A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Index: W

  • Waanders, Hans Field Guide, review by Cathy Courtney 42/206; Correo Aereo, review by Cathy Courtney 31/213
  • WACK! Art and the Feminist Revolution review by Mike Sperlinger 22/307
  • Waddell, Heather International Visual Artists Exchange Programme 25/83
  • Waddington, Leslie interview by Peter Fuller Part 1 4/10, Part 2 12/11; book review of Andrew Brighton and Lynda Morris (eds), Towards another picture: an anthology of artists’ writings 35/15
  • Wadley, Nicholas (ed) Noa Noa: Gauguin’s Tahiti, book review by Norbert Lynton 27/93; book review of Robert Rosenblum and H W Janson, Art of the Nineteenth Century 21/76, Rosalind de Boland Roberts and Jane Roberts (eds), Growing up with the Impressionists: The Diary of Julie Manet 23/115
  • Wagstaff, Sheena book review of Martha Cooper and Henry Chalfont, Subway Art 28/79
  • Wahner, Matthias review by Julian Stallabrass 29/188
  • Wainwright, Jean on Andy Warhol sound archive 39/254, Ori Gersht 38/258; Mirror Images, interview with Douglas Gordon 1/262; review of Candice Breitz 18/271, Suzanne Treister 37/278, Carnegie International 39/ 282
  • Walker, John A Left Shift – Radical Art in 1970s Britain, book review by Bill Drummond 41/262; recollection of John Latham 39/294
  • Walker, Kara review by Morgan Falconer 41/ 278
  • Wakely, Shelagh review by John Glaves-Smith 15/26; review of Henryk Stazewski 17/62
  • Waldman, Diane Anthony Caro, book review by Tim Scott 32/58
  • Walker, Dorothy The Irish Art Scene Today 4/5; review of David Leverett 13/8; review from Dublin 31/21; Letter from Ireland 23/36
  • Walker, Ian review of William Wegman 21/27, Mac Adams 12/30, Harry Holland 16/41; review by John Stathatos 16/124 So exotic, so homemade: Surrealism, Englishness and Documentary Photography, book review by David Briers 38/326
  • Walker, John A review by Alistair Warman 15/36; Art Education 27/46; review by John Roberts 15/49; Art Education 28/93; Clark’s Civilisation in Retrospect 16/122; review of John Latham 14/121, John Stezaker 17/126; book review of Malcolm Miles et al, Art for Public Places: Critical Essays 29/130; Film 30/134; letters 27/135; review of Yoko Ono 16/136; book review of Marco Livingstone, Pop Art 28/150; letters 29/152; TV review of Ways of Seeing 3/154, Ilona Staller Koons 3/155, Richard Hamilton 7/159; letters 32/165, 31/166; book review of William Furlong et al, Audio Arts 42/182; review of John Latham and Skoob box 3/185; John Latham, The Incidental Person, book review by Ian Hunt 41/186; letters 20/188; review of Gustav Metzger 14/190; book review of Gen Doy, Seeing and Consciousness: Women, Class and Representation 40/190, Brandon Taylor, The Art of Today, and Edward Lucie-Smith, Artoday 43/193, Anne Massey, The Independent Group: Modernism and Mass Culture in Britain 1945-59 45/193, Michele H Bogart, Artists, Advertising, and the Borders of Art 45/196, Kate Paul, Journal 34/213; Art and Outrage: Provocation, Controversy and the Visual Arts, book review by Stewart Home 42/226; letters 14/227; review of Chile Vencera 46/235; letters 10/240; Left Shift – Radical Art in 1970s Britain, book review by Bill Drummond 41/262
  • Walker, John A and Chaplin, Sarah Visual culture: an introduction, book review by Anne Massey 53/216
  • Walker, Joanna review of Nancy Spero. Dissidances 26/320; obituary of Nancy Spero 19/332
  • Walker, John A and Hatton, Rita Supercollector: A Critique of Charles Saatchi, book review by Colin Gleadell 57/238
  • Walking the Line see Anna Dezeuze
  • Wall of Silence see feature by Anna Dezeuze
  • Wall, Jeff interview by Patricia Bickers 3/179; review by Paul Usherwood 24/195, John Slyce 30/263 Cherry Smyth 28/ 292
  • Wall to Wall review by Jeffrey Kastner 7/178
  • Wallace, Ian review by Matthew Higgs 35/206
  • Wallace, Marina review of John Hilliard 40/204, False Impressions 24/205
  • Waller, Jonathan review by Margaret Garlake 27/102
  • Wallinger, Mark review by Monica Bohm-Duchen 13/104, Conor Joyce 24/161; interview by Paul Bonaventura 3/175; review by David Burrows 31/203, John Tozer 37/206; The Pygmalion Paradox: on the New Establishment 1/218; letters 12/219; review by Richard Grayson 26/304 Wallinger, Mark, curates: The Russian Linesman, review by Lucy Steeds 23/325
  • Wallinger, Mark and Warnock, Mary (eds) Art for All? Their Policies and Our Culture, book review by JJ Charlesworth 48/243
  • Wallis, Brian (ed) Blasted Allegories: An Anthology of Writings by Contemporary Artists, book review by David Coxhead 34/122
  • Wallis, Brian and Kastner, Jeffrey Land and Environmental Art, book review by Paul Usherwood 43/233
  • Walsh, Jeremy review of Tina Keane 21/114
