251, CTRL [SPACE] 36/252, ICA Media Centre 54/253, TV Swansong 47/256; book review of Pierre Lévy, Cyberculture 49/257; feature on Documenta 11 1/258; book review of Craig J Saper, Networked Art 48/259; review of Tracey Emin 32/262; book review of Geert Lovink, Dark Fiber: Tracking Critical Internet Culture, Dan Harries, The New Media Book 45/262, Joanna Zylinska (ed), The Cyborg Experiments: The Extensions of the Body in the Media Age 42/263 , Oliver Grau, Virtual Art, From Illusion to Immersion 42/264; Data knitting 44/266; book review of Terjè Rasmussen and Andrew Morrison, Digital Media Revisited, Theoretical and Conceptual Innovations in Digital Domains 40/267, Gert Lovink, Uncanny Networks 37/271; Software: Back to Basics 39/271; book review of Roy Ascott, Telematic Embrace, Visionary Theories of Art, Technology and Consciousness 40/272; review of Fluxus Festival 44/ 273 , Neen Today 44/ 276 , Dia Web 43/ 277 ; book review of Rudolf Frieling, Dieter Daniels (eds) Media Art Net 1 , Margot Lovejoy, Digital Currents: Art in the Electronic Age , Lucy Kimbell ed) New Media Art 45/ 278 ; review of locative media 40/ 280 ; book review of Mark BN Hansen, New Philosophy for New Media , Burnett, Ron, How Images Think 45/ 282 ; review of Cordially Invited, Time and Again 26/ 283 , On Patrol 24/ 284 ; Archiving Media Art 37/ 285 ; book review of David Tomas, Beyond the Image Machine , Emma Posey (ed) Remote, Essays on Creativity, Technology and Remoteness 40/ 286 ; review of Populism 22/ 287 ; book review of Matthew Fuller, Media Ecologies, Materialist Energies in Art and Technoculture 40/ 290 , Lev Manovich & Andreas Kratky, SOFT CINEMA - Navigating the Database , 38/ 291 ; All or Nothing: an Anthology of Blank Books, Somevolumesfromthelibraryofbabel , review by Stephen Bury 40/ 292 review of Sylvère Lotringer/Paul Virilio, The Accident of Art 39/293, Michael Rush, New Media in Art 39/293, Report (Not Announcement) 39/295; book review of Joline Blais & Jon Ippolito, At the Edge of Art 48/296; review of Mapping the Studio 22/298, Street: behind the cliché 29/301; book review of Bruce Wands, Art of the Digital Age 48/302, Tom Corby (ed), Network Art: Practices and Positions 48/302, Allan Kaprow 19/305; Web 2.0 40/306; profile of Lindsay Seers 20/310; review of Forms of Resistance 23/312, Andy Warhol 41/312 obituary of Nan Hoover 13/319; review of Coalesce: Happenstance 29/323, The Art of Iconoclasm 21/324; book review of Liz Kotz, Words to Be Looked At: Language in 1960s Art 39/324; review of Cyprien Gaillard 22/328
  • Gibbs, Michael & Kölgen, Claudia review by Paul Usherwood 24/164, Andrew Wilson 27/176
  • Gibson, Beatrice and Waterman, Alex A Necessary Music, review by Maria Fusco 34/329
  • Gibson, Ian The Shameful Life of Salvador Dalí, book review by Toni del Renzio 40/214
  • Gibson, Jean review by Monica Bohm-Duchen 23/139
  • Gibson, William and Ashbaugh, Dennis Agrippa, A Book of the Dead, book review by Regina Cornwell 27/163
  • gifts see Artlaw
  • Gilbert & George Gilbert & George, Dark Shadow, book review of Nigel Greenwood by Rudi Fuchs 21/6; review by Frederick Ted Castle 8/41, Jean Fisher 12/47, Lynne Cooke 10/76, Michael Archer 15/109; interview by Andrew Wilson 6/135; Andrew Wilson on 19/168; back page/170; review by Andrew Wilson 1/201, 26/231; letters 9/233 The World of Gilbert George: The Storyboard review by Michael O’Pray 51/248 ; see also Artlaw 55/258
