A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Index: H

  • Haacke, Hans review by Michael Archer 16/113, Mark Thomson 10/129, 20/138; interview by Patricia Bickers 1/244
  • Hackett, Stephen and West, Richard (eds) The Vacuum, review by Maria Fusco 40/269
  • Hackney, Art in by Juliet Steyn 18/101
  • Hadjinicolaou, Nicos Art History and Class Struggle, book review by Jon Tagg 34/22
  • Haggerty, Michael The Italian Market 5/26
  • Ha-Ha review by Andrew Wilson 21/169
  • Haines, Bruce review of Kathy Temin, A Magazine (as part of My Kylie Collection), Aleksandra Mir, Living & Loving No.1: The Biography of Donald Cappy, Happy Birthday/Pink Tank Daily News 42/261, Hans Ulrich Obrist ed) Cedric Price, Re:CP 42/273; review of Tom Morton and Catharine Patha, Anyway 41/276, Emily Wardill 32/280
  • Hains, Raymond obituary 19/292
  • Haldane, John Hamish Fulton, landscape and art 7/227; review of Sol LeWitt and David Tremlett 32/230; book review of Malcolm Andrews, Landscape and Western Art 42/233
  • Hall, David obituary of Roy Lichtenstein 23/211
  • Hall, Douglas Future with a Past 15/1; William Johnstone, book review by John McEwen 33/42
  • Hall, James Hall’s History of Ideas and Images in Italian Art, book review by Bernard Denvir 25/70; review of Mark Rothko 12/109
  • Hall, Margaret On Display: A Design Grammar for Museum Exhibitions, book review by Annie Coombes 28/113
  • Hall, Nigel review by Margaret Garlake 17/85
  • Hall, Sharon review by Margaret Garlake 20/74
  • Hall, Stuart on Culture and politics 2/101
  • Halley, Peter Collected Essays, book review by John Roberts 26/124; review by John Tozer 42/227
  • Hallucinature review by Jennifer Thatcher 29/290
  • Hambling, Maggi review by Margaret Garlake 13/65, Jonathan Watkins 13/110
  • Hamilton, Ann review by Anna Douglas 29/174, Niamh Ann Kelly 39/256
  • Hamilton, Richard Roll of Honour 3/1; review by Ann Gruetzner 20/35, Pat Gilmour 6/82, Joseph Beuys 10/94; letters (Auerbach’s vision) 25/100; Richard Hamilton, Ulysses and the Flaxman Factor, by Brian McAvera 19/124; letters 25/126; The Reconstruction of Duchamp’s Large Glass, interview by Jonathan Watkins 3/136; letters 24/137; review by Frank Whitford 3/149; letters 29/151; review by Toni del Renzio 3/159, John A Walker 7/159
  • Hamlyn, Nicky Video 32/123; 29/125; Film 24/133; 30/135; review of The Late Show 25/148; Film Art Phenomena, book review by Mike Sperlinger 38/280
  • Hammer, Martin review of Jack Bush 10/40
  • Hammond, Paul book review of Ian Breakwell, Witness: More Diary Extracts 1976-82 27/63
  • Hammonds, Kit review of And While London Burns 38/306
  • Hammons, David, The Holy Bible: Old Testament review by Stephen Bury 39/264
  • Hamnett, Nina Laughing Torso, book review by Adrian Heath 27/82
  • Hanru, Hou on art in the new millennium 5/232
  • Hansen, Mark BN New Philosophy for New Media, review by Michael Gibbs 45/282
  • Hansen, Markus review by Philip Sanderson 27/195
  • Hansen, Rikke review of Universal Experience: Art, Life and the Tourist’s Eye 33/292
  • Hanson, Neil Midlands Notes 15/12; Towards another picture 14/14; review of Bradford’s Biennale 22/15, Open Photography/Images and Texts 16/16
  • Hanzlová, Jitka review by Martin Herbert 21/271
  • Hapaska, Siobhán review by Juan Cruz 37/193; profile by Gilda Williams 18/213; review by David Barrett 34/278, Inner Worlds Outside 21/297, Around the World in Eighty Days 26/298, Richard Billingham 30/302, Gerard Byrne 229/306, The Shadow 34/309, Art Now Live 40/310, Steve McQueen 31/311, Anri Sala: A Second Look 28/312; interview by Hester R Westley 5/311
  • Harbottle, Laurence interview by Adrian Barr-Smith Artlaw 42/100
  • Hard Edge review by Mel Gooding 35/194
  • Hardie, Gwen review by Margaret Garlake 22/116
  • Hardie, William Scottish Painting 1837-1939, book review by Richard Calvocoressi 20/6
  • Harding, David Art Education 30/97
  • Hardware Software Artwarebook review by Michael Gibbs 37/213
  • Hare, Bill Wha’s Like Us? 9/125
  • Haring, Keith review by Margaret Garlake 18/136
  • Harkness, Allan From Deadly Theatre to Resistance, polemic on art education (see also related articles by Peter Suchin) 38/263
