A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Index: I

  • I am a Curator see Paul O’Neill
  • I am Curious: exhibitions of young Swedish art review by Mark Sladen 40/202
  • I Am Making Art review by Andrew Wilson 20/245
  • I beg to differ review by David Burrows 32/197
  • I curate you curate we curate see Alex Farquharson
  • I really should … review by Mark Wilsher 23/289
  • I See a Darkness review by JJ Charlesworth 39/266
  • I Want! I Want! review by JJ Charlesworth 33/270
  • ICA Ralph Rumney on 3/111
  • ICA Media Centre review by Michael Gibbs 54/253
  • Iceland review by David Briers 39/311
  • Ich Bin review by Axel Lapp 43/249
  • ID – An international survey on the notion of identity in contemporary art review by Michael Gibbs 34/203
  • Idea of North, The review by David Briers 48/242
  • Ideal Standard Summertime review by Philip Sanderson 37/189
  • Ideas for Sale/Supastore review by David Barrett 38/211
  • If it didn’t exist you’d have to invent it: a partial Showroom history review by David Barrett 26/296
  • Iglesias, Cristina review by Simon Grant 35/191
  • Ikeda, Ryoji Formula, review by David Ryan 39/287
  • Ikegami, Takashi text for Carsten Nicolai, Autopilot, review by Dan Smith 48/268
  • Iles, Chrissie on art in the new millennium 10/
  • Ill Communication review by Sarah Tripp 23/264
  • 232
  • Imaginary Balkans: The Balkan Matrix review by Martin Vincent 28/265
  • Imagine Action review by Mark Wilsher 28/309
  • Imagined Communities review by Piers Masterson 33/194
  • IMMA launch review by Frederick Ted Castle 15/148
  • Immendorf, Jorg review by Tony Godfrey 17/69, Richard Leachman 11/81
  • Immigration, art and Sue Malvern on 28/146
  • Implicasphere: an itinerary of meandering thought review by Stephen Bury 39/281
  • Impossible Document, The: Photography and Conceptual Art in Britain 1966–76 review by Brian Hatton 1/207
  • Impossible Science of Being, The review by Philip Sanderson 32/193
  • In Absentia see Deborah Schultz
  • In-A-Dadda-Da-Vida review by Morgan Falconer 28/275; letters 19/276
  • In Fusion review by Anna Moszynska 20/166
  • In many ways the exhibition already happened review by Mark Wilsher 32/253
  • In Search of the Ideal Biennale see feature by Pryle Behrman
  • In Synch interview with Michael Snow, by Michael O’Pray 9/256
  • In the Face of History: European Photographers in the 20th Century review by Alison Green 32/302
  • In Visible Light: Photography and Classification in Art, Science and the Everyday review by Mark Durden 6/205
  • In Your Dreams review by Michael Wilson 36/238
  • Inbreeder: Some English Aristocracies review by Elisabeth Mahoney 37/216
  • Incommunicado review by Morgan Falconer 15/271
  • indecent child photographs see Artlaw
  • Independence review by Peter Suchin 41/268
  • Independents 04 review by David Briers 25/281
  • India & INIVA by Piers Masterson 30/174
  • India, contemporary women artists review by Eddie Chambers 35/193
  • Indian artists review by Sachiko Namba 36/255, David Lillington 45/257
  • Indiana, Gary Let It Bleed, Essays 1985-1995, book review by Gilda Williams 47/207
  • Indica at Riflemaker see Andrew Wilson
  • INFOWAR review by Michael Gibbs 48/220
  • inIVA back page/157; by Piers Masterson 30/174; Niru Ratnam on 13/211; letters 25/212
  • Inner Landscapes: Outsider and Visionary Art review by Dean Kenning 20/297
  • Inner Worlds Outside review by Rikke Hansen 21/297
  • Innes, Callum review by Simon Morley 19/157, Rosie Lesso 20/301
  • Insel Hombroich review by Mark Gisbourne 12/174
  • Inside Out: Contemporary Women Artists of India review by Eddie Chambers 35/193
