A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Index: I

• I am a Curator see Paul O’Neill
• I am Curious: exhibitions of young Swedish art review by Mark Sladen 40/202
• I Am Making Art review by Andrew Wilson 20/245
• I beg to differ review by David Burrows 32/197
• I curate you curate we curate see Alex Farquharson
• I really should … review by Mark Wilsher 23/289
• I See a Darkness review by JJ Charlesworth 39/266
• I Want! I Want! review by JJ Charlesworth 33/270
• ICA Ralph Rumney on 3/111
• ICA Media Centre review by Michael Gibbs 54/253
• Iceland review by David Briers 39/311
• Ich Bin review by Axel Lapp 43/249
• ID – An international survey on the notion of identity in contemporary art review by Michael Gibbs 34/203
• Idea of North, The review by David Briers 48/242
• Ideal Standard Summertime review by Philip Sanderson 37/189
• Ideas for Sale/Supastore review by David Barrett 38/211
• If it didn’t exist you’d have to invent it: a partial Showroom history review by David Barrett 26/296
• Iglesias, Cristina review by Simon Grant 35/191
• Ikeda, Ryoji Formula, review by David Ryan 39/287
• Ikegami, Takashi text for Carsten Nicolai, Autopilot, review by Dan Smith 48/268
• Iles, Chrissie on art in the new millennium 10/
• Ill Communication review by Sarah Tripp 23/264
• 232
• Imaginary Balkans: The Balkan Matrix review by Martin Vincent 28/265
• Imagine Action review by Mark Wilsher 28/309
• Imagined Communities review by Piers Masterson 33/194
• IMMA launch review by Frederick Ted Castle 15/148
• Immendorf, Jorg review by Tony Godfrey 17/69, Richard Leachman 11/81
• Immigration, art and Sue Malvern on 28/146
• Implicasphere: an itinerary of meandering thought review by Stephen Bury 39/281
• Impossible Document, The: Photography and Conceptual Art in Britain 1966–76 review by Brian Hatton 1/207
• Impossible Science of Being, The review by Philip Sanderson 32/193
• In Absentia see Deborah Schultz
• In-A-Dadda-Da-Vida review by Morgan Falconer 28/275; letters 19/276
• In Fusion review by Anna Moszynska 20/166
• In many ways the exhibition already happened review by Mark Wilsher 32/253
• In Search of the Ideal Biennale see feature by Pryle Behrman
• In Synch interview with Michael Snow, by Michael O’Pray 9/256
• In the Face of History: European Photographers in the 20th Century review by Alison Green 32/302
• In Visible Light: Photography and Classification in Art, Science and the Everyday review by Mark Durden 6/205
• In Your Dreams review by Michael Wilson 36/238
• Inbreeder: Some English Aristocracies review by Elisabeth Mahoney 37/216
• Incommunicado review by Morgan Falconer 15/271
• indecent child photographs see Artlaw
• Independence review by Peter Suchin 41/268
• Independents 04 review by David Briers 25/281
• India & INIVA by Piers Masterson 30/174
• India, contemporary women artists review by Eddie Chambers 35/193
• Indian artists review by Sachiko Namba 36/255, David Lillington 45/257
• Indiana, Gary Let It Bleed, Essays 1985-1995, book review by Gilda Williams 47/207
• Indica at Riflemaker see Andrew Wilson
• INFOWAR review by Michael Gibbs 48/220
• inIVA back page/157; by Piers Masterson 30/174; Niru Ratnam on 13/211; letters 25/212
• Inner Landscapes: Outsider and Visionary Art review by Dean Kenning 20/297
• Inner Worlds Outside review by Rikke Hansen 21/297
• Innes, Callum review by Simon Morley 19/157, Rosie Lesso 20/301
• Insel Hombroich review by Mark Gisbourne 12/174
• Inside Out: Contemporary Women Artists of India review by Eddie Chambers 35/193