  • Harland, Beth Reading Matter, review by Cathy Courtney 47/227
  • Harries, Dan (ed) The New Media Book, book review by Michael Gibbs 45/262
  • Harris, Jane review by Simon Morley 30/177
  • Harris, Jonathan book review of Juliet Steyn (ed) Other than Identity: The subject, politics and art 47/208, Arthur C Danto, After the End of Art: Contemporary Art and the Pale of History 43/211; ’Pollockmania’ on Jackson Pollock 7/226; book review of Timothy J Clark, Farewell to an Idea: Episodes from a History of Modernism 50/230, Michael Newman and Jon Bird (eds), Rewriting Conceptual Art 51/234; review of Braco Dimitrijevic 47/252, Nigel Warburton, The Art Question 47/265; book review of Julian Spalding, The Eclipse of Art: Tackling the Crisis in Art Today 50/268, letters 14/269; book review of WJT Mitchell, What Do Pictures Want? The Lives and Loves of Images 38/293; Modernisms in store: feature 1/297, letters 13/298; book review of John Roberts, Philosophizing the Everyday: Revolutionary Praxis and the Fate of Cultural Theory 35/303, Andrew Hemingway (ed) Marxism and the History of Art: From William Morris to the New Left 35/303
  • Harris, Jonathan & Frascina, Francis on censorship, social control and permissibility 40/194, 45/195; A Retort: Power and Responsibility 46/197; book review of Martha Buskirk, The Contingent Object of Contemporary Art 42/277; (ed) Critical perspectives on Contemporary Painting: Hybridity, Hegemony, Historicism, book review by David Ryan 42/279; review of Eddo Stern, Marina Zurkow 28/283, Faltering Flame: Aspects of the Human Condition in Contemporary Art 26/286; book review of John Carey, What Good Are the Arts?, Donald Kuspit, The End of Art 38/290
  • Harris, Mark review of Robert Wilson and Hans Peter Kuhn 32/191, British avant-garde art and advertising 3/193; book review of Julian Stallabrass, Gargantua. Manufactured Mass Culture 52/199; review of Chris Burden 52/200, Sally Heard 23/202, Angus Fairhurst 24/202; Trading Up or Selling Out, on artist-organised exhibitions 1/203; letters 15/204, 15/205; review of Material Culture 6/206, Charles Long 25/207, Keith Edmier 30/217, Austria, summer 1/219, Accelerator 33/222; book review of Amelia Jones and Andrew Stephenson (eds), Performing the Body/Performing the Text 42/231; review of Intimate House 42/232, Conrad Atkinson 24/233, Robert Melee 50/239, Mary Heilmann 29/246; Multiples: Objets d’art or Knick-knacks? 45/246; review of VARIETY, 2001, movie, 2001 53/252, Liam Gillick/Hélio Oiticica 24/257, Oliver Herring 27/260 review of Blinky Palermo 36/266, Mike Kelley & Tony Oursler 37/268review of Go Between 22/290, Part Object Part Sculpture 29/293; book review of Charles Harrison, Painting the Difference: Sex and Spectator in Modern Art 48/300, Alyce Mahon, Surrealism and the Politics of Eros, 1938-1968, Eroticism & Art 48/300; review of Sympathy for the Devil: Art and Rock and Roll Since 1967 26/311
  • Harris, Mark/Buckley, Carmel review by Maria Walsh 27/229
  • Harrison, Charles British Art 1910-16 16/5; British Painting 1952-1977 10/12; Camden Town Group 7/31; book review of Wendy Baron, The Camden Town Group 26/39, Simon Watney, English Post-Impressionism 24/44; English Art and Modernism, book review by David Brown 25/46; review of Phillip King 3/47, Harold Gilman 11/51; British Sculpture Part 1 5/52, Part 2 11/53; conversation with Clement Greenberg Part 1 3/73, Part 2 10/74, Part 3 4/75; review of The Place of St Ives 9/84, Hayward Annual 3/87; book review of TJ Clark, The Painting of Modern Life 28/88; on The View from British Art 3/95; Modernism, book review by Mel Gooding 34/213, Conceptual Art and Painting: Further Essays on Art & Language, book review by Liam Gillick 40/264, Painting the Difference: Sex and Spectator in Modern Art, book review by Mark Harris 48/300
  • Harrison, Margaret review by Hugh Adams 7/44
  • Harrison, Paul & Wood, John profile by Gilda Williams 20/205
  • Harrison, Rachel/Evans, Cerith Wyn/Wool, Christopher review by Ian Hunt 31/274
  • Harrison, Sandra book review of Rozsika Parker and Griselda Pollock, Old Mistresses: Women, Art and Ideology 25/59