  • Gilbert, Stephen review by Sarah Wilson 14/104
  • Giles, Tam Women’s Images of Men 19/42; Conference: Systematic and Constructive Art 26/128
  • Gill, Alison/Donachie, Jacqueline review by Michael Archer 29/224
  • Gill, Eric review by Christopher Worth 19/25
  • Gillick, Liam review by Margaret Garlake 20/117; review of Show and Tell 22/123, Caroline Russell 22/127, Bethan Huws 18/130, Michael Craig-Martin 21/132, British Art Show 14/134; art in France 27/140; review of Vincent Shine 15/142, Lawrence Weiner 17/144; letters 28/145; review of Roberts/Wood 19/147, Pistoletto 20/150; book review of Paul Overy, De Stijl 25/152; review of Doubletake 14/154, Mike Kelley 20/158, Barclays Young Artist Award 1993 21/164, Curator course at RCA 15/167; letters 36/168; review of Julian Opie 26/172; on the art of context 10/177; review of Wish you were here 38/180; interview with Michael Joo 11/185; TV review of The Late Show 23/186; interview with John Baldessari 3/187; obituary of Felix Gonzalez-Torres 21/193; review by Godfrey Worsdale 29/197; Fascinating! (Denis Hopper provides ace colour!): on Julian Schnabel’s Basquiat 46/200; Erasmus is Late, review by Cathy Courtney 42/201; book review of Francesco Bonami (ed), Echoes: Contemporary Art in the Age of Endless Conclusions and Hal Foster, The Return of the Real 41/205; review by Laura Moffatt 42/219; book review of Lucy Lippard, Six Years: The dematerialization of the art object from 1966 to 1972… 43/223; review by Michael Wilson 33/234; book review of Alexander Alberro and Blake Stimson (eds), Conceptual Art: A Critical Anthology 55/238; letters 18/239; review by David Musgrave 33/241 book review of John Miller, The Price Club, Selected Writings (1977-1998) 56/249 , Alexander Alberro, Conceptual Art and the Politics of Publicity, Charles Harrison, Conceptual Art and Painting: Further Essays on Art & Language, Peter Osborne (ed.) Conceptual Art 40/264 future of art education 6/320; Recuperating Modernism: interview with John Slyce 1/324
  • Gillick, Liam and Bond, Henry review by Ian Jeffrey 11/144
  • Gillick, Liam/ Oiticica, Hélio review by Mark Harris 24/257
  • Gilligan, Melanie Crisis in the Credit System, review by Dan Smith 33/321
  • Gilman, Harold review by Charles Harrison 11/51, John Glaves-Smith 12/51
  • Gilmore, Joe & Polli, Andrea review by David Barrett 29/ 287
  • Gilmour, Pat review of Marcel Broodthaers 16/6; The Revolution in Paris May 1968 13/8; review of Ben Johnson 26/18; Making it Happen 3/19; New Direction at the Tate 10/25; Irresponsible Trustee Systems 13/27; House at Home 23/28; Talking the Tate Round 2/30; book review of Mark Haworth-Booth, E McKnight Kauffer, A Designer and His Public 26/33; The Museum and the Private Sector 26/71; review of Richard Hamilton 6/82; Ken Tyler, master printer and the American print renaissance, book review by Michael Kidner 32/100
  • Gilot, Françoise interview by Lee Taylor 20/144; Matisse and Picasso, 20/144; with Carlton Lake, Life with Picasso, book review by Melissa McQuillan 21/144
  • Gimpel Fils 60th Anniversary Exhibition review by Sally O’Reilly 31/299
  • Gimpel, René Dealing 3/9; book review of Joseph Alsop, The Rare Art Traditions 25/68, Margaret A Rose, Marx’s Lost Aesthetic: Karl Marx and the Visual Arts 29/96; Salerooms: on Glasgow Gallery of Modern Art catalogue 47/198