  • Walsh, Maria review of Natural Habitat 41/207, Some Kind of Heaven 39/208; book review of Margaret Iverson, Douglas Crimp, Homi K Bhabha, Mary Kelly, 42/211; review of History – the Mag Collection 30/212, Karen Kilimnik 36/216, Monika Oechsler 35/218, RV+A 98 37/221, Rosemarie Trockel 33/223, Andrea Fisher 33/226; book review of Frances Borzello, Seeing Ourselves, women’s self-portraits, Whitney Chadwick (ed), Mirror Images: Women, Surrealism, and Self-Representation 41/226; review of Tacita Dean 24/227, Mark Harris/Carmel Buckley, Carmel Buckley 27/229; ‘Obsession’ on Yayoi Kusama 7/234; review of Petty Crimes: Contemporary Images of Childhood Play 49/236, Girl 39/238, Utopias 30/241, Rut Blees Luxemburg 51/242, 50 Projects in 50 Weeks 43/243, Tacita Dean 26/246, Pamela Golden 47/248, Globalisation + Art + Cultural Difference: on the Edge of Change 52/249, letters 11/250; review of Abigail Lane 22/251; book review of Coco Fusco, The bodies that were not ours: and other writings 53/253; review of Nan Goldin 19/254, Cornelia Parker 33/262, And the One doesn’t stir without the Other 35/269; book review of Amelia Jones (ed), The Feminism and Visual Culture Reader 35/271; letters 15/272; review of Monika Oechsler 32/272 Anna Lucas 36/274, Christine Borland 36/ 275 ; book review of Jean Fisher, Vampire in the Text: Narratives of Contemporary Art 43/276; Lost in Translation: interview with Tacita Dean 1/281; review of Jananne Al-Ani 24/285, Melanie Counsell 32/ 286 , Jaki Irvine 24/ 291; The Light Fantastic: interview with Angela Bulloch 1/292, AK Dolven 36/296, Fiona Banner 24/297, Gillian Wearing 26/300, Elizabeth Price 29/303, Anya Gallaccio 28/307, Hannah Wilke 24/310 review of Tamy Ben-Tor 22/317, Mitra Tabrizian 30/318, Chantal Akerman 33/319; future of art education 10/320; review of Cheryl Donegan 20/321, Daria Martin 33/322, Sophie Calle 25/332
  • Walwin, Jeni profile of London Fieldworks 18/ 282
  • Wand, Matt review by Martin Vincent 29/ 276
  • Wands, Bruce Art of the Digital Age, book review by Michael Gibbs 48/302
  • Want, Christopher review of Metropolis 17/120, The Modern Chair 17/120, Anthony Wilson 13/125, Robert Rauschenberg 20/137, Tim Head 21/138, Minimalism 14/139, Sol LeWitt 10/144, Donald Judd 21/148, Simon Linke 24/203; review of William Wegman videos 48/208
  • Wanted: Studio Space see Andrew Wilson
  • War and Medicine review by Michael Corris 20/324
  • Warburton, Nigel The Art Question, book review by Jonathan Harris 47/265
  • Ward, David review by Peter Allison 15/137
  • Wardill, Emily review by Bruce Haines 32/ 280 review by Colin Perry 32/320
  • Ware, Chris Jimmy Corrigan: The Smartest Kid on Earth, review by Ian Hunt 50/252; Acme Novelty Library Issue 16, review by James Pyman 37/301
  • Warhol & Sons see Daniel Miller
  • Warhol, Andy see also Andy Warhol; review by Kevin Gough-Yates 33/105; Artlaw 38/105; review by Jonathan Watkins 24/106, Robin Marriner 6/130, Deke Dusinberre 8/139, Fred Lawrence Guiles, Loner at the Ball: The Life of Andy Warhol book review by Ian McKay 29/150; legal disputes Artlaw 36/174; review by John Tozer 25/218; limited edition, review by Andrew Wilson 44/208; books reviews by Andrew Wilson of Mary Harron & Daniel Minahan, I shot Andy Warhol, Colin McCabe, Mark Francis & Peter K Wollen (eds), Who is Andy Warhol? Billy Name, All Tomorrow’s Parties, Photographs of Andy Warhol’s factory, Phillipe Tretiack, Warhol’s America 44/208; What if Warhol cared? feature by David Hopkins 1/254; Jean Wainwright, Warhol’s wife on Warhol’s sound recordings 39/254; see fetaure by Vincent Pécoil; review by Gilda Williams 47/302, Michael Gibbs 41/312
  • Warhol, Andy and Koons, Jeff Dave Beech and John Beagles on 1/233
  • Warhol, Andy & Sound and Vision review by Michael O’Pray 27/249
  • Warhol’s Wife review of sound recordings by Jean Wainwright 39/254
  • Warman, Alistair Hawaii, Alaska … and Milton Keynes 16/18; review of John A Walker 15/36
  • Warnell, Phillip/Crisp, Fiona/Tickle, Matthew review by Sarah James 31/ 290
  • Warner, David and Cox, Christoph (eds) Audio Culture - Readings in Modern Music , review by David Ryan 39/ 284
  • warningSHOTS! review by Paul Usherwood 26/238
  • Warnock, Mary and Wallinger, Mark (eds) Art for All? Their Policies and Our Culture, book review by JJ Charlesworth 48/243
  • Warren, R with G Gussin, F Stapleton review by Philip Sanderson 34/186
  • Warren, Rebecca profile by Michael Archer 20/240
  • Warren, Rebecca & Stapleton, Fergal review by David Burrows 45/199
  • Wasilewski, Marek review of film and video in Poland 40/220
  • WASP modernism 4/103
  • Wasted Effort see Marcus Verhagen
  • Waterlow, Nick How they brought the visual arts to the new town of Milton Keynes 11/7; Sydney Biennale 3/57
  • Waterman, Alex and Gibson, Beatrice A Necessary Music, review by Maria Fusco 34/329