  • Harrison, Sara review of Yinka Shonibare 34/273, Playlist 20/275, Elizabeth Magill 27/279, Heimweh: Young German Art 27/280, Real World: The Dissolving Space of Experience 36/281, Pin-Up: Contemporary Collage and Drawing 30/283, Tony Swain 34/293
  • Harron, Mary & Minahan, Daniel I Shot Andy Warhol, book review by Andrew Wilson 44/208
  • Harrison, Sara review of Bill Viola 29/257, Electric Dreams, Air Guitar: Art Reconsidering Music 35/259, Thomas Ruff/Johan Grimonprez 32/263, Nightwood 35/264, Yes I Am A Long Way From Home 37/265, The Translator’s Notes 26/266, Lucy Harvey 34/267, Mike Marshall, Volker Eichelman & Roland Rust 39/268 More than Reality: Berlin Summer Round-Up 38/269
  • Hart, Melanie Open Attitudes 18/29; review of Brendan Neiland 4/31, Keith Milow 20/32, Norman Ackroyd 19/34
  • Hartley, Alex/Moffatt, Tracey/Hausswolff, Annika von review by Clare Manchester 27/246
  • Hartley, Keith review of Ken Kiff 11/44
  • Hartney, Mick Performance and Video: 35/53, 31/55, 31/56, 32/57, 31/60, 34/62, 33/64, 34/66; review of Jack Goldstein 15/67
  • Harvey, Jonathan TSW support for the Arts 20/59
  • Harvey, Lucy review by Sara Harrison 34/267
  • Harvey, Michael review by Frederick Ted Castle 11/48
  • Harwood, Graham review by Michael Gibbs 58/239
  • Haselden, Ron review by Alex McGregor 15/49; A Belvedere for Bellever Forest 7/107; review by Mel Gooding 12/108; Performance, review by Jonathan Watkins 32/121; Coliseum, review by John Stathatos 16/124
  • Haste, David Facing the future 2/105
  • Hatoum, Mona review by John Stathatos 16/129, Caryn Faure Walker 22/164, Libby Anson 31/184, Tamar Garb 31/216, Axel Lapp 34/277
  • Hatton, Brian review of Glynn Banks and Hannah Vowles 14/101, John Hilliard 20/159, Tim Head 9/163, Four Rooms 19/167, Gordon Matta-Clark 12/169, Under Spaghetti Junction 20/170, Joseph Beuys 34/172; book review of Nicholas de Oliveira, Michael Petry, Nicola Oxley, Michael Archer, Installation Art 32/176; review of Edward Allington and Beevor-Mull Architects 40/188, Victor Burgin, Dan Graham, Rodney Graham, John Hilliard 29/199, The Impossible Document 1/207
  • Hatton, Rita and Walker, John A Supercollector. A Critique of Charles Saatchi, book review by Colin Gleadell 57/238
  • Haunted by Happiness review by Michael Wilson 35/240
  • Haunted Media review by Martin Herbert 33/275
  • Hausswolff, Annika von/Moffatt, Tracey/Hartley, Alex review by Clare Manchester 27/246
  • Havelock-Allan, Lucy William Feaver of the Observer 4/27; The Arts of Bengal 19/32; review of Noel Forster 16/34, Ellsworth Kelly 21/35
  • Hawkins, Lucinda Sainsbury Centre 6/25
  • Haworth-Booth, Mark review of Nigel Henderson 15/6, Werner Mantz 17/7; Concerning Photography 15/9; review of Fay Godwin 20/27; E McKnight-Kauffer - A Designer and His Public, book review by Pat Gilmour 26/33
  • Hayman, Patrick review by Margaret Garlake 16/67, Mel Gooding 11/115
  • Hayward Gallery 2/164
  • Hazzledine, Michael book review of John A Howard, A Glossary of Art, Architecture and Design since 1945 24/158
  • Head, Tim review by John Roberts 16/97, Christopher Want 19/138, Brian Hatton 9/163, Libby Anson 35/188, Axel Lapp 37/262
  • Heard, Sally review by Mark Harris 23/202
  • Heart and Soul review by Gilda Williams 23/229
  • Heartfield, John review by David Evans 3/148; review by Klaus Staeck and Gerhard Steidl 31/158; David Evans, John Heartfield AIZ/VI 1930-38, review by John Willett 28/160
  • Heath, Adrian review by Margaret Garlake 16/67, 24/122; book review of Nina Hamnett, Laughing Torso, Stella Bowen, Drawn From Life 27/82; Concerning Conceptualism 4/113; review by James Hyman 19/143; obituary by Andrew Wilson 32/160
  • Heath, Rupert report of Thomas Crow’s lecture 36/142
  • Heathfield, Adrian, Templeton, Fiona and Quick, Andrew (eds) Shattered Anatomies: Traces of the Body in Performance, review by Valerie Reardon 33/213
  • Hebborn, Eric forgery, Artlaw 33/151
  • Heerich, Erwin review by Mark Gisbourne 12/174
  • Heger, Swetlana/Boden, Roland/Crowe, Nick review by Dave Beech 35/260
  • Heilmann, Mary review by Mark Harris 29/246
  • Heimweh: Young German Art review by Sara Harrison 27/280
