A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Index: C

• c1975 and All That see Jeffrey Kastner
• Cabrita Reis, Pedro review by Tony Wood 19/ 283
• Cadieux, Geneviève review by Mark Sladen 24/190
• Cage, John obituary back page/159
• Cahen, Robert: Passage review by Chris Meigh-Andrews 40/326
• Cahun, Claude Disavowals, book review by Stewart Home 37/314
• Caiger-Smith, Martin review of First International Foto-Triennale 25/131
• Caistor, Nick review of Transcontinental: Nine Latin American Artists 20/136, Elisabeth Lalouschek 26/138
• Calais region art policy in, by Juliet Steyn 20/148
• Calcutt, John profile of Graham Fagen 20/219
• Calder, Alexander review by Toni del Renzio 24/156
• Cale, John Mark Francis on 1/226
• California, letter from Kenneth Baker 16/151
• Calle, Sophie interview by Lynne Cooke 3/163; review by Mark Durden 29/222 review by Maria Walsh 25/332
• Callery, Simon review by Simon Morley 26/165; back page /165; review by Dan Smith 29/267
• Callinicos, Alex Against Postmodernism: A Marxist Critique, book review by John Roberts 26/137
• Calvocoressi, Richard book review of William Hardie, Scottish Painting 1837-1939 20/6; Letter from Edinburgh 8/19; review of Tamara Krikorian 21/32; Moenchengladbach at Edinburgh 11/50; New museum at Moenchengladbach 11/58; Keeping Tinguely Going 6/61
• Camberwell College of Arts letters 12/329, 10/330
• Camfield, William A Picabia, book review by Anthony Hill 33/30
• Camp, Jeffery review by Philip Rawson 29/52
• Camp, Sokari Douglas review by Dennis Duerdin 21/136
• Campbell, Aileen profile by Rosie Lesso 24/311
• Campbell, Ken The World Returned, review by Cathy Courtney 46/204
• Campbell, Louise review of Festival of Britain 19/6
• Campbell, Steven review by Margaret Garlake 22/83, Brandon Taylor 14/107
• Campus review by Martin Herbert 31/ 291
• Campus, Peter: Projected Video Works 1972-80, Recent Landscapes 2007 review by Chris Meigh-Andrews 27/316
• Campus Capitalism by Peter Suchin 45/259
• Can Buildings Curate review by Paul O’Neill 34/ 287
• CAN.05 review by Dan Smith 34/ 289
• Canadian art 18/107
• Canadian video review by Catherine Elwes 7/217
• Candyman II review by Julian Stallabrass 3/182
• Cantor, Mircea: The Need for Uncertainty review by Coline Milliard 23/317
• Capelle, Maud review of Isa Genzken 33/ 277
• Capital & Karma: Recent Positions in Indian Art review by David Lillington 45/257
• Cardiff, Janet review by David Briers 45/252 review by Stephen Lee 32/322
• Care and Control by Mark Sladen 13/189; letters 14/191
• Carey, John What Good Are the Arts? , book review by Jonathan Harris 38/ 290
• Carlisle, Anne Culture in Contention 14/126
• Carnegie, Gillian profile by Lisa Panting 20/250
• Carnegie International review by Jenni Sorkin 28/232 , Michael Archer 13/153 Jean Wainwright 39/282
• Caro, Anthony review by John Glaves-Smith 14/22, Peter Fuller 6/23, Diane Waldman, Anthony Caro, book review by Tim Scott 32/58; The Triangle Workshop 6/74; review by John Glaves-Smith/Peter Fuller 3/76, Tim Marlow 25/131, 23/151, Nicholas Wegner 20/182
• Carpenter, Merlin review by Michael Wilson 34/243
• Carradice, Ian book review of Peter Vergo, The New Museology 9/133; letters 25/134
• Carraro, Paolo review by Cathy Courtney 39/203
• Carrier, David book review of Michael Fried, Painting and the Beholder in the Age of Diderot 35/49
• Carré d’Art, Nîmes Sarah Wilson on 2/167
• Carron, Valentin, Perret, Mai-Thu review by Marcus Verhagen 41/296
• Carter, John review by Mel Gooding 16/107, Clifford Myerson 16/140
• Carter, Tony review by Michael Archer 16/128, Conor Joyce 17/155
• Cartiere, Cameron and Willis, Shelly The Practice of Public Art, book review by Paul Usherwood 33/329
• Carvalho, Melanie review by Gilda Williams 24/254
• Carver, Antonia Blink, book review by David Chandler 44/260
• Casebere, James review by Margaret Garlake 15/152, Robert Garnett 37/201
• Casino 2001 review by JJ Charlesworth 33/252
• Castelli, Leo obituary 24/230
• Castle, Frederick Ted Art Magazines in the US and Canada 3/3; Castelli-Sonabend 11/14; Hockney’s Paper Pools 20/24; Richard Smith 4/29; MoMA Expands 5/34; Gilbert & George 8/41; The Paint Drain 11/48; Art Norms 3/55; Horse Pictures 15/56; Robert Smithson rolls over in his grave 6/58; Yves Klein flies again 7/64; New York Letter 2/66; Summer in NY 8/69; Occurrences 2/70; Occurrences/New York 5/72, 15/73, 18/79, 14/80, 2/84, 21/85, 19/88, 5/92, 5/95, 8/98, 9/108; letters 22/109; Ingrid Sischy Leaves Artforum 3/110; New York City art 15/145, 12/151, 22/163; IMMA launch 15/148; Christo 11/152; new Guggenheim 11/160; Twenty Years of Occurrences 42/200; review of Robert Rauschenberg 8/211; letters 24/212; on Buenos Aires 18/229, review of Martin Naylor 41/243; obituary 16/298
• Catalan conceptual art review by Simon Grant 37/178
• Cathedral City review by Laura Moffatt 36/221
• Catling, Brian review by Cathy Courtney 25/143, Ian Hunt 15/152, 15/180, 35/226 review of Tom Woolner: Going to Bakeries all Day Long 35/313
• Cattelan, Maurizio review by Simon Grant 27/174
• Cauldron, The review by Paul Usherwood 30/198
• Caulfield, Patrick review by John McEwen 5/52; In conversation with Howard Hodgkin 4/78; review by Mel Gooding 12/130, 13/163, David Musgrave 33/225; obituary 17/ 291
• Causey, Andrew Paul Nash, book review by John Glaves-Smith 25/47; Sculpture Since 1945, book review by Margaret Garlake 47/225
• Caws, Mary Ann The Surrealist Look, book review by Toni del Renzio 40/214
• Caziel review by Dennis Duerdin 26/135
• celebrity rights see Artlaw
• Celmins, Vija review by Melissa E Feldman 32/202, Cherry Smyth 40/229
• CEMA, Fifty Years On review by Mel Gooding 25/160
• censorship see Artlaw, Anna Dezeuze
