A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Index: C

• c1975 and All That see Jeffrey Kastner
• Cabrita Reis, Pedro review by Tony Wood 19/ 283
• Cadieux, Geneviève review by Mark Sladen 24/190
• Cage, John obituary back page/159
• Caiger-Smith, Martin review of First International Foto-Triennale 25/131
• Caistor, Nick review of Transcontinental: Nine Latin American Artists 20/136, Elisabeth Lalouschek 26/138
• Calais region art policy in, by Juliet Steyn 20/148
• Calcutt, John profile of Graham Fagen 20/219
• Calder, Alexander review by Toni del Renzio 24/156
• Cale, John Mark Francis on 1/226
• California, letter from Kenneth Baker 16/151
• Calle, Sophie interview by Lynne Cooke 3/163; review by Mark Durden 29/222
• Callery, Simon review by Simon Morley 26/165; back page /165; review by Dan Smith 29/267
• Callinicos, Alex Against Postmodernism: A Marxist Critique, book review by John Roberts 26/137
• Calvocoressi, Richard book review of William Hardie, Scottish Painting 1837-1939 20/6; Letter from Edinburgh 8/19; review of Tamara Krikorian 21/32; Moenchengladbach at Edinburgh 11/50; New museum at Moenchengladbach 11/58; Keeping Tinguely Going 6/61
• Camfield, William A Picabia, book review by Anthony Hill 33/30
• Camp, Jeffery review by Philip Rawson 29/52
• Camp, Sokari Douglas review by Dennis Duerdin 21/136
• Campbell, Aileen profile by Rosie Lesso 24/311
• Campbell, Ken The World Returned,review by Cathy Courtney 46/204
• Campbell, Louise review of Festival of Britain 19/6
• Campbell, Steven review by Margaret Garlake 22/83, Brandon Taylor 14/107
• Campus review by Martin Herbert 31/ 291
• Campus Capitalism by Peter Suchin 45/259
• Can Buildings Curate review by Paul O'Neill 34/ 287
• CAN.05 review by Dan Smith 34/ 289
• Canadian art 18/107
• Canadian video review by Catherine Elwes 7/217
• Candyman II review by Julian Stallabrass 3/182
• Capelle, Maud review of Isa Genzken 33/ 277
• Capital & Karma: Recent Positions in Indian Art review by David Lillington 45/257
• Cardiff, Janet review by David Briers 45/252
• Care and Control by Mark Sladen 13/189; letters 14/191
• Carey, John What Good Are the Arts? , book review by Jonathan Harris 38/ 290
• Carlisle, Anne Culture in Contention 14/126
• Carnegie, Gillian profile by Lisa Panting 20/250
• Carnegie International review by Jenni Sorkin 28/232 , Michael Archer 13/153 Jean Wainwright 39/282
• Caro, Anthony review by John Glaves-Smith 14/22, Peter Fuller 6/23, Diane Waldman, Anthony Caro,book review by Tim Scott 32/58; The Triangle Workshop 6/74; review by John Glaves-Smith/Peter Fuller 3/76, Tim Marlow 25/131, 23/151, Nicholas Wegner 20/182
• Carpenter, Merlin review by Michael Wilson 34/243
• Carradice, Ian book review of Peter Vergo, The New Museology 9/133; letters 25/134
• Carraro, Paolo review by Cathy Courtney 39/203
• Carrier, David book review of Michael Fried, Painting and the Beholder in the Age of Diderot 35/49
• Carré d'Art, Nîmes Sarah Wilson on 2/167
• Carron, Valentin, Perret, Mai-Thu review by Marcus Verhagen 41/296
• Carter, John review by Mel Gooding 16/107, Clifford Myerson 16/140
• Carter, Tony review by Michael Archer 16/128, Conor Joyce 17/155
• Carvalho, Melanie review by Gilda Williams 24/254
• Carver, Antonia Blink, book review by David Chandler 44/260
• Casebere, James review by Margaret Garlake 15/152, Robert Garnett 37/201
• Casino 2001 review by JJ Charlesworth 33/252
• Castelli, Leo obituary 24/230
• Castle, Frederick Ted Art Magazines in the US and Canada 3/3; Castelli-Sonabend 11/14; Hockney's Paper Pools 20/24; Richard Smith 4/29; MoMA Expands 5/34; Gilbert & George 8/41; The Paint Drain 11/48; Art Norms 3/55; Horse Pictures 15/56; Robert Smithson rolls over in his grave 6/58; Yves Klein flies again 7/64; New York Letter 2/66; Summer in NY 8/69; Occurrences 2/70; Occurrences/New York 5/72, 15/73, 18/79, 14/80, 2/84, 21/85, 19/88, 5/92, 5/95, 8/98, 9/108; letters 22/109; Ingrid Sischy Leaves Artforum 3/110; New York City art 15/145, 12/151, 22/163; IMMA launch 15/148; Christo 11/152; new Guggenheim 11/160; Twenty Years of Occurrences 42/200; review of Robert Rauschenberg 8/211; letters 24/212; on Buenos Aires 18/229, review of Martin Naylor 41/243; obituary 16/298
• Catalan conceptual art review by Simon Grant 37/178
• Cathedral City review by Laura Moffatt 36/221
• Catling, Brian review by Cathy Courtney 25/143, Ian Hunt 15/152, 15/180, 35/226
• Cattelan, Maurizio review by Simon Grant 27/174
• Cauldron, The review by Paul Usherwood 30/198
• Caulfield, Patrick review by John McEwen 5/52; In conversation with Howard Hodgkin 4/78; review by Mel Gooding 12/130, 13/163, David Musgrave 33/225; obituary 17/ 291
• Causey, Andrew Paul Nash,book review by John Glaves-Smith 25/47; Sculpture Since 1945,book review by Margaret Garlake 47/225
• Caws, Mary Ann The Surrealist Look,book review by Toni del Renzio 40/214
• Caziel review by Dennis Duerdin 26/135
• celebrity rights see Artlaw
