A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Index: A

  • 15/1² review by Sally O’Reilly 32/269
  • 15mm Films: The Way Out review by Maxa Zoller 43/328
  • 50 Projects in 50 Weeks reviews by Maria Walsh, Emma Smith, John Tozer, Michael Archer, Michael Wilson, David Lillington, Gilda Williams, Margaret Garlake 43/243
  • 100 Artists See God review by Sally O’Reilly 16/283
  • 2000 and What? by Patricia Bickers 2/232
  • 210 x 297 review by David Barrett 47/232
  • 54 x 54 x 54 review by David Barrett 47/232
  • 90s Art, Notes on see John Roberts
  • 1968: Art and Politics in Chicago review by Francis Frascina 22/322
  • .all Hawaii eNtrées/LuNar ReGGae review by John Slyce 26/303
  • A Kind of Bliss review by Ian White 32/275
  • A pasta de Walter Benjamin review by Andrew Wilson 33/172
  • A Secret Service review by Sally O’Reilly 29/304
  • A Timely Place, or, Getting Back to Somewhere review by Stephen Bury 39/249
  • A to Z review by David Musgrave 29/216
  • Aagaard, Hilde Homecoming, review by Stephen Bury 39/274
  • Abbs, Peter The Four Fallacies of Modernism 7/106; letters 23/107; A is for Aesthetic: Essays on Creative and Aesthetic Education, book review by Francis Frascina 27/133
  • Abdessemed, Adel – Trust Me review by Colin Perry 25/316
  • Abdu’Allah, Faisal review by Nancy Hynes 32/218 review by Coline Milliard 24/315
  • Abidi, Bani profile by Virginia Whiles 18/315
  • About Vision: New British Painting in the 1990s review by Andrew Wilson 7/202
  • Abracadabra: International Contemporary Art review by Ian Hunt 7/229
  • Abrahams, Ivor review by Margaret Garlake 13/65
  • Abrahamson, Carl Introduction to Painful but Fabulous: The Lives and Art of Genesis P-Orridge, book review by Simon Anderson 41/273
  • Abramovic, Marina review by Sotiris Kyriacou 35/186, Robert Ayers 31/223 review by Bob Dickinson 27/329
  • Abrioux, Yves Ian Hamilton Finlay, A visual primer, book review by John Willett 27/95
  • Absalon review by Dalia Manor 33/186
  • Absolut Open review by Elisabeth Mahoney 34/233
  • Abstract Art review by David Burrows 30/234
  • Abstract Still Life Portrait review by Chris Meigh-Andrews 21/156
  • Abstraction books on, review by Mel Gooding 22/140
  • Abstraction and Appropriation see Vincent Pécoil
  • Abstraction Now review by Axel Lapp 32/270
  • Accelerator review by Mark Harris 33/222
  • Accommodating Art: installation art by Michael Archer 7/199
  • Acconci, Vito review by Juan Cruz 49/210; letters 19/211; Michael Corris on 9/244; review by Michael Corris 33/287; Changing Spaces: interview with Freee 1/332
  • ACE v RABs: Hoking Together by Robert Hutchison 49/250
  • Achill Redo see Anthony Hill
  • Ackermann, Rita review by Godfrey Worsdale 38/188
  • Ackling, Roger review by Monica Bohm-Duchen 19/106, Mel Gooding 16/134, Juan Cruz 46/218
  • Ackroyd, Norman review by Melanie Hart 19/34; obituary of Anthony Gross 31/82; interview by Cathy Courtney 26/153
  • ACME studios see Artlaw
  • A Short History of Performance, Part One see Anna Dezeuze 1/257
  • ACE Research Report see Artlaw
  • Acoustic Shadows review by David Briers 34/226
  • Across Europe 2/155
  • Adami, Valerio review by Willis Domingo 16/7
  • Adams, Eileen Public Art: People, Projects, Process, book review by Margaret Garlake 39/215
  • Adams, Hugo Sad Patronage 8/26; Northern Young Contemporaries 19/32; The work of Margaret Harrison 7/44
  • Adams, Mac review by Ian Walker 12/30
  • Adams, Robert review by Alastair Grieve 17/121
  • Adekola, Ade letters 15/204
  • Adekola, Ade/Shonibare, Yinka/Wallinger, Mark review by David Burrows 31/203, letters 15/204
  • Ader, Bas Jan review by Anna Dezeuze 29/297
  • Ader, Bas Jan/Coley, Nathan review by John Tozer 23/251
  • Ades, Dawn, Cox, Neil & Hopkins, David Marcel Duchamp, book review by Laura Moffatt 56/228
  • Adorno, T W Aesthetic Theory, book review by John Roberts 27/81
  • Advanced Graphics 23/101
  • Afrassiabi, Shahin review by JJ Charlesworth 30/274
  • Africa ‘95 review by Margaret Garlake 10/191; Africa 05 polemic by Eddie Chambers 44/284
  • Africa Remix review by Sally O’Reilly 27/286
  • African art review by Lynn MacRitchie 34/178
  • Afterimages: David Smith’s spray images review by Patricia Bickers 17/89
