A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Index: M

• Ma Yongfeng: The Cretaceous Period review by Dan Smith 28/310
• Maas, Jeremy book review of Dore Ashton, Rosa Bonheur, A Life and a Legend 25/54
• Mabutt, Mary review by Margaret Garlake 17/85
• Macbeth, George conversation with R B Kitaj 7/6
• MacBryde, Robert review by Martin Green 14/5
• MacCabe, Colin, Francis, Mark and Wollen, Peter (eds) Who Is Andy Warhol? book review by Andrew Wilson 44/208
• MacCormac, Richard Extensions of the Tate and the National Gallery 3/108
• MacDermott & Gough see feature by Barbara Pollack 1/253
• MacDiarmid, Hugh review by Sandy Moffat 25/13, John McEwen 2/16, Mel Gooding 14/120
• MacGregor, Alex review of Tony Bevan 13/45, Chris Burden 9/46, Paul Richards 14/48, Ron Haselden 15/49
• Mach, David review by Margaret Garlake 8/60
• Maciunas, George Michael Gibbs on 52/216, Sara Seagull 32/228 see Fluxus
• Mackenna, Tracey review by Ross Sinclair 22/166; Bulk, review by Stephen Bury 46/212
• Mackenna, Tracey & Janssen, Edwin review by Nicky Bird 48/252
• Mackie, Christina review by Laura Moffatt 29/226, David Barrett 31/308
• Maclagan, David review of Adolf Wölfi 3/45; book review of Antonin Artaud, Dessins et Portraits 28/108; letters 23/110, 31/112
• Maclennan, Ruth and Eichelmann, Volker style-substance: The MaxMara Coat Project, review by Cathy Courtney 40/231
• Maclennan, Ruth & Orlow, Uriel Re: the archive, the image, and the very dead sheep, review by Stephen Bury 33/ 285
• Macmillan, Duncan Art and Devolution 12/1; Peintures sans Chassis 17/6; review of Kenneth Dingwall 15/9; The Phantom of the Opera 18/13; interview with Robert Motherwell 4/14; review of Ainslie Yule 18/16, Glen Onwin 20/19; More Room for Scotland 3/22; review of Eduardo Paolozzi 16/25, Edinburgh Festival 7/30, Gavin Scobie 22/32, British Art Now 13/34; conversation with Jean Miró 4/43; review of William Johnstone 3/46, Miró 3/58, David Nash/Brancusi 7/65; book review of Margit Rowall (ed) Joan Miró: selected writings and interviews 28/108; The Dog of Art History 9/112; Banquo’s Ghost or the Happy SS Man 3/130; review of Edinburgh exhibitions 6/140, 3/145; Glasgow girls 14/141; Scottish Arts Council 3/145
• MacRitchie, Lynn on Air and Space 6/156; review of Whitney Biennial 1993 18/166, African twentieth-century art 34/178
• MacWilliam, Susan review by Mark Orange 31/208; Niamh Ann Kelly 34/ 280
• Mad Love see Paul O’Neill
• Madden, Matt 99 Ways to Tell A Story: Exercises In Style, review by James Pyman 45/300
• Maddox, Conroy review of John Tunnard 17/6, Dadada … 13/17; review by Allan Davies 10/40 ; obituary 16/ 284
• Made in Germany review by Mark Prince 40/308
• Made New review by Juan Cruz 30/202
• Magid, Jill: Authority to Remove review by Larne Abse Gogarty 27/332
• Magill, Elizabeth review by Sara Harrison 27/ 279
• Magritte, René review by Mark Crinson 14/157, Toni del Renzio 13/158
• Maguire, Brian review by Brian McAvera 17/114
• Maguire, Tim review by Jonathan Watkins 16/116
• Maharaj, Sarat The Orient Observed: Images of the East from the Searight Collection 22/134
• Mahon, Alyce Surrealism and the Politics of Eros, 1938-1968, Eroticism & Art, book review by Mark Harris 48/300
• Mahoney, Elisabeth review of Natural Science 33/214, Inbreeder: Some English Aristocracies/Dominique Blain 37/216; profile of Claire Barclay 20/217; review of Claustrophobia 40/218, Family Credit 32/219, they died so that you might live/Detlef Henrichs 35/222; profile of Bryndis Snaebjornsdóttir 20/223; review of High Red Center 27/224, Anya Gallaccio 31/226, Ian Davenport 38/227, Threshold 35/228, Kiki Smith 37/229, Visions of the Future, Christine Borland, Absolut Open, Sarah Tripp, ARC 34/233, Dream Machines 23/235, Another Place 27/238, Vivre Sa Vie 31/243, Mirror’s Edge 39/245, Pipilotti Rist 29/247, Total Object Complete with Missing Parts 36/250 review of Richard Long/ Simon Starling 26/321
• mail art see Artlaw
• mail art review by Michael Gibbs 48/259
• Main Complaint, The see Eddie Chambers
• Majerus, Michel obituary 18/262
• Makhoul, Bashir review by Eddie Chambers 26/168
• Making Mischief review by David Barrett 35/182
• Making History see feature by David Briers
• Makonde art review by Eddie Chambers 18/129; letters 26/130, 30/131, 46/132, 35/133
• Malaysian art 20/101
• Malbert, Roger book review of Lorenz Eitner, Géricault: his Life and Work 36/73; review of Tony Phillips/John Yeadon/Stephen Chambers 23/150
• Malevich, Kasimir review by Susan P Compton 26/1, 19/10, Timothy Foster 22/126see feature by Joseph Masheck
• Mali, Morris review by Margaret Garlake 18/121
• Malik, Amna book review of Gavin Butt (ed) After Criticism, New Responses to Art and Performance 37/ 280 review of Faces in the Crowd, Picturing Modern Life from Manet to Today 31/ 283 , Urbanbodies 30/ 285 review of Home Lands – Land Marks: Contemporary Art from South Africa 29/318