  • Hein, Jeppe review by Eliza Williams 30/305
  • Heise, Henriette/Jakobsen, Jakob/Szczelkun, Stefan review by Laura Moffatt 35/224
  • Held, Al review by Mel Gooding 16/104; obituary 17/289
  • Helion, Jean review by Robert Radford 18/110
  • Hell in the Pacific see Alex Farquharson
  • Heller, Robert A Whisper in the Arts Council’s Ear 2/68; Market Gardening 2/75
  • Hemingway, Andrew (ed) Marxism and the History of Art: From William Morris to the New Left, book review by Jonathan Harris 35/303
  • Hempel, Lothar review by Michael Archer 29/225
  • Hemsworth, Gerard Notes on Teaching Art 11/6; review by Andrea Hill 19/21, Lynne Cooke 19/78; interview by Andrea Schlieker 9/101; review by David Barrett 23/223
  • Henderson, Nigel review by Mark Haworth-Booth 15/6review by Anne Massey 28/257
  • Hendricks, Jon (ed) What’s Fluxus? What’s Not! Why., book review by Simon Anderson 41/273
  • Henning, Anton review by Marcus Verhagen 37/308
  • Henrichs, Detlef review by Elisabeth Mahoney 35/222
  • Hensbergen, Gijs van review of Anton Heyboer 13/67, American Graffiti in Rotterdam 8/72
  • Hepher, David review by Margaret Garlake 17/84
  • Hepworth, Stephen review by Mary Anne Francis 24/149
  • Herbert, Albert With Brush and Palette 14/6
  • Herbert, Martin review of Andrew Cross 37/258, View Finder 39/259, Anya Gallaccio 29/261, Model Forms: Sculpture and Architecture in 1950s and 60s Britain 26/262, Shopping: A Century of Art and Consumer Culture 22/263, David Goldblatt 26/264, Days Like These: Tate Triennial Exhibition of Contemporary British Art 2003 22/265, Breda Beban 28/266, Muntean/Rosenblum 23/267, Kate Bright 24/269, Mariele Neudecker 35/270, Helen Sears, Jitka Hanzlová 21/271, Archigram/Piranesi 20/272, The Shape of Ideas 26/273, ’Now is Good’ ne travaillez jamais) 26/274, Haunted Media 33/275, At the Still Point of the Turning World 30/276, With Hidden Noise: Sculpture, Video and Ventriloquism 23/277, Nathan Coley 35/278, East International 28/279, Julian Rosefeldt, Christoph Girardet & Matthias Müller 24/280, Bloomberg New Contemporaries 27/281, John Murphy 22/283, Between Letters and Abstraction 33/284, The World, Abridged 27/285, Dionysiac 24/286, Des Hughes 32/287, Ettore Spalletti 36/288; What is the Alternative? Feature 13/290; review of Campus 31/291, At the same time somewhere else 27/293, Fantasy Island, 27/294, Mark Titchner 30/295, Mark Lewis 40/296, Dada’s Boys 28/298, Pierre Huyghe 26/299, letters 10/301; review of China Power Station: Part 1 31/301, Johanna Billing 30/304, Philippe Parreno 33/306, Martin Creed 27/307, East International 2007 24/309, Gary Stevens 35/311, Presque Rien 1 32/312
  • Herbert, Simon Letter from Los Angeles 29/271; review of Thing: New Sculpture from Los Angeles 29/286, Ecstasy: In and About Altered States 37/292
  • Here There and Elsewhere see Pryle Behrman
  • Heritage lottery awards letters 18/193
  • Herold, Georg review by Clifford Myerson 18/152, Michael Wilson 34/223
  • Heron, Katharine obituary of Max Gordon 35/141; review of South Bank Centre 2/149, Sackler Galleries 26/151
  • Heron, Patrick review by Peter Fuller 8/50; obituary of Ben Nicholson O M 1894-82 2/54; review by Margaret Garlake 19/70, 22/89; The Arts Schools Murdered 2/92; obituary of William Scott 34/133; review by Andrew Wilson 23/160, Simon Morley 12/181, Margaret Garlake 38/219; obituary by Andrew Wilson 23/225 Patrick Heron on art and education, see polemic by Allan Harkness 38/263
  • Herring, Oliver review by Mark Harris 27/260
  • Herwitz, Daniel Making Theory/Constructing Art: on the Authority of the Avant-Garde, book review by Simon Ford 28/173
  • Hess, Nic review by Marcus Verhagen 21/267
  • Hesse, Eva review by Monica Petzal 15/27; feature by Patricia Bickers 1/263
  • Hewison, Robert The Heritage Industry, book review by Toni del Renzio 26/116; Culture and Consensus, book review by Margaret Garlake 43/192
  • Heyboer, Anton review by Gijs van Hensbergen 13/67
  • Heyer, Annette review by Michael Ellis 39/242
  • Hey Production? review by Ian White 24/266
  • Heywood, Anthony & Lambirth, Andrew Some Seen Some Said, review by Cathy Courtney 42/198
  • Hide, Peter review by Margaret Garlake 19/70
