A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Index: F

  • Fabre, J P Picasso: Life and Work of the Early Years, book review by Tim Hilton 24/59
  • Fabre, Jan review by Andrew Wilson 26/207
  • Fabrications: New Art and Urban Memory in Manchester review by Martin Vincent 33/260
  • Fabro, Luciano obituary by Ian Hunt 17/309
  • Faces in the Crowd, Picturing Modern Life from Manet to Today review by Amna Malik 31/ 283
  • Face/Off: a portrait of the artist review by Morgan Falconer 27/263
  • FACT in Liverpool see Beryl Graham
  • FaceOn review by Michael Corris 29/240
  • Fact of Life review by Nina Mehta 31/215
  • Facts of Life review by Clare Manchester 7/251
  • Facts of Life: Galerie 102 review by Mark Gisbourne 37/183
  • Fagen, Graham profile by John Calcutt 20/219 ; review by Nicky Bird 28/302
  • Fahlström, Öyvind review by Paul Usherwood 20/261
  • Failure in art see Lisa Le Feuvre
  • Fair or Foul see Pryle Behrman
  • Fairhurst, Angus review by Mark Harris 24/202 obituary by Mark Harris 18/316
  • Faisal Abdu’Allah: The Browning of Britannia review by Coline Milliard 24/315
  • Faithfull, Simon review by David Lillington 33/221
  • Fake/Function: Thomas Schütte Early Work review by Teresa Gleadowe 22/312
  • Fake’s Progress, The see Colin Gleadell
  • faking editorial 15/332
  • Falmouth School of Art 2/103
  • Falconer, Morgan review of Jack Goldstein 33/255, Remix: Contemporary Art and Pop 28/258, En Route 27/261, Jonathan Parsons 29/262, Face/Off: a portrait of the artist 27/263, Jonathan Monk/Pierre Bismuth 21/264, Cristina Yglesias 34/266, Darren Almond 27/267; Cruel and Tender: feature on Cruel and Tender: The Real in the Twentieth-Century Photograph 7/268; review of Christian Marclay 26/269; The Undead: feature on new expanded field of painting 1/270; review of Incommunicado 15/271, 7th Lyons Biennale 23/272; feature on Deep Play 7/274 ; review of Hiroshi Sugimoto 33/ 273 , In-A-Dadda-Da-Vida 28/ 275 , Attila Csörgö 37/ 276 , Helen Chadwick 36/ 277 , letters 23-24/ 278, 19/ 279 ; review of Kara Walker 41/ 278 , Luc Tuymans 26/ 279 , Paul Noble 28/ 280 ; book review of Briony Fer, The Infinite Line: Re-making Art After Modernism 35/ 283 ; review of Toby Ziegler 34/ 284 ; book review of Peter Wollen, Paris Manhattan: Writings on Art 38/ 284 ; review of Katy Dove 20/ 285; New York Round-up 35/307; review of Richard Serra: Sculpture Forty Years 36/308 review of Whitney Biennial 2008 22/315, Emily Jacir 22/325, The Pictures Generation 1974-1984 25/327, The Generational: Younger than Jesus 30/328, In & Out of Amsterdam: Travels in Conceptual Art 1960-1967 19/330; book review of Michael Fried, Why Photography Matters as Art as Never Before 33/331
  • Fallujah review by Sally O’Reilly 41/308
  • False Impressions review by Marina Wallace 24/205
  • Faltering Flame: Aspects of the Human Condition in Contemporary Art review by Jonathan Harris 26/ 286
  • Fame After Photography Barbara Pollack on 1/230
  • Fame Game, The see Barbara Pollack
  • Family Credit review by Elisabeth Mahoney 32/219
  • Fantasy Football Art League review by Robert Garnett 33/215
  • Fantasy Island review by Martin Herbert 27/294
  • Far West review by Martin Herbert 26/319
  • Farmer, Geoffrey: The Last Two Million Years review by Colin Glen 29/312