• Maljkovic, David review by Teresa Gleadowe 28/306
• Mallet, J V G Page Two: The V & A Crisis 2/126
• Malvern, Sueon Art and immigration 28/146
• Manchester, Abstract Painting in see Dan Smith
• Manchester, Clare review of Alex Hartley/Tracey Moffatt/Annika von Hausswolff 27/246, Thomas Hirschhorn 36/248, Raymond Pettibon 33/250, Japan 2001, review of Facts of Life, Shozo Shimamoto 7/251, Time Machine 42/257, Brooklyn à Paris 42/258, Matt Franks 28/262, Sophy Rickett 34/264
• Mangold, Robert review by Monica Petzal 10/47, Clifford Myerson 16/142 Eliza Williams 36/286 review by Cliff Lauson 33/b326
• Mania, Andrew review by Sally O’Reilly 33/261
• Manifesta 1 review by Michael Gibbs 39/198 , 2 Amanda Crabtree 22/219 , 3 Graham Parker 26/239 4 Tamsin Dillon 46/258, 5 Pryle Behrman 28/278 Manifesta 7 Reuben Fowkes 22/319
• Manifeste: Beaubourg review by Deke Dusinberre 15/160
• ManMoMA review by David Briers 28/240
• Manor, Dalia review of Absalon 33/186, Guillermo Kuitca 38/187, Bill Woodrow 33/190, Anish Kapoor 38/193
• Manovich, Lev The Language of New Media, book review by Michael Gibbs 48/250
• Manovich, Lev & Kratky, Andreas SOFT CINEMA - Navigating the Database , review by Michael Gibbs 38/ 291
• Mantz, Werner review by Mark Haworth-Booth 17/7
• Manufacturers review by J J Charlesworth 33/228
• Manzoni, Piero review by Barry Barker 1/215
• Mapping: a response to MOMA review by Benjamin Weil 33/184
• Mapping at MOMA review by Benjamin Weil 31/182
• Mapping the Studio review by Michael Gibbs 22/298
• Mapplethorpe, Robert review by Mark Sladen 12/201; letters 14/203, 14/204; Censorship: Mapplethorpe by Henry Lydiate 53/201
• Mar, Alex review of Video Acts 25/266
• Marchant, Alison Living Room, review by Nicky Bird 49/218
• Marclay, Christian review by Michael Archer 19/145, Morgan Falconer 26/269, Tony Wood 32/304
• Marcus, Greil Lipstick Traces: A Secret History of the Twentieth Century, book review by Ralph Rumney 31/130
• Marden, Brice review by Monica Petzal 10/47; In conversation with William Furlong 3/117
• Marfaland see feature by Adam E Mendelsohn
• Marjanov, Wasa review by Cathy Courtney 17/112
• Marker, Chris review by Ian Hunt 41/228 review by Gail Day 35/315
• Markey, Danny Elephant and Castle Shopping Centre, review by Cathy Courtney 43/193, Footballers, review by Cathy Courtney 48/218
• Marlow, Tim review of Anthony Caro 25/131, 23/151, Phillip King 28/138
• Marriage à la Mode feature by Patricia Bickers 1/261
• Marriner, Robin review of Andy Warhol 6/130, Jasper Johns 20/132, Signs of the Times: Sculpture as Non-Specific Objects: the work of Koons and Steinbach 13/138; review of American art of the ’80s exhibition 23/141
• Marriott, David book review of Darby English, How to See a Work of Art in Total Darkness 39/312
• Marsh, Jan Pre-Raphaelite Sisterhood, book review by Colin Cruise 26/93
• Marshall, Kerry James review by Eliza Williams 33/293
• Marshall, Mike, Eichelmann, Volker & Rust, Roland review by Sara Harrison 39/268
• Martin review by Paul Usherwood 34/216
• Martin, Agnes review by Monica Petzal 15/6; interview by Irving Sandler 3/169; obituary 12/283
• Martin, Barry review by Bryan Robertson 14/21; review of Jeremy Moon 20/29, The surface before Artscribe 12/34, Hayward Annual 11/41, Jon Thompson 5/52, Triangle Workshop 6/74; Paintings and Sculpture 1960-74, book review by Ian Simpson 28/81; review of Hans Hofmann 12/116; review by Margaret Garlake 21/130; letters 28/155
• Martin, Craig book review of Pamela M Lee, Chronophobia: On Time in the Art of the 1960s 43/ 282 , Yve Lomax, Sounding the Event: Escapades in Dialogue and Matters of Art, Nature and Time 39/ 286
• Martin, Daria review by Maria Walsh 33/322
• Martin, Frank obituary 16/ 274
• Martin, Kenneth review of Naum Gabo 3/12; review by Anthony Hill 27/18; Chance Order, Change, book review by Alastair Grieve 29/64; conversation with Alastair Grieve 17/74; review by Andrew Dempsey 21/82, Anthony Hill 16/89, Michael Kidner 22/111; letters 25/113; review by Margaret Garlake 32/224
• Martin, Mary review by Alastair Grieve 3/80, Michael Kidner 22/111
• Martin, Kenneth & Martin, Mary: Constructed Works review by Margaret Garlake 22/310; letters 12/312
• Martin, Paul book review of Nicholas Wegner, Depart from Zero, The Development of the Gallery, London 28/116
• Martin, Simon review by Sally O’Reilly 39/265
• Martin, Tim review of Richard Long 20/141, Cologne Art Fair 8/142, Jac Leirner 24/150
• Martinez, Roberto Toi et Moi, review by Cathy Courtney 43/223
• Marx, Karl Marx and Aesthetic Value by Bernard Smith Part 1 5/110, Part 2 12/111