  • Aftermath review by Peter Fuller 13/55
  • Against Explanation see Mark Wilsher
  • Against Internationalism letters 25/101
  • Agar, Eileen and Lambirth, Andrew A Look at My Life, book review by Liz Brooks 27/121
  • Agency of Words, The review by David Briers 22/329
  • Agut, Pep review by Godfrey Worsdale 33/181
  • Ahtila, Eija-Liisa review by Cherry Smyth 32/257
  • Aiken, John review by Ian Hunt 26/190
  • Ainsley, Sam profile of Ian Balch 22/253
  • Air Guitar: Art Reconsidering Music review by Sara Harrison 35/259
  • Air & Space review by Lynn MacRitchie 6/156
  • Aitken, Doug Diamond Sea, review by Suzanne Cotter 46/243, Mark Wilsher 28/251
  • Aitken, Doug and Kuipers, Dean I am a Bullet: Scenes from an Accelerated Culture, review by Suzanne Cotter 46/243
  • Aitchison, Craigie review by Jonathan Leslie 7/54, Mel Gooding 17/106
  • Akakçe, Haluk review by Eliza Williams 40/278
  • Akerman, Chantal review by Maria Walsh 33/319
  • AL & AL: Eternal Youth review by Bob Dickinson 27/317
  • Al-ani, Jananne review by Maria Walsh 24/285
  • Alberola, Jean-Michel review by Monica Petzal 18/88
  • Alberro, Alexander Conceptual Art and the Politics of Publicity, book review by Liam Gillick 40/264, Museum Highlights: The Writings of Andrea Fraser, book review by Sarah Thornton 42/292
  • Alberro, Alexander and Buchmann, Sabeth (eds) Art After Conceptual Art, book review by Mike Sperlinger 41/311
  • Alberro, Alexander and Norvell, Patricia (eds) Recording Conceptual Art, early interviews with Barry, Huebler, Kaltenbach, LeWitt, Morris, Oppenheim, Siegelaub, Smithson and Weiner by Patricia Norvell, book review by Jeremy Millar 51/255
  • Alberro, Alexander and Stimson, Blake (eds) Conceptual Art: A Critical Anthology, book review by Liam Gillick 55/238
  • Albers, Josef review by Paul Overy 8/87, 15/118, Astrid Schmetterling 38/178
  • Ali, Tariq letters 20/91; review of Tassaduq Sohail 21/106
  • Alighiero e Boetti review by Nina Mehta 22/231
  • Alone Together see Michael Archer
  • All Over The Place see Andrew Wilson
  • All You Need is Love see John Beagles and Dave Beech
  • All you need to know review by Paul Usherwood 24/262
  • Allan, Bruce review by Conor Joyce 25/164
  • Allen, Felicity Polemic: It’s groovy to be global 44/224
  • Allen, William review of Arshile Gorky 20/134, Noel Forster 23/146; with Stephen Bann, Interpreting Contemporary Art, book review by Conor Joyce 23/149
  • Allington, Edward review by Michael Newman 12/89, Mel Gooding 13/108; Resting Form 4/108; review by John Furse 25/162; talk on work 13/171 review of Robert Morris, Have I Reasons, Work and Writings, 1993-2007 35/320
  • Allington, Edward and Beevor-Mull Architects review by Brian Hatton 40/188
  • Allison, Peter review of Darrel Viner 22/136, David Ward 15/137, Harald Klingeh√∂ller 20/139, Max Ernst 13/140, Gerrit Rietveld and the Schroder house 18/142
  • Alloway, Lawrence The Support System and Art Galleries 5/53; obituary by Rudolf Baranik 35/134
  • Allsop, Douglas review by Clifford Myerson 18/139; On Fluxus, book review by Simon Anderson 41/273
  • Allsopp, Ric, Friedman, Ken and Smith, Owen (eds) Alsop, Joseph The Rare Art Traditions: The History of Art Collecting and Its Linked Phenomena, book review by René Gimpel 25/68
  • Almeida, Helena review by Cherry Smyth 24/331
  • Althamer, Pawel & Zmijewski, Artur review by Catherine Wood 34/286
  • Althoff, Kai review by Ian Hunt 38/206
  • Allthorpe-Guyton, Marjorie 1st Picture, Show 8/42; review of Helen Chadwick 18/100, Rebecca Horn 17/158; obituary of Helen Chadwick 18/195; A Message 44/200
  • Almond, Darren review by Michael Wilson 40/251, Morgan Falconer 27/267
  • Altshuler, Bruce et al Salon to Biennial – Exhibitions that Made Art History, Volume I; 1863-1959, book review by Teresa Gleadowe 37/327
  • Altman, Robert Vincent and Theo, film review by Kevin Gough-Yates 28/137
  • Alÿs, Francis review by Pablo Lafuente 27/291; feature by Anna Dezeuze 1/307 interview with Anna Dezeuze 1/323
  • America, Letter from Andrew Cross 7/203
  • America Rising see Michael Corris
  • American Angst see Jeffrey Kastner
  • American Art in the 20th Century review by Francis Frascina 19/171
  • American Art Inc, Whitney Museum of American Art in Europe by Carles Guerra 7/204