  • Farquhar, Keith review by Ben Judd 29/221
  • Farquharson, Alex review of Yinka Shonibare 26/221, Painting Lab 34/225; ‘Hell in the Pacific’ on Cities on the Move 1/229, Bridget Riley 35/229; book review of Burkhard Riemschneider & Uta Grosenick, Art at the Turn of the Millennium/L’Art au Tournant de l’An 2000 54/232; review of Lost 34/235; book review of Libby Lumpkin, Deep Design: Nine Little Art Histories 45/237; review of The Ascent of Man, Geraint Evans, Sean Landers, Raymond Pettibon 51/239, Isaac Julien & Javier de Frutos 35/241; ‘Inside Out’ on Thrift Store Paintings, British Art Show 5 1/242; review of Lucy McKenzie 35/243, Pyramids of Mars 33/244, Jason Meadows 33/246, Jim Shaw 30/251, Michael Smith and Joshua White 28/256; I curate you curate we curate: feature on curating, Part 1 7/269, Curator and Artist: feature on curating, Part 2 13/270, Artists’ Favourites 22/ 280, Los Angeles 1955-1985 31/296
  • Farr, Dennis review of British Art Show 2/138
  • Farrer, Julia & Tyson, Ian review by Cathy Courtney 38/194
  • Farrer, Steve review by Sotiris Kyriacou 25/231
  • Farthing, Stephen review by Tony Godfrey 12/81
  • Fascinating Fascism? feature by Barbara Pollack 1/253, letters 9/254
  • Fast, Omer review by Lisa le Feuvre 26/ 290 interview by Marcus Verhagen 1/330
  • Faulkner, Amanda The Exploration of the Self 10/123
  • Faunce, Sarah and Nochlin, Linda Courbet Reconsidered, book review by Gerry Turvey 28/142
  • Faure Walker, Caryn review of Garth Evans 8/42; Susan Hiller 5/52; No Soap for Museums Conference 28/71; review of Andrea Fisher 19/130, Mona Hatoum 23/164, Panamarenko 24/169, Kazuo Katase 22/170; letters 39/172; review of Susan Hiller and Sharon Kivland 34/177, Siah Armajani 38/182, Artranspennine98 42/218, book review of Katya Sander & Simon Sheikh (eds), We are All Normal (and we want our freedom): a collection of contemporary Nordic artists’ writings 41/262
  • Faversham, Lord Page Two, with Lord Miles 2/113
  • Feaver, William The Press Critics 4/27; A Visit to China 9/44
  • Fecteau, Vincent review by Jennifer Thatcher 18/ 285
  • Feldman, Melissa E review of 21 Days of Darkness 38/195; profile of Smith/Stewart 24/196; review of Ross Sinclair 37/197; Letter from New York 49/199; review of Tacita Dean 53/200, Beverly Semmes 34/201, Vija Celmins 32/202, Slight 26/204, Six Unrelated Objects 25/205, Hiroshi Sugimoto 29/208; profile of Richard Wright 28/210; Sex and Death etc 6/213; review of Aubrey Beardsley 38/222, Steven Pippin 30/225
  • Feldman, Paula book review of Michael Corris (ed) Conceptual Art: Theory, Myth, and Practice 40/ 281review of Dan Flavin 27/295
  • Feminist Future: Theory and Practice in the Visual Arts conference report by Teresa Gleadowe 44/304
  • Feinstein, Rachel review by Gilda Williams 37/260
  • Feint Art see Mark Prince
  • Fend, Peter letters 19/177; review by Clifford Myerson 41/178 review by Sally O’Reilly 34/313
  • Fenton, Max review by Sotiris Kyriacou 54/200
  • Fer, Briony Mayakovsky 10/56; review of David Batchelor 41/204; On abstract art, review by Stephen Bann 32/213, The Infinite Line: Re-making Art After Modernism , review by Morgan Falconer 35/ 283
