A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Index: L

• La femme de nulle part review by Jack Mottram 28/305
• La Frenais, Rob book review of Simon Ford, Wreckers of Civilisation: The Story of Coum Transmissions and Throbbing Gristle 49/235; obituary of Paul Burwell 21/304
• La Placa, Joseph book review of Darian Leader, Stealing the Mona Lisa 47/259
• Lacerda, Alberto de Portuguese Art 12/20
• Lafuente, Pablo review of Tom Burr 31/267, 8th International Istanbul Biennial 26/271 review of Simon English 35/ 276, Supra caput esse enthronement gifts 37/ 277; Art on Parade: feature on interventionist art 1/ 280 ; review of Francis AlFrancis Alÿss 27/ 291
• Lafontaine, Marie-Jo review by Hilary Robinson 12/127
• Lai, Sally Biennale Round-up 32/301; review of The Real Thing: Contemporary Art from China 26/307
• Lalouschek, Elisabeth review by Margaret Garlake 19/70, Nick Caistor 27/138
• Lamba, Juginder review by Ian Hunt 39/210
• Lambirth, Andrew book review of Cathy Courtney, The Looking Book: a pocket history of Circle Press 1967-96 and Jane Rolo and Ian Hunt (eds), Book Works: A Partial History and Sourcebook 47/202
• Lambirth, Andrew and Agar, E A Look at My Life, book review by Liz Brooks 27/121
• Lambirth, Andrew and Heywood, Anthony Some Seen Some Said, review by Cathy Courtney 42/198
• Lambri, Luisa review by Emma Smith 38/239
• Lamelas, David Films 1969-1972/2004 review by Andrew Hunt 43/311
• Lampert, Catherine review of Harry Thubron 6/3, New Art 16/10
• Lancaster, Mark review by Margaret Garlake 10/115
• Landau, Ellen G Jackson Pollock, book review by Francis Frascina 29/141
• Landers, Sean review by Alex Farquharson 51/239 review by Eliza Williams 44/268
• Landmark Exhibitions report by Teresa Gleadowe 34/321
• Landoni, Christopher obituary 17/ 291
• Landscape review by Pryle Behrman 28/241
• Landscape, Memory and Desire review by Michael Archer 20/83
• Landscape Trauma in the Age of Scopophilia review by Eddie Chambers 46/249
• Landy, Michael review by Clifford Myerson 17/157, Dave Beech 30/244, John Slyce 220/305
• Lange, Darcy review by Colin Perry 26/323
• Lane, Abigail review by Michael Archer 25/161, Andrew Wilson 21/169, Simon Grant 33/185, Maria Walsh 22/251
• Lane, Brian review by David Briers 41/254
• Langlands and Bell The British Museum, review by Cathy Courtney 41/112, 31/127; review by Mary Anne Francis 10/144, Dan Smith 32/266
• Lansley, Jo & Bendon, Helen review by David Briers 37/246
• Lanyon, Andrew review by Cathy Courtney 30/115, 28/135
• Lanyon, Josephine and Cosgrove, Mark John Smith: Film and Video Works 1972-2002, book review by Michael O’Pray 43/261
• Lapdogs of the Bourgeoisie review by Sally O’Reilly 19/303; letters 11/305
• Lapointe, Lyne review by Guy Brett 30/200
• Lapp, Axel ‘The Turner Preis’ on National Gallery Prize for Young Art, Berlin 12/242; Preis der Nationalgalerie für Junge Kunst, letters 11/243; review of The Way Things Are (Part 1) 26/243, Stanley Brouwn 27/245, Berlin Biennale 2 8/247, Likör/Liquor 31/247, Ich Bin 43/249 , review of Davaj! From the laboratories of Free Arts in Russia 34/253, Frequencies [Hz] – The Art of Noise 47/255, Art & Economy 30/256; feature on Documenta 11 7/258; review of Tim Head 37/262, Total überzogen 24/263, Painting Pictures: Paintings & Media in the Digital Age, Germanpaintingtwothousandandthree 35/265, Territories 30/268, Abstraction Now 32/270; letters 18/276; review of Mona Hatoum 34/277 , Susan Hiller 33/278 , Friedrich Christian Flick Collection 20/ 282 ; Germany Calling: feature 1/285 ; Venice Biennale 2 24/288, Urban Realities: Focus Istanbul 20/289, 4th Berlin Biennale 20/296, Ayse Erkmen, Christine Hill, Thomas Hirschhorn 39/302; letters 18/308; review of Venice Biennale 26/308 Berlin: Public v Private 44/316