• Masheck, Joseph Editing Art Forum 11/13; Minimalism: NY: feature on Singular Forms Sometimes Repeated): Art from 1951 to the Present 5/277; book review of Alois Riegl, Historical Grammar of the Visual Arts 34/285; Robert Smithson Now, feature 7/290; Black Square: feature on legacies of Kasimir Malevich 11/308
• Masi, Denis review by Margaret Garlake 10/115
• Masoero, Jeanne review by Margaret Garlake 16/91
• Masque, The review by John Tozer 34/221
• Massey, Anne review of William Gear 14/58; The Independent Group: Modernism and Mass Culture in Britain 1945-50, book review by John A Walker 45/193; book review of John A Walker and Sarah Chaplin, Visual culture: an introduction 53/216, Nicholas Mirzoeff, An Introduction to Visual Culture, Nicholas Mirzoeff (ed) The Visual Culture Reader 49/230; review of Nigel Henderson 28/257
• Masson, André review by Toni del Renzio 14/109; obituary by Toni del Renzio 3/112
• Masterman, R Art Education 30/28
• Masterson, Piers India & INIVA 30/174; review of Michael Platt 32/177, Adrian Piper/Brenda Croft 32/178; letters 25/179, 23/180, 25/181; review of V-Topia 33/180, Ettore Spalletti 36/183, Vong Phaophanit/Keith Piper 31/188, Boxer 34/189, Distant Relations: A Dialogue between Chicano, Irish and Mexican Artists 34/193, Imagined Communities 33/194, Earth and Everything: Recent Art from South Africa 38/197; letters 16/198; review of Permindar Kaur 33/198
• Material Culture review by Andrew Wilson 1/206, Mark Harris 6/206
• Material Intelligence review by Martin Herbert 31/328
• Matta-Clark, Gordon review by Brian Hatton 12/169, Michael Ellis 34/217; Matta-Clark, Gordon: A W-Hole House and Selected Drawings feature by Lisa Le Feuvre 12/255
• Mavromaty, Oleg review by Robert Ayers 59/242
• Maxwell, Douglas interview with Anish Kapoor 6/136
• Mayakovsky, Vladimir review by Andrew Brighton 9/55, Briony Fer 10/56
• MayDay: Communities and Communication review by JJ Charlesworth 44/227; on Mayday 13/236
• Maynard Smith, Julian opinion on The World as a Stage 42/313
• Mayor, Ronald review of Carl Andre 24/144
• Mazière, Michael & Danino, Nina (eds) The Undercut Reader: Crticial Writings on Artists’ film and Video book review by Ian White 39/267
• McAleer, Clement review by Margaret Garlake 25/112
• McAlpine, Elizabeth profile Chris Townsend 20/325
• McArthur, Euan review of Ken Currie 17/119, Jiri David 16/114, Tony Cragg 9/160, Richard Deacon 22/162, Christian Boltanski 33/178, Claire Barclay 29/180
• McAvera, Brian Art and Politics in Northern Ireland 11/95; review of Roy Lichtenstein/ Brian Maguire 17/114, Graham Crowley 17/115; Polemics 31/116; Arts, Politics and the Irish 7/120; review of Gerry Gleason 22/122, Jack Pakenham 22/122; letters 31/122, 28/123; review of Richard Hamilton, Ulysses and the Flaxman Factor 19/124; letters 25/126, 22/128; Letter from Ireland 13/129, 5/132, 33/138; letters 29/139; review of Abbey Theatre festival 30/139; letters 31/140, 32/141; on public art in Northern Ireland 32/141; Irish art and modernism 18/154; review of Mainie Jellett 21/154; Public art: site sensitivities 35/215; letters 22/216, 16/218
• McBreen, Ellen review of Olafur Eliasson 35/257
• McBride, Patrick review by Mary Anne Francis 24/149; obscenity Artlaw 32/159
• McCabe, Eamonn review of Magnum Photographers 18/135
• McCail, Chad review by David Barrett 25/215, Rosie Lesso 30/298
• McCall, Anthony review by Ian Hunt 38/296
• McCarthy, Paul review by Barbara Pollack 22/245, Anna Dezeuze 36/ 292
• McCarthy, Penny Encyclopaedia Of Dust, review by Ian Hunt 42/250
• McCarthy, Tom & Dickinson, Rod review by Dean Kenning 31/295
• McClean, Daniel (ed.) The Trials of Art, book review by Jaime Stapleton 37/322
• McClean, Daniel and Schubert, Karsten Dear Images: art, copyright and culture, book review by Henry Lydiate 49/265
• McCormack, Chris review of Catherine Sullivan: Triangles of Need 37/312
• McCorquodale, Duncan, Siderfin, Naomi and Stallabrass, Julian (eds) Occupational Hazard: Critical Writings on Recent British Art, book review by Valerie Reardon 45/223
• McCracken, John interview by Patricia Bickers 1/204
• McCullin, Don review by Peter Fuller 13/45
• McCulloch, Ian letters 29/146, 28/147; legal disputes Artlaw 33/147; letters 29/149, 30/171
• McDonald, Helen Erotic Ambiguities: The Female Nude in Art, book review by Cherry Smyth 52/248
• McDowell, Robert review of Joel Fisher 26/2
• McEwen, John Everybody on Hockney 7/3; Thudd 25/5; obituary of Marcel Broodthaers 2/6; Page Two 2/6, 2/7, 2/8, 2/9, 2/10; 2/11, 2/12, 2/13, 2/14, 2/15; Dada and Surrealism 21/15; interview with Hugh MacDiarmid 2/16; Page Two 2/17, 2/18, 2/19, 2/20, 2/21, 2/22, 2/23; Hayward Annual 10/29; letters 26/33; book review of Michael Horovitz, Growing up: Selected Poems and Pictures 1951-79 29/34; review of Victor Willing 10/40; book review of William Johnstone, Points in time: an autobiography 33/42, Douglas Hall, William Johnstone 33/42; A New Spirit in Painting 3/43; review of Paula Rego 14/48, Patrick Caulfield 5/52; obituary of William Johnstone 26/53; Page Two 2/59; review of New Departures 28/63, Deanna Petherbridge 11/64, Birgit Skiold 19/77, Eduardo Chillida 29/162; obituary of Peter Townsend 15/299