  • Higgins, Dick obituary by Michael Gibbs 25/222
  • Higgins, Hannah Fluxus Experience, book review by Simon Anderson 41/273
  • Higgs, Matthew review by David Barrett 27/184, 45/189; review of Amikam Toren 23/203, David Griffiths 30/205, Ian Wallace 35/206, Dan Graham 28/207, Martin Kippenberger 27/208, documenta X 1/209, Stephen Willats 30/210, Follow Me 27/211, Lawrence Weiner 43/212, Gregor Schneider 21/213 Future Systems 45/216, Szuper Gallery 29/218, Jochen Klein 40/222; on art in the new millennium 11/232
  • High Red Center review by Elisabeth Mahoney 27/224
  • High-Rise review by David Barrett 28/197
  • Hill, Andrea review of Gerard Hemsworth 19/21; review by Cathy Courtney 40/180
  • Hill, Anthony Polemics: Where is Art Now? 19/18; review of Kenneth Martin 27/18, 16/89; book review of William A Camfield, Picabia 33/30; Polemics: Autoscopy 30/39; interview by Stephen Bann 5/66; A Postscript 39/82; Polemics 31/85, 25/88, 26/91; letters 22/115; A Short Space from Time: Version of the William Townsend Memorial Lecture 3/123; letters 27/130, 39/172; review by Clifford Myerson 34/177
  • Hill, Christine, Erkmen, Ayse, Hirschhorn, Thomas review by Axel Lapp 39/302
  • Hill, Gary interview by Regina Cornwell 3/170; review by David Barrett 22/203; Graham Parker on 9/242, Chris Townsend 26/302
  • Hill, Peter review of Ian Hamilton Finlay 2/64, Michelle Baucke 11/65; UN Troops 2/67; review of Albert Irvin 14/67, 14/96; Burrell Exhibition 20/70; A Winter’s Tale 15/75; Edinburgh Festival 5/90; interview with Bill Woodrow 12/102; Visual Arts at the Edinburgh Festival 16/110
  • Hiller, Karol review by Margaret Garlake 8/60
  • Hiller, Susan review by Monica Petzal 22/17, Guy Brett 15/34, Caryn Faure Walker 5/52, Guy Brett 7/66, Lynne Cooke 11/75, Mel Gooding 23/101, 25/102; letters 24/137; review by Caryn Faure Walker 34/177, Ian Hunt 22/194; After the Freud Museum, review by Cathy Courtney 44/201; review by John Tozer 43/228, Axel Lapp 33/278
  • Hilliard, John review by Peter Dormer 15/49, Brian Hatton 20/159, 29/199, Marina Wallace 40/204, Valerie Reardon 28/222
  • Hillis Miller, J Illustration, book review by Ian Hunt 25/159
  • Hilton, Roger review by David Brown 16/6, Margaret Garlake 17/85, 30/172
  • Hilton, Tim book review of John Elderfield, Matisse in the Collection of the Museum of Modern Art 32/26, J P Fabre, Picasso: The Life and Work of the Early Years 1881-1907 24/59; The Work of Miró 3/68
  • Hilty, Greg review of Gerhard Richter 27/131, Christian Boltanski 18/137, Stuttgart Public Art project 16/159, Contemporary Art in Australia: In Place (Out of Time) 44/209
  • Hinz, Berthold Art in the Third Reich, book review by Frank Whitford 27/40
  • Hiorns, Roger profile by JJ Charlesworth 20/249
  • Hiorns, Roger/Musgrave, David review by JJ Charlesworth 40/265
  • Hirschhorn, Thomas review by Clare Manchester 36/248; Material: Public Works – The Bridge 2000, review by Mark Beasley 45/251
  • Hirst, Damien review by Mary Anne Francis 24/149, Stuart Morgan 5/153, Mary Anne Francis 18/153; interview by Andrew Wilson 3/177; review by David Barrett 37/188; I Want to Spend the Rest of My Life Everywhere, With Everyone, One to One, Always, Forever, Now, book review by Robert Garnett 40/211; Jeffrey Kastner on 30/242; review by Michael Corris 36/270
  • Hirst, Nicky review by Sotiris Kyriacou 31/197
  • History – the Mag Collection review by Maria Walsh 30/212
  • Hitchens, Ivon review by Tim Roberts 17/26; Peter Khoroche, Ivon Hitchens, book review by Margaret Garlake 28/151
  • Hoch, Hannah review by Jill Lloyd 16/68
  • Hockney, David interview by Peter Fuller Part 1 4/12, Part 2 5/13; review by Frederick Ted Castle 20/24, Krzysztof Ciecszkowski 18/49, Peter Fuller 33/49; Photographs by David Hockney, book review by Rory Coonan 26/62
  • Hodgkin, Howard review by Frederick Ted Castle 11/48, Michael Archer 16/120, Cathy Courtney 26/146
  • Hodgson, Janet review by Padraig Timoney 27/225
  • Hoffman, David, case Artlaw 34/153
  • Hofmann, Hans review by Willis Domingo 16/7, Nigel Blake 7/119, Clement Greenberg 5/114, Barry Martin 12/116
  • Holcroft, Mike review by Margaret Garlake 19/86