• Lassam, R E review of Ida Kar 13/63
• Last Show, The review by David Musgrave 26/222
• Late Show, The review by Nicky Hamlyn 25/148, Raymond Durgnat 26/148, Liam Gillick 23/186
• Latham, John The OHO Resolution 27/86; obituary of Joseph Beuys 9/94; review by Tony Godfrey 15/103, John A Walker 14/121; statement 12/161; review by Andrew Wilson 19/151, John A Walker 3/185; John A Walker, John Latham, The Incidental Person, book review by Ian Hunt 41/186; letters 20/188, 24/189 by Peter Suchin 45/292; obituary by Andrew Wilson 22/293; John A Walker on 39/294 review by Michael Hampton 27/322
• Latham, William review by Margaret Garlake 22/123, Julian Stallabrass 14/173
• Lauf, Cornelia and Phillpot, Clive Artist/Author: Contemporary Artists’ Books, review by Cathy Courtney 38/215
• Laughing in a Foreign Language feature by Anna Dezeuze 9/314; review by Sally O’Reilly 25/314
• Laughlin, James and Jackson, Vanessa A Secret Language, review by Cathy Courtney 42/198
• Laughton, Bruce The Euston Road School, book review by Peter Rumney 24/107
• Launchbury, Michael Liberal Studies 17/61
• Lauschmann, Torsten review by Rosie Lesso 26/316
• Lauson, Cliff book review of Peggy Gale (ed) Artists Talk 1969-1977 37/295; review of Experimenta: Under the Radar 39/301 review of Huang Yong Ping 34/319, Robert Mangold: X, Plus and Frame Paintings 33/326
• Law, Bob review by Sandy Nairne 16/20, Michael Archer 14/115, Andrew Wilson 21/198, Margaret Garlake 26/226 ; obituary 16/ 277
• Lawler, Louise review by Andrew Wilson 31/ 277 review by David Barrett 37/313
• Lawson, Thomas Mining for Gold: Selected Writings (1979-1996) , book review by Maria Fusco 36/ 285
• Law online see Artlaw
• Lawson, Julie The Paper Revolution 20/59; review of Between object and image 22/100
• Le Cinq review by Hilary Gresty 17/139
• Le Corbusier 6/105, 9/105, 16/106, 28/108
• Le Feuvre, Lisa The W-Hole Story: feature on Gordon Matta-Clark: A W-Hole House and Selected Drawings 12/255; Avalanche : feature 7/ 278 ; review of Daria Martin 27/ 284 , Omer Fast 26/ 290; The Institution Within: feature on instutions 7/297; profile of Lisa Oppenheim 14/301; book review of Maggie Smith and Matthew Arnatt (eds) The New Art 39/307, Polly Staple and Melissa Gronlund (eds) Frieze Projects: Artists Commissions and Talks 39/307, letters 19/308, 13/309; review of Linder 33/308 Art Failure: feature 5/313; review of Dennis Oppenheim 36/317, 53rd Venice Biennale: Making Worlds – Daniel Birnbaum 25/328
• Le Grice, Malcolm Abstract Film and Beyond, book review by Mark Francis 20/12, Experimental Cinema in the Digital Age, book review by AL Rees 46/256
• Le Nouveau Réalisme review by Deke Dusinberre 24/307
• Le Voyage Intérieur review by Mark Wilsher 29/294
• Leader, Darian Stealing the Mona Lisa, book review by Joseph La Placa 47/259
• LEA Gallery, First Exhibition review by David Barrett 33/212
• Leafcutter John review by David Ryan 41/309
