Hosted by Chris McCormack
Michael Kurtz discusses the work of Delcy Morelos; Lauren Velvick on Roy Claire Potter’s ‘The Wastes’; Sarah E James considers exhibition formats that offer more complex models than those put forward in Claire Bishop’s book ‘Disordered Attention’.
>>Play Michael Kurtz, Lauren Velvick & Sarah E James
PermalinkHosted by Chris McCormack
Vaishna Surjid discusses Soumya Sankar Bose’s exhibition ‘Braiding Dusk and Dawn’ at Deflina Foundation in London; Amna Malik reviews Permindar Kaur’s exhibition ‘Nothing is Fixed’ at John Hansard Gallery in Southampton; and Henry Broome reports on public art in relation to homelessness and sanitation.
>>Play Vaishna Surjid, Amna Malik & Henry Broome
PermalinkHosted by Matt Hale
Mark Prince argues that digitalisation adds another dimension to debates about intention and production in a discussion that covers photography, painting and sculpture and covers artists ranging from Marcel Duchamp and Robert Ryman to Jon Rafman.
PermalinkHosted by Chris McCormack
Tom Hastings, Sam Keogh and Luisa Lorenzo Corna discuss the attempts to suppress political protest and artists’ voices in the light of the current war in Gaza.
>>Play Tom Hastings, Sam Keogh & Luisa Lorenzo Corna
PermalinkHosted by Matt Hale
Bob Dickinson surveys the rise of authoritarian rule and charts feminist art practices that resist such forces.
PermalinkPresented by Matt Hale
Laura Harris claims that the Levelling Up programme is a sham and Morgan Quaintance argues that Chris Ofili’s ‘Requiem’ for the victims of Grenfell Tower was compromised from the start.
>>Play Laura Harris & Morgan Quaintance
PermalinkPresented by Chris McCormack
Sarah E James discusses her article on cultural censorship and exclusion of Palestinian and pro-Palestinian voices in the arts and beyond, with the artists Jumana Manna and Larissa Sansour.
>>Play Sarah E James, Jumana Manna & Larissa Sansour
PermalinkPresented by Matt Hale
Michael Hampton argues that auto-destruction is the default condition of all visual art.
PermalinkPresented by Matt Hale
Anna Dezeuze discusses whether it is possible for art to turn the tide on ‘alt-right’ conspiracy theories, and Maria Walsh explores the work of Lebanese artist filmmaker Ali Cherri.
>>Play Anna Dezeuze & Maria Walsh
PermalinkPresented by Matt Hale
Matthew Bowman goes in search of lost experience in the commercially co-opted field of immersive art and Bob Dickinson argues that citizen artists can intervene to halt the seemingly inexorable process of gentrification.
>>Play Matthew Bowman & Bob Dickinson
PermalinkPresented by Matt Hale
Sophie J Williamson assesses the turn towards art-food practices, particularly fermentation, and how these can be politicised to counter societal decay, and Bob Dickinson argues that it is time to repair the damage done by rampant individualism, the hallmark of both modernist and neoliberal cultures, which has undermined social cohesion in art and society.
>>Play Sophie J Williamson & Bob Dickinson
PermalinkPresented by Chris McCormack
Susan Jones analyses the way funding models continue to exploit artists’ labour and Stephanie Bailey discusses the work of Beijing-based artist Wang Tuo. Presented by Chris McCormack.
>>Play Susan Jones & Stephanie Bailey
PermalinkPresented by Matt Hale
Colin Perry discusses the earth work of contemporary artists and its differences from Land Art of the past or eco art of the present.
PermalinkPresented by Chris McCormack
Larne Abse Gogarty critiques the return of figurative painting and Rebecca Jarman reports on the São Paulo art scene.
>>Play Larne Abse Gogarty & Rebecca Jarman
PermalinkPresented by Matt Hale
Greg Thomas reports on the artists’ huts of Scotland’s Bothy Project and Sophie J Williamson discusses artists who target the excesses of extractive capitalism.
>>Play Greg Thomas & Sophie J Williamson
PermalinkPresented by Matt Hale
Morgan Quaintance discusses the dichotomy between the art world’s competitive pitching of artists against each other and its proclamations of nurturing care.
PermalinkPresented by Matt Hale
Martin Holman reports on a major Arte Povera survey exhibition in Paris and Mimi Howard discusses the issues around gallery presentation of video art in the age of the smartphone.