• Celmins, Vija review by Melissa E Feldman 32/202, Cherry Smyth 40/229
• CEMA, Fifty Years On review by Mel Gooding 25/160
• censorship see Artlaw, Anna Dezeuze
• Censorship, art and by Ian McKay 30/151
• Centre of the Creative Universe review by David Briers 25/306
• Century City: Art and Culture in the Modern Metropolis Margaret Garlake on 1/245, Ian Hunt on 7/245
• Cerco, IV Int'l Biennial of Obidos review by Judith Staines 32/172
• César review by Mark Gisbourne 26/171, John Glaves-Smith 29/209
• Cézanne, Paul review by Philip Hughes 16/117; letters 24/120, 24/121
• Chadwick, Lynn obituary 14/267
• Chadwick, Helen review by Michael Newman 11/85, Marjorie Allthorpe-Guyton 18/100; obituary by Marjorie Allthorpe-Guyton 18/195; review by Morgan Falconer 36/ 277 ; letters 23/278 19/279
• Chadwick, Whitney (ed) Mirror Images: Women, Surrealism, and Self-Representation,book review by Maria Walsh 41/226
• Chagall to Kitaj review by Juliet Steyn 22/142
• Chagall, Marc review by Juliet Steyn 6/85
• Chaimowicz, Marc Camille book review of Roselee Goldberg, Performance, Live Art: 1909 to the present 33/28; Cathy Courtney 29/91; review by David Musgrave 32/238
• Chalupecky, Jindrich Art No Longer 3/79
• Chamberlain, John review by John Glaves-Smith 16/9
• Chambers, Eddie review by Margaret Garlake 11/90; review of Makonde sculpture 18/129; letters 26/130, 30/131, 35/133, 46/132; review of Black Markets 31/148, Adrian Piper 13/152, Alfredo Jaar 19/155; letters 30/156, 28/157; Trophies of empire 13/162; review of Bashir Makhoul 26/168; letters 25/179; book review of Jean Fisher (ed), Global Visions 45/183; review of Tampered Surfaces 30/190, Inside Out: Contemporary Women Artists of India 35/193, Three Songs on Pain, Light & Time 65/200, Whitewash 11/205, Keith Piper 43/209, 2nd Johannesburg Biennale 14/212, Transforming the Crown: African, Asian and Caribbean Artists in Britain, 1966-96 7/214; obituary of Donald Gladstone Rodney 21/215; review of Sonia Boyce 26/215, letters 22/216, Tracey Moffatt 34/219; 'The Main Complaint' on William Kentridge 1/227; Run through the Jungle: Selected Writings,book review by David Burrows 48/227; review of Pictures of Pictures 36/231, Gordon Bennett 26/233; polemic 54/236; book review of Sidney Littlefield Kasfir, Contemporary African Art 46/237, Petrine Archer-Straw, Negrophilia 46/241; review of The Other Story 52/244; letters 15/245; review of The Next Place: Journeys into the Afterlife 49/248, Landscape Trauma in the Age of Scopophilia 46/249, 16/254; book review of Rasheed Araeen, Sean Cubitt, Ziauddin Sardar (eds), The Third Text Reader on Art, Culture and Theory 41/263, Macha Roesink and Milka van der Valk Bouman (eds), Black My Story 41/272 , review of Africa 05 44/ 284 ; book review of Gilane Tawadros (ed) Changing States: Contemporary Art and Ideas in an Era of Globalisation 38/ 287 ; review of Carrie Mae Weems 30/ 288 ; book review of David A Bailey, Ian Baucom and Sonia Boyce (eds) Shades of Black, Assembling Black Arts in 1980s Britain 46/ 288, Yara El-Sherbini, Sheikh 'n' Vac 37/293, Usman Saeed and Sukhdev Sandu, I'll get my coat 37/293; book review of Elvan Zabunyan, Black is a Color (A History of African American Art) 36/294
• Chambers, Stephen review by Roger Malbert 23/150
• Champion, Miles review of Frances Stark, Collected Works 40/311
• Chandler, David book review of Antonia Carver (ed), Blink 44/260; review of Martin Parr, The Phone Book 40/262
• Chandra, Avinash obituary by Balraj Khanna 26/150
• Chandra, Mohini Album Pacifica, book review by Susan Johanknecht and Katharine Meynell 47/247
• Channon, Paul interview by Peter Dormer 32/48
• Chaplin, Elizabeth letters 22/125, 30/129
• Chaplin, Sarah and Walker, John A Visual culture: an introduction,book review by Anne Massey 53/216
• Chapman, Jake & Dinos review by Stella Santacatterina 27/166, Godfrey Worsdale 36/180, Erika Lederman 46/187, Peter Suchin 20/267, JJ Charlesworth 27/304
• Chapman, Rowena Male Order,book review by John Roberts 28/121
• Charge of the Light Brigade review by Robert Garnett 26/191
• Charity, Ruth (ed) Re Views: artists and public space , book review by Paul Usherwood 43/ 292
• Charlesworth, JJ response to Simon Ford and Anthony Davies 13/225; letters 15/226; review of MayDay: Communities and Communication 44/227, Manufacturers 33/228, Neurotic Realism Part Two 30/230, Crash!, Urban Islands, Peter Kennard 19/233; letters 19/234; review of The Raft 28/234, Stephen Willats, Dave Beech 27/235; 'Mayday! May Day!' on Mayday, Crash!, Democracy! 