• McFadyen, Jack review by Michael Archer 11/51, Mel Gooding 16/93
• McGinn, Martin review by Mel Gooding 18/103
• McIntyre, Arthur Fake Pollocks 2/18; 1979 Sydney Biennale 3/31
• McKay, Ian review of Terence Donovan 16/139, Original Copies 24/142; Egon Schiele 21/143; Page Two Greenery Yallery 2/144; review of Czech art 24/148, 33/160; book review of Fred Lawrence Guiles, The Life of Andy Warhol 29/150; censorship 30/151; letters 29/152, 28/153, 28/154, 28/155, 33/159
• McKeever, Ian review by John Roberts 17/34, Sue Arrowsmith 9/50, Tony Godfrey 16/71, Michael Archer 20/83, Mel Gooding 25/102, Mark Gisbourne 38/192
• McKenna, Stephen review by Allan Davies 17/14, Margaret Garlake 17/92
• McKenzie, Lucy review by Alex Farquharson 35/243
• McLaren, Malcolm review by Andrew Wilson 7/154
• McLaughlin, John review by Stephen Bann 10/47
• McLean, Alan review by Tony White 30/140
• McLean, Bruce review by Nena Dimitrijevic 5/24, Sarah Kent 11/37, Michael Archer 3/66, Monica Petzal 18/86; Artnotes 21/100, Cathy Courtney 32/106, 40/118, 30/162
• McLean, Ian obituary by JJ Charlesworth 16/243
• McLean, John review by Margaret Garlake 28/132
• McLean-Ferris, Laura review of Anna Barriball 32/324, Sean Snyder 28/325, Talk Show 32/328, Generosity is the New Political 30/330, Anne Hardy 22/331
• McMullen, Ken review of Ghost Dance 37/73
• McNab, Janice review by Rosie Lesso 31/317
• McNally, Emma: Fields, Charts, Surroundings review by Peter Suchin 28/315
• McPherson, Robert London Galleries Meeting 21/72
• McQueen, Steve interview by Patricia Bickers 1/202; review by Michael Archer 20/213, Cherry Smyth 22/281, Lucy Steeds 37/288 review by Rikke Hansen 31/311 Hunger, review by Maria Fusco 37/320, letters 16/322
• McQuillan, Melissa Impressionist Portraits, book review by Colin Cruise 26/103; book review of Martin Baily, The Young Vincent: The Story of Van Gogh’s Years in England 27/136; book review of Françoise Gilot and Carlton Lake, Life with Picasso 21/144
• McWilliam, FE review by Liz Brooks 18/127
• Mead Gallery, Warwick 20/ Meadows, Jason review by Alex Farquharson 33/246
• Meadows, Bernard obituary 12/ 283
• Meat Joy feature on Carolee Schneeman by Anna Dezeuze 1/257
• Medalla, David letters 18/8; review by Guy Brett 10/45, Mel Gooding 34/184
• Medley, Robert review by Mel Gooding 11/76
• Mega-Cities see Marcus Verhagen
• Mehta, Nina review of Fact of Life 31/215, Avis Newman 40/216, John Murphy & Julião Sarmento 36/219, Richard Deacon 44/228, Alighiero e Boetti 22/231, Continuum001 33/235; profile of Carey Young 22/241
• Meigh-Andrews, Chris review of Video Positive 1991 23/147, Abstract Still Life Portrait 21/156, Tony Oursler 24/171, Bill Viola 22/173 review of Peter Campus: Projected Video Works 1972-80, Recent Landscapes 2007 27/316, Robert Cahen: Passage 40/326
• Mekons: OOOH! (Out Of Our Heads) review by Paul Barlow 34/250
• Melancholy review by Christopher Kul-Want 27/253
• Melee, Robert review by Mark Harris 50/239
• Mellis, Margaret review by Mel Gooding 16/107
• Mellors, Nathaniel review by Michael Wilson 24/245
• Melly, George review of Clive Barker 12/21; Don’t Tell Sybil – an Intimate Memoir , book review by Toni del Renzio 40/214
• Melville, Robert For Roland 2/76; obituary by Toni del Renzio 7/96
• Memorial to the Iraq War review by Sally O’Reilly 41/308
• Mendelsohn, Adam E review of Greater New York 2005 39/288, Do you like stuff? 34/ 290; Marfaland: feature on Donald Judd’s Marfa 13/293; review of Whitney Biennial 2006 22/296; Be Here Now: feature 13/300; review of Fred Sandback 32/303; Guilty Pleasures: feature on Enrique Metinides and Weegee 1/306; review of Paul Noble: dot to dot 34/311 A Fugitive Calculation: feature 7/316, letters 12/317, 13/317
• Mengham, Rod review of Margaret Tait 39/310; book review of Peter Todd and Benjamin Cook (eds) Subjects and Sequences: A Margaret Tait Reader 39/310 review of Franciszka & Stefan Themerson 45/318
• Mercer, Kobena (ed.) Pop Art and Vernacular Cultures, book review by Alison Green 43/318
• Mercosul Biennial, Brazil review by Iwona Blazwick 9/212
• Mercouri, Melina Culture and Democracy 20/68
• Merendonk, Jos van review by Ian Hunt 33/189
• Merz, Mario obituary 19/272
• Merzbarn: Kurt Schwitters in England conference, David Lillington on 20/231
• Mesa-Pelly, Deborah review by Michael Wilson 40/251
• Messager, Annette review by Michael Newman 11/85, Astrid Schmetterling 21/159
• Messages from nowhere review by Anna Cohen 19/152