>>Play Martin Holman & Mimi Howard
PermalinkPresented by Mark William Lewis
Chris Fite-Wassilak on artists who make use of fungus as a pointed form of institutional critique; Chris Hayes argues that we need to re-engage with anticapitalist thinking about technology.
>>Play Chris Fite-Wassilak & Chris Hayes
PermalinkPresented by Chris McCormack
Emily Rosamond discusses online reputation warfare, Juliet Jacques reports on Manifesta 14 in Prishtina and Lucia Farinati reviews a show by Italian feminist artist group Le Nemesiache.
>>Play Emily Rosamond, Juliet Jacques & Lucia Farinati
PermalinkPresented by Matt Hale
Ellen Mara De Wachter and Dave Beech discuss the ‘Carolee Schneemann: Body Politics’ exhibition at the Barbican and Maryam Jafri’s artist’s book ‘Independence Days’.
>>Play Ellen Mara De Wachter & Dave Beech
PermalinkPresented by Alex Hull
Bob Dickinson on art and class; Francis Whorrall-Campbell on Lou Lou Sainsbury; Gwen Burlington on the Brent Biennale.
>>Play Bob Dickinson, Francis Whorrall-Campbell & Gwen Burlington
PermalinkPresented by Mark Lewis
Chris Hayes discusses the problems with Ireland’s proposed artist’s basic income scheme and Maria Walsh on the work of filmmaker Suki Chan.
>>Play Chris Hayes & Maria Walsh
PermalinkPresented by Chris McCormack
Chris Clarke discusses the 59th Venice Biennale ’The Milk of Dreams’ and Anne Massey considers some of the shortcomings of ‘Postwar Modern: New Art in Britain 1945—1965’ currently on show at the Barbican Gallery in London.
>>Play Chris Clarke & Anne Massey
PermalinkPresented by Matt Hale
Bob Dickinson discusses the ways in which artists have attempted to engage with the legacies of trauma.
PermalinkPresented by Mark William Lewis
Michaële Cutaya on the importance of surface over depth, and Chloe Carroll on the role of the monument.
>>Play Michaële Cutaya & Chloe Carroll
PermalinkPresented by Alex Hull
Morgan Quaintance on the problems with Tate’s British-Caribbean exhibition ‘Life Between Islands’, Tom Hastings on performer SERAFINE1369, and Jack Smurthwaite on Danielle Brathwaite-Shirley’s solo show at Arebyte.
>>Play Morgan Quaintance, Tom Hastings & Jack Smurthwaite
PermalinkPresented by Matt Hale
Bob Dickinson discusses ‘Art and Dyschronia’, his essay where he warns that our concern for the future should not distract us from what is happening to the past at the hands of right-wing populist governments intent on rewriting history.
PermalinkPresented by Chris McCormack
Larne Abse Gogarty on the work of artist Adam Farah, whose work was on show at Camden Art Centre, and Benoit Louiseau on Gregg Bordowitz’s AIDS-related exhibition ‘I Wanna Be Well’.
>>Play Larne Abse Gogarty & Benoit Loiseau
PermalinkPresented by Alex Hull
Maria Walsh & Chloe Carroll discuss the remote viewing of moving-image artworks during the pandemic and the work of Irish artist Sam Keogh.
>>Play Maria Walsh & Chloe Carroll
PermalinkPresented by Matt Hale
Matthew Bowman discusses the history of destruction both of and in art, and Jes Fernie’s Archive of Destruction.
PermalinkPresented by Alexandra Hull
Artist John Smith discusses his pandemic-era video works ‘Citadel’ and ‘Covid Messages’ with writer Alexandra Hull.
PermalinkPresented by Matt Hale
Tom Denman argues that further colonial and racial violences are at play in the institutional framing of so-called post-race and post-black discourses in the US and the UK.
PermalinkPresented by Chris McCormack
Adam Heardman, Tess Charnley & Saim Demircan on the use of advertising space by artists, the ‘Framework for Resilience’ discussion at Fact and ART CLUB2000 at Artists Space.
>>Play Adam Heardman, Tess Charnley & Saim Demircan
PermalinkPresented by Alex Hull
Chris Clarke on his interview with Phil Collins; Bob Dickinson asks can we free ourselves from capitalist pressures to keep working; Lauren Velvick on artist Jade Montserrat.