• Censorship, art and by Ian McKay 30/151
• Central St Martins letters 17/326, 19/327
• Centre of the Creative Universe review by David Briers 25/306
• Century City: Art and Culture in the Modern Metropolis Margaret Garlake on 1/245, Ian Hunt on 7/245
• Cerco, IV Int’l Biennial of Obidos review by Judith Staines 32/172
• César review by Mark Gisbourne 26/171, John Glaves-Smith 29/209
• Cézanne, Paul review by Philip Hughes 16/117; letters 24/120, 24/121
• Chadwick, Lynn obituary 14/267
• Chadwick, Helen review by Michael Newman 11/85, Marjorie Allthorpe-Guyton 18/100; obituary by Marjorie Allthorpe-Guyton 18/195; review by Morgan Falconer 36/ 277 ; letters 23/278 19/279
• Chadwick, Whitney (ed) Mirror Images: Women, Surrealism, and Self-Representation, book review by Maria Walsh 41/226
• Chagall to Kitaj review by Juliet Steyn 22/142
• Chagall, Marc review by Juliet Steyn 6/85
• Chaimowicz, Marc Camille book review of Roselee Goldberg, Performance, Live Art: 1909 to the present 33/28; Cathy Courtney 29/91; review by David Musgrave 32/238
• Chalupecky, Jindrich Art No Longer 3/79
• Chamberlain, John review by John Glaves-Smith 16/9
• Chambers, Eddie review by Margaret Garlake 11/90; review of Makonde sculpture 18/129; letters 26/130, 30/131, 35/133, 46/132; review of Black Markets 31/148, Adrian Piper 13/152, Alfredo Jaar 19/155; letters 30/156, 28/157; Trophies of empire 13/162; review of Bashir Makhoul 26/168; letters 25/179; book review of Jean Fisher (ed), Global Visions 45/183; review of Tampered Surfaces 30/190, Inside Out: Contemporary Women Artists of India 35/193, Three Songs on Pain, Light & Time 65/200, Whitewash 11/205, Keith Piper 43/209, 2nd Johannesburg Biennale 14/212, Transforming the Crown: African, Asian and Caribbean Artists in Britain, 1966-96 7/214; obituary of Donald Gladstone Rodney 21/215; review of Sonia Boyce 26/215, letters 22/216, Tracey Moffatt 34/219; ‘The Main Complaint’ on William Kentridge 1/227; Run through the Jungle: Selected Writings, book review by David Burrows 48/227; review of Pictures of Pictures 36/231, Gordon Bennett 26/233; polemic 54/236; book review of Sidney Littlefield Kasfir, Contemporary African Art 46/237, Petrine Archer-Straw, Negrophilia 46/241; review of The Other Story 52/244; letters 15/245; review of The Next Place: Journeys into the Afterlife 49/248, Landscape Trauma in the Age of Scopophilia 46/249, 16/254; book review of Rasheed Araeen, Sean Cubitt, Ziauddin Sardar (eds), The Third Text Reader on Art, Culture and Theory 41/263, Macha Roesink and Milka van der Valk Bouman (eds), Black My Story 41/272 , review of Africa 05 44/ 284 ; book review of Gilane Tawadros (ed) Changing States: Contemporary Art and Ideas in an Era of Globalisation 38/ 287 ; review of Carrie Mae Weems 30/ 288 ; book review of David A Bailey, Ian Baucom and Sonia Boyce (eds) Shades of Black, Assembling Black Arts in 1980s Britain 46/ 288, Yara El-Sherbini, Sheikh ‘n’ Vac 37/293, Usman Saeed and Sukhdev Sandu, I’ll get my coat 37/293; book review of Elvan Zabunyan, Black is a Color (A History of African American Art) 36/294
• Chambers, Stephen review by Roger Malbert 23/150
• Champion, Miles review of Frances Stark, Collected Works 40/311
• Chandler, David book review of Antonia Carver (ed), Blink 44/260; review of Martin Parr, The Phone Book 40/262
• Chandra, Avinash obituary by Balraj Khanna 26/150
• Chandra, Mohini Album Pacifica, book review by Susan Johanknecht and Katharine Meynell 47/247
• Changing Spaces see Freee
• Channon, Paul interview by Peter Dormer 32/48
• Chaplin, Elizabeth letters 22/125, 30/129
• Chaplin, Sarah and Walker, John A Visual culture: an introduction, book review by Anne Massey 53/216
• Chapman, Jake & Dinos review by Stella Santacatterina 27/166, Godfrey Worsdale 36/180, Erika Lederman 46/187, Peter Suchin 20/267, JJ Charlesworth 27/304
• Chapman Kelley v Chicago Park District see Artlaw
• Chapman, Rowena Male Order, book review by John Roberts 28/121
• Charge of the Light Brigade review by Robert Garnett 26/191
• Charity, Ruth (ed) Re Views: artists and public space , book review by Paul Usherwood 43/ 292
• Charlesworth, JJ response to Simon Ford and Anthony Davies 13/225; letters 15/226; review of MayDay: Communities and Communication 44/227, Manufacturers 33/228, Neurotic Realism Part Two 30/230, Crash!, Urban Islands, Peter Kennard 19/233; letters 19/234; review of The Raft 28/234, Stephen Willats, Dave Beech 27/235; ‘Mayday! May Day!’ on Mayday, Crash!, Democracy! 13/236; letters 16/237; review of …comes the spirit 27/237; book review of Julian Stallabrass, High art lite: British art in the 1990s 54/238; letters 17/239, 9/240, 15/241, 20/242; on ‘The Art of the Third Way’ 7/241; review of Common Culture 42/242; letters 12/243, 13/243; obituaries of Chen Zhen, Ian McLean 16/243; book review of Mark Wallinger and Mary Warnock (eds), Art for All? Their Policies and Our Culture 48/243; Reality Check, on photography 1/247; profile of Roger Hiorns 20/249; review of Casino 2001 33/252 , letters 9/254, 15/256, 13/263; review of Inventory 21/254, Reverberator 33/258; Not Neo but New, feature on formalism citing the exhibitions; Early One Morning, Tra-la-la: British Sculpture in the Sixties, Shimmering Substance and Vivid 7/259; Art’s Agency, feature on art as content and politics as form 7/261; Reality Check, feature on recent developments in British Photography and Video 7/262; review of Alison Jackson, Ella Gibbs 27/264, Roger Hiorns / David Musgrave 40/265; Los Angeles Round Up: review of Jim Isermann, International Paper, I see a Darkness, Chris Finley 39/266; The Dysfunction of Criticism 1/269, letters 18/270, 8/271; review of I Want! I Want! 33/270, Shahin Afrassiabi 30/ 274 ; feature on Art & Beauty 7/ 279 ; review of Communism 19/ 284; Curating Doubt: feature on curating 1/294; review of Writing in Strobe 28/296; book review of Mirza Munira (ed) Culture Vultures: Is UK arts policy damaging the arts? 45/296; Power Without Authority 19/297; review of David Osbaldeston 33/300, Jake & Dinos Chapman 27/304; Bonfire of the Vanities: feature 5/305; review of The Painting of Modern Life 28/311, letters 14/314; Art Education: Opting Out 38/317, letters 20/318, 21/318, 8/319, 9/319