  • American Art of the 80s review by Robin Marriner 23/141
  • American Century, The Jeffrey Kastner on, Part I 19/228, Part II 1/231
  • American Effect review by Karen Rosenberg 40/270, letters 14/272
  • Amishai-Maisels, Ziva Depiction and Interpretation: The Influence of the Holocaust, book review by Monica Bohm-Duchen 32/174
  • an eternity with boundaries review by Michael Archer 50/200
  • Anand, Paul Performance Art and Festival: Nottingham 16/61
  • An Aside review by Eliza Williams 25/285
  • AND – Abandon Normal Devices: Festival of New Cinema and Technology review by Maxa Zoller 27/331
  • And the One doesn’t stir without the Other review by Maria Walsh 35/269
  • And While London Burns review by Kit Hammonds 38/306
  • Andersson, Mamma review by Sally O’Reilly 38/262
  • Anderson, Laurie see Martin Patrick
  • Anderson, Simon book review of Carl Abrahamson (intro), Painful but Fabulous: The Lives and Art of Genesis P-Orridge, Jon Hendricks (ed) What’s Fluxus? What’s Not! Why., Ric Allsopp, Ken Friedman and Owen Smith (eds) On Fluxus, Fluxus Performance Workbook, Hannah Higgins, Fluxus Experience 41/273
  • Anderson, Troels see Guy Atkins
  • Andersson, Roger (with text by Albert Mobilio) Letters from Mayhem, review by Stephen Bury 38/286
  • Andre, Carl The Bricks Abstract: A Compilation 25/1; interview by Peter Fuller part I 5/16, part II 5/17; review by Michael Archer 14/125; letters 26/127; review by Ronald Mayor 24/144, Stella Santacatterina 18/152; The Bricks Abstract 16/164; review by David Musgrave 36/239, Ian Hunt 36/253
  • Andre, Carl/Kretschmer, Melissa review by Juan Cruz 32/220
  • Andrea & Philippe review by David Barrett 30/206
  • Andrews, Lea review by Julian Stallabrass 24/163
  • Andrews, Malcolm Landscape and Western Art, book review by John Haldane 42/233
  • Andrews, Max (ed) Land, Art. A Cultural Ecology Handbook, book review by Dean Kenning 36/306
  • Andrews, Michael review by Toni del Renzio 17/42
  • Andy Warhol Retrospective see David Hopkins 1/254
  • Andy Warhol & Sound and Vision review by Michael O’Pray 27/249
  • Anfam, David book review of Frank H Goodyear Jr, Contemporary American Realism 25/55
  • Anger, Kenneth see Ian Hunt
  • Angry White Man see Patricia Bickers
  • Animation review by David Lillington 39/218
  • Anomie review by Michael Archer 11/157
  • Another Fine Mess see Sally O’Reilly
  • Another Place review by Elisabeth Mahoney 27/238
  • Another Way To Say It see Hester R Westley
  • Anselmo, Giovanni review by Ian Hunt 22/285
  • Anson, Libby review of Static 34/182, Mona Hatoum 31/184, Division of Labor:’Women’s work’ 32/185, Tim Head/Tacita Dean 35/188; profile of Tania Kovats 22/190; review of Tracer 31/194, Marlene Dumas 38/196, Orlan 35/197; profile of Dorothy Cross 20/203
  • Ant Noises Michael Wilson on 7/237
  • Antechamber review by Juan Cruz 31/206
  • ANTI Festival 2009 review by Frederika Whitehead 30/331
  • Anthology review by Cathy Courtney 31/213
  • anticipating future uses of work see Artlaw
  • Antin, Eleanor: Real Time Streaming review by Valerie Reardon 39/246
  • Antoni, Janine review by Simon Grant 28/176
  • Antwerp ‘93 back page/164; review by Andrew Wilson 22/171
  • Apartment Exhibition review by Sarah James 32/318
  • Apocalypse Michael Wilson on 1/241
  • Apopalyptical review by David Barrett 27/276
  • Apparition: the Action of Appearing review by Simon Morrissey 25/263
  • Appel, Karel obituary by Andrew Wilson 18/297
  • Appelbaum, Anne review of Edward Dwurnik 14/107 review by David Trigg 31/324
  • Applebroog, Ida review by Michael Archer 3/173
  • Appleyard, David Richard Rogers, A Biography, book review by Stephen C Mooring 26/93
  • Appliance of Science review by Laura Moffatt 31/225
  • appropriation art see Mark Prince
  • Appropriation Art and Fair Uses: Cariou v Prince see Artlaw
  • appropriation of media see Artlaw
  • Araeen, Rasheed Polemic: Come on, cheer up! 29/59; letters 25/69, 28/83; review by Guy Brett 19/94, Margaret Garlake 18/113, Paul Overy 19/145; letters 33/165, 12/265, 14/268, 18/270, 8/271; Continuity and Change 45/200; review by Sean Cubitt 30/201; Rewriting History: Another Story 52/247 Decibel 43/275; letters 19/276; Polemic: Inverted Racism? 39/306; letters 14/307