>>Play Chris Clarke, Bob Dickinson & Lauren Velvick
PermalinkPresented by Chris McCormack
Morgan Quaintance, Stephanie Schwartz and Conal McStravick on art-world manoeuvres over the past decade, photography books by David Levi Strauss and Jörg Colberg, and the work of Scottish artist Jamie Crewe.
>>Play Morgan Quaintance, Stephanie Schwartz & Conal McStravick
PermalinkPresented by Mark William Lewis
Morgan Quaintance, Izabella Scott & Gwen Burlington on the ever-widening gap in the UK art world between social, cultural and political realities; artists’ responses to the US’s denial of its colonial history; and the recent work of Irish artist Eimear Walshe.
>>Play Morgan Quaintance, Izabella Scott & Gwen Burlington
PermalinkPresented by Matt Hale
Tom Denman and Sophie J Williamson discuss artists who counteract paradigms of racial representation, and also those who reveal unspoken taboos in art through the intimacy of being with someone dying.
>>Play Tom Denman & Sophie J Williamson
PermalinkPresented by Matt Hale
Mark Wilsher and Adan Heardman consider the notion of presence in art during a pandemic and discuss Elizabeth Price’s Artangel video installation ‘Slow Dans’.
>>Play Mark Wilsher & Adam Heardman
PermalinkPresented by Alex Hull
Amy Budd & Frances Whorrall-Campbell on Onyeka Igwe’s work exploring her family’s Nigerian history, and the changing way that pandemics have been televised by artists, from Stuart Marshall’s Bright Eyes during the AIDS crisis in 1984 to Grayson Perry’s response to Covid-19, Grayson’s Art Club.
>>Play Amy Budd & Frances Whorrall-Campbell
PermalinkPresented by Mark Lewis
Bob Dickinson & Sophie J Williamson discuss the home in art as a place of haunted obsession, and explore silence not as a retreat from the world but as a state from which to enact protest.
>>Play Bob Dickinson & Sophie J Williamson
PermalinkPresented by Chris McCormack
Morgan Quaintance, Khairani Barokka & John Douglas Millar discuss the current rush to online content and the failings of prescriptive commissioning policies, ableism in the art world, and new books by Olivia Laing and Paul B Preciado.
>>Play Morgan Quaintance, Khairani Barokka & John Douglas Millar
PermalinkPresented by Alex Hull
Adam Heardman and Adam Hines-Green discuss art, labour and the fall of the Red Wall in the north of England, and Steve McQueen’s locked-down exhibition at Tate Modern.
>>Play Adam Heardman & Adam Hines-Green
PermalinkPresented by Matt Hale
John Douglas Millar, Andrew Wilson and Morgan Quaintance discuss David Wojnarowicz’s New York, Genesis P-Orridge and the western art world’s blinkered approach to decolonialism.
>>Play John Douglas Millar, Andrew Wilson & Morgan Quaintance
PermalinkPresented by Chris McCormack
Luisa Lorenza Corna, Kathryn Lloyd & Conal McStravick ask what has happened to feminism, discuss the work of artist-filmmaker Sophie Cundale and consider two books that examine the work of David Wojnarowicz in relation to New York’s changing waterfront.
>>Play Luisa Lorenza Corna, Kathryn Lloyd & Conal McStravick
PermalinkPresented by Mark Lewis
Adam Hines-Green & Hana Noorali discuss the work of German–Vietnamese artist Sung Tieu and the exhibition ‘A.O.–B.C. An Audiovisual Diary’ at State of Concept in Athens.
>>Play Adam Hines-Green & Hana Noorali
PermalinkPresented by Chris McCormack
Lizzie Homersham, Elisa Adami, Vera Mey and Amna Malik discuss the changing nature of intimacy and its reflection in art, Anne Boyer’s book ‘The Undying’, the 15th Berwick Film & Media Arts Festival and the photographic project The Found Archive of Hani Jawherieh.
>>Play Lizzie Homersham, Elisa Adami, Vera Mey & Amna Malik
PermalinkPresented by Alexandra Hull
Morgan Quaintance, Elisabetta Fabrizi & George Vasey analyse the problems with Kara Walker’s Turbine Hall commission at Tate Modern, discuss the BFI London Film Festival’s Experimenta strand and explore the coercive role of images as revealed in the work of video artist Imran Perretta.