• Charlton, Alan review by Michael Archer 18/94; interview by Andrew Wilson 11/149; review by Andrew Wilson 21/198, 34/205
• Charlton, Hannah review of Max Eastley 6/60
• Charlton, Mervyn review by Mel Gooding 11/115
• Charnley, Clare Nothing like this, review by Nicky Bird 51/232
• Charpin, Catherine (with Sarah Wilson) One Hundred Years Ago: The Incoherents 7/128
• Chasnik review by Susan P Compton 19/10
• Chemical Traces review by David Briers 20/220
• Chen Chieh-Jen review by Colin Perry 32/332
• Cher peintre see Andrew Wilson 12/260
• Cherry, Deborah Hayward Annual 10/19; review of Harry Holland 16/27, Sandra Blow/Peter Coker 23/28, Women and Art 11/60
• Chess and art by Don T Buckle 2/143
• Chevska, Maria review by Simon Morley 23/161, 32/182
• Chicago, Culture in Action review by Andrew Cross 2/168
• Chicago, Judy review by Margaret Garlake 17/85
• Chile Vencera by John A Walker 46/235
• Chillida, Eduardo review by Tom Grimsey 12/140, John McEwen 29/162; obituary 22/260
• Chilver, John review of Paul Morrison/Richard Wright 33/229; review by Michael Wilson 40/251
• China, Contemporary Art from see Sally Lai
• China, new art in review by Simon Morley 24/170, Karen Smith 24/186
• China Power Station: Part 1 review by Martin Herbert 31/301
• Chinese artists review by Sachiko Namba 36/255
• Chirico, Giorgio de review by Toni del Renzio 16/59, Brandon Taylor 9/87; On Classic Ground, by Julian Stallabrass 23/138
• Chodzko, Adam profile by Simon Grant 28/189; review by David Burrows 28/198, David Barrett 29/229, Dan Smith 29/263; Whitstable Interiors, book review by Maria Fusco 35/ 280 interview with David Barrett 1/318
• Chopin, Henri review by Clive Phillpot 38/214
• Christiansen, Henning obituary 21/323
• Christie, John and Berger, John I Send You This Cadmium Red, review by Cathy Courtney 44/237
• Christie, John and Clark, Thomas A By. On. About. (for Vladimir Mayakovsky), review by Cathy Courtney 43/201
• Christo review by Frederick Ted Castle 11/152, Valerie Reardon 17/186
• Christov-Bakargiev, Carolyn Arte Povera, book review by Laura Moffatt 56/228
• Cieszkowski, Krysztof Illusion and Repetition 6/42; Polemics 33/52; David Hockney 18/49; review of Miroslaw Galka: Nothere 33/324, letters 15/325
• Cinéma Cinéma review by Michael Gibbs 24/225
• Cinephilia see Michael O’Pray
• Circa 1968 review by Diane Shamash 31/229
• Citadel 1 Front Room/Killing Room review by Andrew Hunt 38/308
• Cities on the Move Alex Farquharson on 1/229, Richard Hylton on 7/230
• Citizens review by Daniel Jewesbury 29/ 292
• Città Natura review by Iwona Blazwick 7/207
• Civil Restitutions review by David Barrett 29/300
• Clark, John Chinese Artists Association 8/96
• Clark, Kenneth Civilisation in Retrospect, TV review by John A Walker 16/122
• Clark, George review of Oberhausen Film Festival 46/308
• Clark, Thomas A and Christie, John By. On. About. (for Vladimir Mayakovsky), review by Cathy Courtney 43/201
• Clark, Timothy J The Painting of Modern Life: Paris in the Art of Manet and His Followers, book review by Charles Harrison 28/88; talk with Clement Greenberg 12/178; Farewell to an Idea: Episodes from a History of Modernism, book review by Jonathan Harris 50/230
• Clarke, Chris review of United Technologies 25/329
• Clarke, Tim review of Sainsbury Wing 19/149; Palaces of art 20/154
• Clarke, Trevor review by Clifford Myerson 27/141; obituary of Jean Spencer 17/213
• Claura, Michel Working with Shadows, Working with Words conversation with Daniel Buren, Deke Dusinberre and Seth Siegelaub 3/122
• Claustrophobia review by Elisabeth Mahoney 40/218
• Clay, Steven and Phillips, Rodney (eds) A Secret Location on the Lower East Side:Adventures in Writing 1960-1980, review by Cathy Courtney 44/225
• Clegg & Guttman review by Martin Vincent 30/300
• Clegg, James review of Roderick Buchanan 32/307 review of Lucy Skaer 39/318, Susan Collis/Kay Rosen 24/320, Lili Reynaud-Dewar: The Power Structures, Rituals & Sexuality of the European Shorthand Typists 31/330
• Clemente, Francesco review by Mark Francis 13/50, Peter Fuller 11/63, Cathy Courtney 29/91, 39/100
• Claydon, Paul review of John Baldessari 29/255; book review of Rebecca Solnit, Wanderlust: A History of Walking 48/257, Steven Leiber, Extra Art: A Survey of Artists’ Ephemera, 1960-1999, Stephen Bury, Artists’ Multiples, 1935-2000 50/258, review of Ian Breakwell, Vocals 41/279, Stuart Brisley, Beyond Reason: Ordure 40/277
• Clements, Keith Henry Lamb: The Artist and his Friends, book review by Richard Morphet 28/94
• Clemson, Katie 30 Ways of Tying a Turban, review by Cathy Courtney 43/193
• Clérambault, Gaëtan Gatian de review by Paul Overy 20/160
• Clert, Iris obituary by Ralph Rumney 24/101
• Close Encounters review by Simon Grant 37/180
• Clough, Prunella review by Monica Petzal 12/57, Mel Gooding 19/92, Margaret Garlake 20/126, 20/198, Ian Hunt 37/231; obituary by Margaret Garlake 15/233; review by David Ryan 23/310
• Cluett, Shelagh obituary by Jo Stockham 17/309
• Coalesce: Happenstance review by Michael Gibbs 29/323
• Coates, Marcus review by Paul Usherwood 32/267
• Coates, Nigel and Branson, Doug review by Robert Garnett 25/182
• Coburn, Jason review by David Barrett 28/201