  • Araeen, Rasheed, Cubitt, Sean, Sardar, Ziauddin (eds) The Third Text Reader on Art, Culture and Theory, book review by Eddie Chambers 41/263
  • Araki, Nobuyoshi review by Valerie Reardon 48/248
  • ARC review by Elisabeth Mahoney 34/233
  • Arcangel, Cory A Couple Thousand Short Films About Glenn Gould, review by Michelle Cotton 35/319
  • Arcangelo review by Patricia Bickers 22/106
  • Archer, Michael review of Jake Berthot 21/27, Brighton Performance Festival 12/29, 26/29, Seven Artists at Earlham Street 11/30, Jock McFadyen 11/51, Viewing at the Chapter Arts Centre 11/53, Hamish Fulton 15/57, Zoos 19/58, Rose Garrard 10/65; Talking with Bruce McLean 3/66; review of Tongue and Groove 11/66, Amikam Toren 15/68, New Art at the Tate 17/70, Kerry Trengove 15/71, Imants Tillers 11/72, Dynamics of Appraisal 14/73; letters 24/74; review of Wolfgang Koethe 13/76, Hannah Collins 20/79, Geometry of Rage 15/82, Landscape Memory and Desire; Ian McKeever 20/83, Les Levine 8/90, Hand Signals 15/93, Alan Charlton 18/94, Antidotes to Madness 10/96, Sol LeWitt 18/102, Richard Wilson 15/104, Jon Thompson, Art & Language, Balraj Khanna 15/107, Documenta 8 21/108, Gilbert & George 15/109, NY Art Now 23/111; letters 25/112; review of Art History 24/112; letters 31/112; review of Hans Haacke, Kate Smith, Thomas Locher 16/113, Dislocations 20/114, Mario Merz 20/114, Julian Opie, Annette Lemieux, Bob Law, Gerhard Richter 14/115, Staffa Project, Imants Tillers, John Baldessari 24/117, Bicentennial Exhibitions in London 16/118, Ross Bleckner 16/118, Passports in Pimlico: Nicholas Serota 2/119, Venice Biennale 3/119, Howard Hodgkin 16/120, Rosemarie Trockel, Katharina Fritsch 20/121, Richard Long 27/122, Glenys Johnson 27/122; book review of Peter Fuller, Theoria: Art, and the absence of Grace 32/122, Peter Fuller, Art and Psychoanalysis 32/122; review of Lawrence Weiner 25/123, Jenny Holzer 25/123, Amikam Toren; At Face Value 12/124, Carl Andre 14/125, Minimalism 19/126, Lisa Milroy 21/127, Tony Carter, Searchlight 16/128, Tessa Robins 31/132, Robert Morris 14/134, Julian Opie 3/144; letters 27/145; review of Art & Language 3/146, Fulton, Long and Constable 7/149, Carnegie International 1991 13/153, Rose 7/155, Anomie 11/153, Documenta IX 7/158, Gunther Forg 19/160, Abigail Lane 25/161; book review of VAG Documents I 37/162; review of Gravity and Grace 13/164, Christine Borland and Craig Richardson 23/165, Melanie Counsell 14/166; letters 29/166; review of Bethan Huws and Bistritsa Babi 20/169; letters 28/167; book review of Christine Poggi, In Defiance of Painting39/168; profile of Sam Taylor-Wood 18/172; review of Ida Applebroog/Bad Girls/Anya Gallaccio 3/173, Richard Wilson 24/176; book review of Robert Morris, Continuous Project Altered Daily39/177; on collaborative art 3/178; review of Signals 10/180; letters 25/181; review of Cologne Art Fair 29/182; book review of Beatriz Colomina (ed), Privacy and Publicity: Modern Architecture as Mass Media44/183; review of Donald Judd 10/184, Martin Boyce 34/185, From Here 8/186, Leon Kossoff/General Release 8/188, Avis Newman 20/191; Reconsidering Conceptual Art 12/193; No Politics Please, We’re British? On political engagement 11/194; Accommodating Art: installation art 7/199; review of an eternity with boundaries 50/200, Barnett Newman 32/201, Ceal Floyer 32/207; The Object of Art 13/208; letters 24/210; review of Venice Biennale 1997 (47th) 26/209; book reviews of Frederic Tuten, Van Gogh’s Bad Cafe, David Lipsky, The Art Fair, Christopher Green, One Man Show, Jane Urquhart, The Underpainter47/212; obituary of Kim Lim 17/213; review of Steve McQueen 20/213; Art since 1960, book review by Mel Gooding 34/213; review of Kiasma, Helsinki 7/218; obituary of Lucia Nogueira 19/219; review of Loose Threads 27/220; and Ben Barkow, Essays on William Furlong, An Imagery of Absence, review by Cathy Courtney 50/222; review of Jacqueline Donachie/Alison Gill 29/224; book review of Tony Godfrey, Conceptual Art 41/224; review of Lothar Hempel 29/225; ‘Video Lives’ on 48th Venice Biennale 13/228; review of Keith Tyson 43/230; ‘Beuys will be Beuys’ on The Twentieth Century: A Hundred Years of Art in Germany 7/231; review of Over the Edges 33/236, A Shot in the Head 46/239; profile of Rebecca Warren 20/240; review of 50 Projects in 50 Weeks 44/243; Value Judgement, on Benjamin Buchloh 1/250; book review of James Meyer, Minimalism: art and polemics in the sixties, Anne Rorimer, New Art in the 60s and 70s: Redefining Reality 49/255 Crisis What Crisis? It All Depends Where You Stand 1/264, letters 12/265, 9/267, 14/268; Art & Fear: feature on Paul Virilio 1/268; review of Dieter Roth 22/269, Jorge Pardo 25/273; Minimalism: LA: feature on Minimalism, Art as Object 1/277; Alone Together: feature on Buren, Flavin, Judd, Smithson 13/286
