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Palestinian Beauty Contest, Jerusalem c1990s. Image by the photojournalist Nati Shoat given to Oreet Ashery for use in the early 1990s as part of his batch of photographic prints that were rejected by the Israeli press.
Included in subscribers’ copies of the December-January issue is a gift print commissioned by Art Monthly as a thank you to its supporters. For more about Oreet Ashery, read Larne Abse Gogarty’s 2014 interview with the artist in AM381.
If you are not already a subscriber, to receive the exclusive artist print subscribe now: www.artmonthly.co.uk/buy
George Vasey discusses the coercive role of images and hidden racial, social and economic biases of photographic and other technologies, as revealed in the work of the London-based artist.
Hettie Judah reviews a collaborative film that follows the lives of Londoners as their city changes around them
Giulia Smith discusses the Philadelphia-based artist’s political agenda, which centres on changing the institutional treatment of disability rather than merely representing it
Jamie Sutcliffe navigates the vortex of superstition and techno-consipiracy in Richard Grayson’s online video series
Aoife Rosenmeyer is peeved by the art market’s framing of older female artists as Cinderellas waiting gratefully to be discovered
Dublin | IMMA Archive 1990s: From the Edge to the Centre IMMA opens Fri 13 Dec |
Dublin | Guggi Kerlin Gallery opens Fri 13 Dec |
Preston | Harris Open Exhibition 2019 Harris Museum and Art Gallery opens Sat 14 Dec |
Dundee | Seized by the Left Hand DCA opens Sat 14 Dec |
London | Pervert Avalanche opens Sun 15 Dec | PV 14 Dec |
Presented by Alexandra Hull
Morgan Quaintance, Elisabetta Fabrizi & George Vasey analyse the problems with Kara Walker’s Turbine Hall commission at Tate Modern, discuss the BFI London Film Festival’s Experimenta strand and explore the coercive role of images as revealed in the work of video artist Imran Perretta.
Presented by Chris McCormack
Virginia Whiles, Sarah Jury and Jack Smurthwaite discuss the work of Pakistani-born video artist Bani Abidi, the need for safety protocols to protect participants in live art works known as larps (Live Action Role Plays), and Dave Beech’s book ‘Art and Postcapitalism – Aesthetic Labour, Automation and Value Production’.
Presented by Matt Hale
Jonathan P Watts, Louisa Lee and Laura Harris discuss British art 1976–95, BANK, Jef Cornelis’s art documentaries, and pay & conditions in the art world.
Art history lags behind other disciplines in incorporating art by black and ethnic minorities argues Richard Hylton
Ashiya Eastwood on the art-education system’s failure to deal with mental-health issues
John Berger talks to Janine Burke
Robert Ayers looks back at three decades of Performance Art
Andrea Zittel interviewed by Alex Coles
Issue 15 was dated March 1978
Where is the issue from April 1978?
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The Michael O’Pray Prize is a Film and Video Umbrella initiative launched in 2017 in partnership with Art Monthly which seeks new writing on innovation and experimentation in moving-image art. Read the winning texts below.
2018 Winner
Adam Hines-Green Bank – Basement – Becker
2017 Winners
Lauren Houlton Heat Sensitive?
Dan Ward A Long Shot
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