• Cobbing, Bob obituary 17/261; review by David Briers 21/287
• Cockburn, Ken & Finlay, Alec (eds) The Order of Things: an anthology of Scottish sound, pattern and concrete poems, review by Ian Hunt 42/250
• Coe, Sue review by Monica Petzal 12/58
• Coffin, Peter review by Eliza Williams 36/326
• Cohen, Anna review of Messages from Nowhere 19/152; book review of Bill Grant and Paul Harris (eds), The Grizedale Experience 23/154, Mel Gooding, Michael Rothenstein’s Boxes 23/155; review of Manchester Expressionist exhibition 32/156
• Cohen, Bernard review by Fenella Crichton 19/6, William Coldstream 2/104; Making art and killing culture Part 1 3/105, Part 2 3/106; interview by Timothy Hyman 12/121; letters 28/145
• Cohen, David Henry Moore Remembered 19/111; review of Sam Francis 20/118
• Cohen, Harold review by Brian Smith 10/68
• Coker, Peter review by Bruce Killeen 29/18, Juliet Steyn/Deborah Cherry 23/28; obituary 12/ 283
• Colard, Jean-Max Homo Economicus: on the fine art of micro-economics 12/215; portraits of Serge Comte, Alain Bublex, Marie-Ange Guilleminot, Pierre Huyghe 14/215
• Coldstream, William review by Andrew Brighton 23/2, Lynda Morris 6/79; obituaries by Malcolm Hughes, Myles Murphy, Bernard Cohen 2/104
• Coldwell, Paul Freud’s Coat, review by Cathy Courtney 42/201, With the Melting of the Snows, review by Cathy Courtney 47/219
• Coleman, A D The Digital Evolution. Visual Communication in the Electronic Age: Essays, Lectures and Interviews 1967-1998, book review by Michael Gibbs 50/229
• Coleman, James interview by Jo Baer 6/5; review by Jean Fisher 17/49, Robert Garnett 27/199
• Coleman, Les review by Patrick Hughes 15/116
• Coles, Alex book review of Nick Kaye, Site-specific Art: Performance, Place and Documentation, Erika Suderburg (ed), Space, Site, Intervention: Situating Installation Art 45/241; review of Ross Bleckner 31/242 Olivier Mosset 34/245; book review of Amy Newman, Challenging Art: Artforum, 1962-1974 42/245; review of Drawings 30/246; book review of David Batchelor, Chromophobia 49/246; profile of Kathrin Böhm 24/247; Arte Ricca, on Zero to Infinity: Arte Povera 1962-1972 1/248; review of Dan Graham 35/249, John Wesley 42/252; Art Décor, feature on art’s romance with design citing Richard Artschwager, Jim Isermann, Jorge Pardo, Pae White and Andrea Zittel 7/253; The Bathroom Critic, caricatures of the critic 7/263, feature on Curating: Then and Now 1/275 ; letters 13/277; review of Michael Elmgreen & Ingar Dragset 20/294; DesignArt: On art’s romance with design, book review by Paul O’Neill 35/294; review of Gabriel Orozco 22/301; Pavilions: feature 1/308 review of Pipilotti Rist 25/330; book review of Daniel Birnbaum and Isabelle Graw (eds) Canvases and Careers Today: Criticism and its Markets 33/330; review of Thomas Demand 21/331
• Coles, Pippa on art in the new millennium 12/232
• Coley, Nathan review by Andrew Cross 26/213 , Paul Usherwood 46/268; Martin Herbert 35/ 278 review by Colin Glen 30/323
• Coley, Nathan/Ader, Bas Jan review by John Tozer 23/251
• collaborative art Michael Archer on 3/178
• collaborative works see Artlaw
• Collaborators review by Larne Abse Gogarty 29/326
• Collage review by Eliza Williams 33/ 276
• Collage London/New York review by Marcus Verhagen 23/329
• Collected review by David Burrows 21/207
• College Arts Association Conference Iwona Blazwick on 44/265
• Collier, Caroline On the Black Night of Alba … 2/134
• Collier, Peter (ed.) Visions and Blueprints - Avantgarde Culture and Radical Politics in Early Twentieth-Century Europe, book review by Toni del Renzio 23/125
• Collier Schorr see Barbara Pollack 1/253
• Collings, Matthew and Arnatt, Matthew Criticism , book review by Kathy Battista 36/ 291
• Collings, Matthew letters 24/100; on Turner Prize 2/142; This is Modern Art, book review by Laura Moffatt 55/232letters 12/ 278 , 14/ 280 ; Depth v Banality 39/ 291
• Collins, Cecil review by Andrew Smith 8/50, Peter Fuller 14/72
• Collins, Hannah review by Michael Archer 20/79
• Collins, Michael Towards Post-Modernism, book review by Toni del Renzio 26/116
• Collins, Phil profile by Niamh Ann Kelly 20/265 , Cherry Smyth 33/ 286
• Collins, Susan review by Emma Safe 31/262
• Collishaw, Mat review by Julian Stallabrass 17/143, Conor Joyce 16/154, Ian Hunt 24/193
• Common Wealth review by Peter Suchin 21/272
• Con Art review by Nicky Bird 27/255
• Concerning the Spiritual in Art feature by Jeffrey Kastner 1/256
• Cologne Fair review by Neil Bally 24/72, Tim Martin 8/142, Michael Archer 29/182
• Colomina, Beatriz (ed) Privacy and Publicity: Modern Architecture as Mass Media, book review by Michael Archer 44/183
• Colour after Klein review by Alison Green 35/ 288
• Colquhoun, Robert review by Martin Green 14/5
• comedy, art of see Sally O’Reilly
• Comer, Stuart (ed.) Film and Video Art, book review by Sophia Phoca 39/328
• … comes the spirit review by JJ Charlesworth 27/237
• Comic art by David Lillington 1/216
• Coming up for air review by Simon Grant 28/176
• Common Culture review by JJ Charlesworth 42/242
• common sources see Artlaw
• Communism review by JJ Charlesworth 19/ 284
• Compton, Susan P Russian Pioneers 26/1; The Suprematist Straight Line 19/10; The World Backwards, book review by Richard Cork 31/22; book review of Larissa A Zhadova, Kazimir Malevich 23/60, Andrei Nakov, Abstrait/Concret 23/60, John Milner, Vladimir Tatlin 26/68, Beverley Whitney Kean, All the Empty Palaces 25/70; review of Annely Juda’s Non-Objective World 8/93; book review of Andrei Nakov, Avant-garde Russe 26/103, S O Khan-Magomedov, Rodchenko, the complete work 23/109, Aleksandr Kamensky, Chagall: The Russian Years 1907-22 26/133
• Comte, Serge portrait by Jean-Max Colard 14/215