  • Fernie, Jes (ed) Two Minds: artists and architects in collaboration, book review by Hugh Pearman 39/297
  • Ferrier, R W (ed) The Arts of Persia, book review by Deanna Petherbridge 28/136
  • Fesenmaier, Helene review by Margaret Garlake 17/88, Mel Gooding 17/106
  • Fetishism exhibition review by Toni del Renzio 17/187
  • Fetting, Rainer review by Margaret Garlake 21/130
  • Fiction/Non-Fiction review by Mark Gisbourne 35/178
  • Fiction: Truth in photography and painting review by Jennifer Thatcher 30/ 279
  • Field Work see Ann Coxon
  • Fielding, Brian review by Philip Hughes 16/108
  • Figuring Landscapes review by Pryle Behrman 41/328
  • Fijalkowski, Krzysztof review of Meret Oppenheim 24/132
  • Fila, Rudolf review by Paul Overy 24/129
  • FILE Megazine review by Sally O’Reilly 32/329
  • film see Michael O’Pray, Nicky Hamlyn, John A Walker Review 40/142, 27/143, 24/144, 24/147, 25/148, 24/151
  • film and video Michael O’Pray on 13/224
  • Filipovic, Elena and Vanderlinden, Barbara (eds) The Manifesta Decade: Debates on Contemporary Art Exhibitions and Biennales in Post-Wall Europe, book review by Paul O’Neill 44/299
  • Finch, Paul on South Bank centre 12/170
  • Finch, Spencer review by Mel Gooding 8/190 review by Kathy Battista 18/329
  • Fineberg, Robert Is It Art? 2/85
  • Finer, Stephen review by Margaret Garlake 16/98
  • Fink, Peter Through the Eye of the Needle 8/116; Another Dublin, Another People 11/128; Public Art: The Professionals 37/264, letters 13/265
  • Finlay, Alec interview with Cathy Courtney 46/201; review of Telfer Stokes, Become 55/249
  • Finlay, Alec & Cockburn, Ken (eds) The Order of Things: an anthology of Scottish sound, pattern and concrete poems, review by Ian Hunt 42/250
  • Finlay, Ian Hamilton An Alternative Girn 20/1; review by Simon Cutts 18/11, Peter Hill 2/64; letters 23/96, 25/111, 30/117; review by Michael Archer 13/140; letters 27/145; obituary 17/296
  • Finley, Chris review by JJ Charlesworth 39/266
  • Finley, Karen George & Martha, review by Stephen Bury 43/299
  • Finn, David review by Jane Lee 18/117
  • Finn, Paul Ravensbourne 13/10; letters 26/95
  • Finn-Kelcey, Rose review by Guy Brett 36/212
  • Fisher, Jean Vampire in the Text: Narratives of Contemporary Art , book review by Maria Walsh 43/ 276
  • Fischer, Konrad obituary by Barry Barker 19/203
  • Fischli & Weiss review by Jane Lee 18/117, Gilda Williams 23/198, Gilda Williams 14/271; See feature by Anna Dezeuze 1/302 review by Marcus Verhagen 28/328
  • Fisher, Andrea review by Caryn Faure Walker 19/130, Conor Joyce 18/157, Julian Stallabrass 15/165, Michael Archer 14/166; obituary by Juliet Steyn 19/203; review by Maria Walsh 33/226
  • Fisher, Jean review of Lawrence Weiner 8/42, Matts Gallery 21/43, Horrigan/Tatafiorel/Boyd Webb 13/45, Gilbert & George/Richard Long 12/47, James Coleman 15/49, Alexis Hunter/ Ann Godel 5/52; Joel Fisher 13/57, Tony Bevan 12/60, James Coleman/Operating Theatre 11/61, (ed), Global Visions, book review by Eddie Chambers 45/183; (ed) Selected Writings by Lee Ujan 1970-96, book review by Ian Hunt 48/204
  • Fisher, Joel review by Robert McDowell 26/2, Colin Booth 19/25, Jean Fisher 13/57 Diagnosis, with images from Between Two Waters, review by Stephen Bury 41/304
  • Fitton, Ben review by Dave Beech 24/261