13/236; letters 16/237; review of … comes the spirit 27/237; book review of Julian Stallabrass, High art lite: British art in the 1990s 54/238; letters 17/239, 9/240, 15/241, 20/242; on 'The Art of the Third Way' 7/241; review of Common Culture 42/242; letters 12/243, 13/243; obituaries of Chen Zhen, Ian McLean 16/243; book review of Mark Wallinger and Mary Warnock (eds), Art for All? Their Policies and Our Culture 48/243; Reality Check, on photography 1/247; profile of Roger Hiorns 20/249; review of Casino 2001 33/252 , letters 9/254, 15/256, 13/263; review of Inventory 21/254, Reverberator 33/258; Not Neo but New, feature on formalism citing the exhibitions; Early One Morning, Tra-la-la: British Sculpture in the Sixties, Shimmering Substance and Vivid 7/259; Art's Agency, feature on art as content and politics as form 7/261; Reality Check, feature on recent developments in British Photography and Video 7/262; review of Alison Jackson, Ella Gibbs 27/264, Roger Hiorns / David Musgrave 40/265; Los Angeles Round Up: review of Jim Isermann, International Paper, I see a Darkness, Chris Finley 39/266; The Dysfunction of Criticism 1/269, letters 18/270, 8/271; review of I Want! I Want! 33/270, Shahin Afrassiabi 30/ 274 ; feature on Art & Beauty 7/ 279 ; review of Communism 19/ 284; Curating Doubt: feature on curating 1/294; review of Writing in Strobe 28/296; book review of Mirza Munira (ed) Culture Vultures: Is UK arts policy damaging the arts? 45/296; Power Without Authority 19/297; review of David Osbaldeston 33/300, Jake & Dinos Chapman 27/304; Bonfire of the Vanities: feature 5/305; review of The Painting of Modern Life 28/311
• Charlton, Alan review by Michael Archer 18/94; interview by Andrew Wilson 11/149; review by Andrew Wilson 21/198, 34/205
• Charlton, Hannah review of Max Eastley 6/60
• Charlton, Mervyn review by Mel Gooding 11/115
• Charnley, Clare Nothing like this,review by Nicky Bird 51/232
• Charpin, Catherine (with Sarah Wilson) One Hundred Years Ago: The Incoherents 7/128
• Chasnik review by Susan P Compton 19/10
• Chemical Traces review by David Briers 20/220
• Cher peintre see Andrew Wilson 12/260
• Cherry, Deborah Hayward Annual 10/19; review of Harry Holland 16/27, Sandra Blow/Peter Coker 23/28, Women and Art 11/60
• Chess and art by Don T Buckle 2/143
• Chevska, Maria review by Simon Morley 23/161, 32/182
• Chicago, Culture in Action review by Andrew Cross 2/168
• Chicago, Judy review by Margaret Garlake 17/85
• Chile Vencera by John A Walker 46/235
• Chillida, Eduardo review by Tom Grimsey 12/140, John McEwen 29/162; obituary 22/260
• Chilver, John review of Paul Morrison/Richard Wright 33/229; review by Michael Wilson 40/251
• China, Contemporary Art from see Sally Lai
• China, new art in review by Simon Morley 24/170, Karen Smith 24/186
• China Power Station: Part 1 review by Martin Herbert 31/301
• Chinese artists review by Sachiko Namba 36/255
• Chirico, Giorgio de review by Toni del Renzio 16/59, Brandon Taylor 9/87; On Classic Ground, by Julian Stallabrass 23/138
• Chodzko, Adam profile by Simon Grant 28/189; review by David Burrows 28/198, David Barrett 29/229, Dan Smith 29/263; Whitstable Interiors, book review by Maria Fusco 35/ 280
• Chopin, Henri review by Clive Phillpot 38/214
• Christie, John and Berger, John I Send You This Cadmium Red,review by Cathy Courtney 44/237
• Christie, John and Clark, Thomas A By. On. About. (for Vladimir Mayakovsky), review by Cathy Courtney 43/201
• Christo review by Frederick Ted Castle 11/152, Valerie Reardon 17/186
• Christov-Bakargiev, Carolyn Arte Povera,book review by Laura Moffatt 56/228
• Cieszkowski, Krysztof Illusion and Repetition 6/42; Polemics 33/52; David Hockney 18/49
• Cinéma Cinéma review by Michael Gibbs 24/225
• Cinephilia see Michael O'Pray
• Circa 1968 review by Diane Shamash 31/229
• Citadel 1 Front Room/Killing Room review by Andrew Hunt 38/308
• Cities on the Move Alex Farquharson on 1/229, Richard Hylton on 7/230
• Citizens review by Daniel Jewesbury 29/ 292
• Città Natura review by Iwona Blazwick 7/207
• Civil Restitutions review by David Barrett 29/300
• Clark, John Chinese Artists Association 8/96
• Clark, Kenneth Civilisation in Retrospect, TV review by John A Walker 16/122
• Clark, George review of Oberhausen Film Festival 46/308
• Clark, Thomas A and Christie, John By. On. About. (for Vladimir Mayakovsky),review by Cathy Courtney 43/201
• Clark, Timothy J The Painting of Modern Life: Paris in the Art of Manet and His Followers,book review by Charles Harrison 28/88; talk with Clement Greenberg 12/178; Farewell to an Idea: Episodes from a History of Modernism,book review by Jonathan Harris 50/230
• Clarke, Tim review of Sainsbury Wing 19/149; Palaces of art 20/154
• Clarke, Trevor review by Clifford Myerson 27/141; obituary of Jean Spencer 17/213
• Claura, Michel Working with Shadows, Working with Words conversation with Daniel Buren, Deke Dusinberre and Seth Siegelaub 3/122
• Claustrophobia review by Elisabeth Mahoney 40/218
• Clay, Steven and Phillips, Rodney (eds) A Secret Location on the Lower East Side:Adventures in Writing 1960-1980,review by Cathy Courtney 44/225
• Clegg & Guttman review by Martin Vincent 30/300
• Clegg, James review of Roderick Buchanan 32/307
• Clemente, Francesco review by Mark Francis 13/50, Peter Fuller 11/63, Cathy Courtney 29/91, 39/100