• Leapman, Edwina review by Sarah Kent 25/3, Clifford Myerson 21/145, Simon Morley 33/172
• Leapman, Richard review of Paul Eachus 12/66, Geoffrey Olsen 15/80, Jorg Immendorff 11/81
• Leckey, Mark review by Ian White 27/ 273 review by David Barrett 37/324
• Lederman, Erika review of multiples 20/183, Donald Judd 45/184, Starkmann Limited 38/185, Man Ray 43/186, multiples 46/187
• Ledger, Tanya review of Stanley and Hilda Spencer 20/21
• Lee, Jane Glasgow Garden Festival 13/119; review of Adrian Wiszniewski/David Finn/Fischli and Weiss 18/117, John Hooper 19/112; letters 23/120
• Lee, Leonard review of David Hockney 8/72; Gallery poll 10/75; Lupertz 9/76
• Lee, Pamela M Chronophobia: On Time in the Art of the 1960s, book review by Craig Martin 43/ 282
• Lee, Stephen review of Janet Cardiff & George Bures Miller: The House of Books Has No Windows 32/322, Otolith Group: A Long Time Between Suns Part 1 30/325, Katleen Vermeir & Ronny Heiremans 27/327, Pattern Recognition 28/330
• legal services see Artlaw
• Léger, Fernand review by Julian Stallabrass 23/138
• Lehmann, A G The European Heritage, book review by Bernard Denvir 25/80
• Lehmen, Thomas Funktionen - tool box , review by Stephen Bury 37/290
• Leiber, Steven Extra Art: A Survey of Artists’ Ephemera, 1960-1999, book review by Paul Claydon 50/258
• Leibovitz Futures see Artlaw
• Leiderstam, Matts review by Jack Mottram 32/289 Lehyt, Cristobal letters 14/272
• Leighton, Tanya, Esche, Charles (eds) Art and the Moving Image: A Critical Reader, book review by Maxa Zoller 38/328
• Leirner, Jac review by Tim Martin 24/150
• Lemieux, Annette review by Michael Archer 14/115
• Leningrad, art in review by Alexandre Borovsky 7/137
• Lennon, John review by Conrad Atkinson 19/43
• Leonard, Zoe Analogues, review by Gail Day 35/315
• Leopoldseder, Hannes and Schopf, Christine (eds) Cyberarts, book review by Michael Gibbs 37/213
• Lerdchaiprasert, Kamin see feature The Land by Ann Coxon 9/288 Leslie, Alfred The Cedar Bar, film review by Ian Hunt 44/262
• Les Inquiets: 5 artistes sous la pression de la guerre review by Anna Dezeuze 27/318
• Leslie, John review of Peter de Francia 17/130, Jo Stockham 12/144
• Leslie, Jonathan review of Craigie Aitchison 7/54
• Leslie, Esther book review of Grant Watson, Gerrie van Noord & Gavin Everall (eds) Make Everything New - A Project On Communism 39/309; Synthetic Worlds: Nature, Art and the Chemical Industry, book review by Ian Hunt 38/297
• Lesso, Rosie review of Katy Dove 28/295, Chad McCail 30/298, Robert Ryman 24/299, Callum Innes 20/301, Off the Wall 38/304; profile of Aileen Campbell 24/311 review of Torsten Lauschmann 26/316, Janice McNab 31/317, Gerhard Richter: Paintings from Private Collections 35/322, The Associates 30/326, Eva Hesse: Studiowork 24/332
• Let’s Take Back Our Space review by Martin Herbert 30/332
• Lethaby, W R review by Peter Dormer 35/68
• Letter from America Andrew Cross 7/203
• Letter from Australia Eliza Williams 37/274 John Kelly 38/332
• Letter from Berlin Richard Grayson 45/276 Sarah James 40/314
• Letter from Delhi Daniel Jewesbury 24/293
• Letter from Iceland Shumon Basar 48/318
• Letter from Istanbul Sarah-Neel Smith 40/317
• Letter from Jordan Patricia Bickers 38/319
• Letter from Linz AJ Stooke 38/320
• Letter from New York Melissa E Feldman 49/199, Sally O’Reilly 33/291