• Conception, Conceptual Documents 1968-72 review by Andrew Wilson 24/244
• Conceptual formalism see Mark Prince
• confidentiality and contract see Artlaw
• Confrontations review by Roger Wollen 39/108
• Conisbee, Philip Chardin, book review by Richard Cork 27/101
• Connearn, David review by Sean Cubitt 36/205
• Conner, Bruce obituary 13/319
• Connolly, Maeve review of Getting Even: Oppositions + Dialogues in Contemporary Art 22/323
• Conroy, Stephen legal disputes Artlaw 34/119
• conservation, renovation and restoration see Artlaw
• Conserving Change: Conservation and Modern Art by Roy Perry 5/139
• Constable, John review by Michael Archer 7/149
• Constructed Works review by Sarah James 30/ 286
• Constructivism, Russian 1914-32 review by Peter Nisbet 11/143
• Contact 522 4813 review by Ross Sinclair 20/158
• Contained exhibition review by David Barrett 30/186
• Container 96: Art Across Oceans review by Sotiris Kyriacou 34/199
• Contemporary Art and the Market in Theory lecture review by Rupert Heath 36/142
• Continental Drift see Richard Hylton on Continental Shift – A Voyage Between Cultures 1/239
• Continuum001 review by Nina Mehta 33/235
• contracts and commissions see Artlaw
• Contreras, Freddy review by Sotiris Kyriacou 35/187
• Coode-Adams, Sonia letters 24/94, 31/112, 31/131, 30/156, 32/163
• Cook, Anthony review by Paul Kopocek 21/49
• Cook, Barrie review by Peter Dormer 29/111, Mel Gooding 19/114
• Cook, Benjamin and Todd, Peter (eds) Subjects and Sequences: A Margaret Tait Reader, book review by Rod Mengham 39/310
• Cook, Roger obituary of Derek Jarman 34/174; review of The Secret Public: The Last Days of the British Underground 1978-1988 24/306 opinion on Isaac Julien’s Derek 38/315; review of Jack Pierson 22/316
• Cook, Sarah and Graham, Beryl Net and Not Net, on curating new media 44/261
• Cooke, Lynne review of Post-Impression 17/33, Abstraction 15/35, Nicholas Pope 11/53, Joseph Beuys 11/56, Richard Deacon 16/64, Richard Long 8/66, Joseph Beuys, Anselm Kiefer 15/69, Susan Hiller 11/75, Gilbert & George 10/76, Tess Jaray 13/76, Gerard Hemsworth 19/78; book review of Jan Garden Castro, The art and life of Georgia O’Keefe 28/100, Jack Flam, Matisse, the man and his art, 1869-1918 30/105; Sculpture Project, Münster 10/110; Australian Biennale 8/118; interview with Sophie Calle and Greg Shepherd 3/163, Jon Kessler 5/167
• Coombes, Annie No More Old Master Narratives 15/12; book review of Margaret Hall, On Display: A Design Grammar for Museum Exhibitions 28/113
• Coonan, Rory book review of David Rushton and Paul Wood (eds), Politics of Art Education 31/24, Meyer Schapiro, Modern Art, Robert Williams, Artists in Revolution 31/26; review of Style in the ’70s 14/29; book review of Dorothy Norman, Alfred Stieglitz: An American Seer 28/31; review of A sense of Ireland 15/33; Looking for Irishness 18/34; book review of Photographs by David Hockney 26/62, The Work of Atget: Vol II The Art of Old Paris 25/65
• Cooper, Douglas interview by Brandon Taylor 4/67
• Cooper, Eileen review by Monica Petzal 15/87
• Cooper, Martha and Chalfont, Henry Subway Art, book review by Sheena Wagstaff 29/79
• Co-Operators review by John Tozer 26/194
• Coplans, John review by Timothy Foster 18/143, David Barrett 34/210 ; obituary 22/270
• copyright see Artlaw
• Copyright, World of Ian Hunt 19/316
• Corbett, David Peters review of Modern Art in Britain 26/206; (ed) Wyndham Lewis and the Modern Art of War, book review by Richard Humphreys 45/220; book review of Paul O’Keeffe, Some Sort of Genius: A Life of Wyndham Lewis, Paul Edwards, Wyndham Lewis: Painter and Writer 49/247
• Corby, Tom (ed) Network Art: Practices and Positions, book review by Michael Gibbs 48/302
• Cordially Invited review by Michael Gibbs 26/ 283
• Cork, Richard The Critic 8/14; Royal Oak Murals 10/15; Richard Cork’s Reply 22/18; book review of Susan P Compton, The World Backwards 31/22; Extending the Tate 16/28; profile by John Tagg and Peter Fuller 3/30; Replies to Criticism 3/32; The Social Role of Art, book review by Donald Brook 21/37; book review of Volker Barthelmeh, Street Murals 27/64; tribute to Lilian Bomberg 20/67; book review of Peter Townsend (ed) Art Within Reach 28/79; Art Beyond the Gallery, book review by Toni del Renzio 30/89; book review of Philip Conisbee, Chardin 27/101; review of Giacomo Balla 11/110; Reflections on Women’s Art 17/123; book review of Caroline Tisdall, Grist to the Mill: Selected Writings 1970-1995 50/209; review of Santiago Sierra 33/ 279
• Cornall, John book review of John Roberts, Postmodernism, Politics and Art 25/137; review of Painting, Empathy and Realism: A Symposium 35/138
• Cornell, Joseph review by Michael Newman 7/45, Mel Gooding 14/105; Theatre of the Mind, book review by Toni del Renzio 45/179
• Cornell, Sarah Art: A History of Changing Style, book review by Bernard Denvir 26/66
• Cornford & Cross see feature by JJ Charlesworth 07/241; review by Dave Beech 23/262
• Cornford, Christopher book review of Norman Potter, What is a Designer: Things, Places, Messages 29/48
• Cornock, Stroud Art Education 33/77; As Others See Us 2/b; letters 25/79, 20/84
• Cornwell, Regina review of video art in documenta IX 22/159; book review of William Gibson and Dennis Ashbaugh, Agrippa, A Book of the Dead 27/163; interview with Gary Hill 3/170
• Correspondences review by David Burrows 23/213
• Corrigan, Philip review of Stephen Willats 17/23; Untitled 1979 29/24
• Corrin, Lisa on art in the new millennium 7/232