• Claydon, Paul review of John Baldessari 29/255; book review of Rebecca Solnit, Wanderlust: A History of Walking 48/257, Steven Leiber, Extra Art: A Survey of Artists' Ephemera, 1960-1999, Stephen Bury, Artists' Multiples, 1935-2000 50/258, review of Ian Breakwell, Vocals 41/279, Stuart Brisley, Beyond Reason: Ordure 40/277
• Clements, Keith Henry Lamb: The Artist and his Friends,book review by Richard Morphet 28/94
• Clemson, Katie 30 Ways of Tying a Turban, review by Cathy Courtney 43/193
• Clérambault, Gaëtan Gatian de review by Paul Overy 20/160
• Clert, Iris obituary by Ralph Rumney 24/101
• Close Encounters review by Simon Grant 37/180
• Clough, Prunella review by Monica Petzal 12/57, Mel Gooding 19/92, Margaret Garlake 20/126, 20/198, Ian Hunt 37/231; obituary by Margaret Garlake 15/233; review by David Ryan 23/310
• Cluett, Shelagh obituary by Jo Stockham 17/309
• Coates, Marcus review by Paul Usherwood 32/267
• Coates, Nigel and Branson, Doug review by Robert Garnett 25/182
• Coburn, Jason review by David Barrett 28/201
• Cobbing, Bob obituary 17/261; review by David Briers 21/287
• Cockburn, Ken & Finlay, Alec (eds) The Order of Things: an anthology of Scottish sound, pattern and concrete poems, review by Ian Hunt 42/250
• Coe, Sue review by Monica Petzal 12/58
• Cohen, Anna review of Messages from Nowhere 19/152; book review of Bill Grant and Paul Harris (eds), The Grizedale Experience 23/154, Mel Gooding, Michael Rothenstein's Boxes 23/155; review of Manchester Expressionist exhibition 32/156
• Cohen, Bernard review by Fenella Crichton 19/6, William Coldstream 2/104; Making art and killing culture Part 1 3/105, Part 2 3/106; interview by Timothy Hyman 12/121; letters 28/145
• Cohen, David Henry Moore Remembered 19/111; review of Sam Francis 20/118
• Cohen, Harold review by Brian Smith 10/68
• Coker, Peter review by Bruce Killeen 29/18, Juliet Steyn/Deborah Cherry 23/28; obituary 12/ 283
• Colard, Jean-Max Homo Economicus: on the fine art of micro-economics 12/215; portraits of Serge Comte, Alain Bublex, Marie-Ange Guilleminot, Pierre Huyghe 14/215
• Coldstream, William review by Andrew Brighton 23/2, Lynda Morris 6/79; obituaries by Malcolm Hughes, Myles Murphy, Bernard Cohen 2/104
• Coldwell, Paul Freud's Coat,review by Cathy Courtney 42/201, With the Melting of the Snows,review by Cathy Courtney 47/219
• Coleman, A D The Digital Evolution. Visual Communication in the Electronic Age: Essays, Lectures and Interviews 1967-1998,book review by Michael Gibbs 50/229
• Coleman, James interview by Jo Baer 6/5; review by Jean Fisher 17/49, Robert Garnett 27/199
• Coleman, Les review by Patrick Hughes 15/116
• Coles, Alex book review of Nick Kaye, Site-specific Art: Performance, Place and Documentation,Erika Suderburg (ed), Space, Site, Intervention: Situating Installation Art 45/241; review of Ross Bleckner 31/242 Olivier Mosset 34/245; book review of Amy Newman, Challenging Art: Artforum, 1962-1974 42/245; review of Drawings 30/246; book review of David Batchelor, Chromophobia 49/246; profile of Kathrin Böhm 24/247; Arte Ricca, on Zero to Infinity: Arte Povera 1962-1972 1/248; review of Dan Graham 35/249, John Wesley 42/252; Art Décor, feature on art's romance with design citing Richard Artschwager, Jim Isermann, Jorge Pardo, Pae White and Andrea Zittel 7/253; The Bathroom Critic, caricatures of the critic 7/263, feature on Curating: Then and Now 1/275 ; letters 13/277; review of Michael Elmgreen & Ingar Dragset 20/294; DesignArt: On art's romance with design, book review by Paul O'Neill 35/294; review of Gabriel Orozco 22/301; Pavilions: feature 1/308
• Coles, Pippa on art in the new millennium 12/232
• Coley, Nathan review by Andrew Cross 26/213 , Paul Usherwood 46/268; Martin Herbert 35/ 278
• Coley, Nathan/Ader, Bas Jan review by John Tozer 23/251
• collaborative art Michael Archer on 3/178
• collaborative works see Artlaw
• Collage review by Eliza Williams 33/ 276
• Collected review by David Burrows 21/207
• College Arts Association Conference Iwona Blazwick on 44/265
• Collier, Caroline On the Black Night of Alba ... 2/134
• Collier, Peter (ed.) Visions and Blueprints - Avantgarde Culture and Radical Politics in Early Twentieth-Century Europe,book review by Toni del Renzio 23/125
• Collier Schorr see Barbara Pollack 1/253
• Collings, Matthew and Arnatt, Matthew Criticism , book review by Kathy Battista 36/ 291
• Collings, Matthew letters 24/100; on Turner Prize 2/142; This is Modern Art,book review by Laura Moffatt 55/232letters 12/ 278 , 14/ 280 ; Depth v Banality 39/ 291
• Collins, Cecil review by Andrew Smith 8/50, Peter Fuller 14/72
• Collins, Hannah review by Michael Archer 20/79
• Collins, Michael Towards Post-Modernism,book review by Toni del Renzio 26/116
• Collins, Phil profile by Niamh Ann Kelly 20/265 , Cherry Smyth 33/ 286
• Collins, Susan review by Emma Safe 31/262
• Collishaw, Mat review by Julian Stallabrass 17/143, Conor Joyce 16/154, Ian Hunt 24/193
• Common Wealth review by Peter Suchin 21/272