>>Play Morgan Quaintance, Elisabetta Fabrizi & George Vasey
PermalinkPresented by Chris McCormack
Virginia Whiles, Sarah Jury and Jack Smurthwaite discuss the work of Pakistani-born video artist Bani Abidi, the need for safety protocols to protect participants in live art works known as larps (Live Action Role Plays), and Dave Beech’s book ‘Art and Postcapitalism – Aesthetic Labour, Automation and Value Production’.
>>Play Virginia Whiles, Sarah Jury & Jack Smurthwaite
PermalinkPresented by Matt Hale
Jonathan P Watts, Louisa Lee and Laura Harris discuss British art 1976–95, BANK, Jef Cornelis’s art documentaries, and pay & conditions in the art world.
>>Play Jonathan P Watts, Louisa Lee & Laura Harris
PermalinkPresented by Chris McCormack
Giulia Smith, Erika Balsom, Vladimir Seput & Conal McStravick discuss the ‘Civic Duty’ exhibition at Cell Project Space, Lis Rhodes’s exhibition at Nottingham Contemporary, Laura Mulvey and Peter Wollen’s exhibition at Peltz Gallery, and queerness and gentrification.
>>Play Giulia Smith, Erika Balsom, Vladimir Seput & Conal McStravick
PermalinkPresented by Mark Lewis
Tom Snow, Maja and Reuben Fowkes & Matthew Bowman discuss activism as art, the ‘Southern Constellations’ exhibition in Ljubljana and Cory Arcangel’s show at Firstsite in Colchester.
>>Play Tom Snow, Maja and Reuben Fowkes & Matthew Bowman
PermalinkPresented by Alexandra Hull
Adam Heardman, Adam Hines-Green & Lauren Houlton discuss Petra Bauer’s socially engaged art practice, Richard Billingham’s film ‘Ray & Liz’ and the ‘Workforce’ exhibition at NewBridge Project in Gateshead. Presented by Alexandra Hull.
>>Play Adam Heardman, Adam Hines-Green & Lauren Houlton
PermalinkPresented by Matt Hale
Kathryn Lloyd, John Parton, Jamie Sutcliffe and George Vasey discuss exhibitions by Laure Prouvost, Callum Hill and Reinhard Mucha as well as the ‘Is This Tomorrow?’ exhibition at the Whitechapel Gallery.
>>Play Kathryn Lloyd, John Parton, Jamie Sutcliffe & George Vasey
PermalinkPresented by Chris McCormack
Louise Ashcroft, Joseph Constable and Daniel Neofetou discuss collaborative models of artistic self-determination from alternative art schools to community interest companies, Ghislaine Leung’s exhibition at Chisenhale Gallery and Josephine Berry’s book Art and (Bare) Life: A Biopolitical Enquiry.
>>Play Louise Ashcroft, Joseph Constable & Daniel Neofetou
PermalinkPresented by Matt Hale
Isobel Harbison, Andrew Hibbard, Dominic Johnson and Chris McCormack discuss the work of Josephine Pryde, Ulay and David Raymond Conroy as well as art, activism and AIDS.
>>Play Isobel Harbison, Andrew Hibbard, Dominic Johnson & Chris McCormack
PermalinkPresented by Chris McCormack
Larne Abse Gogarty, Lizzie Homersham, Morgan Quaintance & Jack Smurthwaite discuss Flo Brooks’s show at Project Native Informant, the ‘Before Projection’ exhibition of video sculpture at SculptureCenter, the Bow Gamelan Ensemble presentation at Cooper Gallery and the writing of Mark Fisher.
>>Play Larne Abse Gogarty, Lizzie Homersham, Morgan Quaintance & Jack Smurthwaite
PermalinkPresented by Matt Hale
Alex Fletcher, George Vasey & Maria Walsh discuss the 12th edition of Manifesta, the roving European biennale, in Palermo, Sicily; the current art scene in Kampala, Uganda; and the work of video artist Lucy Beech.
>>Play Alex Fletcher, George Vasey & Maria Walsh
PermalinkPresented by Chris McCormack
Amy Budd, Sara Jaspan & Tom Snow discuss the art scene in Rotterdam, the ICA workshop ‘On Cripping’ and Chad Elias’s book on contemporary art in post-civil war Lebanon.