  • Girardet, Christoph and Müller, Matthias review by Graham Parker 32/255 , Martin Herbert 24/280
  • Girl review by Maria Walsh 39/238
  • Girlish review by Cherry Smyth 41/238
  • Gisbourne, Mark review of Paris Post-War 15/168, César 26/171; interview with Jimmie Durham 7/173; review of Insel Hombroich 12/174, White Columns 12/175; interview with Thomas Struth 3/176; review of Richard Long/Fiction-Non-Fiction/Visione Britannica: Notions of Space 35/178; interview with Hanne Darboven 3/181; obituary of Bernard Denvir 28/183; review of Facts of Life: Galerie 102 37/183, Double Mixte 36/186, Ian McKeever 38/192, Mark Pimlott 39/193, Liz Rideal 39/196
  • Gladwell, Shaun: Seven Year Linework review by David Trigg 25/331
  • Glamour see Markéta Uhlirová
  • Glasgow Art Festival letters 23/120; European city of culture 3/140; Glasgow Girls go marching on, by Roland Miller 2/141; Glasgow Girls review by Duncan Macmillan 14/141, Fiona Byrne-Sutton 36/141; Glasgow Gallery debate 31/143, 28/147, 29/149, 30/171; gallery closures 2/151
  • Glasgow Gallery of Modern Art catalogue, review by René Gimpel 47/198
  • Glasgow International review by Martin Vincent 33/297
  • Glaves-Smith, John review of Silver Jubilee Exhibition 11/8, Phillip King/John Chamberlain 16/9, Cornwall 1945-55 27/13, Lucian Freud 27/15, Henry Moore 17/19, Caro/Flanagan 14/22, Hubert Dalwood 15/23, Nicholas Pope 21/24, John Minton 12/25, Phillip King/Shelagh Wakely 15/26, John Piper 20/28, Leon Underwood 13/30, Barry Flanagan 15/36, Mazes 16/39, Giacometti/New Sculpture/Turnbull 13/45; book review of Andrew Causey, Paul Nash 25/47; review of Peter Lewis/Four American Sculptors 14/48, Frank Dobson 15/49, Austin Wright 8/50, de Staël /Gilman 12/51; book review of Francis Bouvet, Bonnard: The Complete Graphic Works 28/52; review of Barry Flanagan 5/58, Anthony Caro 3/76, Creation 10/81, David Smith 25/102, Palaces of Culture, the Great Museum Exhibition 20/112, Anselm Kiefer 17/129, Jannis Kounellis 16/146; In the Realm of Flora 46/200; review of César 29/209
  • Glazunov, Ilya review by Matthew Cullerne Bown 24/106
  • Gleadell, Colin Salerooms 94-192 (see Introduction); ‘The Fake’s Progress’ on John Drewe 1/225; book reviews of Young British Art: The Saatchi Decade 53/230, Rita Hatton and John A Walker, Supercollector: A Critique of Charles Saatchi 57/238, Richard Polsky, I Bought Andy Warhol 38/271; Salerooms 48/223, 45/226, 58/229, 53/230, 58/232, 45/233, 60/236, 59/239, 60/242 London salerooms 46/245, 59/249, 56/252, 43/254, 50/259, 46/262, 43/264, 43/269, 43/272; New York salerooms 55/248 , 55/253, 55/258, 43/263, 51/268; London salerooms 44/ 274 , 44/279 , 47/ 282 , 38/ 285 , 40/ 289; New York salerooms 47/ 278 , 38/ 283 , 48/288; Frieze Art Fairs 27/282 , 46/292New York salerooms 42/293, 40/298, 38/303, 47/308; London salerooms 40/295, 38/303, 35/305, 43/309, 43/312 New York salerooms 43/313, 39/319, 39/323, 44/328; London salerooms 39/315, 35/321, 42/322, 39/325, 36/329, 39/332
  • Gleadowe, Teresa review of Sydney 11th Biennale 39/221, review of Dak’Art 7th Biennale of African Contemporary Art 34/297, Daniel Buren 36/302, The Feminist Future: Theory and Practice in the Visual Arts conference 44/304, David Maljkovic 28/306, North + South 25/309, 10th Istanbul Biennial 33/310, Fake/Function Thomas Schütte: Early Work 22/312 review of Bauhaus 1919-1933 36/313, Berlin Biennial 5th: When things cast no shadow: Day 34/316, Home Works IV, Beirut 39/317; report on Landmark Exhibitions 34/321; book review of Bruce Altshuler et al, Salon to Biennial – Exhibitions that Made Art History, Volume I; 1863-1959 37/327; review of 11th International Istanbul Biennial 18/330; report on Bergen Biennial Cionference 36/331