• Metcalf, Thomas R Imperial Vision: Indian Architecture, book review by Deanna Petherbridge 24/140
• Metinides, Enrique see feature by Adam E Mendelsohn
• Metropolis review by Brandon Taylor 7/147, Michael Archer 9/147
• Metzger, Gustav review by John A Walker 14/190; on Yoko Ono in London 2/212; interview by Andrew Wilson 7/222 , John Slyce 42/ 288
• Mexican Stand-off see Ian Hunt
• Meyer, James Minimalism: art and polemics in the sixties, review by Michael Archer 49/255
• Meynell, Katharine & Johanknecht, Susan review of Repetivity – Platforms and approaches for publishing 56/236 ; book review of Mohini Chandra, Album Pacifica 47/247
• Micro-Utopianism see Marcus Verhagen
• Middle Eastern art see features by Pryle Behrman, Anna Dezeuze
• Middleditch, Edward obituary by Peter Fuller 2/109
• Middleton Wagner, Anne Jean-Baptiste Carpeaux, sculpture of the Second Empire, book review by Patricia Bickers 27/101
• Miessen, Markus and Basar, Shumon (eds) Did Someone Say Participate? An Atlas of Spatial Practice, book review by Kathy Battista 32/305
• Mignonneau, Laurent & Sommerer, Christa Art@Science, review by Michael Gibbs 55/222
• Mik, Aernout review by Michael Ellis 38/243; interview by Hester R Westley 1/305
• Mikhailov, Boris review by Gilda Williams 30/237
• Milch Gallery Stuart Morgan on 3/156
• Miles, Barry on Yoko Ono in London 4/212
• Miles, Lord Page Two, with Lord Faversham 2/113
• Miles, Malcolm letters 24/74, 27/77, 23/96, 25/104, 27/108, 22/109, 26/114; Art Education 35/94, 34/105, 35/106, 28/107, 32/108, 29/109, 33/111, 34/113, 37/116, 29/119; Public art degree show 16/103; Two Weeks in Romania 12/112; letters 24/113, 26/114, 27/114, 28/114, 22/115, 30/117, 25/121; Art for Public Places: Critical Essays, book review by John A Walker 29/130; letters 28/155, 17/175; on public art 26/179; Art, Space and the City: Public Art and Urban Futures, book review by Margaret Garlake 39/215; letters 13/265
• Millar, Jeremy on art in the new millennium 12/232, book review of Alexander Alberro and Patricia Norvell (eds), Recording Conceptual Art, early interviews with Barry, Huebler, Kaltenbach, LeWitt, Morris, Oppenheim, Siegelaub, Smithson and Weiner by Patricia Norvell 51/255, letters 15/256 review by Andrew Hunt 26/332
• Millar, Jeremy and Dean, Tacita Place , book review by Craig Burnett 41/ 292
• Millennium Dome sculpture Dave Beech on 1/237
• Miller, Alicia review of René Daniëls/Karin Ruggaber 41/259, James Ireland 26/262; Terms of Engagement: on feminism 31/271, letters 15/272; review of Hannah Starkey 39/ 278, Alessandro Pessoli 32/ 288
• Miller, Daniel Warhol & Sons: feature 5/321; Slave City, on Joep van Lieshout: feature 1/322; letters 17/323; book review of Sven Spieker, The Big Archive 38/323; Now Let Us Interview Famous Men: feature 7/324, (Post)Cinema: feature 5/328
• Miller, David review of Katarzyna Kobro 28/226, Paul Thek 25/233; book review of Nicholas Zurbrugg, Critical Vices: the myths of postmodern theory 57/239; letters 11/240
• Miller, John The Price Club, Selected Writings (1977-1998), book review by Liam Gillick 56/249
• Miller, Paul D aka DJ Spooky that Subliminal Kid Rhythm Science , review by Maria Fusco 39/ 284
• Miller, Roland Performance in the British Art Show 27/87; Performances in Yorkshire 9/90; Not so Wild about Wilding 2/131, The Route to Recognition 2/134; Arts Funding - The Final Frontier 2/135; review of Glasgow and Sheffield 3/140, Glasgow girls 2/141, Kunstler und Europa 38/142; letters 30/146; Percent for art 26/144; Glasgow and Edinburgh gallery closures 2/151; National Arts and Media Strategy (NAMS) 2/153; letters 29/153, 27/154; Department of National Heritage 2/157; public art 7/161, 34/162, 26/178
• Miller, Samuel C When the buying had to stop 20/20
• Miller, Sandra on Nigel Greenwood 22/69, on Edward Totah 24/72
• Millet, Catherine, Leydier, Richard (eds) Contemporary Art in France, book review by Thibaut de Ruyter 44/308
• Milliard, Coline review of Faisal Abdu’Allah: The Browning of Britannia 24/315, Here We Dance 30/316, Mircea Cantor: The Need for Uncertainty 12/317, Roger Hiorns: Seizure 30/320, Superflex: Flooded McDonald’s 29/324, Renée Green: Endless Dreams and Water Between 32/325, Minerva Cuevas: S.COOP 34/326, Transmission Interrupted 33/327, Luke Fowler 34/328, Nasreen Mohamedi: Notes Reflections on Indian Modernisms 27/330, Re-imagining October 26/331
• Millow, Keith review by Melanie Hart 20/32
• Milner, John Vladimir Tatlin and the Russian Avant-Garde, book review by Susan P Compton 26/86
• Milrad, Aaron and Agnew, Ella The Art World: Law Business & Practice in Canada, book review by Adrian Barr-Smith 29/41
• Milroy, Lisa review by Michael Archer 21/127, Sotiris Kyriacou 30/189
• Minahan, Daniel and Harron, Mary I Shot Andy Warhol, book review by Andrew Wilson 44/208