• Con Art review by Nicky Bird 27/255
• Concerning the Spiritual in Art feature by Jeffrey Kastner 1/256
• Cologne Fair review by Neil Bally 24/72, Tim Martin 8/142, Michael Archer 29/182
• Colomina, Beatriz (ed) Privacy and Publicity: Modern Architecture as Mass Media,book review by Michael Archer 44/183
• Colour after Klein review by Alison Green 35/ 288
• Colquhoun, Robert review by Martin Green 14/5
• comedy, art of see Sally O'Reilly
• ... comes the spirit review by JJ Charlesworth 27/237
• Comic art by David Lillington 1/216
• Coming up for air review by Simon Grant 28/176
• Common Culture review by JJ Charlesworth 42/242
• common sources see Artlaw
• Communism review by JJ Charlesworth 19/ 284
• Compton, Susan P Russian Pioneers 26/1; The Suprematist Straight Line 19/10; The World Backwards,book review by Richard Cork 31/22; book review of Larissa A Zhadova, Kazimir Malevich 23/60, Andrei Nakov, Abstrait/Concret 23/60, John Milner, Vladimir Tatlin 26/68, Beverley Whitney Kean, All the Empty Palaces 25/70; review of Annely Juda's Non-Objective World 8/93; book review of Andrei Nakov, Avant-garde Russe 26/103, S O Khan-Magomedov, Rodchenko, the complete work 23/109, Aleksandr Kamensky, Chagall: The Russian Years 1907-22 26/133
• Comte, Serge portrait by Jean-Max Colard 14/215
• Conception, Conceptual Documents 1968–72 review by Andrew Wilson 24/244
• Conceptual formalism see Mark Prince
• confidentiality and contract see Artlaw
• Confrontations review by Roger Wollen 39/108
• Conisbee, Philip Chardin,book review by Richard Cork 27/101
• Connearn, David review by Sean Cubitt 36/205
• Conroy, Stephen legal disputes Artlaw 34/119
• conservation, renovation and restoration see Artlaw
• Conserving Change: Conservation and Modern Art by Roy Perry 5/139
• Constable, John review by Michael Archer 7/149
• Constructed Works review by Sarah James 30/ 286
• Constructivism, Russian 1914-32 review by Peter Nisbet 11/143
• Contact 522 4813 review by Ross Sinclair 20/158
• Contained exhibition review by David Barrett 30/186
• Container 96: Art Across Oceans review by Sotiris Kyriacou 34/199
• Contemporary Art and the Market in Theory lecture review by Rupert Heath 36/142
• Continental Drift see Richard Hylton on Continental Shift – A Voyage Between Cultures 1/239
• Continuum001 review by Nina Mehta 33/235
• contracts and commissions see Artlaw
• Contreras, Freddy review by Sotiris Kyriacou 35/187
• Coode-Adams, Sonia letters 24/94, 31/112, 31/131, 30/156, 32/163
• Cook, Anthony review by Paul Kopocek 21/49
• Cook, Barrie review by Peter Dormer 29/111, Mel Gooding 19/114
• Cook, Benjamin and Todd, Peter (eds) Subjects and Sequences: A Margaret Tait Reader, book review by Rod Mengham 39/310
• Cook, Roger obituary of Derek Jarman 34/174; review of The Secret Public: The Last Days of the British Underground 1978-1988 24/306
• Cook, Sarah and Graham, Beryl Net and Not Net, on curating new media 44/261
• Cooke, Lynne review of Post-Impression 17/33, Abstraction 15/35, Nicholas Pope 11/53, Joseph Beuys 11/56, Richard Deacon 16/64, Richard Long 8/66, Joseph Beuys, Anselm Kiefer 15/69, Susan Hiller 11/75, Gilbert & George 10/76, Tess Jaray 13/76, Gerard Hemsworth 19/78; book review of Jan Garden Castro, The art and life of Georgia O'Keefe 28/100, Jack Flam, Matisse, the man and his art, 1869-1918 30/105; Sculpture Project, Münster 10/110; Australian Biennale 8/118; interview with Sophie Calle and Greg Shepherd 3/163, Jon Kessler 5/167
• Coombes, Annie No More Old Master Narratives 15/12; book review of Margaret Hall, On Display: A Design Grammar for Museum Exhibitions 28/113
• Coonan, Rory book review of David Rushton and Paul Wood (eds), Politics of Art Education 31/24, Meyer Schapiro, Modern Art,Robert Williams, Artists in Revolution 31/26; review of Style in the '70s 14/29; book review of Dorothy Norman, Alfred Stieglitz: An American Seer 28/31; review of A sense of Ireland 15/33; Looking for Irishness 18/34; book review of Photographs by David Hockney 26/62, The Work of Atget: Vol II The Art of Old Paris 25/65
• Cooper, Douglas interview by Brandon Taylor 4/67
• Cooper, Eileen review by Monica Petzal 15/87
• Cooper, Martha and Chalfont, Henry Subway Art,book review by Sheena Wagstaff 29/79
• Co-Operators review by John Tozer 26/194
• Coplans, John review by Timothy Foster 18/143, David Barrett 34/210 ; obituary 22/270
• copyright see Artlaw
• Corbett, David Peters review of Modern Art in Britain 26/206; (ed) Wyndham Lewis and the Modern Art of War, book review by Richard Humphreys 45/220; book review of Paul O'Keeffe, Some Sort of Genius: A Life of Wyndham Lewis, Paul Edwards, Wyndham Lewis: Painter and Writer 49/247
• Corby, Tom (ed) Network Art: Practices and Positions, book review by Michael Gibbs 48/302
• Cordially Invited review by Michael Gibbs 26/ 283