>>Play Amy Budd, Sara Jaspan & Tom Snow
PermalinkPresented by Matt Hale
Vassilios Doupas, Andrew Hunt and Ellen Mara De Wachter discuss contemporary art shows in Athens, different models of curating and the ‘Somewhere in Between’ exhibition at Bozar in Brussels.
>>Play Vassilios Doupas, Andrew Hunt & Ellen Mara De Wachter
PermalinkPresented by Chris McCormack
Stephanie Schwartz, Giulia Smith and Dan Ward discuss the relationship between art and health, Martha Rosler and Hito Steyerl’s show in Basel, and Meriem Bennani’s show in Kingston.
>>Play Stephanie Schwartz, Giulia Smith & Dan Ward
PermalinkPresented by Matt Hale
Ashiya Eastwood, Daniel Neofetu and Maria Walsh discuss the promotion of Forensic Architecture within the art world and its implications for political art, Taryn Simon’s ‘An Occupation of Loss’ and the Groundwork programme of international art in Cornwall.
>>Play Ashiya Eastwood, Daniel Neofetu & Maria Walsh
PermalinkPresented by Chris McCormack
Isobel Harbison on the Joan Jonas survey exhibition at Tate Modern, Taylor Le Melle on Sophia Al-Maria’s show at Project Native Informant and Edward C Ball on the art scene in Paris, including the opening of the Rem Koolhaas-designed gallery, Lafayette Expectations.
>>Play Edward C Ball, Isobel Harbison & Taylor Le Melle
PermalinkPresented by Matt Hale
Dave Beech discusses the idea that the robot is to visions of the future what the genius was to the industrial age, and argues that current thinking devalues labour while simultaneously ushering in a new form of slavery.
PermalinkPresented by Chris McCormack
Jennifer Thatcher discusses the art world’s We Are Not Surprised anti-harassment movement in response to the wider post-Weinstein #MeToo campaign, and Amy Budd discusses the ‘No, No, No, No’ exhibition at Cell Projects. Presented by Chris McCormack.
>>Play Amy Budd & Jennifer Thatcher
PermalinkPresented by Matt Hale
Ashiya Eastwood explores TJ Demos’s book Against the Anthropocene, Kathryn Lloyd examines Sophie Jung’s performance-based art practice and Virginia Whiles discusses her interview with Rasheed Araeen.
>>Play Ashiya Eastwood, Kathryn Lloyd & Virginia Whiles
PermalinkPresented by Chris McCormack
Lizzie Homersham on Hannah Black and her recent show at Chisenhale Gallery, Seth Pimlott on Erika Balsom’s book ‘After Uniqueness: A History of Film and Video Art in Circulation’ and George Vasey on David Dye’s exhibition at the Henry Moore Institute.
>>Play Lizzie Homersham, Seth Pimlott & George Vasey
PermalinkPresented by Matt Hale
Bob Dickinson on art, life and the algorithm, Giulia Smith discusses the upsurge in art about sickness, and Virginia Whiles reports on Manchester's New North and South exhibition marking 70 years of independence for India and Pakistan.
>>Play Bob Dickinson, Giulia Smith & Virginia Whiles
PermalinkPresented by Chris McCormack
Isobel Harbison on the Gothenburg Biennial, Richard Hylton on the rise in thematic shows of black artists, and Maria Walsh on Leon Wainwright’s book ‘Phenomenal Difference: A Philosophy of Black British Art’.
>>Play Isobel Harbison, Richard Hylton & Maria Walsh
PermalinkPresented by Matt Hale
Lisa Le Feuvre discusses the crisis in public sculpture highlighted by this year’s Münster Sculpture Project.
PermalinkPresented by Chris McCormack
Sophia Phoca on Documenta, Jamie Sutcliffe on Jenna Sutela’s exhibition at Banner Repeater and Lauren Velvick on Marlie Mul’s project at Glasgow GoMA, ‘This exhibition is cancelled’.
>>Play Sophia Phoca, Jamie Sutcliffe & Lauren Velvick
PermalinkPresented by Matt Hale
Bob Dickinson on crowdthinking and the political fallout from the rise of referendums, and Chris Fite-Wassilak on the music-themed exhibition Wagstaff’s at Mostyn in Llandudno and Martin Herbert's book of artist refuseniks ‘Tell Them I said No’.