  • Waters, John Pecker, film review by Michael Holman 1/221
  • Waters, Steve Reading Matter, review by Cathy Courtney 47/227
  • Watkins, Jonathan review of Gary Stevens and Caroline Wilkinson 34/102, Silvia Ziranek 31/103, Godbold and Wood 17/105, Andy Warhol 24/106, John Carson 38/108, Maggie Hambling 13/110; Polemics: The Curator as Artist 27/111; review of Performance: Accent for a Start, by William Furlong and Michael Archer 40/112, Godbold and Wood 15/114, Tim Maguire 16/116, The Deadly Grove 22/119, Ron Haselden 32/121, Sharon Kivland 8/122, Gary Stevens; Contemporary Italian Art in London 10/124; interview with Richard Hamilton 3/136; letters 24/137; on art in the new millennium 14/232
  • Watkins, Nicholas book reviews of Lawrence Gowing, Matisse 27/33, John Golding, Visions of the Modern 40/177, John Gage, Colour and Culture 41/181
  • Watney, Simon English Post-Impressionism, book review by Charles Harrison 24/44
  • Watson, Grant, van Noord, Gerrie & Everall, Gavin (eds) Make Everything New - A Project On Communism, book review by Esther Leslie 39/309
  • Watson, Peter Double Dealer, book review by Frank Whitford 30/69
  • Waves in, particles out review by David Burrows 23/213
  • Ways of Living review by Marcus Verhagen 29/ 291
  • Ways of Seeing TV review by John A Walker 3/154
  • ways of working see Artlaw
  • We Have Met the Enemy and He Is Us review by Richard Hylton 36/ 284
  • Wear, Eric Hong Kong Uncertain Art, Borrowed Time 9/132; letters 26/136
  • Wearing, Gillian review by Julian Stallabrass 15/165; profile by Paul Bonaventura 24/184; review by David Barrett 28/191, Gilda Williams 26/203, Dave Beech 44/232, Maria Walsh 26/300
  • Wearing, Gillian, Wilson, Andrew, Squiers, Carol Paul Graham, book review by Julian Stallabrass 50/201
  • web soaps Michael Gibbs on 51/244
  • Webb, Boyd review by Sandy Nairne 16/20, Jean Fisher 13/45, Mark Durden 27/176
  • Webb, Gary review by Eliza Williams 29/ 282
  • Weber, Gerhard Growing up with the Cubists 14/16; review of Kasimir Malevich 19/17, The Kandinsky heritage 20/43
  • Weegee see feature by Adam E Mendelsohn
  • Weekending review by Paul Usherwood 30/ 282
  • Weems, Carrie Mae review by Eddie Chambers 30/ 288
  • Wegman, William review by Ian Walker 21/27; videos, review by Christopher Want 48/208
  • Wegner, Nicholas Depart from Zero, the Development of the Gallery, London, book review by Paul Martin 28/116; review of Anthony Caro 20/182
  • Weibel, Peter and Druckrey, Timothy (eds) net_condition: art and global media, book review by Michael Gibbs 54/248
  • Weight, Angela The Falklands Factor 20/123
  • Weight, Carel review by Simon Lewty 20/22, Juliet Steyn and Deborah Cherry 7/54
  • Weil, Benjamin review of Julia Scher 34/180, Andrea Zittel 20/181, Mapping at MOMA 31/182, Mapping: a response to MOMA 33/184; profile of Felix Gonzalez-Torres 26/186
  • Weiler, Carl von review by Juan Cruz 32/221
  • Weiner, Lawrence review by Jean Fisher 8/42, William Furlong 11/98, Michael Archer 25/123, David Batchelor 21/133, Liam Gillick 17/144, Andrew Wilson 19/165, Michael Gibbs 43/205, Matthew Higgs 43/212, Laura Moffatt 40/240, Michael Corris 27/292, John Slyce 22/306 review by Marjorie Welish 26/313
  • Weiss, Allen S Experimental Sound and Radio, book review by Joe Banks 47/250
  • Weiss, Jason (ed) Back In No Time – The Brion Gysin Reader, book review by Genesis P-Orridge 52/258
  • Weiss see Fischli & Weiss
  • Weitzenhoffer, Frances The Havermeyers, book review by Colin Cruise 26/103
  • Welchman, John C review of Paule Vezelay 9/65 (ed) Institutional Critique and After, book review by Mike Sperlinger 41/311
  • Welish, Marjorie review of Mel Bochner 32/298 review of Lawrence Weiner, Lawrence: AS FAR AS THE EYE CAN SEE 26/313; book review of Dore Ashton and Joan Banash (eds) The Writings of Robert Motherwell 40/313; review of Jasper Johns: Gray 20/315; book review of John Gage, Colour in Art 34/317, David Batchelor (ed.), Colour 34/317
  • Wendler, Jack, Gallery 1971-1974 review by Martin Herbert 24/327
  • Wendler, Nell obituary 19/272
  • Wentworth, Richard review by Peter Dormer 33/80, Monica Bohm-Duchen 19/106, Stuart Morgan 8/172, Paul Bonaventura 12/182, John Slyce 36/232, Mark Wilsher 30/ 284
  • Wesley, John review by Alex Coles 42/252
  • Wesselmann, Tom obituary 12/283
  • West, Franz review by Mark Wilsher 30/250, Marcus Verhagen 37/270
  • West, Richard and Hackett, Stephen (eds) The Vacuum, review by Maria Fusco 40/269
  • Westerman, H C review by Jennifer Oille 13/45
  • Western, Helen review of La Révolution Française et L’Europe 7/128
  • Westkunst review by Kaspar Koenig and Laszlo Glozer 2/49
  • Westley, Ann review by Margaret Garlake 19/86
  • Westley, Hester R Crossroads: interview with Aernout Mik 1/305; Another Way to Say It: interview with Siobhán Hapaska 5/311