• Cork, Richard The Critic 8/14; Royal Oak Murals 10/15; Richard Cork's Reply 22/18; book review of Susan P Compton, The World Backwards 31/22; Extending the Tate 16/28; profile by John Tagg and Peter Fuller 3/30; Replies to Criticism 3/32; The Social Role of Art,book review by Donald Brook 21/37; book review of Volker Barthelmeh, Street Murals 27/64; tribute to Lilian Bomberg 20/67; book review of Peter Townsend (ed) Art Within Reach 28/79; Art Beyond the Gallery,book review by Toni del Renzio 30/89; book review of Philip Conisbee, Chardin 27/101; review of Giacomo Balla 11/110; Reflections on Women's Art 17/123; book review of Caroline Tisdall, Grist to the Mill: Selected Writings 1970-1995 50/209; review of Santiago Sierra 33/ 279
• Cornall, John book review of John Roberts, Postmodernism, Politics and Art 25/137; review of Painting, Empathy and Realism: A Symposium 35/138
• Cornell, Joseph review by Michael Newman 7/45, Mel Gooding 14/105; Theatre of the Mind,book review by Toni del Renzio 45/179
• Cornell, Sarah Art: A History of Changing Style,book review by Bernard Denvir 26/66
• Cornford & Cross see feature by JJ Charlesworth 07/241; review by Dave Beech 23/262
• Cornford, Christopher book review of Norman Potter, What is a Designer: Things, Places, Messages 29/48
• Cornock, Stroud Art Education 33/77; As Others See Us 2/b; letters 25/79, 20/84
• Cornwell, Regina review of video art in documenta IX 22/159; book review of William Gibson and Dennis Ashbaugh, Agrippa, A Book of the Dead 27/163; interview with Gary Hill 3/170
• Correspondences review by David Burrows 23/213
• Corrigan, Philip review of Stephen Willats 17/23; Untitled 1979 29/24
• Corrin, Lisa on art in the new millennium 7/232
• Corris, Michael review of FaceOn 29/240; Para-Cities & Paradigms, on Vito Acconci; review of Homes for the Soul – Micro-Architecture in Medieval and Contemporary Art 9/244; review of Plug-In: Unity and Mobility 37/249, Americans: The New Art 30/252 ; White Out, feature on Alfredo Jaar 6/260; review of Damien Hirst 36/270 Berlin Biennale 21/ 275; ed) Conceptual Art: Theory, Myth, and Practice , book review by Paula Feldman 40/ 281 ; review of Before the End The Last Painting Show) 25/ 282 , obituary of Steven Parrino 15/ 285 ; review of Vito Acconci 33/ 287, Lawrence Weiner 27/ 292; America Rising: feature 1/301; review of Albert Oehlen 34/302, Op Art 23/306, The World as a Stage 20/312
• Cosgrove, Mark and Lanyon, Josephine John Smith: Film and Video Works 1972-2002, book review by Michael O'Pray 43/261
• Costakis, George collection, review by John Willett 25/54
• Cotter, Suzanne review of Dean Kuipers and Doug Aitken, I am a Bullet: Scenes from an Accelerated Culture, Doug Aitken, Diamond Sea 46/243
• Cottingham, Laura review by Gilda Williams 46/223; Seeing Through the Seventies: Essays on Feminism and Art,book review by Cherry Smyth 47/237
• Couch Tatties review by Daniel Jewesbury 45/242
• Couch, Patrick Sculpture at St Martin's 15/16
• Counsell, Melanie review by Michael Archer 14/166, Sotiris Kyriacou 30/184; Annette,review by Cathy Courtney 38/217, Maria Walsh 32/ 286
• Counterpoint review by Mark Thomson 16/143
• Countervail review by Clifford Myerson 22/161
• Coupland, Douglas & Huyghe, Pierre School Spirit, review by Maria Fusco 46/265
• Courtney, Cathy artists' books: issues 70-192 (see Introduction) Powered Vandalism 19/65; An ambiguous festival 18/67; Art Education 34/80; Redstone Press 27/107; interview with Ian Tyson 36/122; Curved Space exhibition, various books 31/124; The National Art Library 31/125; interview with Telfer Stokes 33/131; The Illuminated Library 28/134; interview with Julia Farrer 25/140; interview with Norman Ackroyd 26/153; interview with Stephen Willats 25/158; interview with William Furlong (Audio Arts) 26/160; Wenyon & Gamble 28/163; letters 32/163; Michael Peel 28/164; interview with David Blamey 28/166, with Ron King 33/169; on workfortheeyetodo 32/170; letters 29/170; interview with Charles Booth-Clibborn (Paragon Press) 26/173, with Dr Stephen Bury 30/176; Andrea Hill 40/180; interview with John Christie 40/182, with Colin Sackett 40/184; The Book Garden 40/186; The Book and Beyond 45/187; interview with Stephen Stuart-Smith (Enitharmon Press) 38/190; on Artists' Lives archives 41/190; review of Sharon Kivland, La Passante, Andrew Forster, Light in the Head 42/193, Helen Douglas and Telfer Stokes, Water on the Border,Katie Clemson, 30 Ways of Tying a Turban,Danny Markey, Elephant and Castle Shopping Centre 43/193, Julia Farrer and Ian Tyson, Partworks 38/194, something else 39/194; interview with Joe Studholme 41/195, with Patrick Procktor 42/195, with Stephen Bury 44/196; review of Liliane Lijn, Her Mother's Voice 47/197, Peter Kennard, Unwords,Sarah Jacobs, drawn from the work in progress, James Laughlin and Vanessa Jackson, A Secret Language,Anthony Heywood and Andrew Lambirth, Some Seen Some Said,Roxanne Jackson, Water Ledge 42/198; on Daniel Jubb 51/199; review of Jane Rolo and Ian Hunt (eds), Book Works: A Partial History and Sourcebook,67/200, 1996 Artists' Book