  • Fitton, James preview 23/101
  • FLAG by Mark Harris 1/203; letters 15/205
  • Flags, artists’ review by Paul Usherwood 23/148
  • Flam, Jack Matisse, the man and his art, 1869-1918, book review by Lynne Cooke 30/105
  • Flanagan, Barry review by John Glaves-Smith 5/58, 14/22, 18/36 obituary by Andrew Wilson 16/330
  • Flavell, Kay George Grosz, a biography, book review by Jill Lloyd 33/122
  • Flavin, Dan review by Jeffrey Kastner 6/191; obituary by Patricia Bickers 19/203; review by Laura Moffatt 34/241, Gilda Williams 27/250, Paula Feldman 27/295
  • Fleming, Martha review by Guy Brett 30/200
  • Fleury, Sylvie review by Godfrey Worsdale 33/218
  • Flick, Friedrich Christian Collection review by Axel Lapp 20/ 282
  • Flights of Fancy see Deborah Schultz
  • Flimflam review by David Barrett 23/294
  • Flood-Paddock, Jess/Murray, Liz review by Mark Wilsher 27/315
  • Floyer, Ceal review by Sotiris Kyriacou 35/187; profile by David Barrett 22/193; review by Michael Archer 32/207, David Musgrave 45/244 , Mark Godfrey 35/296
  • Fluid review by Emma Safe 35/251
  • Fluxbritannica review by Simon Ford 15/176
  • Fluxus Michael Gibbs on 52/216, Simon Anderson on 41/273 Fluxus: The Dream of George Maciunas review by David Briers 22/324
  • Fluxus Festival review by Michael Gibbs 44/ 273
  • Fluxus Performance Workbook book review by Simon Anderson 41/ 273
  • Folk Art? see Dan Smith
  • Folkestone Triennial review by Pryle Behrman 24/319
  • Follow Me review by Matthew Higgs 27/211
  • Foner, Philip The Other America: Art and the Labour Movement in the United States, book review by Francis Frascina 23/98
  • Fontana, Lucio review by Mel Gooding 10/119, Barry Barker 30/232
  • Force Fields: phases of the kinetic review by David Lillington 39/239, letters 11/240
  • Forced Entertainment see Graham Parker
  • Ford, Simon book review of Craig Owens, Beyond Recognition: Representation, Power, Culture, Rosalind E Krauss, The Optical Unconscious, Hal Foster, Compulsive Beauty, Douglas Crimp, On the Museum’s Ruins, Barbara Kruger, Remote Control: Power, Cultures and the World of Appearances, Daniel Herwitz, Making Theory/Constructing Art: on the Authority of the Avant-Garde 28/173; review of Fluxbritannica 15/176, Situationists 14/177; book review of Thomas Kellein, Fluxus 44/189; Myth Making: on the phenomenon of the young British artist 3/194; letters 17/195, 19/196; Doing P-Orridge: on art, crime and Prostitution 9/197; letters 20/199; book review of Stewart Home, Slow Death and What is Situationism?: a reader, and Stewart Home and Luther Blissett, Green Apocalypse 43/198; Pseudo Situationism: Situationist International 19/210; Wreckers of Civilisation: The Story of Coum Transmissions and Throbbing Gristle, book review by Rob La Frenais 49/235; profile of Saatchi Gallery 18/267; review of Barbara Kruger, Cindy Sherman 35/268, Nils Norman, An Architecture of Play: A survey of London’s Adventure Playgrounds 43/ 278
  • Ford, Simon & Davies, Anthony Art Capital 1/213, Art Futures 9/223; letters 20/224; response to 13/225; letters 17/225, 14/226
  • Forest, The review by Margaret Garlake 20/100
  • Forg, Günther review by Michael Archer 19/160
  • Forge, Andrew obituary 22/260
  • Forget Elitism see Dave Beech