  • Gleason, Gerry review by Brian McAvera 22/122; letters 29/123
  • Gleeson, David review of Giorgio Sadotti, From Navels to Nipples Henry Moore 37/298, Laura Owens 23/301
  • Gleizes, Albert Kubismus, book review by JP Hodin 33/43
  • Glen, Colin review of Human Cargo 36/311, Geoffrey Farmer: The Last Two Million Years 29/312 review of Intervention/Decoration 30/317, Nathan Coley 30/323, Michael Dean: near to no attention to fears 31/325, Sonia Boyce 23/331
  • Glen Dimplex Award Shortlist review by Cherry Smyth 46/228
  • Glew, Adrian book review of Ken Friedman (ed), The Fluxus Reader 50/227; letters 12/229; book review of Stephen Willats, Art and Social Function, Multichannel Vision 47/246
  • Global Art Business see Artlaw
  • Global v Local see Richard Hylton
  • globalisation see Marcus Verhagen
  • Globalisation + Art + Cultural Difference: on the Edge of Change conference review by Maria Walsh 52/249
  • Go Between review by Mark Harris 22/ 290
  • Go West Young Man see Graham Parker
  • Gober, Robert review by Timothy Foster 21/138, Stuart Morgan 21/165
  • Godard, Jean-Luc review by Chris Townsend 45/299
  • Godbold and Wood review by Jonathan Watkins 15/114
  • Godbold, David review by Jonathan Watkins 17/105
  • Godel, Ann review by Jean Fisher 5/52
  • Godfrey, Mark feature on Future Past 7/ 273 ; profile of Anri Sala 18/ 278 ; review of Ed Ruscha 31/ 281, Ceal Floyer 35/296
  • Godfrey, Tony review of Dekor 15/36, Jorg Immendorf 17/69, Ian McKeever 16/71, Graham Crowley/Stephen Farthing 12/81; letters 20/84; review of Victor Burgin 16/96; The new image: painting in the ’80s, book review by Andrew Brighton 28/100; review of Sue Arrowsmith 12/101, John Latham 15/103, San Francisco MOMA 42/189; Conceptual Art, book review by Michael Archer 41/224; review of Bethan Huws 26/227
  • Godwin, Fay review by Mark Haworth-Booth 20/27, Margaret Garlake 20/100
  • Goede, Leo de review by Ian Hunt 33/189
  • Goethe’s Oak Has Woodworm review by David Briers 38/241
  • Gogarty, Larne Abse report on Infrastructure and Ideas: Contemporary Art in the Middle East symposium 40/324; review of Collaborators 29/326, Mathew Hale: Der Mond v le Monde 36/327, Zineb Sedira: Currents of Time 34/328, Jill Magid: Authority to Remiove 27/332
  • Gogh, Vincent van review by Timothy Foster 23/136; film review of Robert Altman, Vincent and Theo 28/137
  • Golden, Pamela The Word: the body, the mind, the spirit, review by Stephen Bury 33/285
  • Goldberg, RoseLee Performance, Live Art 1909 to the Present, book review by Marc Chaimovicz 33/28; Performance – Live Art since the Sixties, book review by Robert Ayers 39/226
  • Goldblatt, David review by Martin Herbert 26/264
  • Golden, Pamela review by Kate Bush 27/165; Plumbers, review by Cathy Courtney 43/201, Maria Walsh 47/248
  • Goldin, Nan review by Maria Walsh 19/254
  • Golding, John review by Margaret Garlake 22/116; Cubism: A History and an Analysis 1907-1914, book review by Roger Cranshaw and Adrian Lewis 24/125; Visions of the Modern, book review by Nicholas Watkins 40/177; Paths to the Absolute: Mondrian, Malevich, Kandinsky, Pollock, Newman, Rothko and Still, book review by Stephen Bann 50/246