• Letter from Palestine Sally O’Reilly 35/301
• Letter from Paris Sarah-Neel Smith 43/316
• Letter from Stockholm Sally O’Reilly 34/305
• Letter from Taipei Frederika Whitehead 39/320
• Letter from UAE Kathy Battista 38/327
• Leventon, Rosie review by Margaret Garlake 20/100
• Leverett, David review by Dorothy Walker 13/8, Margaret Garlake 17/84, Mel Gooding 21/112
• Levey, Michael A Case of the Poisoned Chalice? 2/112
• Levin, Gail Edward Hopper: The Art and the Artist, book review by Robert van Beek 31/45
• Levin, Thomas review by Paul Kopocek 21/49
• Levine, Les review by Michael Archer 8/90
• Levine, Sherrie review by Mark Durden 50/200
• Levinson, John/Moon, Jeremy review by Ben Judd 43/252, John Slyce 32/277
• Levinson, Nick Art on TV 10/77
• Levinthal, David review by Paul Usherwood 27/185
• Levy, Deborah Diary of a Steak, review by Cathy Courtney 47/209
• Levy, Linda Review of Art College shows 11/10
• Lévy, Pierre Cyberculture, book review by Michael Gibbs 49/257
• Levy, Rose SE On the Shimmering Emptiness of the Gulf: An Edition of Nostromo by Joseph Conrad as Varied by Rose SE Levy, review by Stephen Bury 38/254
• Lewandowska, Marysia (ed) Sight Works, Volume 1 Several Enquiries, book review by Robin Kinross 28/124
• Lewandowska, Marysia & Cummings, Neil review by Stephen Bury 33/237; The Value of Things, Stephen Bury 41/245
• Lewandowski, Simon 100 things with handles, review by Stephen Bury 37/328
• Lewis, Adrian review of British art in the 20th century 6/103; letters 24/119, 24/121; book review with Roger Cranshaw of John Golding, Cubism: A History and an Analysis 1907-14 24/125; book review of Margaret Garlake, New Art New World: British Art in Postwar Society 38/224, book review of James Hyman, The Battle for Realism: Figurative Art in Britain During the Cold War, G Dyer (ed) John Berger: Selected Essays 42/260
• Lewis, Andrew book review of Lawrence Gowing, Cézanne, the Early Years, 1859-72 26/118; review of Leeds Centenary 21/122
• Lewis, Mark review by Mark Durden 26/235, Martin Herbert 40/296
• Lewis, Peter review by John Glaves-Smith 14/48
• Lewis, Wyndham review by Paul Edwards 16/140; books on, see David Peters Corbett
• Lewitt, Sam profile by Graham Parker 24/304
• LeWitt, Sol review by Willis Domingo 20/6, Michael Archer 18/102, Christopher Want 10/144; interview by Andrew Wilson 3/164; letters 32/165; review by David Musgrave 24/218; obituary 12/306, recollection by Anne Rorimer 18/307
• LeWitt, Sol and Tremlett, David review by John Haldane 32/230
• Lewty, Simon review of Carel Weight 20/22
• Leydier, Richard, Millet, Catherine, (eds) Contemporary Art in France, book review by Thibaut de Ruyter 44/308
• Lichtenberg Ettinger, Bracha review by Astrid Schmetterling 30/168, correction 31/169
• Lichtenstein, Roy review by Brian McAvera 17/114, Toni del Renzio 7/165; obituary by David Hall 23/211, Eliza Williams 30/275
• Lie of the Land review by John Tozer 32/232
• Lieshout, Joep van see Daniel Miller
• Life after Art School see Artlaw
• Life is a Bitch review by Michael Gibbs 21/220
• Life is Elsewhere review by John Tozer 31/198
• Life/Live review by Andrew Wilson 1/201
• Light Industrial Magic review by David Musgrave 38/242
• Lightworks Magazinereview by Clive Phillpot 55/239
• Lignon, Martine review of Alan Green 16/21