  • Forma review by John Tozer 37/204
  • Forms of Resistance review by Michael Gibbs 23/312
  • Forster, Andrew Light in the Head, review by Cathy Courtney 42/193
  • Forster, Noel review by Lucy Havelock-Allan 16/34, William Allen 23/146; obituary of Malcolm Hughes 23/211 obituary by David Ryan 16/315
  • Forster, Richard / Bracewell, Michael review by Stephen Bury 37/328
  • Forsyth, Lucy book review of Simon Sadler, The Situationist City, and Peter Shield, Comparative vandalism: Asger Jorn and the artistic attitude to life 45/221; letters 19/222, 20/222; book review of Christophe Bourseiller, La Vie et Mort de Guy Debord, Anselm Jappe, Guy Debord 51/240
  • Fortnum, Rebecca Reading Matter, review by Cathy Courtney 47/227
  • Foster, Colin Art and Revolution 18/115; letters 26/134
  • Foster, Hal The Anti-Aesthetic, book review by Brandon Taylor 25/84, Compulsive Beauty, book review by Simon Ford 28/173, The Return of the Real, book review by Liam Gillick 41/205Design and Crime and Other Diatribes, see feature by Alex Coles 7/263
  • Foster, Hal; Bois, Yve-Alain; Buchloh, Benjamin HD and Krauss, Rosalind Art Since 1900: modernism, antimodernism, postmodernism , book review by Richard Noble 38/ 289
  • Foster, Hal and Francis, Mark (eds) Pop, book review by Michael Bracewell 38/301
  • Foster, John review by Margaret Garlake 19/70
  • Foster, Norman Carré d’Art, Nîmes, Sarah Wilson on 2/167
  • Foster, Stephen letters 27/117
  • Foster, Timothy review of Jan Dibbets 18/124, Kasimir Malevich 22/126, Vincent van Gogh 23/136, Robert Gober 21/138, Arnulf Rainer 22/138, Beelden Buiten Tielt 24/139, Roy Villevoye 25/141, Chris Jennings 19/142, John Coplans 18/143, Film-Video 27/143
  • Fotofeis review by Julian Stallabrass 23/191
  • Fougeron, André review by Sarah Wilson 15/111
  • Four Rooms review by Brian Hatton 19/167
  • Fowkes, Maja and Reuben Art & Philosophy: feature 11/323
  • Fowkes, Reuben book review of Gerald Raunig, Art and Revolution: Transversal Activism in the Long Twentieth Century 41/316; review of Manifesta 7: The European Biennial of Contemporary Art 22/319
  • Fowler, Joan review of Avis Newman 25/166
  • Fowler, Luke Bogman Palmjaguar, review by Stewart Home 42/316; review by Coline Milliard 34/328
  • Fox, Genevieve review of The Invisible City 24/142, photomontage exhibition 25/149
  • Frampton, Kenneth extract from John Thackeara (ed.) Design Offer Modernism 3/116
  • Francia, Peter de review by Tim Hyman, 17/18; letters 25/79; obituary of Renato Guttuso 20/104; book review of Geoff Dyer, Ways of telling: the work of John Berger 27/106; review by Margaret Garlake 17/108; letters 32/112; book review of Geeta Kapur, K G Subramanyan 30/114; review by John Leslie 17/130
  • Francis, Mark book review of Michael de Grice, Abstract Film and Beyond 20/12; Objects and Sculpture 14/48; review of Francisco Clemente 8/50, Dan Graham 18/51; review by Simon Morley 34/187; ‘Lives of the Artists’, on John Cale and Douglas Gordon 1/226; letters 14/227, 26/228, 16/235
  • Francis, Mark and Foster, Hal (eds) Pop, book review by Michael Bracewell 38/301
  • Francis, Mark, MacCabe, Colin and Wollen, Peter (eds) Who Is Andy Warhol? book review by Andrew Wilson 44/208