  • Weston, Geoff review by Paul Usherwood 22/151, 28/208
  • Westwood, Martin review by Peter Suchin 25/305
  • What can Culture Buy Us? See Dany Louise
  • What Can We Do with Photography? see feature by Sarah James
  • What Difference Does It Make? review by Dave Beech 37/218
  • What have I done Douglas Gordon interviewed by Jean Wainwright 1/262
  • What if Warhol Cared? feature by David Hopkins 1/254
  • What is a Photograph? review by Gilda Williams 39/219
  • What is the Alternative? see Martin Herbert
  • What now? Stephen Bury on artists’ books 39/263
  • What We Call Progress? review by Andrew Wilson 29/238
  • What’s so funny? See Anna Dezeuze
  • Where the Wild Roses Grow review by Nicky Bird 38/225
  • Whiles, Virginia review of Moment Ginza 39/207, 5th Lyons Biennale 28/239 profile of Bani Abidi 18/315
  • Whishaw, Anthony review by Margaret Garlake 20/111
  • Whistler, Lawrence The Laughter and the Urn, book review by Colin Cruise 29/47
  • White Columns review by Mark Gisbourne 12/175
  • White, Ian review of On General Release: Avant-garde and Artists’ Films in Britain 1968-72 36/263; book review of Nina Danino and Michael Mazière (eds), The Undercut Reader: Crticial Writings on Artists’ film and Video book 39/267; review of Experimental Film Today conference 42/269, Bogside Artists 39/270, Mark Leckey 27/ 273 , A Kind of Bliss 32/275 book review of John Wyver, Vision On: Film, Television and the Arts in Britain 36/319
  • White, Joshua and Smith, Michael review by Alex Farquharson 28/256
  • White, Michael letters 16/310
  • White, Neal and Norfolk, Lawrence Ott’s Sneeze, review by Sally O’Reilly 38/267
  • White Out feature on Alfredo Jaar, by Michael Corris 6/260
  • White, Pae see feature by Alex Coles 7/253
  • White, Tony review of Tony Mustoe and Alan McLean 30/140; book review of Robert Ayers and David Butler (eds), Live Art 23/153; review of One Million Cubic Feet 40/183
  • Whitechapel Open letters 31/131, 34/132; back page/160; letters 33/161, 34/161; 1994, review by Mark Durden 44/178, Andrew Cross 42/199, Sotiris Kyriacou 46/216
  • White, Tony review of Alexander Brener/Barbara Schurz, Bukaka Spat Here 41/260
  • Whiteford, Kate review by Mel Gooding 13/108
  • Whitehead, Frederika Creative Industries 47/318; Letter from Taipei 39/320; review of ANTI Festival 2009 330/331
  • Whitehead, Rhonda review by Margaret Garlake 13/75
  • Whiteley, Nigel Pop Design: Modernism to Mod, book review by Toni del Renzio 26/116
  • Whiteread, Rachel review by Patricia Bickers 15/144; letters 17/198, 20/199; by Paul Usherwood 11/200; letters 19/201
  • Whitford, Frank Kokoschka 1886-1980 24/35; book review of Berthold Hinz, Art in the Third Reich 27/40; Letter from Germany 21/41; Notes of a Provincial Nobody 2/44; New Spanish Figuration 10/60; Artnotes 19/62; Asger Jorn 10/64; book review of Peter Watson, Double Dealer 28/69; Burt to Bonnard 2/73; The Bauhaus Story, book review by Norbert Lynton 29/77; Avant-Garde Gemütlichkeit 2/81; book review of Werner J Schweigen, Weiner Werkstätte - Design in Vienna 31/88, John Elderfield, Kurt Schwitters 22/90; German Art in the ’20s 3/91; book review of Norbert Lynton, Looking into Paintings 28/95; Oskar Kokoschka: A life, book review by John Willett 27/98; book reviews of Kirk Varnedoe, Vienna 1900: art, architecture and design, Janice Kallir, Viennese design and the Wiener Werkstätte 28/108, Donald E Gordon, Expressionism: Art and Idea 25/116, Stephanie Barron (ed), German Expressionism 1915-25 28/128; Mickey Mouse meets Norbert Wiener: The Independent Group 9/134; letters 26/136; review of Egon Schiele 22/143, Richard Hamilton 3/149; letters 29/151; obituary of Peter Townsend 15/299
  • Whitham, Graham book review of Mary Banham, Paul Barker, Sutherland Lyall and Cedric Price, A Critic Writes. Essays by Reyner Banham 45/208
  • Whitney Biennial 1993 review by Lynn MacRitchie 18/166, 1997 Jeffrey Kastner 10/206 , Jenni Sorkin 36/236, Barbara Pollack 58/236 ; feature by Jeffrey Kastner 1/256; review by Michael Wilson 25/ 2772006 review by Adam E Mendelsohn 22/296 review by Morgan Falconer 22/315
  • Whitney Kean, Beverly All the Empty Palaces, book review by Susan P Compton 25/70
  • Whitney Museum of Modern Art in Europe review by Carles Guerra 7/204
  • Whittingham, Dr Selby letters 21/88, 26/124
  • Whittlesea, Ian review by Juan Cruz 37/195
  • Whoops Apocalypse! See Michael Wilson
  • Who’s Looking at the Family review by Julian Stallabrass 8/179
  • Wide review by Sotiris Kyriacou 41/212
  • Wide White Space review by Godfrey Worsdale 38/183
  • Wieland, Joyce Video, review by Michael O’Pray 32/114
  • Wilcox, TJ review by Michael Wilson 35/244
  • Wild Walls review by Michael Gibbs 30/191
  • Wilde, Gerald review by Margaret Garlake 14/76