• Miniatures review by Simon Grant 33/181
• Minimalism review by Christopher Want 14/139
• Minimalism: LA see Michael Archer
• Minimalism: NY see Joseph Masheck
• Minkin, Louisa Reading Matter, review by Cathy Courtney 47/227
• Minky-Manky review by David Barrett 30/186
• Minton, John review by John Glaves-Smith 12/25
• Mir, Aleksandra Living & Loving No. 1: The Biography of Donald Cappy, Happy Birthday/Pink Tank Daily News, review by Bruce Haines 42/261; profile by Gilda Williams 22/266; Hello Ringier = Ringier annual report 2002, review by Stephen Bury 43/270
• Mirroring Evil: Nazi Imagery/Recent Art see feature by Barbara Pollack 1/253
• Miró, Joan review by Duncan Macmillan 4/43, 3/58, Tim Hilton and Roland Penrose 3/68, David Lomas 14/124, Henry Ettinghausen 20/133
• Mirage review by Mark Sladen 13/188
• Mirror’s Edge review by Elisabeth Mahoney 39/245
• Mirzoeff, Nicholas An Introduction to Visual Culture, (ed), The Visual Culture Reader, book review by Anne Massey 49/230
• Misrach, Richard review by John Roberts 26/139
• Mistry, Dhruva review by Margaret Garlake 16/91
• Mitchell, Clio review of Victor Brauner 17/110
• Mitchell, Joan review by Cherry Smyth 39/308
• Mitchell, William J The reconfigured eye, book review by Mark Durden 27/167e-topia, book review by Michael Gibbs 48/244, What Do Pictures Want? The Lives and Loves of Images, review by Jonathan Harris 38/293
• Mitterrand, François, Grands Projets review by Deke Dusinberre 22/200
• Mixed Messages see Patricia Bickers
• Miyajima, Tatsuo review by Godfrey Worsdale 28/184
• Mobilio, Albert see Roger Andersson
• Moby Dick review by Mark Sladen 29/193
• Model Forms: Sculpture and Architecture in 1950s and 60s Britain review by Martin Herbert 26/262
• Modern Art review by Conor Joyce 25/163
• Modern Art in Britain 1910-14 review by David Peters Corbett 26/206
• Modern Love in Düsseldorf and London review by Gilda Williams 47/253
• Modernism see Alison Green
• Modotti, Tina review by Michael Newman 10/57
• Moeglin-Delcroix, Anne see Andrew Wilson
• Moffat, Sandy The Federation of Artists in Scotland 19/1, review of Hugh MacDiarmid and William Johnstone 25/13
• Moffatt, Laura Selected Books Received 1998 51/218; review of Liam Gillick, Mark Williams, Tomoko Takahashi, Peter Pommerer, Michelle Grabner, Gallery Artists 42/219; letters 14/220; review of Cathedral City 36/221, Emma Kay 42/222; Selected Books Received 53/222; review of Stefan Szczelkun/Henriette Heise/Jakob Jakobsen 35/224, Appliance of Science 31/225, Christina Mackie 29/226; book review of Carolyn Christov-Bakargiev, Arte Povera, Stewart Home, Confusion Incorporated: A Collection of Lies, Hoaxes & Hidden Truths, Dawn Ades, Neil Cox & David Hopkins, Marcel Duchamp, Juan Antonio Ramírez, Duchamp: Love and Death 56/228; Books Received 56/228; review of Matthew Tickle 29/231; book review of Ardenne, Paul, Beausse, Pascal, Goumarre, Laurent, Contemporary Practices: Art as Experience, Matthew Collings, This is Modern Art, Jennifer Gough Cooper & Jacques Caumont, Marcel Duchamp: A Life in Pictures, Thomas Hoving, Art for Dummies; Selected Books Received 55/232; review of n01se 40/234; letters 16/235, 22/236; review of The Blue Chamber 39/235, New York Projects 48/239, Lawrence Weiner 40/240, Dan Flavin 34/241 , Little magazines/small presses/image and text 47/244; letters 16/246; review of Shane Cullen 31/245, Bethan Huws 31/250
• Moffatt, Tracey review by Eddie Chambers 34/219
• Moffatt, Tracey/Hartley, Alex/Hausswolff, Annika von review by Clare Manchester 27/246
• Mohamedi, Nasreen: Notes Reflections on Indian Modernisms review by Coline Milliard 27/330
• Mohanti, Prafulla East West Encounter 13/132
• Molyneux, John review of Ross Sinclair 32/237; ‘Art for All’ on Tate Modern 8/239; letters 10/240, 21/242; 48/240
• MOMA’s High & Low review by John T Paoletti 3/141
• Momart fire see Artlaw
• Moment Ginza review by Virginia Whiles 39/207
• Momentary Momentum review by David Barrett 27/305
• Mondrian, Piet review by Susan P Compton 26/1, Michael Gibbs 9/183, Paul Overy 30/209, letters 18/211
• Monk, Jonathan review by David Burrows 30/196, Dave Beech 32/222; Cover Version , review by Stephen Bury 39/ 281
• Monk, Jonathan/Bismuth, Pierre review by Morgan Falconer 21/264
• Möntmann, Nina (ed) Art and its Institutions: Current Conflicts, Critique and Collaborations, book review by Peter Suchin 38/298
• Mono-ha – School of Things review by Emma Safe 34/248
• Moon, Jeremy review by Barry Martin 20/29
• Moon, Jeremy/Levinson, John review by Ben Judd 43/252
• Mooney, Jim Reading Matter, review by Cathy Courtney 47/227
• Moore, Henry review by John Glaves-Smith 17/19, Alastair Grieve 9/51, Peter Fuller 9/81; obituaries by Ghisha Koenig, Anthony Caro, Phillip King 3/100; David Cohen on 19/111; legal disputes Artlaw 37/174