  • Francis, Mary Anne review of Langlands and Bell 10/143, Caroline Russell 15/143, sculpture exhibition 21/146, Louder than Words 22/148, summer exhibitions 24/149; letters 28/149; review of Cornelia Parker 19/151, Goldsmiths/Saatchi/Quinn/Gallaccio 16/152, Damien Hirst 18/153
  • Francis, Sam review by David Cohen 20/118
  • Francis, Sarah book review of Griselda Pollock, Avant-Garde Gambits 31/165
  • François, Michel review by Andrew Hunt 26/317
  • Frangenberg, Thomas review of The Epic and the Everyday 40/179
  • Frankland, John review by Philip Sanderson 26/197
  • Franks, Matt review by Clare Manchester 28/262
  • Frascina, Francis review of Picasso 3/49, Jackson Pollock 9/55; book review of Serge Guilbaut, How New York Stole the Idea of Modern Art 26/78, Philip S Foner and Reinhard Schultz (eds) The Other America 23/98; Greenberg and the Politics of Modernism 6/111; review of L’Art en Europe 17/116; The Difference Between Then and Now 3/118; Lee Krasner and Jackson Pollock 16/133; book review of Peter Abbs, A is for Aesthetic: Essays on Creative and Aesthetic Education 27/133; letters 30/138; review of books on Jackson Pollock 29/141; review of American Art in the 20th Century 19/171; on Clement Greenberg 18/178; letters 25/179; review of Franz Kline 30/179; book review of Rosalind E Krauss and Norman Bryson, Cindy Sherman 1975-93 40/181 review of 1968: Art and Politics in Chicago 22/322; Gaza; Lament of the Images Revisited: feature 9/325; Modern Art Culture: A Reader, book review by Rachel Garfield 34/331
  • Frascina, Francis and Harris, Jonathan on censorship, social control and permissibility 40/194, reply by Valerie Reardon 45/195; A Retort: Power and Responsibility 46/197
  • Fraser, Alex LYC Museum and Art Gallery 25/39
  • Fraser, Andrea see Sarah Thornton
  • Fraser, Gordon The Work of Atget Vol II The Art of Old Paris, book review by Rory Coonan 25/65
  • fraudulent editions see Artlaw
  • freedom of information see Artlaw
  • Freee: How to Make a Difference review by Paul O’Neill 37/311 Changing Spaces: interview with Vito Acconci 1/332
  • Fried, Michael Why Photography Matters as Art as Never Before, book review by Morgan Falconer 33/331
  • Frieze Art Fair editorial 14/321
  • Frei, Luca The so-called utopia of the centre beaubourg – An interpretation review by Lucy Steeds 42/318
  • Freiheit, Mulheimer review by Glyn Banks 22/73
  • French art, contemporary Amanda Crabtree on 7/215
  • French FRACs review by Amanda Crabtree 8/182
  • FrenchMottershead profile by Mark Wilsher 24/302
  • Frenkel, Vera review of Joseph Beuys 12/117
  • Frequencies [Hz] – The Art of Noise review by Axel Lapp 47/255
  • Fresh Moves: New Moving Images from the UK review by Pil and Galia Kollectiv 42/311
  • Freud, Lucian review by John Glaves-Smith 27/15, Andrew Brighton 9/72, 12/114
  • Friction review by Eliza Williams 34/265
  • Fried, Michael Painting and the Beholder in the Age of Diderot, book review by David Carrier 35/49
  • Friedl, Peter review by Michael Ellis 29/251
  • Friedman, Ken (ed) The Fluxus Reader, book review by Adrian Glew 50/227, letters 12/229
  • Friedman, Ken; Allsopp, Ric and Smith, Owen (eds) On Fluxus, book review by Simon Anderson 41/ 273
  • Friedman, Tom review by David Barrett 27/202