  • Goldsmiths Alternative MA review by Peter Dormer 32/84
  • Goldsmiths Gallery review by Margaret Garlake 15/152
  • Goldstein, Jack review by Mick Hartney 15/67, Morgan Falconer 33/255 obituary 14/267
  • Goldsworthy, Andy review by Margaret Garlake 18/93, Duncan Macmillan 6/140
  • Golomstock, Igor Totalitarian Art, book review by John Willett 26/142
  • Golub, Leon review by John Roberts 17/59; conversation with Jon Bird 10/83; obituary 22/279
  • Gombrich, E H Tributes: Interpreters of our Cultural Tradition, book review by Richard Wollheim 25/78
  • Gondry, Michel and Bismuth, Pierre: The All-Seeing Eye review by Eliza Williams 34/322
  • Gonzales-Torres, Felix profile by Benjamin Weil 26/186; obituary by Liam Gillick 21/193; review by Sotiris Kyriacou 34/238, Axel Lapp 39/302
  • Gooding, Mel review of Balraj Khanna 23/73, Robert Medley 11/76, British Women Surrealists/New Image Glasgow 9/90, Kim Lim/Prunella Clough 19/92, Chris Baker/ Michael Upton/Frank Bowling 16/94, Scottie Wilson 18/95, Kounellis/Hayman 11/96, Francis Davison/Adolph Gottlieb/Surrealism at Canterbury 17/97, Willing/Boyd and Evans/ Vordemberge-Gildewart 13/98, Samaras/ Jackowski 19/100, Schnabel 15/101, McKeever, Hiller 25/102, McGinn/Auerbach 18/103, Al Held/Dower 16/104, Turner boxed 2/105, Audio Arts/Cornell/German watercolours 14/105, Aitchison/Fesenmaier/Spero 17/106; review by Cathy Courtney 32/106; review of Mellis/Carter 16/107, TSWA 3-D 12/108, On Outsider Art 14/110; obituary of Steve Barraclough 24/111; review of Scully/ Startup/Leverett 21/112; letters 31/112; Art in the Seventies 3/113; review of Alan Johnston/Thomas Struth/Edinburgh International 20/113, Barrie Cook 19/114, Michael Craig-Martin/Mervyn Charlton/Patrick Hayman 11/115; review by Cathy Courtney 40/118; review of Lucio Fontana 10/119, London Group 10/119, Francis Picabia/Hugh MacDiarmid/Joan Eardley 14/120, Paul Rego 16/121, Patrick Caulfield 12/130; A Long Wait 2/132; review of Terry Frost/Keith Vaughan/John Kashdan 24/132, Roger Ackling 16/134, Yuko Shiraishi 24/138, David Nash 27/139; Abstraction book reviews 22/140; interview with Victor Pasmore 11/146; review by Cathy Courtney 24/152; review of CEMA 50 years on 25/160; review by Cathy Courtney 26/160, 30/162; review of Patrick Caulfield 13/163, David Medalla 34/184, Alan Johnston/Spencer Finch/Andres Serrano 8/190; on Jasper Johns 3/198; Why Painting? 6/200; book reviews of Michael Archer, Art since 1960, Irving Sandler, Art of the Postmodern Era, Charles Harrison, Modernism, David Batchelor, Minimalism 34/213; and William Furlong, An Imagery of Absence, review by Cathy Courtney 50/222
  • Goodwin, Dryden profile by Catherine Elwes 26/234
  • Goodyear, Frank H Jr Contemporary American Realism, book review by David Anfam 25/55
  • Gordon, Donald E Expressionism: Art and Idea, book review by Frank Whitford 25/116
  • Gordon, Douglas review by Ross Sinclair 22/167, Iwona Blazwick 34/183; Mark Francis on 1/226; interview with Jean Wainwright 1/262; review by Jeffrey Kastner 37/299
  • Gordon, Max obituary by Katharine Heron 35/141
  • Gorky, Arshile review by William Allen 19/134
  • Gormley, Antony review of Paul Kopocek 11/80; review by Mel Gooding 12/108, Angel of the North, review by Paul Usherwood 30/213; see also Artlaw