  • Holland, Harry Association of Artists and Designers in Wales 24/13; WAC Open Forum 11/20; review by Juliet Steyn and Deborah Cherry 16/27, Ian Walker 16/41
  • Hollander, Gad and Bick, Andrew The Palaver, review by Cathy Courtney 38/224
  • Höller, Carsten/Marie José Burki review by Gilda Williams 43/216, Gilda Williams 24/290
  • Hollingsworth, Steve review by Michael Ellis 39/242
  • Holman, Michael interview with Andrew Wilson on Julian Schnabel’s Basquiat 8/210; on John Waters’ Pecker 1/221; review of Downtown 81 51/252, the Downtown Show: The New York Art Scene 1974-84 25/295
  • Holt, Lilian review by Sue Arrowsmith 3/44
  • Holtzman, Harry The new art - the new life: the collected writings of Piet Mondrian, book review by Stephen Bann 23/109
  • Holzer, Jenny review by Michael Archer 25/123, Barbara Pollack 46/259
  • home review by John Tozer 25/208
  • Home review by Niamh Ann Kelly 43/253
  • Home (Between 8 and 10pm) review by David Briers 43/244
  • Home Series review by Valerie Reardon 41/244
  • Home, Stewart Slow Death and What is Situationism?: a reader, book review by Simon Ford 43/198; review by David Burrows 58/200; letters 18/201, 18/202; book review of John A Walker, Art and Outrage: Provocation, Controversy and the Visual Arts 42/226; letters 14/227; Confusion Incorporated: A Collection of Lies, Hoaxes & Hidden Truths, book review by Laura Moffatt 56/228; book review of Roger Sabin (ed) Punk Rock: So What? The cultural legacy of punk 49/229; review of Richard Billingham 45/238; book review of Andrew Hussey, The Game Of War: The Life & Death Of Guy Debord, Beneath The Paving Stones: Situationists & The Beach, May 1968 45/250
  • Home, Stewart & Blissett, Luther Green Apocalypse, book review by Simon Ford 43/198
  • Homes, Bill review of Le Corbusier 9/105; book review of Maurice Besset, Le Corbusier, to live with the light 28/108
  • Homes for the Soul – Micro-Architecture in Medieval and Contemporary Art review by Michael Corris 9/244
  • Hong Kong Uncertain art: borrowed time, review by Eric Wear 9/137; letters 26/136
  • Honiton Festival 2000 review by Valerie Reardon 38/237
  • Hooker, Charlie review by Hilary Gresty 27/138
  • Hooper, Claire Victim, review by Sally O’Reilly 34/294
  • Hooper, John review by Jane Lee 19/112
  • Hoover, Nan review by Mick Hartney 34/66
  • Hopkins, David review of Marcel Duchamp 15/216; ’Women Behaving Badly’ feature on Dada and gender 1/236; Surrealism 2001, feature on Tate exhibition Surrealism: Desire Unbound 1/251 What if Warhol Cared?, feature 1/254; review of Peter Suchin 28/270, Rosemarie Trockel 23/282
  • Hopkins, Louise review by Ian Hunt 22/202
  • Hopley, Vit Reading Matter, review by Cathy Courtney 47/227
  • Hopper, Robert obituary 14/233
  • Hormats, Bess The German War Art Collection 6/2
  • Horn, Rebecca review by Tamara Krikorian 32/74, Marjorie Allthorpe-Guyton 17/158, Urszula Szulakowska 16/181
  • Horn, Roni review by Michael Wilson 35/255, Gill Perry 34/307
  • Horne, Donald The Great Museum, book review by Kenneth Hudson 26/82; The public culture, book review by Kenneth Hudson 28/100; The Culture Bunker 5/133
  • Horne, Howard with Simon Frith Art into Pop, book review by Alex Seago 24/115
  • Horovitz, Michael review of R B Kitaj 18/7; Growing Up: Selected Poems and Pictures 1951-79, book review by John McEwen 29/34; book review of Liliane Lijn, Crossing Map 27/66; Midsummer morning jog log, book review by John McEwen 34/100
  • Horrigan, Jefford review by Jean Fisher 13/45
  • Horsley, Michael review by Paul Overy 16/88
  • Horvatic, Hrvoje review by Catherine Elwes 32/129; obituary 23/214
  • Hossack, Rebecca 24/119
  • Host review by Neil Mulholland 26/217
  • Hot in the City review by Nicky Bird 38/225
  • Houghton, Nicholas letters 28/100; review of Soapworks 30/106, Sender 23/107; letters 22/109; review of Judith Goddard 36/108
  • House, Gordon obituary 16/277
  • House no Garden project review by David Barrett 33/192
  • Houshiary, Shirazeh review by Margaret Garlake 20/111, Robert Radford 26/169
  • Housley, Paul review by Graham Parker 27/244
  • Hoving, Thomas Art for Dummies, book review by Laura Moffatt 55/232