  • Wilke, Hannah review by Maria Walsh 24/310
  • Wilkes, Cathy review by Cherry Smyth 24/317
  • Wilkes, Jessica book review of Meirion and Susie Harries, The War Artists 26/75; The Bermondsey Artists Group 23/78
  • Wilkes, Jonnie/Crotty, Russell review by Padraig Timoney 34/208
  • Wilkinson, Andie review by Aimie Reeves 1/183
  • Wilkinson, Caroline review of Jerzy Beres 31/121; A Moment in Time: Doubt, Obsession, Waywardness 12/123
  • Willats, Stephen review by Philip Corrigan 17/23; Working with the Work of Art 30/25; Contained Reality 10/33; review by Jurgen Schweinebraden 17/41; Two Worlds 9/49; Inside the Night 6/62; interview by Jill Morgan 14/86; Current Affairs 27/112; Signs and Messages from Corporate America 14/122; interview with Cathy Courtney 25/158; review by Toni del Renzio 29/172, Matthew Higgs 30/210, JJ Charlesworth 27/235; Art and Social Function, Multichannel Vision, book review by Adrian Glew 47/246; review by Dave Beech 35/260, Peter Suchin 34/300
  • Williams, Eliza review of Sean Landers 44/268; New York Round-up 23/271; Letter from Australia 37/274; review of Roy Lichtenstein 30/275, Collage 33/276, Haluk Alakçe 40/278, Plaza Suite 31/279, Saskia Old Wolbers 30/280 , Lari Pittman 30/281, Gary Webb 29/282 , Gary Simmonds 25/283, An Aside 25/285, Robert Mangold 36/286, New Contemporaries 2005 33/2005 , Diana Thater 28/290, Kerry James Marshall 33/293, Ian Breakwell 33/295, Tomas Saraceno 28/297, Thomas Demand 34/298, Idris Khan 38/300, Kiki Smith 24/301, You’ll Never Know: Drawing and Random Interference 30/303, Jeppe Hein 30/305, Adrian Paci 32/306, Dean Kenning 32/309, Sarah Sze 26/310, James Ireland: The Difference Between Truth and Honesty 33/311 review of Matthew Darbyshire: Blades House 35/314, Things that go bump in the night 37/316, Aisha Khalid 39/318, Richard Deacon and Bill Woodrow 29/320, Pierre Bismuth and Michel Gondry: The All-Seeing Eye 34/322, Henry VIII’s Wives 30/324, Peter Coffin 36/326, Peter Liversidge / DJ Simpson 35/328, Raqs Media Collective 29/330
  • Williams, Gilda review of 50 Projects in 50 Weeks 45/243, Dan Flavin 27/250, Grazia Toderi/Ugo Rondinone 25/251, Paul Noble 38/252, Penny Dreadfuls, Modern Love in Düsseldorf and London, Group Show, Twenteenth Century, Ruby, George Shaw 47/253, Melanie Carvalho 24/254, BANK 35/256, Ugo Rondinone, Rachel Feinstein 37/260; profile of Aleksandra Mir 22/266; review of Luc Delahaye, History, text by Eugenia Parry 42/266, Marine Hugonnier 28/267, Fischli & Weiss 14/271, Raymond Pettibon 30/273, Catherine Opie 28/274, The Sound of the Crowd 26/276; profile of Lucy Skaer 24/279, Vedovamazzei 18/289; review of Carsten Höller 24/290, letters 14/290; review of Roderick Buchanan 28/291, Andy Warhol 47/302 Gothic v Gothick: feature 7/326
  • Willett, John book review of Angelica-Zander Rudenstine (ed), Russian Avant-Garde 25/54; Back to the Beatles 2/62; letters 25/79; book review of Yves Abrioux, Ian Hamilton Finlay A visual primer 27/95, Frank Whitford, Oskar Kokoschka: A Life 27/98, Deanna Petherbridge (ed), Art for architecture: A handbook on commissioning 28/114, Igor Golomstock, Totalitarian Art 26/142, David Evans, John Heartfield 28/160; review of Romantic spirit in German art exhibition 3/180; on the new sobriety 8/180; review of Art and Power 24/192; Projects, Subjects, Rejects 43/200
  • Williams, Aubrey review by Margaret Garlake 13/81; obituary by Denis Bowen 35/137
  • Williams, Emmett and Noël, Ann (eds) Mr Fluxus, a collective portrait of George Maciunas, book review by Michael Gibbs 52/216
  • Williams, Evelyn review by Fay Brauer 7/90
  • Williams, Gilda review of Rewind 25/191, Jane and Louise Wilson 25/193, Young Americans Part 1 24/194; profile of Martin Creed 22/195; review of Young Americans Part 2 27/196, Pipilotti Rist 34/197, Fischli & Weiss 23/198, Richard Billingham 31/199; profile of Lucy Gunning 48/200; review of Giorgio Sadotti 27/201, Evident 38/202, Gillian Wearing 26/203, Mark Dion 22/204, Irredeemable Skeletons 32/206; book review of Gary Indiana, Let It Bleed, Essays 1985-1995 47/207; profile of Roderick Buchanan 24/209; review of Beat Streuli 32/210; profile of Siobhán Hapaska 18/213; review of Marie José Burki/Carsten Höller 43/216, What is a Photograph? and BANK 39/219, Speed 24/220; letters 19/221; review of Laura Cottingham, Not for Sale 46/223, Jane & Louise Wilson 26/225, Allen Ruppersberg 39/228, Heart and Soul 23/229, 6th Istanbul Biennial 26/232; profile of David Thorpe 16/233; review of These Epic Islands 31/234, Because a Fire Was in My Head 42/236, Boris Mikhailov 30/237, Ernesto Neto 46/238
  • Williams, Glynn Defining Sculpture 2/29; review by Peter Fuller 15/51; The future of Wimbledon School of Art 3/100
  • Williams, Mark review by Laura Moffatt 42/219