Fair, Susan Johanknecht, Helen Douglas and Telfer Stokes 41/201, Stephen Bury, The Body and the Book, Paul Coldwell, Freud's Coat,Through the Looking Glass: 30 Years of Circle Press 1967-96, Liam Gillick, Erasmus is Late 42/201, Stephen Klimas (ed, pub), Reports of Worldwide Diseases,Pamela Golden, Plumbers,Thomas A Clark and John Christie, By. On. About. (for Vladimir Mayakovsky) 43/201, Rebecca Salter, Rondo,Susan Hiller, After the Freud Museum,Tony Kemplen, A Long Tour of Paris on Foot, Ursa Major, Margherita Marghereater, Kubla Can't 44/201, Roger Towndrow, a place apart,Tim Staples, ... to relieve boredom 45/201; interview with Alec Finlay 46/201, with Richard Slee 46/202; The Looking Book: a pocket history of Circle Press 1967-96,book review by Andrew Lambirth 47/202; review of Paolo Carraro 39/203, Ken Campbell, The World Returned 46/204, Beyond Reason: Art and Psychosis 40/205, Hans Waanders, Field Guide,Michael Craig-Martin, Book 42/206, Dorothy A Yule and Susan Hunt Yule, The Rinkettes 45/207, Deborah Levy, Diary of a Steak 47/209; interview with Johanna Drucker 46/210; review of The Space of the Page 39/211, Terry Smith, site unseen 45/212, Evidence, Anthology, Hans 31/213, Susan Johanknecht, (creep) of the structure concerned and moments of forces and Susan E King, Treading the Maze 1993 and 1997 37/214, Cornelia Waanders, Correo Aereo,Zoe Irvine, Wind and Postmarks from the World of Donald Evans,Cornelia Lauf and Clive Phillpot, Artist/Author: Contemporary Artists' Books 38/215; interview with Helen Douglas 51/216; review of Melanie Counsell, Annette 38/217, Danny Markey, Footballers,Sarah Jacobs, A Wa[y]farer 48/218, Paul Etienne Lincoln, The World and Its Inhabitants,Virgil Tracy, Under Hempel's Sofa,Steve Beard, Perfumed Head,Sharon Kivland, Sinthome,Randy Klein, Tales of New York,Paul Coldwell, With the Melting of the Snows 47/219, Telfer Stokes, Song of the Thrush 42/220, Jerome Rothenberg and Ian Tyson, Delight/Delices and other Gematria, David Shrigley, Why we got the sack from the museum 43/221, William Furlong and Mel Gooding, An Imagery of Absence 50/222, Roberto Martinez, Toi et Moi,Jean-Jacques Rullier, 10 Boucheries,Christine Crozat and Olivier Kaeppelin, un confident,Christine Kennedy, Personal Effects 43/223, Gad Hollander and Andrew Bick, The Palaver,Jordan Baseman, Shup 38/224, Steven Clay and Rodney Phillips (eds) A Secret Location on the Lower East Side:Adventures in Writing 1960-1980 44/225, Joan Lyons, Twenty-Five Years Ago 38/226; speaking of book art, Interviews with British and American Book Artists,book review by John Janssen 39/226; review of Rebecca Fortnum, Beth Harland, Louisa Minkin, Jim Mooney, Yve Lomax, Ben Richards, Steve Waters and Vit Hopley, Reading Matter 47/227, Sharon Kivland (ed Forbes Morlock), A Case of Hysteria 51/228, Jeremy Deller, The Uses of Literature,Frances Stark, The Architect & The Housewife and Seven Wonders of the World: 66 responses to the proposition 'suggest your own alternatives to the Seven wonders of the Ancient World' 47/230, Simon Morris & Helen Sacoor, bibliomania,Ruth Maclennan and Volker Eichelmann, style-substance: The MaxMara Coat Project 40/231, Helen Douglas, Wild Wood 52/232, Emma Kay, Worldview,Volumes (of vulnerability) (23 artists' books in a tin), Sarah Jacobs, Song of the Data Stream,Maria Fusco, Something Wonderful is Going to Happen 47/234, John Berger and John Christie, I Send You This Cadmium Red44/237; obituary of Tony Zwicker 51/238; obituary of Peter Townsend 16/299; letters 10/301
• Coventry, Keith review by Conor Joyce 16/154, Caroline Douglas 28/206, David Burrows 37/240, Andrew Wilson 37/300
• Cowan, Judith review by Margaret Garlake 16/87, John Stathatos 21/135, Julian Stallabrass 15/165, Michael Archer 14/166, Valerie Reardon 35/217
• Cowie, John letters 27/72, 24/74, 25/77, 20/80, 23/83, 22/93
• Cox, C B The Arts Council: Politics and Policies,book review by Peter Dormer 24/60
• Cox, Christoph and Warner, David(eds) Audio Culture - Readings in Modern Music, review by David Ryan 39/284
• Cox, Stephen review by Juliet Steyn 13/66
• Coxhead, David interview with Betty Parsons 5/22, with Lucy Lippard 4/32; book review of Brian Wallis (ed), Blasted Allegories: An Anthology of Writings by Contemporary Artists34/122
• Coxon, Ann feature on The Land project 9/288 ; review of Mark Dion 27/290
• Crabtree, Amanda on the French FRACs 8/182; review of 4th Lyons Biennial 27/209; on contemporary French art 7/215; review of Manifesta 2 22/219, How's Your Cow 35/242, 6th Lyons Biennale 22/249
• Craft review by John Tozer 37/212
• Craft and Design see Peter Dormer, Christine Percy
• Cragg, Tony review by Monica Petzal 18/86, Patricia Bickers 12/105, 5/119, Euan McArthur 9/160, Anthony Barnett 42/204
• Craig, Edward review by Margaret Garlake 18/62
• Craig-Martin, Michael Reflections on the '60s and early '70s 3/114; review by Mel Gooding 11/115, Liam Gillick 21/132; obituary of Donald Judd 34/174; Art and Science 42/200; Book,review by Cathy Courtney 42/206, Niamh Ann Kelly 37/302