  • Archer-Straw, Petrine review of The Other Story 16/133; Negrophilia, book review by Eddie Chambers 46/241
  • Archigram/Piranesi review by Martin Herbert 20/272
  • Archipeinture review by Sotiris Kyriacou 34/299
  • Architectural art review by Clifford Myerson 22/156
  • Architectural Association Conference: France and the German Occupation, 1940-44, report by Sarah Wilson 5/112
  • Ardenne, Paul, Beausse, Pascal, Goumarre, Laurent Contemporary Practices: Art as Experience, book review by Laura Moffatt 55/232
  • Arefin, Tony obituary 22/237
  • Argent, Paul review by Margaret Garlake 13/75
  • Arif, Saleem review by Margaret Garlake 15/105
  • Arkhipov, Vladimir review by Mark Wilsher 33/269
  • Arkley, Howard obituary 16/229; letters 20/230
  • Armagani, Siah review by Caryn Faure Walker 38/182
  • Arman obituary 19/292
  • Armleder, John review by David Barrett 36/304
  • Armstrong, Carol and de Zegher, Catherine (eds) Artists at the Millennium, book review by Joan Key 38/307
  • Arnatt, Keith review by Margaret Garlake 20/100, John Stathatos 13/128, John Furse 25/164 review by Martin Herbert 28/314; obituary by Clare Grafik
  • Arnatt, Matthew (ed) 100 Reviews (3), see Alex Coles 7/263; The Middle Distance, polemic on criticism 43/265 letters 18/313
  • Arnatt, Matthew and Collings, Matthew Criticism, book review by Kathy Battista 36/291, letters 15/292
  • Arnatt, Matthew and Smith, Maggie (eds)The New Art, book review by Lisa Le Feuvre 39/307
  • Arnold, Liz obituary 20/247
  • Around the World in Eighty Days review by Rikke Hansen 26/298
  • Arrowsmith, Sue A Conversation with Lilian Holt 3/44; review of Ian McKeever 9/50; review by Tony Godfrey 12/102; letters 28/149
  • Ars 01: Unfolding Perspectives review by Rebecca K Engmann 37/251
  • Ars Electronica review by AJ Stooke 38/320
  • Arseneault, Robin Monsterdom: A Tragicomedy in Four Scenes, review by Stephen Bury 37/290
  • Art & Censorship by Ian McKay 30/151; letters 29/152, 28/153
  • Art & Economy review by Axel Lapp 30/256
  • Art & Fear see Michael Archer
  • Art & Language Polemics: On the Recent Fashion for Caring 21/20; Artists and Philosophers 33/26; review of Michael Murphy 13/35; A Souvenir of Documenta 7 3/60; review by Michael Archer 15/107, 3/146; letters 12/203, 15/204, 14/205, 14/206, David Burrows 30/222, John Slyce 23/231; letters 19/232, 18/239
  • Art & Music see David Briers
  • Art & Philosophy see Maja and Reuben Fowkes
  • Art & Politics see Mark Prince
  • Art & Science Peter Fuller 8/103; letters 29/105
  • Art & Technology by Catherine Elwes 25/157
  • Art against the People letters 22/107
  • Art and Advertising review by Deke Dusinberre 11/142
  • Art and Architecture ed Deanna Petherbridge, supplement/56
  • Art & Beauty see JJ Charlesworth
  • Art and Chess: the French Defence by Don T Buckle 2/143
  • Art and Education in the New Europe by Clive Ashwin 33/141
  • Art and Government: Creative Britain Inc by Kate Tregaskis 52/246
  • Art and Immigration by Sue Malvern 28/146
  • Art and Money Online review by Michael Gibbs 51/246
  • Art and Power review by Julian Stallabrass 3/192, John Willett 24/192, Stephen C Mooring 26/192
  • art and the luxury market see JJ Charlesworth
  • Art at the Edge of the Law review by Michael Wilson 28/249
  • Art au Lait Milch by Stuart Morgan 3/156
  • Art Décor feature by Alex Coles 7/253