  • Williams, Raymond The Arts Council: Politics and Policies, book review by Peter Dormer 24/60
  • Williams, Richard J interview with Robert Morris 7/208
  • Williams, Robert Artists in Revolution, book review by Rory Coonan 31/26
  • Williamson, Aaron review of Joseph Grigely 35/196; Writing Art 13/230; review by David Lillington 37/241
  • Willing, Victor review of Euan Uglow 15/13; review by Helmut Wohl 14/20, John McEwen 10/40, Mel Gooding 13/98
  • Willis, Shelly and Cartiere, Cameron The Practice of Public Art, book review by Paul Usherwood 33/329
  • wills and estates see Artlaw
  • Wilsher, Mark review of Elizabeth Price 30/245, David Shrigley 32/246, Lolly Batty 36/247, Berlin – London 01 41/248, East 2001 24/249, Franz West 30/250, Doug Aitken 28/251, In many ways the exhibition already happened 32/253, The Green Room 23/254, Stan Douglas 30/255 ; letters 16/257; review of Sum of the Parts 26/260, Smith/Stewart 22/262, Vladimir Arkhipov 33/269, Wittenstein: Family Likenesses, The Unhomely 27/272, Rirkrit Tiravanija 24/273, Gambiarra: New Art from Brazil 23/275; Judgment Call: feature 7/280; review of Rear View Mirror 20/281, Richard Wentworth 30/284; Against Explanation: the gentle art of avoiding answers: feature 7/286; review of Future Primitive 31/287, I really should … 23/289, Le Voyage Intérieur 29/294; Plywood Utopias: polemic on curating 23/299; profile of French Mottershead 24/302; review of Norwich Round-up 39/304, Amy O’Neill 24/305, Imagine Action 28/309 review of Jess Flood-Paddock/Liz Murray 27/315; Beyond Public Art: feature 11/331
  • Wilson, Andrew Bauhaus 1919-31 14/118; interview with Gilbert & George 6/135; book review of Gillian Naylor (ed), Bloomsbury, the artists, authors and designers by themselves, Gretchen Gerzina, Carrington: a life of Dora Carrington 18/140, James King, Life of Herbert Read, Alastair Hicks, The School of London, Alastair Hicks, New British Art in the Saatchi Collection 42/142, Serge Guilbaut (ed), Reconstructing Modernism, Art in New York, Paris, and Montreal 1945-1964 24/145; interview with Alan Charlton 11/149; review of John Latham 19/151; Expresso Punko 7/154; review of Joseph Beuys 14/155; letters 28/155; London Summer Round-up review 18/159; review of Patrick Heron 23/160; obituary of Adrian Heath 32/160; review of Refusing to Surface 20/161, Britain in Brussels Festival 1992 8/162; London Winter Round-up 1992-93 20/163; interview with Sol LeWitt 3/164; review of Lawrence Weiner 19/165; letters 32/165; review of Sixties: Art Scene in London 9/166; letters 31/166, 29/167; on Gilbert & George/Itai Doron/Post-Human Condition 19/168; letters 38/168; review of Ha-Ha, Over the Limit 21/169, Ben Nicholson 17/170, Gilbert & George in Beijing back page/170, Antwerp ’93 22/171, A Pasta de Walter Benjamin 31/172, Michael Gibbs/ Claudia Kölgen 27/176; interview with Damien Hirst 3/177; review of Christine Borland 36/181, Gerhard Richter/Richard Patterson 32/188; The Art Experience 3/190, review of John Murphy 24/197, Alan Charlton/Bob Law/Daniel Buren 21/198, Ian Davenport 55/200; on Life/Live 1/201, on About Vision: New British Painting in the 1990s 7/202; review of Alan Charlton 34/205, Material Culture 1/206, Jan Fabre 26/207, Andy Warhol limited edition 44/208; book review of Mary Harron and Daniel Minahan, I Shot Andy Warhol, Colin MacCabe, Mark Francis and Peter Wollen (eds), Who Is Andy Warhol?, Billy Name, All Tomorrow’s Parties, Photographs of Andy Warhol’s Factory, Philippe Trétiack, Warhol’s America 44/208; interview with Michael Holman, on Julian Schnabel’s Basquiat 8/210; Band Art: artists and music 13/210; interview with Gustav Metzger 7/222; obituary of Patrick Heron 23/225; ‘All Over the Place’ on 48th Venice Biennale 7/228; review of Gerhard Richter multiples 48/230, Gilbert & George 26/231; ‘Everything and Nothing’ on Live in Your Head 1/234; letters 16/235; review of Bauhaus Dessau 40/237, [working title], What We Call Progress 29/238; ‘Order v Chaos’ on Voilà, The World in Mind 1/240; on Eyestorm and Countereditions 44/241; review of Cindy Sherman 33/242, Voici: 100 Years of Contemporary Art 22/243, Conception, Conceptual Documents 1968-72 24/244, I Am Making Art 20/245, Salla Tykkä 20/245, Wanted: Studio Space, on Creative Quarters: The Art World in London 1700-2000 8/246, letters 16/247; review of 49th Venice Biennale 26/248; book reviews – summer reading 52/248, winter reading 55/252 ; review of Transition: the London Art Scene in the Fifties 26/254, The Russian Avant-Garde Book 1910-1934 47/257; book reviews – summer reading 53/258; Belleville or Manhattan? feature on realism in painting 12/260; book reviews – winter reading 42/262, summer reading 49/268; review of Gloria Picazo (ed), Nómadas y bibliófilos, Concepto y estética en los libros de artistawith text by Johanna Brucker, Lucy R Lippard, Nancy Princenthal and Anne Moeglin-Delcroix 33/271; book reviews – seasonal reading 38/272, Raoul De Keyser 36/276 , Louise Lawler 31/277, Stephen Prina 28/281, Liliane Lijn 43/288, Dada 23/292; book reviews - summer reading 44/278, 47/288, winter reading 43/282, 43/292; obituary of John Latham 22/293, Karel Appel 18/297; holiday reading 39/298; review of How to Improve the World 35/300, Keith Coventry 37/300, Imi Knoebel 19/301; Yesterday, Today, Tomorrow: feature on kinetic art 1/303; book review of Wolfgang Tillmans, manual 38/312 obituary of Barry Flanagan 16/330