• Mooring, Stephen C book review of Richard Rogers and Architects 26/93, Charles Jencks, Towards a Symbolic Architecture 30/94, David Appleyard, Richard Rogers, A Biography 28/96; review of New Architecture 14/101, Le Corbusier 16/106, Sainsbury Centre extension 28/147, Frank Lloyd Wright 26/164, Art and Power 26/192
• moral rights see Artlaw
• moral rights (Pablo Picasso) see Artlaw
• Morandi, Giorgio review by Simon Morley 19/154
• More, David The Buffalo Underground 7/77
• More than Reality: Berlin Summer Round-Up see Sara Harrison
• Morellet, François review by Fenella Crichton 16/5 review by David Ryan 21/315
• Morgan, Geneviève on Yoko Ono in London 6/212
• Morgan, Geri Art Education 27/42; Byam Shaw building 18/105; letters 27/108, 21/110
• Morgan, Hugh Gwent College 14/10; Leeds University 11/10
• Morgan, Jill interview with Stephen Willats 14/86
• Morgan, Robert C (ed) Clement Greenberg: Late Writings, book review by Martin Patrick 41/269
• Morgan, Stuart book review of Keith Vaughan, Journals 1939-77 28/130; review of Aleksandr Rodchenko and Vavara Stepanova 18/134, Painting in the Eighties 3/135, Gambler 15/139, David Dye 6/144, pop art 3/150, Serrano/Quinn/Hirst 5/153; letters 26/154; book review of Heiner Stachelhaus, Joseph Beuys 22/155; on Milch Gallery 3/156; review of Robert Gober 21/165, Rudolf Schwarzkogler 12/167, Venice Biennale 11/168, Richard Wentworth 8/172, Anthony Wilson 30/180; Confessions of an Art Lover 42/200, Hermann Nitsch 30/212, Lari Pittman 26/218; obituary 22/260
• Mori, Mariko review by Dave Beech 35/219
• Moriah, Avner review by Frederick Ted Castle 15/73
• Morison, Ivan review by Emma Safe 24/258
• Morley, Catherine Art Education 31/29, 33/39; Against a theory of expression 26/44
• Morley, Simon review of Richard Diebenkorn 21/151, Giorgio Morandi 19/154, Callum Innes/Toshikatsu Endo 19/157, Tàpies 9/159, Maria Chevska 23/161, Martin Richman 28/162, Robert Ryman 10/164, Simon Callery 26/165, Silent Energy, New Art from China 24/170, Edwina Leapman 33/172, Fiona Rae 22/173, Unbound Possibilities 28/175, Peter Kinley and Paul Winstanley/Jane Harris 30/177, Patrick Heron 12/181, Maria Chevska 32/182, Kurt Schwitters 13/183; letters 24/183; review of Willem de Kooning 6/184, Luc Tuymans 28/186, Constantin Brancusi 16/188, Jane Mulfinger 31/189, Victor Pasmore 38/191, Emil Nolde 7/192; Irish Art International 13/196, letters 18/197; The Sublime and the Beautiful 14/197; letters 15/198, 17/201; review of Mark Tobey and Mark Rothko 9/198, Tony Bevan 31/201, David Alfaro Siqueiros 43/210
• Morphet, Richard Charleston 12/33; book review of Keith Clements, Henry Lamb, The Artist and His Friends 28/94
• Morreau, Jacqueline review by Catherine Elwes 7/54
• Morris, John letters 31/122, 21/125
• Morris, Lynda What made the sixties art so successful, so shallow? Part 1 9/1, Part 2 11/2; Kasmin on ‘K’ 6/15; Realism: the Thirties Argument Part 1 3/35, Part 2 6/36; review of John Wonnacott 21/43, Coldstream and representational painting 6/79, Women’s Work 45/200, Konrad Lueg 29/235; recollection of Joseph Beuys 42/284; obituary of Peter Townsend 16/299
• Morris, Mali A discussion concerning Triangle Workshop 6/74; review by Stuart Bradshaw 19/89
• Morris, Robert review by Michael Archer 14/134; Continuous Project Altered Daily, book review by Michael Archer 39/177; interview of Richard J Williams 7/208 review by Edward Allington 35/320
• Morris, Sarah/Gaskell, Anna review by Catherine Elwes 35/227
• Morris, Sharon and Sears, Helen review by Margaret Garlake 21/130
• Morris, Simon & Sacoor, Helen bibliomania, review by Cathy Courtney 40/231 (in collaboration) The Royal Road to the Unconscious, review by Stephen Bury 39/ 274
• Morris, Susan Engaged, issue 3 (CD-Rom), 1995 and Boredom, review by Michael Gibbs 43/215
• Morris, William review by Peter Fuller 9/46, Peter Smith 8/75, Peter Dormer 34/77
• Morrison, Andrew and Rasmussen, Terjè Digital Media Revisited, Theoretical and Conceptual Innovations in Digital Domains book review by Michael Gibbs 40/267
• Morrison, Paul/Wright, Richard review by John Chilver 33/229
• Morrissey, Simon review of Sonic Process: A New Geography of Sounds 34/261, Apparition: the Action of Appearing 25/263; correspondence 12/264; review of Conrad Shawcross 25/264
• Morton, Tom and Patha, Catharine Anyway , review by Bruce Haines 41/ 276
• Moscow Biennale of Contemporary Art, 1st review by Pryle Behrman 18/ 284
• Moscow conceptual art see Michael Corris
• Moscow Today Sarah Wilson on 11/172
• Mosset, Olivier review by Alex Coles 34/245
• Moszynska, Anna Patronage 36/74, 34/78; United Technologies Corporation 30/76; Commissions 32/80; review of In Fusion 20/166, Reinhard Mucha 7/174, New York Art 23/177
• Motherwell, Robert interview by Duncan Macmillan 4/14; obituary by Michael Archer 25/150