>>Play Bob Dickinson & Chris Fite-Wassilak
PermalinkPresented by Chris McCormack
Brian Hatton suggests that the loop in art predates its usage in film and video art theory; Maria Walsh takes a critical view of a slew of women’s art shows; Sophie J Williamson argues that cultural translation can both help and hinder understanding.
>>Play Brian Hatton, Maria Walsh & Sophie J Williamson
PermalinkPresented by Matt Hale
Paul O’Kane on the book ‘On Stage: The Theatrical Dimension of Video Image’, Jamie Sutcliffe on Tate’s screening of American experimental animation from the 1970s and 1980s, and Bryony White on the Performistanbul festival and the wider the wider Turkish art scene.
>>Play Paul O'Kane, Jamie Sutcliffe & Bryony White
PermalinkPresented by Matt Hale
Morgan Quaintance and Virginia Whiles discuss cults and collectivism, asking can artworks reveal the radical potential of self-reflection while avoiding the dangers of a slide to the far right?
>>Play Morgan Quaintance & Virginia Whiles
PermalinkPresented by Chris McCormack
Tim Dixon discusses art and accelerationism, Andrew Hunt proposes gonzo curating and Andrew J Stooke reports on the Shanghai Biennale.
>>Play Tim Dixon, Andrew Hunt & Andrew J Stooke
PermalinkPresented by Matt Hale
Mark Prince argues that abstract art has performed a 50-year volte-face.
PermalinkPresented by Patricia Bickers
Virginia Whiles discusses Suzanne Lacy’s collaborative performance at Brierfield Mill in Lancashire, Bob Dickinson wonders what the rise of art self-help books means, and David Lillington considers why death has become a fashionable subject in contemporary art and exhibitions.
>>Play Bob Dickinson, David Lillington & Virginia Whiles
PermalinkPresented by Matt Hale
Morgan Quaintance wonders why there is not more politically engaged art in these turbulent times, while Maria Walsh posits the end of critique.
>>Play Morgan Quaintance & Maria Walsh
PermalinkPresented by Chris McCormack
David Lillington discusses an exhibition curated by artist Elizabeth Price at Whitworth Gallery in Manchester, Kathryn Lloyd discusses recent exhibitions in London at Pump House Gallery, Laure Genillard and the Barbican, and Jamie Sutcliffe discusses the work of artist Kitty Clark.
>>Play David Lillington, Kathryn Lloyd & Jamie Sutcliffe
PermalinkPresented by Matt Hale
Lizzie Homersham tackles gendered issues surrounding ideas of empathy and autism, while Morgan Quaintance argues that that art’s relationship with private finance comes at a price.
>>Play Lizzie Homersham & Morgan Quaintance
PermalinkPresented by Chris McCormack
Naomi Pearce discusses the Martine Syms exhibition at the ICA; Adam Pugh reports on the Oberhausen Short Film Festival; Jamie Sutcliffe examines artists’ repurposing of video games to reveal the fantasy of freedom that virtual technologies offer.
>>Play Naomi Pearce, Adam Pugh & Jamie Sutcliffe
PermalinkPresented by Matt Hale
Virginia Whiles discusses her interview with Mona Hatoum and her report on the Dhaka Art Summit, and Peter Suchin discusses his reviews of the ‘Barthes/Burgin’ show and John Roberts’s latest book, as well as remembering the late Jon Thompson.
>>Play Peter Suchin & Virginia Whiles
PermalinkPresented by Chris McCormack
Isobel Harbison discusses the Hot Babe theory of objectification, Erika Balsom recounts the north-east's socialism-oriented AV Festival and Sophia Phoca tackles James Coleman’s exhibition at Marian Goodman Gallery.
>>Play Erika Balsom, Isobel Harbison & Sophia Phoca
PermalinkPresented by Matt Hale
Kathryn Lloyd on Iván Argote’s show at Space, Jamie Sutcliffe brings a worm’s eye view to art and the Chthulucene and Lynton Talbot discusses the Whitechapel Gallery’s ‘Electronic Superhighway (2016-1966)’ exhibition.
>>Play Kathryn Lloyd, Jamie Sutcliffe & Lynton Talbot
PermalinkPresented by Chris McCormack
Maria Walsh discusses Adam Chodzko’s eco-art film Deep Above, Alex Fletcher reports from Raven Row’s exhibition ‘The Inoperative Community’ and Chris Fite-Wassilak examines Jessie Brennan and Nathan Coley’s artists’ books about art and regeneration.