  • Frieling, Rudolf and Daniels, Dieter (eds) Media Art Net 1 , review by Michael Gibbs 45/ 278
  • Frieze Art Fairs 27/ 282 , 46/ 292
  • Fritsch, Katharina review by Cherry Smyth 29/250
  • Frink, Elisabeth by Patricia Bickers 3/86; see also Artlaw
  • Frith, Simon and Horne, Howard Art into Pop, book review by Alex Seago 24/115
  • Frize, Bernard review by Mark Durden 24/175
  • From Here review by Michael Archer 8/186
  • From There review by David Barrett 35/298
  • Frost, Terry review by Margaret Garlake 19/72, 27/102, Mel Gooding 25/132; obituary by Chris Stephens 22/270
  • Fry, Roger review by Peter Fuller 24/38
  • Fuchs, Rudi review of Jan Dibbets 24/3; book review of Nigel Greenwood, Gilbert & George, Dark Shadow 21/6; review of Constantin Brancusi 3/77; Blake’s Wife 9/80; Museums: the dilemma 3/189
  • Fugitive Calculation, A see Adam E Mendelsohn
  • Fuirer, Michèle review by Catherine Elwes 28/190
  • Fuller, Buckminster review by Alison Green 41/239
  • Fuller, Martin review by Margaret Garlake 18/93
  • Fuller, Matthew Behind the Blip - Essays in the Culture of Software , book review by Michael Gibbs 42/ 274 ; Media Ecologies, Materialist Energies in Art and Technoculture , review by Michael Gibbs 40/ 290
  • Fuller, Peter Forgeries 7/1; Hugh Jenkins Rule 3/2; book review of John Berger, A Painter of Our Time 13/4; review of Robert Natkin 17/5; The Crisis in British Art Part 1 8/8, Part 2 10/9; Art and its Marketing Part 1 4/10, Part 2 12/11; interview with David Hockney Part 1 4/12, Part 2 5/13; Kenneth Robinson on Arts Council Policy 12/15; Carl Andre on his Sculpture Part 1 5/16, Part 2 5/17; interview with Jasper Johns Part 1 6/18, Part 2 5/19; The Legacy of Mark Rothko 3/20; Ian Breakwell’s Visual Material 16/21; Anthony Caro - his works and views 6/23; Outsiders 15/24; review of Leon Kossoff 11/26; American Painting since the War Part 1 6/27, Part 2 6/28; Richard Cork and the New Road to Wigan Pier 3/30; Stockwell Depot 14/30; review of John Hoyland 10/31; Excerpts from a New York Diary Part 1 14/33, Part 2 6/34; review of Ken Kiff 21/34; Towards a Theory of Expression 3/36; Art and Psychoanalysis 7/37; Roger Fry Revisited 24/38; review of Jennifer Durrant 10/40, Adrian Berg 8/42; Painting and Weaving in Africa 11/44; review of Don McCullin 13/45; Art and Socialism (again!), review of Peter Fuller’s books by Donald Brook 28/45; review of William Morris 9/46; The Necessity of Art Education 27/47; book review of Marco Livingstone, David Hockney 33/49; review of Patrick Heron 8/50, Lea Grandjean/ Glynn Williams 15/51; The Makers Eye 7/54; Barbican’s Opening Exhibition (Aftermath) 13/55; Plus ça Change 7/59; Auerbach versus Clemente 11/63; review of Peter Blake: Un Certain Art Anglais 13/64, John Bellany 14/65; Academic Choices 12/68; British Neo-Romanticism 12/69; A black cloud over the Hayward 12/70; review of Cecil Collins 14/72, Julian Schnabel 19/73, Anthony Caro 3/76; The Hard Won Image 13/79; Henry Moore: Drawings 1979-83 9/81; The Lady’s Not For Turner 2/82; Fool’s Gold 18/83; Art And Politics 3/89; Kitaj at Christmas 11/92; book review of Alan Crawford, C R Ashbee: Architect, Designer and Romantic Socialist 28/94; letters 24/94, 20/98; The Suffolk Outback 6/97; Auerbach’s Vision 3/98; Against internationalism 12/100; letters 