  • Gosford, Charles TUC and other Policy Documents on the Arts 6/4
  • Gosse, Sylvia review by Margaret Garlake 22/130
  • Gothic v Gothick see Gilda Williams
  • Goto, John review by Brandon Taylor 18/120
  • Gottlieb, Adolph review by Mel Gooding 17/97
  • Gough Cooper, Jennifer & Caumont, Jacques Marcel Duchamp: A Life in Pictures, book review by Laura Moffatt 55/232
  • Gough-Yates, Kevin Moving Pictures: issues 44-137 (see Introduction); book reviews of ECA, The Arts and the European Community - Conference Report 32/29, Michael Yoffe, The Influence of Pornography on Behaviour, William Rothman, Hitchcock: The Murderous Gaze, 27/65; review of Lawrence Gowing 30/77; Every Picture tells a Story 3/81; book review of David Robinson, Chaplin: His Life and Art 24/87; letters 20/90; film review of Robert Altman, Vincent and Theo 28/137, review of New Contemporaries 63/200
  • Gowing, Lawrence Matisse, book review by Nicholas Watkins 27/33; Lucian Freud, book review by Andrew Brighton 25/63; review by Margaret Garlake 14/66, Kevin Gough-Yates 30/77; Cézanne, the Early Years, 1859-72, book review by Roger Cranshaw 26/118
  • Grabner, Michelle review by Laura Moffatt 42/219
  • Graevenitz, Gerard van obituaries by Norman Dilworth and Guy Brett 18/71
  • Grafik, Clare review of Brighton Photo Biennial 2008 40/322; obituary of Keith Arnatt 21/323
  • Graham, Beryl review of Groove 36/262; FACT finding: feature on FACT in Liverpool 7/266; review of User_mode: Emotion and Intuition in Art and Design 37/267
  • Graham, Beryl and Cook, Sarah Net and Not Net, feature on curating new media 44/261
  • Graham, Dan review by Willis Domingo 17/20, Mark Francis 18/51; interview by Mark Thomson 3/162; review by Brian Hatton 29/199, Matthew Higgs 28/207, Alex Coles 35/249 review by Peter Scott 21/330
  • Graham, Rodney review by Brian Hatton 29/199, John Slyce 40/243, Michael Wilson 40/251
  • Graham-Dixon, Andrew interview with George Segal 5/151
  • Grandjean, Lee review by Peter Fuller 15/51
  • Grant, Catherine review of Gina Pane 41/253
  • Grant, Simon interview with Susana Solano 3/165; review of Eugenio Dittborn 23/167, Jan Vercruysse 27/168, Maurizio Cattelan 27/174, Pepe Espaliú 22/175, Antoni/Lowe/Noble/ Coming up for air/The Lisson Gallery 28/176, Catalan conceptual art 37/178, World Cup Football Karaoke 37/179, Close Encounters 37/180, Supastore/Miniatures 33/181; on art fairs 29/182; Art markets: the CAS goes to market 46/182; review of Institute of Cultural Anxiety 33/183, Thomas Demand 29/184; profile of Adam Chodzko 28/189; review of Lili Dujourie/Pepe Espaliú/Cristina Iglesias and Gravity’s Angel 35/191, Gabriel Orozco 33/199
  • Grau, Oliver Virtual Art, From Illusion to Immersion, review by Michael Gibbs 42/264
  • Gravity and Grace review by Michael Archer 13/164
  • Gravity’s Angel review by Simon Grant 35/191
  • Grayson, Richard Letter from Berlin 45/ 276 ; review by Peter Suchin 17/ 283; review of Thank You For The Music (London Beat) 39/299, Richard Wilson 41/302, Mark Wallinger 26/304; book review of Hans Ulrich Obrist, dontstopdontstopdontstopdontstop 42/304 review of History will repeat itself; strategies of re-enactment in contemporary (media) art and performance 27/313; Planet Finance: Falling to Earth 39/327
  • Grayson, Roy review by Conor Joyce 18/157; letters 28/158
  • Graw, Isabelle and Birnbaum, Daniel (eds) Canvases and Careers Today: Criticism and its Markets, book review by Alex Coles 33/330