  • How to Improve the World review by Andrew Wilson 35/300
  • How will we behave? review by David Burrows 45/199
  • How’s Your Cow review by Amanda Crabtree 35/242
  • Howarth, Sophie review of Jane Prophet 52/242
  • Howell, Anthony Problems of Picturing 11/80; review of Derek Southall 12/87
  • Hoyland, John review by Jennifer Oille 25/2
  • Huang Yong Ping review by Ian Hunt 30/204
  • Hudson, Graham review by Jennifer Thatcher 27/310
  • Hudson, Kenneth Living with One-Offs 22/89; book reviews of Donald Horne, The Great Museum 26/82, Donald Horne, The public culture: the triumph of industrialism 28/100; Buildings for art 2/106
  • Huebler, Douglas obituary 22/209; feature by Alison Green 6/255
  • Hughes, Anthony and Ranfft, Erich (eds) Sculpture and its Reproductions, book review by David Barrett 44/221
  • Hughes, Dean profile by David Musgrave 24/206, review by Nick Crowe 39/255
  • Hughes, Des review by Dan Smith 20/271, Martin Herbert 32/287
  • Hughes, Malcolm Notes on Teaching Art 4/6; review by Stephen Bann 11/67; Arveitskreis 20/70; review by Cathy Courtney 31/89; obituary of William Coldstream 2/104; Painting Space-Gallery Space, review by Peter Brades 17/124; obituary by Noel Forster 23/211
  • Hughes, Patrick review by Margaret Garlake 14/66; review of Les Coleman 15/116
  • Hughes, Philip review of Brian Fielding 16/108; review of Cézanne: The Early Years 16/117; letters 24/120, 24/121; Art Education 29/128; letters 29/129
  • Hughes, Ralph review of The unpainted landscape 24/108
  • Hughes, Richard profile by David Barrett 18/281
  • Hughes, Robert On Art and Money 6/82
  • Hughes, Stephen review of Andrew Sabin 28/138
  • Hugonin, James review by Clifford Myerson 21/145
  • Hugonnier, Marine review by Gilda Williams 28/267
  • Huisman, Michel Bruxelles à Mur Ouvert, book review by Toni del Renzio 30/89
  • Hulten, Pontus review by Willis Domingo 4/4
  • Human Cargo review by Colin Glen 36/311
  • Human Nature review by Jennifer Thatcher 27/287
  • Hume, Gary review by Mary Anne Francis 24/149
  • Humid review by Valerie Reardon 36/245
  • Humphreys, Richard book review of David Peters Corbett (ed), Wyndham Lewis and the Modern Art of War 45/220; review of futurism exhibition 44/225
  • Hundertwasser, Friedenreich obituary 20/235
  • Hungarian underground art review by Tom Mulligan 12/137
  • Hung up on Hesse feature by Patricia Bickers 1/263
  • Hunt, Andrew review of Right-On, Write-Off 32/299, Paranoia 18/303, Simon Bedwell 31/307, John Russell 31/307, Citadel 1 Front Room/Killing Room 38/308, David Lamelas, Films 1969-1972/2004 43/311, The Third Mind 34/312
  • Hunt, Georgina review by Guy Brett 27/18
  • Hunt, Ian review of Brian Catling 15/152; letters 26/154; book review of Modern Arts Criticism Vol 1 26/156; review of Marcus Taylor 21/158, Sutapa Biswas 27/162; book review of Ivan Karp et al, Museums and Communities 30/164, J Hillis Miller, Illustration 25/159, Peter Wollen, Raiding the Icebox 33/170, Neil Cummings (ed), Reading Things Sight Works Vol 3 33/174; review of Simon Patterson 35/179, Brian Catling 15/180, Words! Don’t stand on trifles 13/184, Desperate Optimists14/185; book review of John A Walker, John Latham, The Incidental Person41/186; review of Jiri Kolár 20/187; letters 20/188; review of Leo de Goede/Peter Koole/Jos van Merendonk 33/189, John Aiken 26/190, Art Tours: Babylon by bus 18/191, Frank Bowling 39/192, Susan Hiller 22/194, Simon Patterson 29/195; Vide Video: on video 3/196, Richard Wilson 25/197; (ed) What the Butler Saw: Selected Writings by Stuart Morgan, book review by Julian Stallabrass 48/197; review by Stuart Brisley 26/198 L’informe: mode d’emploi 26/199; The Daubers/Die Kritzler, book review by Juan Cruz 69/200; book review of Silence Please! Stories after the work of Juan Muñoz 70/200; review of Louise Hopkins 22/202, Parisien(ne)s/Huang Yong Ping 30/204; book review of Jean Fisher (ed) Selected Writings by Lee Ujan 1970-96 48/204; review of Jaki Irvine 29/205, Kai Althoff 38/206, Sarah Lucas 35/207, De Re Metallica 32/208, Sunil Janah/Juginder Lamba/Surjit Simplay 39/210, John Moores Liverpool Exhibition 20 34/212; profile