  • Inside the Visible review by Toni del Renzio 41/202
  • Institute of Cultural Anxiety review by Simon Grant 33/183
  • institutionalisation see Dave Beech, Jacob Jakobsen, Lisa Le Feuvre, Peter Suchin
  • Institutionalisation for All see feature by Dave Beech
  • Instone, Jeff catalogue review of Cy Twombly 30/109; review of Richard Wilson 16/126; review by John Blake 26/129; review of Jaroslaw Kozlowski 24/134, Avis Newman 24/135; review by Cathy Courtney 23/144
  • Interfunktionen feature by Mike Sperlinger 13/278
  • InternationalArt plc see feature by Pryle Behrman
  • International Artlaw Research and Education Fund 35/160
  • International Association of Art Critics, 30th congress Sarah Wilson on 72/200
  • International Necronautical Society profile by Marcus Verhagen 18/277
  • International Paper review by JJ Charlesworth 39/266
  • International Symposium on Deconstruction Da Da Deconstruction Lives, by Deanna Petherbridge 8/117
  • Internet art review by Jon Thomson 48/225, 52/227, 52/230, 44/231; review by Michael Gibbs 60/238
  • Intimate House review by Mark Harris 42/232
  • Into the Light: The Projected Image in American Art 1964-1977 review by Jeffrey Kastner 24/252
  • Into the void review by John Tozer 32/196
  • Inventoryreview by Stephen Bury 46/212
  • Inventory review by JJ Charlesworth 21/254
  • Invisible City: London Project 11 review by Genevieve Fox 24/142
  • Ippolito, Jon & Blais, Joline At the Edge of Art, book review by Michael Gibbs 48/296
  • Iraq see feature Julian Stallabrass
  • Ireland, James review by Alicia Miller 26/262 The Difference Between Truth and Honesty review by Eliza Williams 33/311
  • Ireland letter from by Brian McAvera 30/139; letters 29/139, 31/140, 32/141; The Irish Consciousness Awakes by Cyril Barrett 24/143, Letter from by Ian Hunt 33/254
  • Ireland, north and south review by David Musgrave 22/217
  • Irish Art and Modernism review by Brian McAvera 18/154
  • Irish Art International by Simon Morley 13/196; letters 18/197
  • Irish Museum of Modern Art (IMMA) Cyril Barrett on 28/140, Frederick Ted Castle 15/148, review by Niamh Ann Kelly 41/250
  • Irons in the Fire review by David Briers 24/255
  • Irredeemable Skeletons review by Gilda Williams 32/206
  • Irvin, Albert review by Ian Jeffrey 19/36, Margaret Garlake 8/60, Peter Hill 14/67, 14/96
  • Irvine, Jaki review by David Barrett 27/184, Ian Hunt 29/205, Daniel Jewesbury 38/229, review by Ian Hunt 38/244, Maria Walsh 24/291, Niamh Ann Kelly 26/294; profile of Cecily Brennan 20/306; review by Marcus Verhagen 33/312
  • Irvine, Zoe Wind, review by Cathy Courtney 31/213
  • Irwin review by Nick Crowe 25/275 East Art Map: Contemporary Art & Eastern Europe, book review by David Briers 46/300
  • Irwin, David Scottishness 12/3
  • Isaac, Jo-Anne Moscow-Paris 1900-30 9/48
  • Isabelle, Laurence review of KIT 44/233
  • ISEA 98 conference review by Michael Gibbs 48/220
  • Isermann, Jim see feature by Alex Coles 7/253; review by JJ Charlesworth 39/266; Jennifer Thatcher 18/285
  • Iskowitz review by Margaret Garlake 13/65
  • Islam, Runa review by Michael Wilson 24/246
  • Israeli artists review by Monica Bohm-Duchen 20/142
  • Istanbul Biennial, 6th review by Gilda Williams 26/232; 8th International Pablo Lafuente 26/271, 9th Iwona Blazwick 18/291, 10th Teresa Gleadowe 33/310
  • It always jumps back and finds its way review by Michael Gibbs 34/206
  • It Starts From Here review by Matt Price 27/309
  • It’s a curse, it’s a burden review by David Musgrave 36/223
  • Iverson, Margaret, Crimp, Douglas, Bhabha, Homi Mary Kelly, book review by Maria Walsh 42/211
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