  • Greater New York Jeffrey Kastner on 7/236 2005 review by Adam E Mendelsohn 39/ 288
  • Green Party letters 29/139; arts policy by Ian McKay 2/144
  • Green Room review by Mark Durden 36/188
  • Green, Alan review by Martine Lignon 16/21, Margaret Garlake 20/89, 17/142; obituary 19/268
  • Green, Alison review of Don’t Worry 47/236, Carl von Weiler 29/237, Karen Kilimnik 38/238, Future Perfect [art on how architecture imagined the future], Buckminster Fuller 41/239, Angela Bulloch, Rule Book, Janice Kerbel, 15 Lombard St., Nils Norman, The Contemporary Picturesque 54/242; Photography, on Settings and Players 1/246, review of Jean-Marc Bustamante 34/247, Ken Lum 26/250, Spencer Tunick 26/251 ; Duration, Duration, Duration, feature on Douglas Huebler 6/255; review of Overnight to Many Cities: Tourism and Travel at Home and Away 26/257, William Eggleston 27/259, Utopias & Universals: feature on reinventing modernism 7/265; review of Philip-Lorca diCorcia 31/268, Lucas Samaras 32/ 276 , Colour after Klein 35/ 288review of James Rosenquist 16/301, In the Face of History: European Photographers in the 20th Century 32/302, Twilight: Photography in the Magic Hour 32/302 review of Gregory Crewdson 20/317; book review of Kobena Mercer (ed.) Pop Art and Vernacular Cultures 43/318
  • Green, Christopher Cubism and its Enemies, book review by Fay Brauer 25/119; One Man Show, book review by Michael Archer 47/212
  • Green, David (ed) Where is the Photograph?, book review by Mark Durden 40/ 274
  • Green, Dorothy book review of Peter Fuller, The Australian Scapegoat 23/110
  • Green, Malcolm (ed) Brus, Muehl, Nitsch, Schwarzkogler: Writings of the Vienna Actionists, book review by Genesis P-Orridge 48/235
  • Green, Martin review of Robert Colquhoun/ Robert MacBryde 14/5, Frank Bowling 17/7, Edward Burra 14/8, John Bellany 16/14, Celtic Landfall 15/29; Is Modernism Finished? 21/31; book reviews of William Chappell (ed) Edward Burra: A Painter Remembered by his Friends 34/58, Linda Kitson, The Falklands War: A Visual Diary 30/64, Alison Lodge, Cornwall, Peter Lanyon, Andrew Lanyon 27/68, Tom Cross, Painting the Warmth of the Sun 29/81; letters 23/96
  • Green, Michael review of William Crozier 13/71
  • Green, Renée: Endless Dreams and Water Between review by Coline Milliard 32/325
  • Green, William review by Margaret Garlake 11/165
  • Greenberg, Clement Four Scottish Painters 12/13; in conversation with Charles Harrison and Trish Evans Part 1 3/73, Part 2 10/74, Part 3 4/75; Greenberg and the Politics of Modernism, by Francis Frascina 6/111; review of Hans Hofmann 5/114; letters 30/138; talk with Timothy Clark 12/178; Griselda Pollock on 14/178, Francis Frascina on 18/178; letters 25/179; see Martin Patrick
  • Greenberg, Sarah review of Berwick Ramparts Project 43/199
  • Greene, David A review of LA art 8/193
  • Greene, Lesley GLC Cultural Industries 27/73; Commissions 30/85
  • Greengrass, Sarah review by Margaret Garlake 13/81; letters 21/81, 22/85
  • Greenhalgh, Paul Art Education 31/117; The Design Museum 3/128; review of Chris Stevens 22/130, Terry Setch 15/62; letters 24/119
  • Greenham, Peter review by Andrew Brighton 12/84
  • Greenhouse Effect, The review by Polly Staple 38/236
  • Greenwood, Nigel Gilbert & George, Dark Shadow, book review by Rudi Fuchs 21/6
  • Greenwood, Nigel obituary 16/277