• Ligon, Glenn interview with Patricia Bickers 1/317
• Lijn, Liliane Crossing Map, book review by Michael Horovitz 27/66; review by Monica Bohm-Duchen 19/106, 23/139; percent for art case, Artlaw 46/186; Her Mother’s Voice, review by Cathy Courtney 47/197; review by Monica Bohm-Duchen 49/238, Andrew Wilson 43/288
• Like Beads on an Abacus Designed to Calculate Infinity review by David Barrett 21/ 277
• Like nothing else in Tennessee review by Clifford Myerson 22/156
• Likör/Liquor review by Axel Lapp 31/247
• Lillington, David book review of Gothic: Transmutations of Horror in Late Twentieth-Century Art 41/214; on comic art 1/216; letters 15/218; review of Animation 39/218, Simon Faithfull 33/221, Physical Evidence 30/223, Myles Stawman 37/227; on Kurt Schwitters 20/231; review of Force Fields: phases of the kinetic 39/239, Aaron Williamson 37/241, 50 Projects in 50 Weeks 44/243, The Magic Hour: The Convergence of Art and Las Vegas, Tele(visions) 27/252, Robert Adrian X 38/253, Elizabeth Price, small Gold Medal 37/254, Violence is at the Margin of all Things: Subject Relations, Political Militancy and Artistic Procedures 33/256, Capital & Karma: Recent Positions in Indian Art 45/257, Adrian Piper 30/259
• Lim, Kim review by Margaret Garlake 13/61, Mel Gooding 19/92; obituary by Michael Archer 17/213
• Limehouse Library mural 21/103, 25/104
• Lincoln, Paul Etienne The World and Its Inhabitants, review by Cathy Courtney 47/219
• Lind, Maria review of 10th Sydney Biennale 36/199
• Lindberg, Maria review by Michael Wilson 39/230
• Linder and Bracewell, Michael I Know Where I’m Going: A Guide to Morecambe & Heysham , review by Stephen Bury 39/ 274
• Linder review by Lisa Le Feuvre 33/308
• Lindsay, Kenneth (ed) Kandinsky, Complete Writings on Art, book review by Brandon Taylor 26/61
• L’informe: mode d’emploi review by Ian Hunt 26/199
• Linke, Simon review by Christopher Want 24/203
• Linz see Letter from Linz
• Lippard, Lucy interview by David Coxhead 4/32; Get the Message? A Decade of Art for Social Change, book review by Sandy Nairne 26/85; Six Years: The dematerialization of the art object from 1966 to 1972…, book review by Liam Gillick 43/223
• Lippard, Lucy R see Andrew Wilson
• Lipski, Edward review by Sotiris Kyriacou 31/196
• Lipsky, David The Art Fair, book review by Michael Archer 47/212
• Lislegaard, Ann/Banner, Fiona review by Emma Safe 33/257
• Lissitsky, El review by Susan P Compton 26/1, Christina Lodder 14/143
• Lisson Gallery @ Covent Garden Polly Staple on 11/238
• Lisson Gallery, The review by Simon Grant 28/176
• Littlefield Kasfir, Sidney Contemporary African Art, book review by Eddie Chambers 46/237
• Little magazines/small presses/image and text review by Laura Moffatt 47/244
• Live and Kicking see Sally O’Reilly
• Live art see Sally O’Reilly
• Live in Your Head Andrew Wilson on 1/234; letters 16/235
• Liverpool Biennial review by Claire Doherty 38/261, Craig Burnett 23/281 review by Pryle Behrman 28/321, David Briers 30/321
• Liversidge, Peter Proposals 1997-2005, review by Stephen Bury 37/ 290 Living Dust review by Lucy Steeds 32/ 281
• Liversidge, Peter / Simpson, DJ review by Eliza Williams 35/328
• Livingstone, Ken The GLC’s arts experience 2/100; and Peter Kennard 40/184