• Corris, Michael review of FaceOn 29/240; Para-Cities & Paradigms, on Vito Acconci; review of Homes for the Soul – Micro-Architecture in Medieval and Contemporary Art 9/244; review of Plug-In: Unity and Mobility 37/249, Americans: The New Art 30/252 ; White Out, feature on Alfredo Jaar 6/260; review of Damien Hirst 36/270 Berlin Biennale 21/ 275; ed) Conceptual Art: Theory, Myth, and Practice , book review by Paula Feldman 40/ 281 ; review of Before the End The Last Painting Show) 25/ 282 , obituary of Steven Parrino 15/ 285 ; review of Vito Acconci 33/ 287, Lawrence Weiner 27/ 292; America Rising: feature 1/301; review of Albert Oehlen 34/302, Op Art 23/306, The World as a Stage 20/312 review of Conrad Atkinson 32/313, Traces du Sacré 26/318, Total Enlightenment: Moscow Conceptual Art 18/319; future of art education 5/320; review of War and Medicine 21/324; The Economy of Art: feature 9/327; obituary of Charles Harrison 16/329
• Cosgrove, Mark and Lanyon, Josephine John Smith: Film and Video Works 1972-2002, book review by Michael O’Pray 43/261
• Costakis, George collection, review by John Willett 25/54
• Cotter, Suzanne review of Dean Kuipers and Doug Aitken, I am a Bullet: Scenes from an Accelerated Culture, Doug Aitken, Diamond Sea 46/243
• Cottingham, Laura review by Gilda Williams 46/223; Seeing Through the Seventies: Essays on Feminism and Art, book review by Cherry Smyth 47/237
• Cotton, Michelle review of Bill Drummond, 17, Cory Arcangel, A Couple Thousand Short Films About Glenn Gould 35/319, Nought to Sixty 29/322, Rank: picturing the social order 1516-2009 26/325 /li>
• Couch Tatties review by Daniel Jewesbury 45/242
• Couch, Patrick Sculpture at St Martin’s 15/16
• Counsell, Melanie review by Michael Archer 14/166, Sotiris Kyriacou 30/184; Annette, review by Cathy Courtney 38/217, Maria Walsh 32/ 286
• Counterpoint review by Mark Thomson 16/143
• Countervail review by Clifford Myerson 22/161
• Coupland, Douglas & Huyghe, Pierre School Spirit, review by Maria Fusco 46/265
• Courtney, Cathy artists’ books: issues 70-192 (see Introduction) Powered Vandalism 19/65; An ambiguous festival 18/67; Art Education 34/80; Redstone Press 27/107; interview with Ian Tyson 36/122; Curved Space exhibition, various books 31/124; The National Art Library 31/125; interview with Telfer Stokes 33/131; The Illuminated Library 28/134; interview with Julia Farrer 25/140; interview with Norman Ackroyd 26/153; interview with Stephen Willats 25/158; interview with William Furlong (Audio Arts) 26/160; Wenyon & Gamble 28/163; letters 32/163; Michael Peel 28/164; interview with David Blamey 28/166, with Ron King 33/169; on workfortheeyetodo 32/170; letters 29/170; interview with Charles Booth-Clibborn (Paragon Press) 26/173, with Dr Stephen Bury 30/176; Andrea Hill 40/180; interview with John Christie 40/182, with Colin Sackett 40/184; The Book Garden 40/186; The Book and Beyond 45/187; interview with Stephen Stuart-Smith (Enitharmon Press) 38/190; on Artists’ Lives archives 41/190; review of Sharon Kivland, La Passante, Andrew Forster, Light in the Head 42/193, Helen Douglas and Telfer Stokes, Water on the Border, Katie Clemson, 30 Ways of Tying a Turban, Danny Markey, Elephant and Castle Shopping Centre 43/193, Julia Farrer and Ian Tyson, Partworks 38/194, something else 39/194; interview with Joe Studholme 41/195, with Patrick Procktor 42/195, with Stephen Bury 44/196; review of Liliane Lijn, Her Mother’s Voice 47/197, Peter Kennard, Unwords, Sarah Jacobs, drawn from the work in progress, James Laughlin and Vanessa Jackson, A Secret Language, Anthony Heywood and Andrew Lambirth, Some Seen Some Said, Roxanne Jackson, Water Ledge 42/198; on Daniel Jubb 51/199; review of Jane Rolo and Ian Hunt (eds), Book Works: A Partial History and Sourcebook, 67/200, 1996 Artists’ Book Fair, Susan Johanknecht, Helen Douglas and Telfer Stokes 41/201, Stephen Bury, The Body and the Book, Paul Coldwell, Freud’s Coat, Through the Looking Glass: 30 Years of Circle Press 1967-96, Liam Gillick, Erasmus is Late 42/201, Stephen Klimas (ed, pub), Reports of Worldwide Diseases, Pamela Golden, Plumbers, Thomas A Clark and John Christie, By. On. About. (for Vladimir Mayakovsky) 43/201, Rebecca Salter, Rondo, Susan Hiller, After the Freud Museum, Tony Kemplen, A Long Tour of Paris on Foot, Ursa Major, Margherita Marghereater, Kubla Can’t 44/201, Roger Towndrow, a place apart, Tim Staples, … to relieve boredom 45/201; interview with Alec Finlay 46/201, with Richard Slee 46/202; The Looking Book: a pocket history of Circle Press 1967-96, book review by Andrew Lambirth 47/202; review of Paolo Carraro 39/203, Ken Campbell, The World Returned 46/204, Beyond Reason: Art and Psychosis 40/205, Hans Waanders, Field Guide, Michael Craig-Martin, Book 42/206, Dorothy A Yule and Susan Hunt Yule, The Rinkettes 45/207, Deborah Levy, Diary of a Steak 47/209; interview with Johanna Drucker 46/210; review of The Space of the Page 39/211, Terry Smith, site unseen 45/212, Evidence, Anthology, Hans 31/213, Susan Johanknecht, (creep) of the structure concerned and moments of forces and Susan E King, Treading the Maze 1993 and 1997 37/214, Cornelia Waanders, Correo Aereo, Zoe Irvine, Wind and Postmarks from the World of Donald Evans, Cornelia Lauf and Clive Phillpot, Artist/Author: Contemporary Artists’ Books 38/215; interview with Helen Douglas 51/216; review of Melanie Counsell, Annette 38/217, Danny Markey, Footballers, Sarah Jacobs, A Wa[y]farer 48/218, Paul Etienne Lincoln, The World and Its Inhabitants, Virgil Tracy, Under Hempel’s Sofa, Steve Beard, Perfumed Head, Sharon Kivland, Sinthome, Randy Klein, Tales of New York, Paul Coldwell, With the Melting of the Snows 47/219, Telfer Stokes, Song of the Thrush 42/220, Jerome Rothenberg and Ian Tyson, Delight/Delices and other Gematria, David Shrigley, Why we got the sack from the museum 43/221, William Furlong and Mel Gooding, An