  • Gregory-Hood, Alex obituary 24/230
  • Grennan, Simon review of The Dead 22/191; review by Mark Durden 33/191; review of Trojan 40/197
  • Gresty, Hilary letters 21/82; review of Charlie Hooker 27/138, Le Cinq 17/139
  • Greyscale/CMYK review by Craig Richardson 39/260
  • Grieve, Alastair feature on Henry Moore in Lisbon 9/51; book review of Charles Biederman, Search for New Arts 25/61, Kenneth Martin, Chance, Order, Change 29/64; in conversation with Kenneth Martin 17/74; review of Mary Martin 3/80, Robert Adams 17/121
  • Griffith, Owen review of Alan Johnston 5/31, Joseph Beuys 10/40, Alan Johnston 12/67
  • Griffiths, David review by Philip Sanderson 32/193, Matthew Higgs 30/205
  • Grigely, Joseph review by Aaron Williamson 35/196
  • Grimes, Oona: Conversations with Angels review by Peter Suchin 31/312
  • Grimonprez, Johan/Ruff, Thomas review by Sara Harrison 32/263
  • Grimsey, Tom review of Eduardo Chillida 12/140
  • Gris, Juan review by Toni del Renzio 17/161
  • Grizedale, New Work review by Paul Usherwood 32/233; letters 16/235
  • Gronlund, Melissa review of Rosalind Nashashibi 33/307 review of Haegue Yang: Lethal Love 29/315, Isa Genzken 25/317
  • Gronlund, Melissa and Staple, Polly (eds) Frieze Projects: Artists Commissions and Talks, book review by Lisa Le Feuvre 39/307
  • Grooms, Red review by Robert Ayers 14/85
  • Groove review by Beryl Graham 36/262
  • Grosenick, Uta & Riemschneider, Burkhard Art at the Turn of the Millennium/L’Art au Tournant de l’An 2000, book review by Alex Farquharson 54/232
  • Gross, Anthony review by Melanie Hart 19/34; obituary by Norman Ackroyd 31/82
  • Group Practice see Paul O’Neill
  • Group Show review by Gilda Williams 47/253
  • Gruetzner, Ann review of Richard Hamilton 20/35
  • Guggisberg, Anders & Andres Lutz review by Bob Dickinson 40/318
  • Grunberg, Maty review by Guy Brett 17/45
  • Grunenberg, Christoph (ed) Gothic: Transmutations of Horror in Late Twentieth-Century Art, book review by David Lillington 41/214
  • Gudis, Catherine & De Salvo, Donna Ray Johnson: Correspondences, review by Clive Phillpot 55/239
  • Guerra, Carles on Whitney Museum of American Art in Europe 7/204
  • Guggenheim opening of new, by Frederick Ted Castle 11/160
  • Guilbaut, Serge How New York Stole the Idea of Modern Art, book review by Francis Frascina 26/78; (ed) Reconstructing Modernism, Art in New York, Paris, and Montreal 1945-64, book review by Andrew Wilson 24/145
  • Guilleminot, Marie-Ange portrait by Jean-Max Colard 15/215
  • Guilty Pleasures see Adam E Mendelsohn
  • Gunning, Lucy profile by Gilda Williams 48/200; review by Dave Beech 28/205 , Sally O’Reilly 16/271
  • Gunningham, Emma review by Margaret Garlake 20/74
  • Guptara, Prabhu book review of Jyoti Sahi, The Child and the Serpent 32/43
  • Gursky, Andreas review by Julian Stallabrass 16/189, Dave Beech 31/224
  • Gussin, G with R Warren, F Stapleton, review by Philip Sanderson 34/186
  • Gussin, Graham review by Juan Cruz 37/196, John Tozer 23/215, John Slyce 37/257
  • Guston, Philip review by John Roberts 9/61
  • Gutfreund, Otto review by Colin Booth 17/29
  • Guttman & Clegg review by Martin Vincent 30/300
  • Guttuso, Renato obituary by Peter de Francia 20/104; review by Demelza Spargo 15/112
  • Gysin, Brion review by Genesis P-Orridge 52/258 review by Stewart Home 31/323
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