of Kate Davis 24/214; on Ilya & Emilia Kabakov, review of the Palace of Projects 9/216; review of Mariele Neudecker 43/222, Thinking Aloud 22/223; book review of Patrick Keiller, Robinson in Space 45/225; review of Brian Catling 35/226; book review of Pavel Büchler, Ghost Stories: stray thoughts on photography and film 54/228; review of Chris Marker 41/228; ’Ever Felt Had?’ on Abracadabra: International Contemporary Art 7/229; review of Prunella Clough 37/231, British Art Show 5 30/236; Aspects/Positions: 50 Years of Art in Central Europe 24/243, Jaki Irvine 38/244; Sonic Cities, review of Century City: Art and Culture in the Modern Metropolis 7/245, review of Colin Sackett, essayes, Penny McCarthy, Encyclopaedia Of Dust, Ken Cockburn & Alec Finlay (eds), The Order of Things: an anthology of Scottish sound, pattern and concrete poems 42/250, Colin Ware, Jimmy Corrigan: The Smartest Kid on Earth 50/252, Carl Andre 36/253; Letter from Ireland 33/254; review of Thomas Schütte 36/256, Shimmering Substance 39/257, Till Exit 32/259; film review of Alfred Leslie, The Cedar Bar 44/262; Future Perfect: feature on Alison and Peter Smithson 1/273; review of Christopher Wool/Rachel Harrison/Cerith Wyn Evans 31/274, Mark Dean 31/279; book review of Alice I Hutchinson, Kenneth Anger. A Demonic Visionary 39/280; review of Rut Blees Luxemburg, Juan Cruz 36/282; book review of Guy Brett, Carnival of Perception: Selected Writings on Art 36/283; review of Giovanni Anselmo 22/285, Jon Thompson 35/286; Mexican Stand-off, interview with Simon Patterson 1/288; review of Mike Nelson 32/292, Tropicália 23/295, Espaço Aberto/Espaço Fechado 23/295, Anthony McCall 38/296, David Wojnarowicz 23/297; book review of Esther Leslie, Synthetic Worlds: Nature, Art and the Chemical Industry 38/297; review of Edward Krasinski 27/300, The Secret Theory of Drawing 27/301; winter reading 43/302, 39/312; obituary of Toni del Renzio 17/303; review of Black Audio Film Collective 31/304, Pil and Galia Kollectiv 16/305; obituary of Jules Olitski 16/305; summer reading 45/308; review of No Room for the Groom: an exhibition with Douglas Sirk 33/309; obituaries of Bernd Becher, Luciano Fabro 17/309; They don’t unpack: interview with Eva Rothschild 1/311
  • Hunt, Ian and Rolo, Jane (eds) Book Works: A Partial History and Sourcebook book review by Cathy Courtney 67/200, Andrew Lambirth 47/202
  • Hunt, Ronald review of Aleksandr Rodchenko 14/24; Concrete versus Ideological 26/28
  • Hunter, Alexis review by Jean Fisher 5/52; letters 21/88
  • Hussey, Andrew The Game Of War: The Life & Death Of Guy Debord, book review by Stewart Home 45/250
  • Hutchinson, Alice I Kenneth Anger. A Demonic Visionary, book review by Ian Hunt 39/280
  • Hutchinson, Mark The New Curation 44/277
  • Hutchison, Robert on the Arts Council 2/48; book review of HC Baldry, The Case for the Arts 25/55; The Politics of the Arts Council, book review by Peter Dormer 24/60; Statement: ACE v RABs: Hoking Together 49/250
  • Huws, Bethan review by Liam Gillick 18/130, Tony Godfrey 26/227, Laura Moffatt 31/250, Barnaby Drabble 26/305
  • Huws, Bethan and Babi, Bistritsa review by Michael Archer 20/169
  • Huyghe, Pierre portrait by Jean-Max Colard 15/215
  • Huyghe, Pierre & Coupland, Douglas School Spirit, review by Maria Fusco 46/265, Martin Herbert 26/299; letters 10/301
  • Hylton, Richard review of Transcultural Gallery 24/211, Krishna – The Divine Lover 24/211; ’Global v Local’ on Zero Zero Zero and Cities on the Move 7/230; ’Continental Drift’ on Continental Shift – A Voyage Between Cultures 1/239; review of Look Out 24/241; The Politics of Cultural Diversity: feature on Decibel 20/274; review of We Have Met the Enemy and He Is Us 36284; The Nature of the Beast, Cultural Diversity and the Visual Arts Sector: A study of policies, initiatives and attitudes 1976-2006, book review by Jaime Stapleton 36/306
  • Hyman, James review of Adrian Heath 19/143, School of London 21/150; The Battle for Realism: Figurative Art in Britain During the Cold War, book review by Adrian Lewis 42/260
  • Hynes, Nancy review of Faisal Abdu’Allah 32/218
V12 Retail Finance
Sponsored Link
Sponsored Links