Imagery of Absence 50/222, Roberto Martinez, Toi et Moi, Jean-Jacques Rullier, 10 Boucheries, Christine Crozat and Olivier Kaeppelin, un confident, Christine Kennedy, Personal Effects 43/223, Gad Hollander and Andrew Bick, The Palaver, Jordan Baseman, Shup 38/224, Steven Clay and Rodney Phillips (eds) A Secret Location on the Lower East Side:Adventures in Writing 1960-1980 44/225, Joan Lyons, Twenty-Five Years Ago 38/226; speaking of book art, Interviews with British and American Book Artists, book review by John Janssen 39/226; review of Rebecca Fortnum, Beth Harland, Louisa Minkin, Jim Mooney, Yve Lomax, Ben Richards, Steve Waters and Vit Hopley, Reading Matter 47/227, Sharon Kivland (ed Forbes Morlock), A Case of Hysteria 51/228, Jeremy Deller, The Uses of Literature, Frances Stark, The Architect & The Housewife and Seven Wonders of the World: 66 responses to the proposition ‘suggest your own alternatives to the Seven wonders of the Ancient World’ 47/230, Simon Morris & Helen Sacoor, bibliomania, Ruth Maclennan and Volker Eichelmann, style-substance: The MaxMara Coat Project 40/231, Helen Douglas, Wild Wood 52/232, Emma Kay, Worldview, Volumes (of vulnerability) (23 artists’ books in a tin), Sarah Jacobs, Song of the Data Stream, Maria Fusco, Something Wonderful is Going to Happen 47/234, John Berger and John Christie, I Send You This Cadmium Red44/237; obituary of Tony Zwicker 51/238; obituary of Peter Townsend 16/299; letters 10/301
• Coventry, Keith review by Conor Joyce 16/154, Caroline Douglas 28/206, David Burrows 37/240, Andrew Wilson 37/300
• Cowan, Judith review by Margaret Garlake 16/87, John Stathatos 21/135, Julian Stallabrass 15/165, Michael Archer 14/166, Valerie Reardon 35/217
• Cowie, John letters 27/72, 24/74, 25/77, 20/80, 23/83, 22/93
• Cox, C B The Arts Council: Politics and Policies, book review by Peter Dormer 24/60
• Cox, Christoph and Warner, David(eds) Audio Culture - Readings in Modern Music, review by David Ryan 39/284
• Cox, Stephen review by Juliet Steyn 13/66
• Coxhead, David interview with Betty Parsons 5/22, with Lucy Lippard 4/32; book review of Brian Wallis (ed), Blasted Allegories: An Anthology of Writings by Contemporary Artists34/122
• Coxon, Ann feature on The Land project 9/288 ; review of Mark Dion 27/290
• Crabtree, Amanda on the French FRACs 8/182; review of 4th Lyons Biennial 27/209; on contemporary French art 7/215; review of Manifesta 2 22/219, How’s Your Cow 35/242, 6th Lyons Biennale 22/249
• Craft review by John Tozer 37/212
• Craft and Design see Peter Dormer, Christine Percy
• Cragg, Tony review by Monica Petzal 18/86, Patricia Bickers 12/105, 5/119, Euan McArthur 9/160, Anthony Barnett 42/204
• Craig, Edward review by Margaret Garlake 18/62
• Craig-Martin, Michael Reflections on the ’60s and early ’70s 3/114; review by Mel Gooding 11/115, Liam Gillick 21/132; obituary of Donald Judd 34/174; Art and Science 42/200; Book, review by Cathy Courtney 42/206, Niamh Ann Kelly 37/302
• Cranshaw, Roger Notes on Cubism 3/85; letters 25/121; book review of Lawrence Gowing, Cézanne, The Early years, 1859-72 26/118; letters 24/119, 24/121; book review of John Golding, Cubism: A History and an Analysis 1907-14 24/125
• Crash! review by JJ Charlesworth 19/233, 13/236; letters 19/234
• Crawford, Alan C R Ashbee: Architect, Designer and Romantic Socialist, book review by Peter Fuller 28/94
• Creative Quarters: The Art World in London 1700-2000 Andrew Wilson on 8/246
• Creed, Martin profile by Gilda Williams 22/195; review by Dave Beech 24/226, Sally O’Reilly 34/281, Martin Herbert 27/307 interview with David Trigg 1/321
• Cremaster 2review by Polly Staple 48/234
• Crème anglaise: un siècle de sculpture anglaise review by Patricia Bickers 3/199
• Crewdson, Gregory review by David Barrett 26/224 review by Alison Green 20/317
• Crichton, Fenella review of François Morellet 16/5, Bernard Cohen 19/6, John Loder 8/42; on Hermann Nitsch 7/220
• Cox, Christopher text for Carsten Nicolai, Autopilot, review by Dan Smith 48/268
• Creating Places conference see Artlaw
• Creative Business Forum conference see Artlaw
• Crimp, Douglas On the Museum’s Ruins, book review by Simon Ford 28/173
• Crimp, Douglas, Iverson, Margaret, Bhabha, Homi Mary Kelly, book review by Maria Walsh 42/211
• Crinson, Mark review of René Magritte 14/157
• Crisis What Crisis? see Michael Archer
• Crisp, Fiona/Tickle, Matthew/Warnell, Phillip review by Sarah James 31/ 290
• Critical Decor review by Godfrey Worsdale 59/200
• Critical Interventions: Evil review by David Burrows 24/217
• Crivelli Visconti, Jacopo review of São Paulo 25th Biennial 25/256
• Croft, Brenda review by Piers Masterson 32/178; letters 25/179, 23/180, 25/181
• Croft, Stuart: Drive In review by Jennifer Thatcher 37/318
• Crook, Jo Mordaunt William Burges and the High Victorian Dream, book review by Joseph Rykwert 25/54; The Dilemma of Style, book review by Toni del Renzio 26/116
• Crop Rotation review by Stephen Bury 52/253
• Crosby, Theo review of Thirties: British Art & Design before the War 18/32; Art and Architecture 29/61
• Cross, Andrew review of Public Art Chicago Style 2/168; letters 36/168; review of Giuseppe Penone 16/171, Kate Ericson and Mel Ziegler 17/174, Escale/Stopover/ Tussenstop 30/175; obituary of Kate Ericson 22/192; review of Obsession 31/193, Juan Cruz 44/197, Offside: Contemporary Artists and Football 37/198, Whitechapel Open 42/199, Angela Bulloch 25/202; Letter from America 7/203; review of Blurring the Boundaries 1/205, Tania Kovats, Nathan Coley 26/213, review by Martin Herbert 37/258
• Cross, Dorothy review by Godfrey Worsdale 38/179; profile by Libby Anson 19/203
• Cross, Tom Painting the Warmth of the Sun: St Ives Artists 1939-75, book review by Michael Green 13/71