• Cranshaw, Roger Notes on Cubism 3/85; letters 25/121; book review of Lawrence Gowing, Cézanne, The Early years, 1859-72 26/118; letters 24/119, 24/121; book review of John Golding, Cubism: A History and an Analysis 1907-14 24/125
• Crash! review by JJ Charlesworth 19/233, 13/236; letters 19/234
• Crawford, Alan C R Ashbee: Architect, Designer and Romantic Socialist,book review by Peter Fuller 28/94
• Creative Quarters: The Art World in London 1700-2000 Andrew Wilson on 8/246
• Creed, Martin profile by Gilda Williams 22/195; review by Dave Beech 24/226, Sally O'Reilly 34/281, Martin Herbert 27/307
• Cremaster 2review by Polly Staple 48/234
• Crème anglaise: un siècle de sculpture anglaise review by Patricia Bickers 3/199
• Crewdson, Gregory review by David Barrett 26/224
• Crichton, Fenella review of François Morellet 16/5, Bernard Cohen 19/6, John Loder 8/42; on Hermann Nitsch 7/220
• Cox, Christopher text for Carsten Nicolai, Autopilot, review by Dan Smith 48/268
• Creating Places conference see Artlaw
• Creative Business Forum conference see Artlaw
• Crimp, Douglas On the Museum's Ruins,book review by Simon Ford 28/173
• Crimp, Douglas, Iverson, Margaret, Bhabha, Homi Mary Kelly,book review by Maria Walsh 42/211
• Crinson, Mark review of René Magritte 14/157
• Crisis What Crisis? see Michael Archer
• Crisp, Fiona/Tickle, Matthew/Warnell, Phillip review by Sarah James 31/ 290
• Critical Decor review by Godfrey Worsdale 59/200
• Critical Interventions: Evil review by David Burrows 24/217
• Crivelli Visconti, Jacopo review of São Paulo 25th Biennial 25/256
• Croft, Brenda review by Piers Masterson 32/178; letters 25/179, 23/180, 25/181
• Crook, Jo Mordaunt William Burges and the High Victorian Dream,book review by Joseph Rykwert 25/54; The Dilemma of Style,book review by Toni del Renzio 26/116
• Crop Rotation review by Stephen Bury 52/253
• Crosby, Theo review of Thirties: British Art & Design before the War 18/32; Art and Architecture 29/61
• Cross, Andrew review of Public Art Chicago Style 2/168; letters 36/168; review of Giuseppe Penone 16/171, Kate Ericson and Mel Ziegler 17/174, Escale/Stopover/ Tussenstop 30/175; obituary of Kate Ericson 22/192; review of Obsession 31/193, Juan Cruz 44/197, Offside: Contemporary Artists and Football 37/198, Whitechapel Open 42/199, Angela Bulloch 25/202; Letter from America 7/203; review of Blurring the Boundaries 1/205, Tania Kovats, Nathan Coley 26/213, review by Martin Herbert 37/258
• Cross, Dorothy review by Godfrey Worsdale 38/179; profile by Libby Anson 19/203
• Cross, Tom Painting the Warmth of the Sun: St Ives Artists 1939-75, book review by Michael Green 13/71
• Crotty, Russell review by Padraig Timoney 34/208
• Crow, Thomas lecture on contemporary art, review by Rupert Heath 36/142
• Crowe, Nick review by Michael Gibbs 58/239; Graham Parker on 9/242 , review of Janette Parris 40/253, Dean Hughes 39/255, Bandwagon Jumping 35/262, Irwin 25/275, Pavel Büchler 37/279, Erika Tan 31/285
• Crowe, Nick/Heger, Swetlana/Boden, Roland review by Dave Beech 35/260
• Crowe, Nick & Rawlinson, Ian review by Emma Safe 24/267
• Crowley, Graham review by Tony Godfrey 12/81, Brian McAvera 17/115
• Crowley, Lucy review by Margaret Garlake 20/74
• Crowther, Paul The Language of Twentieth-Century Art,book review by Jonathan Harris 40/217
• Crozat, Christine and Kaeppelin, Olivier un confident,review by Cathy Courtney 43/223
• Crozier, William review by Michael Green 13/71
• Cruise Control see Jeffrey Kastner
• Cruel and Tender: The Real in the Twentieth-Century Photograph see Morgan Falconer
• Cruise, Colin book reviews of William Chappell (ed) Well Dearie! The Letters of Edward Burra 20/90, Jan Marsh, Pre-Raphaelite Sisterhood 26/93, Laurence Whistler, The Laughter and the Urn: The Life of Rex Whistler,Roger Billcliffe, The Glasgow Boys,Michael Jacobs, The Good and Simple Life: Artist Colonies in Europe and America 29/97; Bruce Bernard, The Impressionist revolution,Melissa McQuillan, Impressionist portraits,Tamar Garb, Women Impressionists,Frances Weitzenhoff, The Havermeyers: Impressionism comes to America 26/103, Guy Brett, Through our own eyes: popular art and modern history 32/105
• Cruz, Angela de la review by David Barrett 34/218
• Cruz, Juan review of Matthew Tickle 32/189, Helen Robertson 27/190, Simon Tegala 37/191, Elemental 34/192, Siobhán Hapaska 37/193, Peter Doig 30/194, Ian Whittlesea 37/195, Graham Gussin 37/196; review by Andrew Cross 44/197; review of Some Drawings: From London 32/198; book review of Andreas Rüthi, Still life paintings,and Ian Hunt, The Daubers/Die Kritzler 69/200; profile of Robert Ellis 24/201; review of Made New 30/202, Richard Tuttle 28/203, Antechamber 31/206, Fiona Banner/Bridget Smith 30/207, Guillermo Kuitca 30/208, Kate Belton 34/209, Vito Acconci's home movies 49/210, letters 19/211, review of Gavin Bryars & Juan Muñoz 30/2