  • Wilson, Anthony review by Christopher Want 13/125, Stuart Morgan 30/180
  • Wilson, Gerard review by Margaret Garlake 16/67
  • Wilson, Jane and Louise review by Gilda Williams 25/193 26/225, Cherry Smyth 31/266 review by Maxa Zoller 36/325
  • Wilson, Keith profile by Paul Bonaventura 20/204; review by Pryle Behrman 30/247, Sally O’Reilly 34/306
  • Wilson, Michael review of Georg Herold 34/223, Mark Titchner 40/228, The Blood Show 25/229, Maria Lindberg 39/230, Village Disco 18/233, Sleuth, Liam Gillick 33/234, Mark Dean 43/235, The Wreck of Hope 40/236; ‘Shop Front’ on Ant Noises and Out There 7/237; review of In Your Dreams 36/238, New British Art 2000: Intelligence 43/239, Haunted by Happiness 35/240; ‘Whoops Apocalypse!’ on Apocalypse 1/241; review of Matt Mullican 34/242, Merlin Carpenter, Sigmar Polke 34/243, 50 Projects in 50 Weeks 44/243, TJ Wilcox 35/244, Nathaniel Mellors 24/245, Runa Islam 24/246; New York Round-up: review of Dan Torop, Barbara Bloom, Tim Gardner, Visibility Fair 43/247, Diana Thater 46/248, Art at the Edge of the Law 28/249; New York Round-up: review of Darren Almond, Rodney Graham, Deborah Mesa-Pelly, John Chilver, David Korty 40/251, Loop 25/253, Roni Horn 35/255, James Lee Byars 40/256, Paris in Brooklyn 40/258, Exploring Landscape: Eight Views from Britain 32/264, 2004 Whitney Biennial 25/ 277 review of New York Round-up 30/329
  • Wilson, Richard review by Michael Archer 15/104, Mel Gooding 14/108, Jeff Instone 16/126; Michael Archer 24/176, Ian Hunt 25/197, Paul Usherwood 43/227; obituary of Darrell Viner 20/253; review by David Briers 24/255, Richard Grayson 41/302
  • Wilson, Robert review by Mark Harris 32/191
  • Wilson, Sarah review of Nouveau Réalisme 11/101, Stephen Gilbert 14/104, André Fougeron 5/111, France and the German Occupation 1940-44, Conference 1988 5/112, One Hundred Years Ago: The Incoherents (with Catherine Charpin) 7/128; review of André Breton 13/147; on Carré d’Art Nîmes 2/167; review of Dereliction and conversion, Moscow today 11/172; Whose History?: on 30th congress of the International Association of Art Critics 72/200
  • Wilson, Scottie review by Mel Gooding 18/95
  • Wilson, Stewart review by Anna Douglas 23/170
  • Wilson, Terry (ed) Here to Go – Brion Gysin, book review by Genesis P-Orridge 52/258
  • Wimbledon School of Art 3/100, 2/103, 21/103
  • Window Gallery profile by Markéta Uhlirová 24/270
  • Winstanley, Paul review by Simon Morley 30/177
  • Wish You Were Here review by Liam Gillick 38/180
  • Wiszniewski, Adrian review by Margaret Garlake 16/91, Jane Lee 18/117
  • WITH review by Jennifer Thatcher 23/320
  • With Hidden Noise: Sculpture, Video and Ventriloquism review by Martin Herbert 23/277 Within these Walls review by John Tozer 32/209
  • Witkin, Joel-Peter Deke Dusinberre on 1/235
  • Wittgenstein: Family Likenesses review by Mark Wilsher 27/272
  • Witts, Richard Artist Unknown. An Alternative History of the Arts Council, book review by Margaret Garlake 49/219
  • Wodiczko, Krzysztof in conversation with William Furlong 11/120; review by Paul Usherwood 8/143
  • Wohl, Helmut review of Victor Willing 14/20
  • Wojnarowicz, David see feature by Barbara Pollack 1/224; review by Ian Hunt 23/297
  • Wolbers, Saskia Olde review by Eliza Williams 30/280
  • Wolff, Janet Aesthetics and the Sociology of Art, book review by Toni del Renzio 27/70
  • Wölfi, Adolf review by David Maclagan 3/45
  • Wollen, Peter Readings and Writings: Semiotic Counter Strategies, book review by John Roberts 24/62; Raiding the Icebox, book review by Ian Hunt 33/170, Paris Manhattan: Writings on Art, book review by Morgan Falconer 38/ 284
  • Wollen, Peter, MacCabe, Colin and Francis, Mark (eds) Who Is Andy Warhol? book review by Andrew Wilson 44/208
  • Wollen, Roger review of 2D/3D 18/105, Confrontations, New work, Newcastle 39/108; Art as Psychiatry 15/122; review of The Experience of Painting - Eight Modern Artists, and The Presence of Painting: Aspects of British Abstraction 1957-88 14/127; preview of Gateshead International Garden Festival 1990 29/133; book review of Peter Davies, A Northern School: Lancashire Artists of the Twentieth Century 29/136; review of Thessaloniki Biennale 35/310