>>Play Chris Fite-Wassilak, Alex Fletcher & Maria Walsh
PermalinkPresented by Matt Hale
Beth Bramich reports from ‘Art & Stupidity’, Nathan Jones makes sense from non-sense with glitch poetics and Paul O’Kane seeks orientation without maps.
>>Play Beth Bramich, Nathan Jones & Paul O’Kane
PermalinkPresented by Chris McCormack
Jonathan P Watts discusses art and the commodification of happiness, Lauren Velvick introduces the work of Jennet Thomas, and Jamie Sutcliffe examines Marcus Werner Hed and Nathaniel Mellors’s film The R&B Feeling about the life of Bob Parks.
>>Play Jamie Sutcliffe, Lauren Velvick & Jonathan P Watts
PermalinkPresented by Matt Hale
Matthew Bowman and Mark Wilsher discuss the latter’s ‘Everyone is an Curator’ show, Chris Fite-Wassilak introduces the social art of Jonathan Hoskins and Rob La Frenais reports on the Istanbul Bienali.
>>Play Matthew Bowman, Chris Fite-Wassilak, Rob La Frenais & Mark Wilsher
PermalinkPresented by Chris McCormack
Larne Abse Gogarty discusses the reinvention of documentary, Richard Grayson explores the ends of post-internet art and Alex Fletcher talks about the recent film work of Ben Rivers..
>>Play Larne Abse Gogarty, Richard Grayson & Alex Fletcher
PermalinkPresented by Matt Hale
Andrew Hunt discusses the return of the exhibition itself to the heart of curatorial thinking while Paul O’Kane considers Robert Smithson’s legacy.
>>Play Andrew Hunt & Paul O’Kane
PermalinkPresented by Chris McCormack
Patricia Bickers discusses Okwui Enwezor’s Venice Biennale with host Chris McCormack, Morgan Quaintance argues that we are at the end of post-internet art and Jamie Sutcliffe reports on Katrina Palmer’s Artangel commission End Matter on the Isle of Portland in Dorset.
>>Play Patricia Bickers, Morgan Quaintance & Jamie Sutcliffe
PermalinkPresented by Matt Hale
Larne Abse Gogarty asks how artists make a living, Alex Fletcher discusses Harun Farocki’s Labour in a Single Shot project and Virginia Whiles reports on the art scene in Lahore.
>>Play Alex Fletcher, Larne Abse Gogarty & Virginia Whiles
PermalinkPresented by Chris McCormack
Lizzie Homersham, Cherry Smyth and Marina Vishmidt discuss exhibitions by Sarah Sze and Rachel Reupke as well as the willingness of post-internet artists to embrace the art market and patrons that other artists choose to boycott
>>Play Lizzie Homersham, Cherry Smyth & Marina Vishmidt
PermalinkPresented by Matt Hale
Bob Dickinson on art and laughter, and Peter Suchin on Art & Language
>>Play Bob Dickinson & Peter Suchin
PermalinkPresented by Chris McCormack
Paul O’Kane and Morgan Quaintance question whether photography problematises judgement in art, and discuss the unique art scene of New Orleans.
>>Play Paul O'Kane & Morgan Quaintance
PermalinkPresented by Matt Hale
Peter Suchin on the exhibition ‘Show Me the Money’ and the latest books from his round-up article ‘Transgressions and Transmissions’.
PermalinkPresented by Matt Hale
Dave Beech, Paul Carey-Kent and Andrew Hunt discuss art boycotts, antagonistic public art and the Folkestone Triennial.
>>Play Dave Beech, Paul Carey-Kent & Andrew Hunt
PermalinkPresented by Matt Hale
Bob Dickinson tackles the Liverpool Biennial and Nick Warner discusses London exhibitions while Ajay Hothi philosophises about art on the web.
>>Play Bob Dickinson, Ajay Hothi & Nick Warner
PermalinkPresented by Chris McCormack
Gilda Williams discusses how Andy Warhol went beyond Pop Art while Omar Kholeif is critical of Juan A Gaitán’s Berlin Biennale.
>>Play Omar Kholeif & Gilda Williams
PermalinkPresented by Matt Hale
Dave Beech discusses what art schools should teach while Colin Perry examines Chris Marker's film work.
>>Play Dave Beech & Colin Perry
Permalink