• Livingstone, Marco David Hockney, book review by Peter Fuller 33/49; A Letter from Derek Boshier 3/90; Pop Art, book review by John A Walker 28/150; British Pop, book review by Michael Bracewell 38/301
• Livres d’artistes: l’invention d’un genre review by Clive Phillpot 48/209
• Llewellyn, Thomas Revolutionary Sahrawi Art 3/132
• Lloyd, Hilary review by Alexandra Bradley 27/231 review by David Barrett 31/320
• Lloyd, Jill Art in East Berlin 3/41; German Expressionists 14/56; review of Hannah Hoch 16/68; Old Photographs 13/83; Palermo 16/85; review of Joseph Beuys 11/111, Georg Baselitz 13/113; book reviews of Kay Flavell, George Grosz, a biography, Barbel Schrader and Jurgen Shebera, The Golden Twenties: Literature in the Weimar Republic 33/122
• Loaded review by Mark Durden 11/202
• Loaner beware: the case of Robyn Denny Artlaw 47/182
• Locale review by David Burrows 31/227
• Location Location see Claire Doherty
• Location: UK review by Dave Beech 28/259; letters 13/259
• locative media review by Michael Gibbs 40/280
• Locher, Thomas review by Michael Archer 16/113
• Lockhart, Sharon review by David Barrett 28/191
• Locke, Hew review by Dan Smith 38/257 review by Shan Peng 33/320
• Lodder, Christina review of Oleg Kudryashov 17/64; Shades of Constructivism 21/78; Dada and Constructivism 8/81; Soviet Ceramics 9/85; Naum Gabo in England 3/104; El Lissitzsky 14/143
• Logan, Andrew Patronage 36/74
• Logsdail, Nicholas on Yoko Ono in London 6/212
• Lohse, Richard Paul review by Paul Overy 27/206
• Loker, John review by Fenella Crichton 8/42
• Lomas, David Miró’s Magi Noire 14/124; review of Euan Uglow 21/129, Picasso and Braque 21/135
• Lomax, Yve Reading Matter, review by Cathy Courtney 47/227 Sounding the Event: Escapades in Dialogue and Matters of Art, Nature and Time , book review by Craig Martin 39/ 286
• London Fieldworks profile by Jeni Walwin 18/ 282
• London Film-Makers’ Cooperative review by Raymond Durgnat 24/151
• London Group review by Mel Gooding 10/119
• London Project II review by Genevieve Fox 24/152
• London salerooms see Colin Gleadell
• London School review by James Hyman 21/150
• London summer round-up 1991 review by Mary Anne Francis 24/149, Andrew Wilson 18/159
• London winter round-up 1992-93 review by Andrew Wilson 20/163
• Loner at the Ball, Life of Andy Warhol by Fred Lawrence Guiles, book review by Ian McKay 29/150
• Long, Charles review by Mark Harris 25/207
• Long Dark, The review by Martin Vincent 32/332
• Long, Richard review by Paul Overy 21/4, Allan Davies 15/25, Jean Fisher 12/47, Lynne Cooke 8/66; letters 20/68; review by John T Paoletti 4/101, Michael Archer 27/122, 7/149, Tim Martin 20/141; Moving Pictures by Kevin Gough-Yates 38/122; review by Mark Gisbourne 35/178, Emma Safe 37/259
• Long, Richard/Starling, Simon review by Elisabeth Mahoney 26/321
• Look Out review by Richard Hylton 24/241
• Loop review by Michael Wilson 25/253
• Loose Threads review by Michael Archer 27/220
• Los Angeles, Letter from see JJ Charlesworth, Simon Herbert
• Los Angeles 1955-1985 review by Alex Farquharson 31/296
• Lost review by Alex Farquharson 34/235
• Lost Ark, The review by Padraig Timoney 33/204
• Lost Conceptualism, The see Mark Prince
• Lost in Translation see Maria Walsh
• Lotringer, Sylvère/Virilio, Paul The Accident of Art review by Michael Gibbs 39/293
• Louder than words review by Mary Anne Francis 22/148