  • Wollheim, Richard book review of E H Gombrich, Tributes, Interpreters of our Cultural Tradition 25/78; Painting as Art, book review by Dennis Duerdin 24/118
  • Wols review by Monica Petzal 18/88
  • Women Behaving Badly see David Hopkins
  • Women’s Art Library 17/205; letters 20/208
  • Wonderful Life review by James Odling-Smee 26/170
  • Wonderful: Visions of the Near Future review by David Barrett 34/ 275
  • Wonnacott, John review by Lynda Morris 21/43; Rocks and Flesh 7/91; letters 23/92, 28/100
  • Wood, Catherine review of AK Dolven 35/246, Muntean/Rosenblum 35/248; Extra-ordinary Dance: on the politics of dance 7/252 review of Ann-Sofi Sidén 18/254, Wolfgang Tillmans 37/256, Pauline Olowska 32/265, Roadshow 34/269 , Pawel Althamer & Artur Zmikewski 34/286
  • Wood, Catherine and Judd, Ben Letter from Tokyo 44/255
  • Wood, Craig review by Liam Gillick 19/147
  • Wood, John review by Margaret Garlake 13/61, Jonathan Watkins 17/105
  • Wood, John & Harrison, Paul profile by Gilda Williams 20/205
  • Wood, Jonathan review of Paul Neagu 29/215
  • Wood, Julia review by Margaret Garlake 17/108 ; obituary 18/266
  • Wood, Paul Critical Realism 11/113; review of Robert Smithson 20/116 future of art education 11/320
  • Wood, Tony review of Martin Kippenberger 22/282, Pedro Cabrita Reis 19/283, Julia Schmidt/Oliver Kossack/Julius Popp/Rigo Schmidt 30/289, Daniel Roth 25/294, Martin Kippenberger 29/295, Christian Marclay 32/304
  • Wooden Heart review by Benedict Seymour 41/235
  • Woodhouse, Adrian Art ‘n’ Newspapers 1/22
  • Woodley, Gary review by Margaret Garlake 20/111
  • Woodman, Francesca review by Dave Beech 36/230
  • Woodrow, Bill review by Michael Newman 11/53; interview by Peter Hill 12/102; review by Margaret Garlake 23/133, Dalia Manor 33/190; letters 17/246
  • Woodrow, Bill and Deacon, Richard review by Eliza Williams 29/320
  • Wool, Christopher review by Nicky Bird 35/266
  • Wool, Christopher/Harrison, Rachel/Evans, Cerith Wyn review by Ian Hunt 31/ 274
  • Woolner, Tom: Going to Bakeries all Day Long review by Brian Catling 35/313
  • Word enough to save a life, word enough to take a life review by David Burrows 37/228
  • Words and Things review by Nicky Bird 48/252
  • Words! Don’t Stand on Trifles review by Ian Hunt 13/184
  • [working title] review by Andrew Wilson 29/238
  • World as a Stage, The opinion by Julian Maynard Smith 42/313
  • World Cup Football Karaoke review by Simon Grant 37/179
  • Worlds in a Box review by Toni del Renzio 17/183
  • Worldwide Video Festival review by Catherine Elwes 26/211
  • Worsdale, Godfrey review of Dorothy Cross 38/179, Dinos and Jake Chapman 36/180, Pep Agut 33/181, Karen Kilimnik 37/182, Wide White Space 38/183, Tatsuo Miyajima 28/184, Bridget Smith 29/185, Portable Fabric Shelters 41/187, Anya Gallaccio/Katharine Dowson/104 Hours/Rita Ackermann 38/188, Jeremy Deller 31/195 Liam Gillick 29/197, Chris Ofili 27/198, Critical Decor 59/200, Small Truths 24/204, Sylvie Fleury 33/218
  • Worth, Christopher review of Eric Gill 19/25
  • Wortz, Melinda review of Robyn Denny 13/78
  • WOW WOW, Sites Unseen/The Internet Review review by Michael Gibbs 49/237
  • Wreck of Hope, The review by Michael Wilson 40/236
  • Wright of Derby, Joseph review by Gerry Turvey 13/137
  • Wright, Austin review by John Glaves-Smith 8/50
  • Wright, Daphne review by Sean Cubitt 39/183, Valerie Reardon 28/215; Susanne Bieber 34/272
  • Wright, Elizabeth review by Aimie Reeves 41/183; profile by David Barrett 24/199
  • Wright, Frank Lloyd review by Stephen C Mooring 16/106, 26/164
  • Wright, Philip The Arts: Politics, Power and the Purse 13/59; The economic situation of the visual artist in the UK 3/93; letters 23/96; The Ministry of Arts/Culture 8/100, The arts: politics, power and the purse 11/107; Museums Association 25/110; Big Deal: The Wilding Report 3/133; letters 26/134
  • Wright, Richard profile by Melissa E Feldman 28/210
  • Wright, Richard/Morrison, Paul review by John Chilver 33/229
  • Wright, Richard/Turnbull, Alison/Curtis, Layla review by Paul Usherwood 38/240
  • Writing Art Aaron Williamson on 13/230
  • Writing in Strobe review by JJ Charlesworth 28/296
  • Wulffen, Thomas on the reconstruction of Berlin 12/209, 97 Kwangju Biennale 20/212
  • Wurm, Erwin review by Sotiris Kyriacou 29/243
  • Wyeth, Andrew review by Andrew Brighton 3/37 obituary 18/324
  • Wylie, George review by Mel Gooding 14/108
  • Wyman, Jessica Selected Books Received 1996 48/202
  • Wynter, Bryan review by Peter Davies 7/54
  • Wyver, John Broadcast Television and the Visual Arts 22/75; letters 26/126; Video 33/127 Vision On: Film, Television and the Arts in Britain, book review by Ian White 36/319
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