• Motor: Show review by Stephen Bury 39/247
• Mottram, Jack review of Matts Leiderstam 32/ 289, La femme de nulle part 28/305
• Moulin, Nicolas review by Colin Perry 28/328
• movie, 2001 review by Mark Harris 53/252
• Mucha, Reinhard review by Anna Moszynska 7/174
• Mulcahy, Rosemarie ROSC 77 19/11
• Mulfinger, Jane review by Cathy Courtney 42/179, Simon Morley 31/189
• Mulhall, Stephen On Being in the World, book review by Conor Joyce 23/149
• Mulholland, Neil review of Onwards and Upwards 26/216, letters 15/216, 16/218; review of Host 26/217; The Cultural Devolution: Art in Britain in the Late Twentieth Century, book review by Dave Beech 41/277
• Mullaly, Terence review by Bernard Denvir 3/39
• Muller, Brian On Painting II 18/179
• Müller, Matthias and Girardet, Christoph review by Graham Parker 32/255, Martin Herbert 24/280
• Mullican, Matt review by Michael Wilson 34/242
• Mulligan, Tom Hungarian Underground Art, 1970-90 12/137
• MUL-TE-PL-SHO: Multiples & Editions: Paul E Stolper & The Multiple Store review by Stephen Bury 52/238
• Multiaccentuality review by Francis Frascina and Jonathan Harris 40/194, 45/195
• multiples Art Unlimited: Multiples of 1960s & 1990s review by Erika Lederman 20/183; Donald Judd furniture review by Erika Lederman 45/184; review of Starkmann Limited by Erika Lederman 38/185; review of Man Ray by Erika Lederman 43/186; review by Erika Lederman 46/187; Matthew Higgs & Imprint 93, review by David Barrett 45/189; Stephen Bury on 46/220; review by David Musgrave 52/228; Joseph Beuys multiples, review by David Briers 46/229; Gerhard Richter multiples, review by Andrew Wilson 48/230; Please Touch Projects and SCP, At Home with Art Tate Gallery multiples, review by Deborah Schultz 40/233; review by Stephen Bury 52/238, Niamh Ann Kelly 49/240; Eyestorm and Countereditions by Andrew Wilson 44/241; Objets d’art or Knick-knacks? review by Mark Harris 45/246; Collaborations with Parkett: 1984 to Now, review by Barbara Pollack 48/247; book review by Paul Claydon 50/258; Jenny Holzer multiples, review by Barbara Pollack 46/259
• Multiples x 4 review by Niamh Ann Kelly 49/240
• Munch, Edvard review by Paul Overy 6/82
• Munira, Mirza (ed) Culture Vultures: Is UK arts policy damaging the arts? book review by JJ Charlesworth 45/296
• Muñoz, Juan & Bryars, Gavin review by Juan Cruz 30/211
• Muñoz, Juan, Obituary 17/250
• Muñoz, Juan, Stories after the work of book review by Ian Hunt 70/200
• Munro, Frieda review by David Barrett 27/184
• Münster Skulptur. Projekte review by Iwona Blazwick 7/209
• Muntadas Stadium III, review by Ann Cullis 15/130
• Muntean, Markus & Rosenblum, Adi review by David Burrows 23/205, Catherine Wood 35/248, Martin Herbert 23/267
• Murphy, John review by Jon B Thompson 13/115, Stella Santacatterina 20/157, Andrew Wilson 24/197, Martin Herbert 22/283
• Murphy, John & Sarmento, Julião review by Nina Mehta 36/219
• Murphy, Michael review by Art and Language 13/35
• Murphy, Myles obituary of William Coldstream 2/104
• Murray, Liz/Flood-Paddock, Jess review by Mark Wilsher 27/315
• Museum as Muse review by Diane Shamash 22/227
• Museums 1: The Dilemma by Rudi Fuchs 3/189; 2: The Ends of the Museum by Brandon Taylor 8/189
• Museums Association Philip Wright on 25/110
• Musgrave, David review of Damien Duffy and Padraig Timoney 36/195, Dummy 36/203, Thomas Demand 33/205; profile of Dean Hughes 24/206; review of Anya Gallaccio 41/208, Assuming Positions 40/209, Young German Artists 2 36/210, The Quick and the Dead 40/212, Juan Cruz 26/214, A to Z 29/216, Ireland, north and south 22/217, Sol LeWitt 24/218, Then and Now 29/219; letters 19/222; review of The Last Show 26/222; review by David Barrett 34/222; review of It’s a curse, it’s a burden 36/223, Patrick Caulfield 33/225, multiples 52/228, Natural Dependency 34/232, Retrace your steps: Remember Tomorrow 27/233, Ed Ruscha 26/237, Marc Camille Chaimowicz 32/238, Carl Andre 36/239, Liam Gillick 33/241, Light Industrial Magic 38/242, Ceal Floyer 45/244 see Franz Kafka
• Musgrave, David / Hiorns, Roger review by JJ Charlesworth 40/265
• Musgrave, Peter A visit to Poland 7/40
• Musgrave, Victor British painting 1952-77 10/12; letters 20/75
• Mustoe, Tony review by Tony White 30/140
• Musée d’Orsay 13/107
• MUU artists review by Julian Stallabrass 50/202
• My Eye Hurts review by Graham Parker 44/230
• Myerson, Clifford review by Margaret Garlake 20/119; letters 26/120; review of Douglas Allsop 18/139, John Carter 16/140, Trevor Clarke 27/141; letters 28/145; review of Robert Mangold 16/142, Hugonin/Leapman/Virtue 21/145, Georg Herold 18/152, architectural art 22/156, Michael Landy 17/157, Countervail 22/161, Anthony Hill 34/177, Peter Fend 41/178; On Painting 13/179
• Mythologies review by Rikke Hansen 26/326