  • Art Education Michael Daley/Rory Coonan 29/27, R Masterman 30/28, Catherine Morley 31/29, Michael Browett 32/33, Stephen Williams 31/35, Toni del Renzio 29/36, 27/72, 30/78, Catherine Morley/Michael Daley 33/39, Roy Johnson 27/41, Geri Morgan 27/42, John A Walker 27/46, Peter Fuller 27/47, David Page/Oliver Bevan 33/59, Women and Art Education 2/62, Stroud Cornock 33/77, Cathy Courtney 34/80, Harry T Buckle 33/83, John A Walker 28/93, Malcolm Miles 35/94, 33/111, 26/115, 29/119, David Harding 30/97, Peter Suchin 31/98, Paul Greenhalgh 31/117, Chris Jennings 30/119, Colin Painter 31/120, 35/152, Interesting things you can do 25/121; Demise of Art Education letters 29/129; Philip Hughes 29/128, Clive Ashwin 26/155 art education editorial 12/315, 12/316, 18/327; Special Issue 320; letters 14/321, 14/325. See also JJ Charlesworth
  • art fairs see book review by Lisa Le Feuvre 39/307; letters by Lisa Le Feuvre 19/308, Peter Suchin 19/308, 13/309, Sean Ashton 14/309; feature by Pryle Behrman 11/311; see also sales reports by Colin Gleadell
  • Art for a Smoked Society letters 27/114, 28/114
  • Art for All see John Molyneux
  • Art Failure see Lisa Le Feuvre
  • Art Futures see Anthony Davies & Simon Ford
  • Art in a State by Sandy Nairne 3/157
  • Art in Ruins letters 28/149
  • Art in the City see Margaret Garlake
  • Art in the Life World review by Niamh Ann Kelly 30/315
  • Art into Life: Russian Constructivism 1914-32 review by Peter Nisbet 11/143
  • Art, Lies and Performance see Anna Dezeuze
  • Art markets: the CAS goes to market Simon Grant on 46/182
  • Art Now Live review by Rikke Hansen 40/310
  • art of displacement see Mark Prince
  • Art of Iconoclasm, The review by Michael Gibbs 21/324
  • Art of Participation: 1950 to Now, The review by Anna Dezeuze 24/324
  • Art of the Third Way, The see J J Charlesworth
  • Art of Two Germanys/Cold War Cultures review by Sarah James 21/332
  • Art on Parade see Pablo Lafuente
  • art online see Artlaw
  • Art Sheffield 05: Spectator T review by Michelle Atherton 34/292
  • Art sponsorship by Mark Thomson 34/147
  • Art Tours: Babylon by Bus review by Ian Hunt 18/191
  • Art writing letters 15/272
  • Art’s Agency feature by JJ Charlesworth 7/261
  • Art’s Debunkers see Dave Beech
  • Artangel Roadshow review by Patricia Bickers 18/89
  • Artaud, Antonin Dessins et portraits, book review by David Maclagan 31/108
  • Artbarns: After Kurt Schwitters review by David Lillington 20/231
  • Arte Povera 1962-1972 review by Alex Coles 1/248
  • Arte Ricca see Alex Coles
  • Artful Ad, The review by Julian Stallabrass 14/142
  • Artist as Critic letters 24/183
  • Artists’ Animation Programme review by Sarah Tripp 36/330
  • Artists’ Favourites review by Alex Farquharson 22/280
  • artists’ resale right see Artlaw
  • artists’ residencies see Artlaw
  • artist’s royalties see Artlaw
  • Artists’ Flags on the Tyne review by Paul Usherwood 23/148
  • Artists’ Lives Cathy Courtney on 41/190
  • Artists’ Book Fair 1996, review by Cathy Courtney 41/201; 1998, review by Stephen Bury 51/222
  • Artists’ Books see Stephen Bury, see Cathy Courtney
  • Artlaw (all of the Artlaw articles published in Art Monthly can be accessed online at www.artquest.org.uk/artlaw) ACME studios 53/219; anticipating future uses of work 41/307; appropriation 49/282 40/283, 40/285,41/326; Artquest’s Artlaw Services 41/332 letters 18/286; artist’s royalties see artists’ resale rights; artists’ resale rights 26/5, 26/9, 36/26, 39/67, 33/110, 34/145, 34/167, 34/173, 46/195, 61/232, 48/256 41/320; reports 61/232, 57/253, 45/284, 41/290, 41/315, regulations 2006 44/293, first semester report 9/299, first year report 40/303; Artquest: law online 45/264; authentication (Pollock) 41/297; attribution, questions of 41/267, attribution, questions of, with a focus on Andy Warhol 40/294; Beautiful Inside My Head Forever, on Damian Hirst 37/321; censorship 53/201, 52/237, 52/259, 45/263, (displaying student work) 45/309; collaborative works 45/277; confidentiality and contract 61/242; conservation, renovation and restoration 45/224; contracts and commissions 26/7, 25/8, 26/9, 24/10, 38/43, 33/44, 36/81, 37/86, 37/92, 39/95, 36/98, 36/99, 36/106, 35/120, 41/122, 43/168, 46/186, 39/213, 43/214, 56/216; (artists’ contract with Tate) 41/297 45/328; copyright (to 1989) 21/3, 26/5, 36/26, 39/39, 35/60, 35/63, 39/67, 38/68, 42/73, 39/74, 39/80, 38/96, 34/153, 34/176, 43/190; copyright (from 1989) 42/112, 34/124, 34/125, 34/126, 36/128, 38/141, 34/144, 34/155, 42/194, 53/202, 50/204, 44/206, 42/217, 44/226, 52/243, (Dali) 61/249,(book