• Louise, Dany review of Spencer Tunick 22/294, The John Moores 24 17/301, New Contemporaries 17/301
• Love Story review by Sally O’Reilly 32/ 282
• Lovecraft review by Padraig Timoney 34/208
• Lovink, Geert Dark Fiber: Tracking Critical Internet Culture, book review by Michael Gibbs 45/262 , Uncanny Networks, book review by Michael Gibbs 37/271
• Low Maintenance & High Precision review by David Burrows 39/209
• Lowe, Brighid inserts in Garden History, review by Stephen Bury 39/217, Sally O’Reilly 32/282
• Lowe, Colin review by Simon Grant 28/176; letters 24/189
• Lowe, Peter An International Exhibition in Poland 9/53; review of Henryk Stazewski 17/62
• Lowe, Rachel review by Michael Ellis 36/244
• Low-fi: Indexes to Infinity review by Michael Gibbs 48/251
• Lowndes, Gillian review by Margaret Garlake 19/104
• Lubetkin and Tecton review by Charlotte Benton 11/55
• Lublin, Lea review by Guy Brett 10/40
• Lucas, Anna review by Maria Walsh 36/ 274
• Lucas, Sarah review by Conor Joyce 16/154, Ian Hunt 35/207
• Lucie-Smith, Edward Politicians 3/13; On leaving the Evening Standard 13/36; Art of the 1930s: American Art Now, book review by Bernard Denvir 29/95; Artoday, book review by John A Walker 43/193
• Lueg, Konrad review by Lynda Morris 29/235
• Luke, Jeff review by John Tozer 29/207
• Lum, Ken review by Philip Sanderson 31/192, Alison Green 26/250
• Lumley, Robert (ed) The Time Machine, book review by John Roberts 28/120
• Lumpkin, Libby Deep Design: Nine Little Art Histories, book review by Alex Farquharson 45/237
• Lund, Marie & Beier, Nina review by Jennifer Thatcher 24/321
• Lunding, Ulf/Strba, Annelies review by John Tozer 26/223
• Lunenfeld, Peter Snap to Grid: A User’s Guide to the Digital Arts, Media, and Culture, book review by Michael Gibbs 49/243
• Lunn, Felicity review of Gerhard Stromberg 41/229
• Lupertz, Markus review by Leonard Lee 9/76
• Lutz, Andres & Anders Guggisberg review by Bob Dickinson 40/318
• Lux Europae review by Craig Richardson 23/162
• Luxemburg, Rut Blees review by Ian Hunt 36/ 282
• Lyall, Sutherland, Banham, Mary, Barker, Paul, and Price, Cedric A Critic Writes Essays by Reyner Banham, book review by Graham Whitham 45/208
• Lydiate, Henry see Artlaw; obituary of Peter Townsend 16/299
• Lynton, Norbert On Modernist Art in Germany Part 1 4/7, Part 2 4/8; book review of Roger Avermaete, Frans Masereel 37/13, Franklin Rosemont, André Breton and the First Principles of Surrealism 34/15; Part of the German Month 11/22; The Motovum Meeting 7/33; Venice Biennale 2/37; book reviews of Dore Ashton, A Fable of Modern Art 27/40, Tom Phillips, A Humument 32/43; The Story of Modern Art, book review by Bernard Denvir 32/58; For Roland 2/76; book reviews of Frank Whitford, The Bauhaus Story 29/77, Dante’s Inferno, trans. Tom Phillips 28/89, Nicholas Wadley (ed), Noa Noa: Gauguin’s Tahiti 27/93; Ben Nicholson, book review by Margaret Garlake 42/181
• Lyons review of Octobre des Arts by Deke Dusinberre 14/112
• Lyons Biennale reviews: 3rd Marta Dalla Bernardina 27/193, 4th Amanda Crabtree 27/209, 5th Virginia Whiles 28/239, 6th Amanda Crabtree 22/249 7th Morgan Falconer 23/272, 2005 Pryle Behrman 21/291, 2007 Christophe Gallois 30/311 The Spectacle of the Everyday: review by Pryle Behrman 28/331
• Lyons, Joan My Mother’s Book, review by Cathy Courtney 47/197; Twenty-Five Years Ago, review by Cathy Courtney 38/226