25/100, 25/101; review by Toni del Renzio 15/102; Art and science 8/103; letters 23/103, 26/105, 29/105; review of David Bomberg: Pre-Raphaelitism and beyond 3/107; obituary of Edward Middleditch 2/109; The Australian Scapegoat, book review by Dorothy Green 23/110; Overwheening Treachery, and Such Like 10/116; letters 27/117, 28/117, 29/117, 37/118; Theoria: Art, and the Absence of Grace, book review by Michael Archer 32/122; Art and Psychoanalysis, book review by Michael Archer 32/122; obituary 34/137
  • Fulton, Hamish review by Allan Davies 27/13, 15/25, Jennifer Oille 8/42, Michael Archer 15/57, 7/149, Cathy Courtney 28/148; John Haldane on 7/227; Wild Life: walks in the Cairngorms, book review by John Janssen 47/246, review by John Slyce 22/256
  • Fun de Siècle review by Dave Beech 40/223
  • Furlong, William review of Lawrence Weiner 11/98, Terry Atkinson 17/104; interview with Joseph Beuys, 1985 7/112; and Michael Archer, Performance: Accent with a Start, review by Jonathan Watkins 40/112; in conversation with Brice Marden 3/117; in conversation with Krzysztof Wodiczko 11/120; interviews with Erik Bulatov and Ilya Kabakov 8/125; interview by Cathy Courtney 26/160; (et al), Audio Arts, book review by John A Walker 42/182; On the Record: new recordings on contemporary art 18/200
  • Furlong, William & Gooding, Mel An Imagery of Absence, review by Cathy Courtney 50/222
  • Furniture review by Deborah Schultz 36/225
  • Furniture, Pioneers of Modern review by Paul Overy 17/147
  • Furse, John review of Richard Deacon 30/132, TWSA four cities project 14/140, 22/141, Joe Tilson 20/147, Rimbaud Centenary Plymouth 1991 26/152, South West Open 28/159, Edward Allington 25/162, Keith Arnatt 25/164
  • Further up in the air review by Graham Parker 36/261
  • Fusco, Coco The bodies that were not ours: and other writings, book review by Maria Walsh 53/253
  • Fusco, Maria Something Wonderful is Going to Happen review by Cathy Courtney 47/234, Pierre Huyghe & Douglas Coupland, School Spirit 46/265, Stephen Hackett and Richard West (eds), The Vacuum 40/269; The Angry Optimists: review of Oliver East, Allemansretten, Rainer Ganahl, Please write your opinions on US politics … 37/272; review of The Joy of Sex 29/ 273 , Public Art Fund Projects 26/ 277 , Adam Chodzko , Whitstable Interiors 35/ 280 ; Handy Containers, on independent publishing 46/ 282 ; review of Paul D Miller aka DJ Spooky that Subliminal Kid, Rhythm Science 39/ 284 ; book review of Thomas Lawson, Mining for Gold: Selected Writings 1979-1996) 36/ 285, Publish and Be Damned 34/303 review of John Russell (ed.) Frozen Tears III 39/313, Steve McQueen, Hunger 37/320, letters 16/322; review of NY Art Book Fair 37/323, Beatrice Gibson and Alex Waterman, A Necessary Music 34/329
  • Future of Art Education, The see Patricia Bickers
  • Future of Futurism, The see Christopher Townsend 5/329
  • Future Past see Mark Godfrey
  • Future Perfect see Ian Hunt
  • Future Perfect [art on how architecture imagined the future] review by Alison Green 41/239
  • Future Primitive review by Mark Wilsher 31/ 287
  • Future Systems review by Matthew Higgs 45/216
  • Futurism Exhibition review by Richard Humphreys 44/225
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