review of Simon Stokes, Art & Copyright ) 57/258, 48/262,(book review of Dear Images: art, copyright and culture) 48/265, 45/272, 45/273, 45/274, 41/295, 37/330, (Da Vinci Code) 41/297, (public sculpture) 41/301, (photographing art collections) 49/308 45/322 41/323 41/325; Creative Business Forum conference 53/268; DACS, 53/246, 61/228; Dal√≠ (argument over copyright/moral rights) 61/249; damage and insurance 25/12, 40/49, 39/59; A Developing Global Framework 41/314; droit de suite (see artists’ resale rights); e-commerce: art online 57/252, 45/312; editions or series 41/281; education: recording visiting speakers 45/304; estates (Francis Bacon) 44/226, 57/248, 57/253, 45/254, 45/266; Etant donnés 45/316; EU Directives (Copyright & Resale Right) 49/251 (Droit de suite) 48/256; European art policies 44/205; fraudulent editions 32/25, 34/91, 38/105, 33/151, 51/208, 45/312; freedom of information 49/296; galleries and exhibitions 25/11, 37/15, 36/98, 36/99, 34/119; gifts 51/197; Global Art Business 45/313; indecent child photographs 48/245, 57/248, 45/263; joint enterprise 41/271; legal services 24/1, 21/2, 32/21, 34/32, 38/38, 36/47, 39/69, 39/71, 38/78, 40/85, 35/87, 37/88, 38/96, 36/99, 38/105, 35/115, 35/160, 76/200, 57/218, 10/267, 14/268, 19/270; Life after Art School 49/318; mail art 53/247; management of creativity 30 years on 49/300; Momart fire, insurance 49/278; moral rights 26/4, 36/26, 39/64, 38/65, 39/67, 35/83, 33/110, 36/128, 33/147, 32/152, 34/173, 47/179, (Pablo Picasso) 44/226, (destruction of work) 53/244, (Dali) 61/249, (Christoph Büchel v Mass MoCA) 45/311, 37/331; ownership of public art commissions 61/238; National Studios Forum 49/292; new ways of working 37/305; Online Resources: International Foundation for Art Research (IFAR) 41/327; orphan works 41/319; parliamentary report 44/289; Payback 2001: DACS 53/246; planning law: Antony Gormley 49/302; posthumous artworks 41/280; public art commissions Part 1 52/234, Part 2 52/235; privacy (celebrities right to): Alison Jackson’s Sven 41/298; public art: Elisabeth Frink 41/306; public exhibition payment 29/14, 33/23, 36/26, 39/59, 33/110, 47/182; re-sale royalty see artists’ resale rights; restorations and replicas 41/310; saleroom contracts 45/275; Shamrock Organisations 41/317; Sotheby’s and Christie’s 57/253; Space Race: Creating Places conference 45/269, Part 2 45/270; sponsorship and taxation 31/142, 18/175; strategies for the arts 41/286; students 32/25, 35/56, 46/221; taking care of business 41/291; tax and benefits 30/16, 36/18, 32/25, 36/26, 34/28, 36/41, 40/42, 39/67, 36/75, 37/79, 38/84, 38/89, 34/90, 33/110, 34/143, 38/148, 46/188, 43/191; VAT 32/24, 34/29, 31/31, 39/67, 35/163, 34/173; ways of working 40/287 41/324; wills and estates 26/6, 36/47, 38/84,61/232, 36/174
  • Artlobby see Peter Dormer and Hugh Jenkins
  • Artranspennine98 review by Caryn Faure Walker 42/218
  • Artquest’s Artlaw Services see Artlaw
  • Arts Council ACGB Council appointments 1978-79 8/22; George Melly’s purchase 18/32; Selection Procedures 18/41; Whose side are they on? 3/42; Arts Council cuts 30/47; A changing profile by Robert Hutchison 2/48; The work of the AC Panel 3/54; The ACGB’s reply 26/56; Philip Wright 13/59; A whisper in the Arts Council’s ear by Robert Heller 2/68; Further financial considerations 3/78; Adrian Barr-Smith and Laurence Harbottle interview 42/100; Robert Atkins and Hugh Jenkins interview 3/102; The arts: politics, power and the purse, report by Philip Wright 11/107; The Arts Council collection, by Margaret Garlake 14/135; Price Waterhouse report back page/168
  • Arts Council London editorial 15/331
  • Arts Council Northern Ireland Cyril Barrett on 11/148
  • Arts Council of England (ACE) 14/223, 20/224; letters 18/225 editorial 18/313, 12/317, 16/322. 17/323
  • Arts Foundation launch 2/147
  • arts funding 11/107
  • Arts: politics, power and the purse by Philip Wright 13/59, 11/107
  • Artschwager, Richard review by Alex Coles 7/253
  • Artworkers review by Valerie Reardon 22/235
  • As Dark as Light review by Valerie Reardon 47/228
  • Ascent of Man, The review by Alex Farquharson 51/239
  • Ascott, Roy Telematic Embrace, Visionary Theories of Art, Technology and Consciousness, book review by Michael Gibbs 40/272