• Inside the Visible review by Toni del Renzio 41/202
• Institute of Cultural Anxiety review by Simon Grant 33/183
• institutionalisation see Dave Beech, Jacob Jakobsen, Lisa Le Feuvre, Peter Suchin
• Institutionalisation for All see feature by Dave Beech
• Instone, Jeff catalogue review of Cy Twombly 30/109; review of Richard Wilson 16/126; review by John Blake 26/129; review of Jaroslaw Kozlowski 24/134, Avis Newman 24/135; review by Cathy Courtney 23/144
• Interfunktionen feature by Mike Sperlinger 13/278
• InternationalArt plc see feature by Pryle Behrman
• International Artlaw Research and Education Fund 35/160
• International Association of Art Critics, 30th congress Sarah Wilson on 72/200
• International Necronautical Society profile by Marcus Verhagen 18/277
• International Paper review by JJ Charlesworth 39/266
• International Symposium on Deconstruction Da Da Deconstruction Lives, by Deanna Petherbridge 8/117
• Internet art review by Jon Thomson 48/225, 52/227, 52/230, 44/231; review by Michael Gibbs 60/238
• Intimate House review by Mark Harris 42/232
• Into the Light: The Projected Image in American Art 1964-1977 review by Jeffrey Kastner 24/252
• Into the void review by John Tozer 32/196
• Inventoryreview by Stephen Bury 46/212
• Inventory review by JJ Charlesworth 21/254
• Invisible City: London Project 11 review by Genevieve Fox 24/142
• Ippolito, Jon & Blais, Joline At the Edge of Art, book review by Michael Gibbs 48/296
• Iraq see feature Julian Stallabrass
• Ireland, James review by Alicia Miller 26/262 The Difference Between Truth and Honesty review by Eliza Williams 33/311
• Ireland letter from by Brian McAvera 30/139; letters 29/139, 31/140, 32/141; The Irish Consciousness Awakes by Cyril Barrett 24/143, Letter from by Ian Hunt 33/254
• Ireland, north and south review by David Musgrave 22/217
• Irish Art and Modernism review by Brian McAvera 18/154
• Irish Art International by Simon Morley 13/196; letters 18/197
• Irish Museum of Modern Art (IMMA) Cyril Barrett on 28/140, Frederick Ted Castle 15/148, review by Niamh Ann Kelly 41/250
• Irons in the Fire review by David Briers 24/255
• Irredeemable Skeletons review by Gilda Williams 32/206
• Irvin, Albert review by Ian Jeffrey 19/36, Margaret Garlake 8/60, Peter Hill 14/67, 14/96
• Irvine, Jaki review by David Barrett 27/184, Ian Hunt 29/205, Daniel Jewesbury 38/229, review by Ian Hunt 38/244, Maria Walsh 24/291, Niamh Ann Kelly 26/294; profile of Cecily Brennan 20/306; review by Marcus Verhagen 33/312
• Irvine, Zoe Wind, review by Cathy Courtney 31/213
• Irwin review by Nick Crowe 25/275 East Art Map: Contemporary Art & Eastern Europe, book review by David Briers 46/300
• Irwin, David Scottishness 12/3
• Isaac, Jo-Anne Moscow-Paris 1900-30 9/48
• Isabelle, Laurence review of KIT 44/233
• ISEA 98 conference review by Michael Gibbs 48/220
• Isermann, Jim see feature by Alex Coles 7/253; review by JJ Charlesworth 39/266; Jennifer Thatcher 18/285
• Iskowitz review by Margaret Garlake 13/65
• Islam, Runa review by Michael Wilson 24/246
• Israeli artists review by Monica Bohm-Duchen 20/142
• Istanbul Biennial, 6th review by Gilda Williams 26/232; 8th International Pablo Lafuente 26/271, 9th Iwona Blazwick 18/291, 10th Teresa Gleadowe 33/310
• It always jumps back and finds its way review by Michael Gibbs 34/206
• It Starts From Here review by Matt Price 27/309
• It’s a curse, it’s a burden review by David Musgrave 36/223
• Iverson, Margaret, Crimp, Douglas, Bhabha, Homi Mary Kelly, book review by Maria Walsh 42/211