• Crotty, Russell review by Padraig Timoney 34/208
• Crow, Thomas lecture on contemporary art, review by Rupert Heath 36/142
• Crowe, Nick review by Michael Gibbs 58/239; Graham Parker on 9/242 , review of Janette Parris 40/253, Dean Hughes 39/255, Bandwagon Jumping 35/262, Irwin 25/275, Pavel Büchler 37/279, Erika Tan 31/285
• Crowe, Nick/Heger, Swetlana/Boden, Roland review by Dave Beech 35/260
• Crowe, Nick & Rawlinson, Ian review by Emma Safe 24/267
• Crowley, Graham review by Tony Godfrey 12/81, Brian McAvera 17/115 letters 13/315, 13/316, 14/316, 15/316, 13/317 see also art education
• Crowley, Lucy review by Margaret Garlake 20/74
• Crowther, Paul The Language of Twentieth-Century Art, book review by Jonathan Harris 40/217
• Crozat, Christine and Kaeppelin, Olivier un confident, review by Cathy Courtney 43/223
• Crozier, William review by Michael Green 13/71
• Cruise Control see Jeffrey Kastner
• Cruel and Tender: The Real in the Twentieth-Century Photograph see Morgan Falconer
• Cruise, Colin book reviews of William Chappell (ed) Well Dearie! The Letters of Edward Burra 20/90, Jan Marsh, Pre-Raphaelite Sisterhood 26/93, Laurence Whistler, The Laughter and the Urn: The Life of Rex Whistler, Roger Billcliffe, The Glasgow Boys, Michael Jacobs, The Good and Simple Life: Artist Colonies in Europe and America 29/97; Bruce Bernard, The Impressionist revolution, Melissa McQuillan, Impressionist portraits, Tamar Garb, Women Impressionists, Frances Weitzenhoff, The Havermeyers: Impressionism comes to America 26/103, Guy Brett, Through our own eyes: popular art and modern history 32/105
• Crunch Time see Jennifer Thatcher
• Cruz, Angela de la review by David Barrett 34/218
• Cruz, Juan review of Matthew Tickle 32/189, Helen Robertson 27/190, Simon Tegala 37/191, Elemental 34/192, Siobhán Hapaska 37/193, Peter Doig 30/194, Ian Whittlesea 37/195, Graham Gussin 37/196; review by Andrew Cross 44/197; review of Some Drawings: From London 32/198; book review of Andreas Rüthi, Still life paintings, and Ian Hunt, The Daubers/Die Kritzler 69/200; profile of Robert Ellis 24/201; review of Made New 30/202, Richard Tuttle 28/203, Antechamber 31/206, Fiona Banner/Bridget Smith 30/207, Guillermo Kuitca 30/208, Kate Belton 34/209, Vito Acconci’s home movies 49/210, letters 19/211, review of Gavin Bryars & Juan Muñoz 30/211, Voice Over/You don’t know me but … 12/214; review by David Musgrave 26/214; review of Pierre Bismuth 22/215, Roger Ackling 46/218, Carl Andre/Melissa Kretschmer 32/220, Carl von Weiler 31/221, Ian Hunt 36/282
• Cruzvillegas, Abraham review by Martin Vincent 27/321
• Csörgö, Attila review by Morgan Falconer 37/ 276
• CTRL [SPACE] review by Michael Gibbs 36/252
• Cubitt, Sean review of Nina Edge/Peter Beeton 31/180, Daphne Wright 39/183, Rasheed Araeen 30/201, David Connearn 36/205, Willie Doherty 42/208; Digital Aesthetics, book review by Michael Gibbs 43/226
• Cubitt, Sean, Araeen, Rasheed, Sardar, Ziauddin (eds) The Third Text Reader on Art, Culture and Theory, book review by Eddie Chambers 41/263
• Cuddihy, Mikey review by Michael Newman 11/85; review of Joanna Price 24/173
• Cuevas, Minerva: S.COOP review by Coline Milliard 34/b326
• Culbert, Bill review by Cyril Barrett 19/4
• Cullen, Shane review by Laura Moffatt 31/245 , Daniel Jewesbury 21/261
• culture classes editorial 14/314
• Cullerne Bown, Matthew Letter from Moscow 7/102; review of Ilya Glazunov 24/106; Perestroika in the Visual Arts 7/110; book review of Dmitri Sarabianov, Russian Art, Myuda Yablonskaya, Women Artists of Russia’s New Age, Vladimir Tolstoy, Irina Bibikova, Catherine Cooke, Street Art of the Revolution: Festivals and Celebrations in Russia 1918-33, Jacqueline Decter, The Posters of Glasnost and Perestroika: The Life and Art of a Russian Master 37/138
• Cullis, Ann review of Muntadas: Stadium III 16/130; Page Two: How Long Before a Roast Duck Flies into Your Mouth? 2/137
• Cult Fiction: Art and Comics review by Matt Price 34/308
• culturepreneurs 9/223, 13/225, 17/225, 14/226
• Cummings, Neil (ed) Reading Things Sight Works Vol 3, book review by Ian Hunt 33/174
• Cummings, Neil & Lewandowska, Marysia review by Stephen Bury 33/237 The Value of Things, review by Stephen Bury 41/245
• Cunningham, David book review of Douglas Kahn, Noise, Water, Meat. A History of Sound in the Arts 57/236; review of Sonic Boom 34/237
• Cunningham, Vera review by Margaret Garlake 11/90
• curating see JJ Charlesworth, Paul O’Neill, Mark Wilsher
• Curating Degree Zero Archive review by Paul O’Neill 40/ 288
• Curating Doubt see JJ Charlesworth
• Curating for Pleasure and Profit letters 36/168
• Curating Then and Now see Alex Coles
• Curating U-Topics see Paul O’Neill
• Curator Also Rises, The see Patricia Bickers
• Curator and Artist see Alex Farquharson
• Curator course, RCA by Liam Gillick 15/162
• Curators see Mark Prince
• Curnoe, Greg Regionalism 2/5
• Currall, Alan review by Ben Judd 30/260
• Current Affairs see Stephen Willats
• Current Research review by John Tozer 28/217
• Currie, Ken review by Monica Bohm-Duchen 13/104, Euan McArthur 17/119
• Curtis, Layla review by Sotiris Kyriacou 30/297
• Curtis, Layla/Turnbull, Alison/ Wright, Richard review by Paul Usherwood 38/240
• Curtis, Penelope review of Richard Tuttle 30/293
• Cusack, Tricia letters 26/121, 21/125
• Cutts, Simon review of Ian Hamilton Finlay 18/11
• Cutts, Simon and Rogers, Martin (eds) ) The Printed Performance: Brian Lane Works 1966-99, book review by David Briers 41/254
• Czech/Slovak art 27/106; review by Ian McKay 24/148; Czechoslovak Art Now review by Caroline Juler 29/157; Czech and Slovak art, review by Paul Overy 30/178; letters 33/160