  • Ashton, Dore A Fable of Modern Art, book review by Norbert Lynton 27/40; Rosa Bonheur: A Life and a Legend, book review by Jeremy Maas 25/54 The Writings of Robert Motherwell, book review by Marjorie Welish 40/313
  • Ashton, Sean letters 14/309 letters 18/313; Sunsets and Dogshits, review by Rikke Hansen 39/316
  • Ashwin, Clive Art and Education in the New Europe 33/141; Beyond Studio Practice 26/155
  • Asia Triennial review by Bob Dickinson 33/316
  • Aspects/Positions: 50 Years of Art in Central Europe review by Ian Hunt 24/243
  • Associates, The review by Rosie Lesso 30/326
  • Assuming Positions review by David Musgrave 40/209
  • At Home with Art, Tate Gallery review by Deborah Schultz 40/233
  • At the same time somewhere else review by Martin Herbert 27/293
  • At the Still Point of the Turning World review by Martin Herbert 30/276
  • At One Remove review by Paul Usherwood 31/211
  • Ataman, Kutlug review by Pryle Behrman 29/264 review by Martin Vincent 32/314
  • Atelier van Lieshout review by Nicky Bird 41/230, David Burrows 44/242
  • Atget The Work of Atget, Vol II: ‘The Art of Old Paris’, by Gordon Fraser, book review by Rory Coonan 25/65
  • Athens, contemporary art in review by John Bicknell 35/147
  • Atherton, Michelle review of Art Sheffield 05: Spectator T 34/292
  • Atkins, Guy with Troels Anderson, Asger Jorn: The Final Years, review by Toni del Renzio 26/46; review of Johannes D√∂rflinger 20/51; Asger Jorn 8/64
  • Atkins, Robert Structuring the Arts Bureaucracy 3/102
  • Atkinson, Conrad review of Chris Jennings 12/8; Art for whom? Art for society 23/19; book review of John Barrell, The Dark Side of the Landscape 22/37; John Lennon 19/43; Docklands Poster Project 13/62; The GLC’s achievement 2/95; review by Brandon Taylor 16/115, Mark Harris 24/233 review by James Swinson 22/261 review by Michael Corris 32/313
  • Atkinson, Sue review by John Roberts 19/109
  • Atkinson, Terry review by John Tagg 20/4, discussion with Jon Bird 8/67; review by Brandon Taylor 16/95, William Furlong 17/104; Rothko: Convention and Deconstruction 10/131; letters 35/133; review by Robert Garnett 26/196; letters 15/198, 20/199, 18/201; The Siren Song of Dualism: against the visual in art 7/201; letters 18/202, 12/203, 14/205; review by Peter Suchin 30/277
  • Attitudes/Sculptures (Bordeaux) review by Marta Dalla Bernardina 42/187
  • Attribution, questions of see Artlaw
  • Audible Light review by David Briers 42/234; letters 19/234, 16/235
  • Audio Arts review by Mel Gooding 14/105, Cathy Courtney 16/160, Jennifer Thatcher 23/303
  • audio work review by Jon Thomson 44/231
  • Auerbach, Anthony letters 21/236
  • Auerbach, Frank review by Peter Fuller 11/63, 3/98; letters 25/100; review by Mel Gooding 18/103; Robert Hughes, Frank Auerbach, review by Andrew Brighton 10/141
  • Aulich, James book review of Marco Livingstone, R B Kitaj 20/90
  • Austen, David review by Margaret Garlake 27/102
  • Australia, Contemporary Art in review by Greg Hilty 44/209
  • Australia, Letter from see Eliza Williams Australia, Letter from see John Kelly
  • Austria outsider art in: the Artist’s House; letters 22/110; Summer exhibitions, review by Mark Harris 1/219
  • Autonomy v Barbarism see Dave Beech
  • Auty, Giles The Art of Self-Deception, book review by David Brown 18/12; book review of Vladislav Zimenko, The Humanism of Art 24/16; letters 25/72, 26/74; Polemics: The Taste Makers 32/82
  • Avalanche feature by Lisa Le Feuvre 7/278
  • Avant-garde and Kitsch feature on new painting emerging from the GDR by Mark Prince 9/257
  • Avant-Garde conference David Briers on 47/222
  • Avatar review by Michael Gibbs 53/218
  • Avermaete, Roger Frans Masereel, book review by Norbert Lynton 37/13
  • Ayers, Robert review of Dennis Oppenheim 17/56, Sculpture by Women 15/71, John Newling 19/74, Red Grooms 14/85; on three decades of Performance Art 1/214; review of National Review of Live Art 35/220, Marina Abramovic 31/223, Jim Dine 41/225; book review of RoseLee Goldberg, Performance – Live Art since the Sixties 39/226; review of Oleg Mavromaty 59/242
  • Ayers, Robert letters 14/245
  • Ayres, Gillian review by Monica Petzal 12/57, Margaret Garlake 17/92
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